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Title: Tales of Cthulhu (a compilation)
Author: Robert E. Howard
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Language: English
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Tales of Cthulhu

by

Robert E. Howard

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First published in this form by:
Project Gutenberg Australia and Roy Glashan's Library



TABLE OF CONTENTS



THE CHILDREN OF THE NIGHT

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Weird Tales, April-May 1931



First published in Weird Tales, April-May 1931

THERE were, I remember, six of us in Conrad's bizarrely fashioned study, with its queer relics from all over the world and its long rows of books which ranged from the Mandrake Press edition of Boccaccio to a Missale Romanum, bound in clasped oak boards and printed in Venice, 1740. Clemants and Professor Kirowan had just engaged in a somewhat testy anthropological argument: Clemants upholding the theory of a separate, distinct Alpine race, while the professor maintained that this so-called race was merely a deviation from an original Aryan stock—possibly the result of an admixture between the southern or Mediterranean races and the Nordic people.

"And how," asked Clemants, "do you account for their brachycephalicism? The Mediterraneans were as long-headed as the Aryans: would admixture between these dolichocephalic peoples produce a broad-headed intermediate type?"

"Special conditions might bring about a change in an originally long- headed race," snapped Kirowan. "Boaz has demonstrated, for instance, that in the case of immigrants to America, skull formations often change in one generation. And Flinders Petrie has shown that the Lombards changed from a long- headed to a round-headed race in a few centuries."

"But what caused these changes?"

"Much is yet unknown to science," answered Kirowan, "and we need not be dogmatic. No one knows, as yet, why people of British and Irish ancestry tend to grow unusually tall in the Darling district of Australia—Cornstalks, as they are called—or why people of such descent generally have thinner jaw-structures after a few generations in New England. The universe is full of the unexplainable."

"And therefore the uninteresting, according to Machen," laughed Taverel.

Conrad shook his head. "I must disagree. To me, the unknowable is most tantalizingly fascinating."

"Which accounts, no doubt, for all the works on witchcraft and demonology I see on your shelves," said Ketrick, with a wave of his hand toward the rows of books.

And let me speak of Ketrick. Each of the six of us was of the same breed —that is to say, a Briton or an American of British descent. By British, I include all natural inhabitants of the British Isles. We represented various strains of English and Celtic blood, but basically, these strains are the same after all. But Ketrick: to me the man always seemed strangely alien. It was in his eyes that this difference showed externally. They were a sort of amber, almost yellow, and slightly oblique. At times, when one looked at his face from certain angles, they seemed to slant like a Chinaman's.

Others than I had noticed this feature, so unusual in a man of pure Anglo- Saxon descent. The usual myths ascribing his slanted eyes to some pre-natal influence had been mooted about, and I remember Professor Hendrik Brooler once remarked that Ketrick was undoubtedly an atavism, representing a reversion of type to some dim and distant ancestor of Mongolian blood—a sort of freak reversion, since none of his family showed such traces.

But Ketrick comes of the Welsh branch of the Cetrics of Sussex, and his lineage is set down in the Book of Peers. There you may read the line of his ancestry, which extends unbroken to the days of Canute. No slightest trace of Mongoloid intermixture appears in the genealogy, and how could there have been such intermixture in old Saxon England? For Ketrick is the modern form of Cedric, and though that branch fled into Wales before the invasion of the Danes, its male heirs consistently married with English families on the border marches, and it remains a pure line of the powerful Sussex Cedrics—almost pure Saxon. As for the man himself, this defect of his eyes, if it can be called a defect, is his only abnormality, except for a slight and occasional lisping of speech. He is highly intellectual and a good companion except for a slight aloofness and a rather callous indifference which may serve to mask an extremely sensitive nature.

Referring to his remark, I said with a laugh: "Conrad pursues the obscure and mystic as some men pursue romance; his shelves throng with delightful nightmares of every variety."

Our host nodded. "You'll find there a number of delectable dishes—Machen, Poe, Blackwood, Maturin—look, there's a rare feast—Horrid Mysteries, by the Marquis of Grosse—the real Eighteenth Century edition."

Taverel scanned the shelves. "Weird fiction seems to vie with works on witchcraft, voodoo and dark magic."

True; historians and chronicles are often dull; tale-weavers never —the masters, I mean. A voodoo sacrifice can be described in such a dull manner as to take all the real fantasy out of it, and leave it merely a sordid murder. I will admit that few writers of fiction touch the true heights of horror—most of their stuff is too concrete, given too much earthly shape and dimensions. But in such tales as Poe's Fall of the House of Usher, Machen's Black Seal and Lovecraft's Call of Cthulhu —the three master horror-tales, to my mind—the reader is borne into dark and outer realms of imagination.

"But look there," he continued, "there, sandwiched between that nightmare of Huysmans', and Walpole's Castle of Otranto—Von Junzt's Nameless Cults. There's a book to keep you awake at night!"

"I've read it," said Taverel, "and I'm convinced the man is mad. His work is like the conversation of a maniac—it runs with startling clarity for awhile, then suddenly merges into vagueness and disconnected ramblings."

Conrad shook his head. "Have you ever thought that perhaps it is his very sanity that causes him to write in that fashion? What if he dares not put on paper all he knows? What if his vague suppositions are dark and mysterious hints, keys to the puzzle, to those who know?"

"Bosh!" This from Kirowan. "Are you intimating that any of the nightmare cults referred to by Von Junzt survive to this day—if they ever existed save in the hag-ridden brain of a lunatic poet and philosopher?"

"Not he alone used hidden meanings," answered Conrad. "If you will scan various works of certain great poets you may find double meanings. Men have stumbled onto cosmic secrets in the past and given a hint of them to the world in cryptic words. Do you remember Von Junzt's hints of 'a city in the waste'? What do you think of Flecker's line:"

'Pass not beneath! Men say there blows in stony deserts still a rose

But with no scarlet to her leaf—and from whose heart no perfume flows.'

"Men may stumble upon secret things, but Von Junzt dipped deep into forbidden mysteries. He was one of the few men, for instance, who could read the Necronomicon in the original Greek translation."

Taverel shrugged his shoulders, and Professor Kirowan, though he snorted and puffed viciously at his pipe, made no direct reply; for he, as well as Conrad, had delved into the Latin version of the book, and had found there things not even a cold-blooded scientist could answer or refute.

"Well," he said presently, "suppose we admit the former existence of cults revolving about such nameless and ghastly gods and entities as Cthulhu, Yog Sothoth, Tsathoggua, Gol-goroth, and the like, I can not find it in my mind to believe that survivals of such cults lurk in the dark corners of the world today."

To our surprise Clemants answered. He was a tall, lean man, silent almost to the point of taciturnity, and his fierce struggles with poverty in his youth had lined his face beyond his years. Like many another artist, he lived a distinctly dual literary life, his swashbuckling novels furnishing him a generous income, and his editorial position on The Cloven Hoof affording him full artistic expression. The Cloven Hoof was a poetry magazine whose bizarre contents had often aroused the shocked interest of the conservative critics.

"You remember Von Junzt makes mention of a so-called Bran cult," said Clemants, stuffing his pipe-bowl with a peculiarly villainous brand of shag tobacco. "I think I heard you and Taverel discussing it once."

"As I gather from his hints," snapped Kirowan, "Von Junzt includes this particular cult among those still in existence. Absurd."

Again Clemants shook his head. "When I was a boy working my way through a certain university, I had for roommate a lad as poor and ambitious as I. If I told you his name, it would startle you. Though he came of an old Scotch line of Galloway, he was obviously of a non-Aryan type.

"This is in strictest confidence, you understand. But my roommate talked in his sleep. I began to listen and put his disjointed mumbling together. And in his mutterings I first heard of the ancient cult hinted at by Von Junzt; of the king who rules the Dark Empire, which was a revival of an older, darker empire dating back into the Stone Age; and of the great, nameless cavern where stands the Dark Man—the image of Bran Mak Morn, carved in his likeness by a master-hand while the great king yet lived, and to which each worshipper of Bran makes a pilgrimage once in his or her lifetime. Yes, that cult lives today in the descendants of Bran's people—a silent, unknown current it flows on in the great ocean of life, waiting for the stone image of the great Bran to breathe and move with sudden life, and come from the great cavern to rebuild their lost empire."

"And who were the people of that empire?" asked Ketrick.

"Picts," answered Taverel, "doubtless the people known later as the wild Picts of Galloway were predominantly Celtic—a mixture of Gaelic, Cymric, aboriginal and possibly Teutonic elements. Whether they took their name from the older race or lent their own name to that race, is a matter yet to be decided. But when Von Junzt speaks of Picts, he refers specifically to the small, dark, garlic-eating peoples of Mediterranean blood who brought the Neolithic culture into Britain. The first settlers of that country, in fact, who gave rise to the tales of earth spirits and goblins."

"I can not agree to that last statement," said Conrad. "These legends ascribe a deformity and inhumanness of appearances to the characters. There was nothing about the Picts to excite such horror and repulsion in the Aryan peoples. I believe that the Mediterraneans were preceded by a Mongoloid type, very low in the scale of development, whence these tales—"

"Quite true," broke in Kirowan, "but I hardly think they preceded the Picts, as you call them, into Britain. We find troll and dwarf legends all over the Continent, and I am inclined to think that both the Mediterranean and Aryan people brought these tales with them from the Continent. They must have been of extremely inhuman aspect, those early Mongoloids."

"At least," said Conrad, "here is a flint mallet a miner found in the Welsh hills and gave to me, which has never been fully explained. It is obviously of no ordinary Neolithic make. See how small it is, compared to most implements of that age; almost like a child's toy; yet it is surprisingly heavy and no doubt a deadly blow could be dealt with it. I fitted the handle to it, myself, and you would be surprised to know how difficult it was to carve it into a shape and balance corresponding with the head."

We looked at the thing. It was well made, polished somewhat like the other remnants of the Neolithic I had seen, yet as Conrad said, it was strangely different. Its small size was oddly disquieting, for it had no appearance of a toy, otherwise. It was as sinister in suggestion as an Aztec sacrificial dagger. Conrad had fashioned the oaken handle with rare skill, and in carving it to fit the head, had managed to give it the same unnatural appearance as the mallet itself had. He had even copied the workmanship of primal times, fixing the head into the cleft of the haft with rawhide.

"My word!" Taverel made a clumsy pass at an imaginary antagonist and nearly shattered a costly Shang vase. "The balance of the thing is all off- center; I'd have to readjust all my mechanics of poise and equilibrium to handle it."

"Let me see it," Ketrick took the thing and fumbled with it, trying to strike the secret of its proper handling. At length, somewhat irritated, he swung it up and struck a heavy blow at a shield which hung on the wall nearby. I was standing near it; I saw the hellish mallet twist in his hand like a live serpent, and his arm wrenched out of line; I heard a shout of alarmed warning —then darkness came with the impact of the mallet against my head.

Slowly I drifted back to consciousness. First there was dull sensation with blindness and total lack of knowledge as to where I was or what I was; then vague realization of life and being, and a hard something pressing into my ribs. Then the mists cleared and I came to myself completely.

I lay on my back half-beneath some underbrush and my head throbbed fiercely. Also my hair was caked and clotted with blood, for the scalp had been laid open. But my eyes traveled down my body and limbs, naked but for a deerskin loincloth and sandals of the same material, and found no other wound. That which pressed so uncomfortably into my ribs was my ax, on which I had fallen.

Now an abhorrent babble reached my ears and stung me into clear consciousness. The noise was faintly like language, but not such language as men are accustomed to. It sounded much like the repeated hissing of many great snakes.

I stared. I lay in a great, gloomy forest. The glade was overshadowed, so that even in the daytime it was very dark. Aye—that forest was dark, cold, silent, gigantic and utterly grisly. And I looked into the glade.

I saw a shambles. Five men lay there—at least, what had been five men. Now as I marked the abhorrent mutilations my soul sickened. And about clustered the—Things. Humans they were, of a sort, though I did not consider them so. They were short and stocky, with broad heads too large for their scrawny bodies. Their hair was snaky and stringy, their faces broad and square, with flat noses, hideously slanted eyes, a thin gash for a mouth, and pointed ears. They wore the skins of beasts, as did I, but these hides were but crudely dressed. They bore small bows and flint-tipped arrows, flint knives and cudgels. And they conversed in a speech as hideous as themselves, a hissing, reptilian speech that filled me with dread and loathing.

Oh, I hated them as I lay there; my brain flamed with white-hot fury. And now I remembered. We had hunted, we six youths of the Sword People, and wandered far into the grim forest which our people generally shunned. Weary of the chase, we had paused to rest; to me had been given the first watch, for in those days, no sleep was safe without a sentry. Now shame and revulsion shook my whole being. I had slept—I had betrayed my comrades. And now they lay gashed and mangled—butchered while they slept, by vermin who had never dared to stand before them on equal terms. I, Aryara, had betrayed my trust.

Aye—I remembered. I had slept and in the midst of a dream of the hunt, fire and sparks had exploded in my head and I had plunged into a deeper darkness where there were no dreams. And now the penalty. They who had stolen through the dense forest and smitten me senseless, had not paused to mutilate me. Thinking me dead they had hastened swiftly to their grisly work. Now perhaps they had forgotten me for a time. I had sat somewhat apart from the others, and when struck, had fallen half-under some bushes. But soon they would remember me. I would hunt no more, dance no more in the dances of hunt and love and war, see no more the wattle huts of the Sword People.

But I had no wish to escape back to my people. Should I slink back with my tale of infamy and disgrace? Should I hear the words of scorn my tribe would fling at me, see the girls point their contemptuous fingers at the youth who slept and betrayed his comrades to the knives of vermin?

Tears stung my eyes, and slow hate heaved up in my bosom, and my brain. I would never bear the sword that marked the warrior. I would never triumph over worthy foes and die gloriously beneath the arrows of the Picts or the axes of the Wolf People or the River People. I would go down to death beneath a nauseous rabble, whom the Picts had long ago driven into forest dens like rats.

And mad rage gripped me and dried my tears, giving in their stead a berserk blaze of wrath. If such reptiles were to bring about my downfall, I would make it a fall long remembered—if such beasts had memories.

Moving cautiously, I shifted until my hand was on the haft of my ax; then I called on Il-marinen and bounded up as a tiger springs. And as a tiger springs I was among my enemies and mashed a flat skull as a man crushes the head of a snake. A sudden wild clamor of fear broke from my victims and for an instant they closed round me, hacking and stabbing. A knife gashed my chest but I gave no heed. A red mist waved before my eyes, and my body and limbs moved in perfect accord with my fighting brain. Snarling, hacking and smiting, I was a tiger among reptiles. In an instant they gave way and fled, leaving me bestriding half a dozen stunted bodies. But I was not satiated.

I was close on the heels of the tallest one, whose head would perhaps come to my shoulder, and who seemed to be their chief. He fled down a sort of runway, squealing like a monstrous lizard, and when I was close at his shoulder, he dived, snake-like, into the bushes. But I was too swift for him, and I dragged him forth and butchered him in a most gory fashion.

And through the bushes I saw the trail he was striving to reach—a path winding in and out among the trees, almost too narrow to allow the traversing of it by a man of normal size. I hacked off my victim's hideous head, and carrying it in my left hand, went up the serpent-path, with my red ax in my right.

Now as I strode swiftly along the path and blood splashed beside my feet at every step from the severed jugular of my foe, I thought of those I hunted. Aye—we held them in so little esteem, we hunted by day in the forest they haunted. What they called themselves, we never knew; for none of our tribe ever learned the accursed hissing sibilances they used as speech; but we called them Children of the Night. And night-things they were indeed, for they slunk in the depths of the dark forests, and in subterraneous dwellings, venturing forth into the hills only when their conquerors slept. It was at night that they did their foul deeds—the quick flight of a flint-tipped arrow to slay cattle, or perhaps a loitering human, the snatching of a child that had wandered from the village.

But it was for more than this we gave them their name; they were, in truth, people of night and darkness and the ancient horror-ridden shadows of bygone ages. For these creatures were very old, and they represented an outworn age. They had once overrun and possessed this land, and they had been driven into hiding and obscurity by the dark, fierce little Picts with whom we contested now, and who hated and loathed them as savagely as did we.

The Picts were different from us in general appearance, being shorter of stature and dark of hair, eyes and skin, whereas we were tall and powerful, with yellow hair and light eyes. But they were cast in the same mold, for all of that. These Children of the Night seemed not human to us, with their deformed dwarfish bodies, yellow skin and hideous faces. Aye—they were reptiles—vermin.

And my brain was like to burst with fury when I thought that it was these vermin on whom I was to glut my ax and perish. Bah! There is no glory slaying snakes or dying from their bites. All this rage and fierce disappointment turned on the objects of my hatred, and with the old red mist waving in front of me I swore by all the gods I knew, to wreak such red havoc before I died as to leave a dread memory in the minds of the survivors.

My people would not honor me, in such contempt they held the Children. But those Children that I left alive would remember me and shudder. So I swore, gripping savagely my ax, which was of bronze, set in a cleft of the oaken haft and fastened securely with rawhide.

Now I heard ahead a sibilant, abhorrent murmur, and a vile stench filtered to me through the trees, human, yet less than human. A few moments more and I emerged from the deep shadows into a wide open space. I had never before seen a village of the Children. There was a cluster of earthen domes, with low doorways sunk into the ground; squalid dwelling-places, half-above and half-below the earth. And I knew from the talk of the old warriors that these dwelling-places were connected by underground corridors, so the whole village was like an ant-bed, or a system of snake holes. And I wondered if other tunnels did not run off under the ground and emerge long distances from the villages.

Before the domes clustered a vast group of the creatures, hissing and jabbering at a great rate.

I had quickened my pace, and now as I burst from cover, I was running with the fleetness of my race. A wild clamor went up from the rabble as they saw the avenger, tall, bloodstained and blazing-eyed leap from the forest, and I cried out fiercely, flung the dripping head among them and bounded like a wounded tiger into the thick of them.

Oh, there was no escape for them now! They might have taken to their tunnels but I would have followed, even to the guts of Hell. They knew they must slay me, and they closed around, a hundred strong, to do it.

There was no wild blaze of glory in my brain as there had been against worthy foes. But the old berserk madness of my race was in my blood and the smell of blood and destruction in my nostrils.

I know not how many I slew. I only know that they thronged about me in a writhing, slashing mass, like serpents about a wolf, and I smote until the ax- edge turned and bent and the ax became no more than a bludgeon; and I smashed skulls, split heads, splintered bones, scattered blood and brains in one red sacrifice to Il-marinen, god of the Sword People.

Bleeding from half a hundred wounds, blinded by a slash across the eyes, I felt a flint knife sink deep into my groin and at the same instant a cudgel laid my scalp open. I went to my knees but reeled up again, and saw in a thick red fog a ring of leering, slant-eyed faces. I lashed out as a dying tiger strikes, and the faces broke in red ruin.

And as I sagged, overbalanced by the fury of my stroke, a taloned hand clutched my throat and a flint blade was driven into my ribs and twisted venomously. Beneath a shower of blows I went down again, but the man with the knife was beneath me, and with my left hand I found him and broke his neck before he could writhe away.

Life was waning swiftly; through the hissing and howling of the Children I could hear the voice of Il-marinen. Yet once again I rose stubbornly, through a very whirlwind of cudgels and spears. I could no longer see my foes, even in a red mist. But I could feel their blows and knew they surged about me. I braced my feet, gripped my slippery ax-haft with both hands, and calling once more on Il-marinen I heaved up the ax and struck one last terrific blow. And I must have died on my feet, for there was no sensation of falling; even as I knew, with a last thrill of savagery, that slew, even as I felt the splintering of skulls beneath my ax, darkness came with oblivion.

I came suddenly to myself. I was half-reclining in a big armchair and Conrad was pouring water on me. My head ached and a trickle of blood had half- dried on my face. Kirowan, Taverel and Clemants were hovering about, anxiously, while Ketrick stood just in front of me, still holding the mallet, his face schooled to a polite perturbation which his eyes did not show. And at the sight of those cursed eyes a red madness surged up in me.

"There," Conrad was saying, "I told you he'd come out of it in a moment; just a light crack. He's taken harder than that. All right now, aren't you, O'Donnel?"

At that I swept them aside, and with a single low snarl of hatred launched myself at Ketrick. Taken utterly by surprise he had no opportunity to defend himself. My hands locked on his throat and we crashed together on the ruins of a divan. The others cried out in amazement and horror and sprang to separate us—or rather, to tear me from my victim, for already Ketrick's slant eyes were beginning to start from their sockets.

"For God's sake, O'Donnel," exclaimed Conrad, seeking to break my grip, "what's come over you? Ketrick didn't mean to hit you—let go, you idiot!"

A fierce wrath almost overcame me at these men who were my friends, men of my own tribe, and I swore at them and their blindness, as they finally managed to tear my strangling fingers from Ketrick's throat. He sat up and choked and explored the blue marks my fingers had left, while I raged and cursed, nearly defeating the combined efforts of the four to hold me.

"You fools!" I screamed. "Let me go! Let me do my duty as a tribesman! You blind fools! I care nothing for the paltry blow he dealt me—he and his dealt stronger blows than that against me, in bygone ages. You fools, he is marked with the brand of the beast—the reptile—the vermin we exterminated centuries ago! I must crush him, stamp him out, rid the clean earth of his accursed pollution!"

So I raved and struggled and Conrad gasped to Ketrick over his shoulder: "Get out, quick! He's out of his head! His mind is unhinged! Get away from him."

Now I look out over the ancient dreaming downs and the hills and deep forests beyond and I ponder. Somehow, that blow from that ancient accursed mallet knocked me back into another age and another life. While I was Aryara I had no cognizance of any other life. It was no dream; it was a stray bit of reality wherein I, John O'Donnel, once lived and died, and back into which I was snatched across the voids of time and space by a chance blow. Time and times are but cogwheels, unmatched, grinding on oblivious to one another. Occasionally—oh, very rarely!—the cogs fit; the pieces of the plot snap together momentarily and give men faint glimpses beyond the veil of this everyday blindness we call reality.

I am John O'Donnel and I was Aryara, who dreamed dreams of war-glory and hunt-glory and feast-glory and who died on a red heap of his victims in some lost age. But in what age and where?

The last I can answer for you. Mountains and rivers change their contours; the landscapes alter; but the downs least of all. I look out upon them now and I remember them, not only with John O'Donnel's eyes, but with the eyes of Aryara. They are but little changed. Only the great forest has shrunk and dwindled and in many, many places vanished utterly. But here on these very downs Aryara lived and fought and loved and in yonder forest he died. Kirowan was wrong. The little, fierce, dark Picts were not the first men in the Isles. There were beings before them—aye, the Children of the Night. Legends —why, the Children were not unknown to us when we came into what is now the isle of Britain. We had encountered them before, ages before. Already we had our myths of them. But we found them in Britain. Nor had the Picts totally exterminated them.

Nor had the Picts, as so many believe, preceded us by many centuries. We drove them before us as we came, in that long drift from the East. I, Aryara, knew old men who had marched on that century-long trek; who had been borne in the arms of yellow-haired women over countless miles of forest and plain, and who as youths had walked in the vanguard of the invaders.

As to the age—that I cannot say. But I, Aryara, was surely an Aryan and my people were Aryans—members of one of the thousand unknown and unrecorded drifts that scattered yellow-haired blue-eyed tribes all over the world. The Celts were not the first to come into western Europe. I, Aryara, was of the same blood and appearance as the men who sacked Rome, but mine was a much older strain. Of the language spoke, no echo remains in the waking mind of John O'Donnel, but I knew that Aryara's tongue was to ancient Celtic what ancient Celtic is to modern Gaelic.

Il-marinen! I remember the god I called upon, the ancient, ancient god who worked in metals—in bronze then. For Il-marinen was one of the base gods of the Aryans from whom many gods grew; and he was Wieland and Vulcan in the ages of iron. But to Aryara he was Il-marinen.

And Aryara—he was one of many tribes and many drifts. Not alone did the Sword People come or dwell in Britain. The River People were before us and the Wolf People came later. But they were Aryans like us, light-eyed and tall and blond. We fought them, for the reason that the various drifts of Aryans have always fought each other, just as the Achaeans fought the Dorians, just as the Celts and Germans cut each other's throats; aye, just as the Hellenes and the Persians, who were once one people and of the same drift, split in two different ways on the long trek and centuries later met and flooded Greece and Asia Minor with blood.

Now understand, all this I did not know as Aryara. I, Aryara, knew nothing of all these world-wide drifts of my race. I knew only that my people were conquerors, that a century ago my ancestors had dwelt in the great plains far to the east, plains populous with fierce, yellow-haired, light-eyed people like myself; that my ancestors had come westward in a great drift; and that in that drift, when my tribesmen met tribes of other races, they trampled and destroyed them, and when they met other yellow-haired, light-eyed people, of older or newer drifts, they fought savagely and mercilessly, according to the old, illogical custom of the Aryan people. This Aryara knew, and I, John O'Donnel, who know much more and much less than I, Aryara, knew, have combined the knowledge of these separate selves and have come to conclusions that would startle many noted scientists and historians.

Yet this fact is well known: Aryans deteriorate swiftly in sedentary and peaceful lives. Their proper existence is a nomadic one; when they settle down to an agricultural existence, they pave the way for their downfall; and when they pen themselves with city walls, they seal their doom. Why, I, Aryara, remember the tales of the old men—how the Sons of the Sword, on that long drift, found villages of white-skinned yellow-haired people who had drifted into the west centuries before and had quit the wandering life to dwell among the dark, garlic-eating people and gain their sustenance from the soil. And the old men told how soft and weak they were, and how easily they fell before the bronze blades of the Sword People.

Look—is not the whole history of the Sons of Aryan laid on those lines? Look—how swiftly has Persian followed Mede; Greek, Persian; Roman, Greek; and German, Roman. Aye, and the Norseman followed the Germanic tribes when they had grown flabby from a century or so of peace and idleness, and despoiled the spoils they had taken in the southland.

But let me speak of Ketrick. Ha—the short hairs at the back of my neck bristle at the very mention of his name. A reversion to type—but not to the type of some cleanly Chinaman or Mongol of recent times. The Danes drove his ancestors into the hills of Wales; and there, in what medieval century, and in what foul way did that cursed aboriginal taint creep into the clean Saxon blood of the Celtic line, there to lie dormant so long? The Celtic Welsh never mated with the Children any more than the Picts did. But there must have been survivals—vermin lurking in those grim hills, that had outlasted their time and age. In Aryara's day they were scarcely human. What must a thousand years of retrogression have done to the breed?

What foul shape stole into the Ketrick castle on some forgotten night, or rose out of the dusk to grip some woman of the line, straying in the hills?

The mind shrinks from such an image. But this I know: there must have been survivals of that foul, reptilian epoch when the Ketricks went into Wales. There still may be. But this changeling, this waif of darkness, this horror who bears the noble name of Ketrick, the brand of the serpent is upon him, and until he is destroyed there is no rest for me. Now that I know him for what he is, he pollutes the clean air and leaves the slime of the snake on the green earth. The sound of his lisping, hissing voice fills me with crawling horror and the sight of his slanted eyes inspires me with madness.

For I come of a royal race, and such as he is a continual insult and a threat, like a serpent underfoot. Mine is a regal race, though now it is become degraded and falls into decay by continual admixture with conquered races. The waves of alien blood have washed my hair black and my skin dark, but I still have the lordly stature and the blue eyes of a royal Aryan.

And as my ancestors—as I, Aryara, destroyed the scum that writhed beneath our heels, so shall I, John O'Donnel, exterminate the reptilian thing, the monster bred of the snaky taint that slumbered so long unguessed in clean Saxon veins, the vestigial serpent-things left to taunt the Sons of Aryan. They say the blow I received affected my mind; I know it but opened my eyes. Mine ancient enemy walks often on the moors alone, attracted, though he may not know it, by ancestral urgings. And on one of these lonely walks I shall meet him, and when I meet him, I will break his foul neck with my hands, as I, Aryara, broke the necks of foul night-things in the long, long ago.

Then they may take me and break my neck at the end of a rope if they will. I am not blind, if my friends are. And in the sight of the old Aryan god, if not in the blinded eyes of men, I will have kept faith with my tribe.



THE BLACK STONE

Cover Image

Weird Tales, November 1931



First published in Weird Tales, November 1931

They say foul things of Old Tunes still lurk
In dark forgotten corners of the world,
And Gates still gape to loose, on certain nights,
Shapes pent in Hell.
—Justin


I READ of it first in the strange book of Von Junzt, the German eccentric who lived so curiously and died in such grisly and mysterious fashion. It was my fortune to have access to his Nameless Cults in the original edition, the so- called Black Book, published in Dusseldorf in 1839, shortly before a hounding doom overtook the author. Collectors of rare literature were familiar with Nameless Cults mainly through the cheap and faulty translation which was pirated in London by Bridewall in 1845, and the carefully expurgated edition put out by the Golden Goblin Press of New York, 1909. But the volume I stumbled upon was one of the unexpurgated German copies, with heavy leather covers arid rusty iron hasps. I doubt if there are more than half a dozen such volumes in the entire world today, for the quantity issued leas not great, and when the manner of the author's demise was bruited about, many possessors of the book burned their volumes in panic.

Von Junzt spent his entire fife (1795-1840) delving into forbidden subjects; lie traveled in all parts of the world, gained entrance into innumerable secret societies, and read countless little-known and esoteric books and manuscripts in the original; and in the chapters of the Black Book, which range from startling clarity of exposition to murky ambiguity, there are statements and hints to freeze the blood of a thinking man. Reading what Von Junzt dared put in print arouses uneasy speculations as to what it was that he dared not tell. What dark matters, for instance, were contained in those closely written pages that formed the unpublished manuscript on which he worked unceasingly for months before his death, and which lay torn and scattered all over the floor of the locked and bolted chamber in which Von Junzt was found dead with the marks of taloned fingers on his throat? It will never be known, for the author's closest friend, the Frenchman Alexis Ladeau, after having spent a whole night piecing the fragments together and reading what was written, burnt them to ashes and cut his own throat with a razor.

But the contents of the published matter are shuddersome enough, even if one accepts the general view that they but represent the ravings of a madman. There among many strange things I found mention of the Black Stone, that curious, sinister monolith that broods among the mountains of Hungary, and about which so many dark legends cluster. Van Junzt did not devote much space to it—the bulk of his grim work concerns cults and objects of dark worship which he maintained existed in his day, and it would seem that the Black Stone represents some order or being lost and forgotten centuries ago. But he spoke of it as one of the keys—a phrase used many times by him, in various relations, and constituting one of the obscurities of his work. And he hinted briefly at curious sights to be seen about the monolith on midsummer's night. He mentioned Otto Dostmann's theory that this monolith was a remnant of the Hunnish invasion and had been erected to commemorate a victory of Attila over the Goths. Von Junzt contradicted this assertion without giving any refutory facts, merely remarking that to attribute the origin of the Black Stone to the Huns was as logical as assuming that William the Conqueror reared Stonehenge.

This implication of enormous antiquity piqued my interest immensely and after some difficulty I succeeded in locating a rat-eaten and moldering copy of Dostmann's Remnants of Lost Empires (Berlin, 1809, Der Drachenhaus Press). I was disappointed to find that Dostmann referred to the Black Stone even more briefly than had Von Junzt, dismissing it with a few lines as an artifact comparatively modern in contrast with the Greco-Roman ruins of Asia Minor, which were his pet theme. He admitted inability to make out the defaced characters on the monolith but pronounced them unmistakably Mongoloid. However, little as I learned from Dostmann, he did mention the name of the village adjacent to the Black Stone—Stregoicavar—an ominous naive, meaning something like Witch-Town.

A close scrutiny of guidebooks and travel articles give me no further information—Stregoicavar, not on any map that I could find, lay in a wild, little-frequented region, out of the path of casual tourists. But I did find subject for thought in Dornly's Magyar Folklore. In his chapter on Dream Myths he mentions the Black Stone and tells of some curious superstitions regarding it—especially the belief that if anyone sleeps in the vicinity of the monolith, that person will be haunted by monstrous nightmares for ever after; and lie cited tales of the peasants regarding too-curious people, who ventured to visit the Stone on Midsummer Night and who died raving mad because of something they saw there.

That was all I could gleam from Dornly, but my interest was even more intensely roused as I sensed a distinctly sinister aura about the Stone. The suggestion of dark antiquity, the recurrent hint of unnatural events on Midsummer Night, touched some slumbering instinct in my being, as one senses, rather than hears, the flowing of some dark subterraneous river in the night.

And I suddenly saw a connection between this Stone and a certain weird and fantastic poem written by the mad poet, Justin Geoffrey: The People of the Monolith. Inquiries led to the information that Geoffrey had indeed written that poem while traveling in Hungary, and I could not doubt that the Black Stone was the very monolith to which lie referred in his strange verse. Reading his stanzas again, I felt once more the strange dim stirrings of subconscious promptings that I had noticed when first reading of the Stone.

I had been casting about for a place to spend short vacation and I made up my mind. I went to Stregoicavar. A train of obsolete style carried me from Temesvar to within striking distance, at least, of my objective, and a three days' ride in a jouncing coach brought me to the little village which lay in a fertile valley—high up in the fir-clad mountains.

The journey itself was uneventful, but during the first day we passed the old battlefield of Schomvaal where the brave Polish-Hungarian knight, Count Boris Vladinoff, made his gallant and futile stand against the victorious hosts of Suleiman the magnificent, when the Grand Turk swept over eastern Europe in 1526.

The driver of the coach pointed out to me a great heap of crumbling stones on a hill nearby, under which, he said, the bones of the brave Count lay. I remembered a passage from Larson's Turkish Wars. "After the skirmish" (in which the Count with his small army had beaten back the Turkish advance- guard) "the Count was standing beneath the half-ruined walls of the old castle on the hill, giving orders as to the disposition of his forces, when an aide brought to him a small lacquered case which had been taken from the body of the famous Turkish scribe and historian, Selim Bahadur, who had fallen in the fight. The Count took therefrom a roll of parchment and began to read, but he had not read far before he turned very, pale and without saying a word, replaced the parchment in the case and thrust the case into his cloak. At that very instant a hidden Turkish battery suddenly opened fire, and the balls striking the old castle, the Hungarians were horrified to see the halls crash down in ruin, completely covering the brave Count. Without a leader the gallant little army was cut to pieces, and in the warswept years which followed, the bones of the noblemen were never recovered. Today the natives point out a huge and moldering pile of rains near Schomvaal beneath which, they say, still rests all that the centuries have left of Count Boris Vladinolf."

I found the village of Stregoicavar a dreamy, drowsy little village that apparently belied its sinister cognomen—a forgotten back-eddy that Progress had passed by. The quaint houses and the quainter dress and manners —of the people were those of an earlier century. They were friendly, mildly curious but not inquisitive, though visitors from the outside world were extremely rare.

"Ten years ago another American came here and stayed a few days in the villa. Aye," said the owner of the tavern where I had put up, "a young fellow and queer-acting—mumbled to himself—a poet, I think."

I knew he must mean Justin Geoffrey.

"Yes, he was a poet," I answered, "and he wrote a poem about a bit of scenery near this very village."

"Indeed—" Mine host's interest was aroused. "Then, since all great poets are strange in their speech and actions, he must have achieved great fame, for his actions and conversations were the strangest of any man I ever knew."

"As is usual with artists," I answered, "most of his recognition has come since his death."

"He is dead, then?"

"He died screaming in a madhouse five years ago." "Too bad, too bad," sighed mine host sympathetically. "Poor lad—he looked too long at the Black Stone."

My heart gave a leap, but I masked my keen interest and said casually. "I have heard something of this Black Stone; somewhere near this village, is it not?"

"Nearer than Christian folk wish," he responded. "Look!" He drew me to a latticed window and pointed up at the fir-clad slopes of the brooding blue mountains. "There beyond where you see the bare face of that jutting cliff stands that accursed Stone. Would that it were ground to powder and the powder flung into the Danube to be carried to the deepest ocean! Once men tried to destroy the thing, but each man who laid hammer or maul against it came to an evil end."

"So now the people shun it."

"What is there so evil about it," I asked curiously. "It is a demon- haunted thing," he answered uneasily and with the suggestion of a shudder. "In my childhood I knew a young man who came up from below and laughed at our traditions—in his foolhardiness he went to the Stone on Midsummer Night and at dawn stumbled into the village again, stricken dumb and mad. Something had shattered his brain and sealed his lips, for until the day of his death, which came soon after, he spoke only to utter terrible blasphemies or to slaver gibberish.

"My own nephew when very small was lost in the mountains and slept in the woods near the Stone, and now in his manhood he is tortured by foul dreams so that at times he makes the night hideous with his screams and wakes with cold sweat upon him.

"But let us talk of something else, Herr; it is not good to dwell upon such things."

I remarked on the evident age of the tavern and he answered with pride. "The foundations are more than four hundred years old; the original house was the only one in the village which was not burned to the ground when Suleiman's devil swept through the mountains. Here, in the house that then stood on these same foundations, it is said, the scribe Selim Bahadur had his headquarters while ravaging the country hereabouts."

I learned then that the present inhabitants of Stregoicavar are not descendants of the people who dwelt there before the Turkish raid of 1526. The victorious Moslems left no living human in the village or the vicinity, thereabouts when they passed over. Men, women and children they wiped out in one red holocaust of murder, leaving a vast stretch of country silent and utterly deserted. The present people of Stregoicavar are descended from hardy settlers from the lower valleys who came into the ruined village after the Turk was thrust back.

Mine host did not speak of the extermination of the original inhabitants with any great resentment and I learned that his ancestors in the lower levels had looked on the mountaineers with even more hatred and aversion than they' regarded the Turks. He was rather vague regarding the causes of this feud, but said that the original inhabitants of Stregoicavar had been in the habit of makin; stealthy raids on the lowlands and stealing girls and children. Moreover, he said that they were not exactly of the same blood as his own people; the sturdy, original Magyar-Slavic stock had mixed and intermarried with a degraded aboriginal race until the breeds had blended; composed was a dully gleaming black, whose surface, where it was not dinted and roughened, created a curious illusion of semitransparency.

I spent most of the morning there and came away baffled. No connection of the Stone with any other artifact in the world suggested itself to me. It was as if the monolith had been reared by alien hands, in an age distant and apart from human ken.

I returned to the village with my interest in no way abated. Now that I had seen the curious thing, my desire was still more keenly whetted to investigate the matter further and seek to learn by what strange hands and for what strange purpose the Black Stone had been reared in the long ago.

I sought out the tavernkeeper's nephew and questioned him in regard to his dreams, but he was vague, though willing to oblige. He did not mind discussing them, but was unable to describe them with any clarity. Though he dreamed the same dreams repeatedly, and though they were hideously vivid at the time, they left no distinct impression on his waking mind. He remembered them only as chaotic nightmares through which huge whirling fires shot lurid tongues of flames and a black drum bellowed incessantly. One thing only he had seen the Black Stone, not on a mountain slope but set like a spire on a colossal black castle.

As for the rest of the villagers I found them not inclined to talk about the Stone, with the exception of the schoolmaster, a man of surprising education, who spent much more of his time out in the world than any of the rest.

He was much interested in what I told him of Von Junzt's remarks about the Stone, and warmly agreed with the German author in the alleged age of the monolith. He believed that a coven had once existed in the vicinity and that possibly all of the original villagers had been members of that fertility cult which once threatened to undermine European civilization and gave rise to the tales of witchcraft. He cited the very name of the village to prove his point; it had not been originally named Stregoicavar, he said; according to legends the builders had called it Xuthltan, which was the aboriginal name of the site on which the village had been built many centuries ago.

This fact roused again an indescribable feeling of uneasiness. The barbarous name did not suggest connection with any Scythic, Slavic or Mongolian race to which an aboriginal people of these mountains would, under natural circumstances, have belonged.

That the Magyars and Slavs of the lower valleys believed the original inhabitants of the village to be members of the witchcraft cult was evident, the schoolmaster said, by the name they gave it, which name continued to be used even after the older settlers had been massacred by the Turks, and the village rebuilt by a cleaner and more wholesome breed.

He did not believe that the members of the cult erected the monolith but he did believe that they used it as a center of their activities, and repeating vague legends which had been handed down since before the Turkish invasion, he advanced the theory that the degenerate villagers had used it as a sort of altar on which they offered human sacrifices, using as victims the girls and babies stolen from his own ancestors in the lower valleys.

He discounted the myths of weird events on Midsummer Night, as well as a curious legend of a strange deity which the witch-people of Xuthltan were said to have invoked with chants and wild rituals of flagellation and slaughter.

He had never visited the Stone on Midsummer Night, he said, but he would not fear to do so; whatever had existed or taken place there in the past, had been long engulfed in the mists of time and oblivion. The Black Stone had lost its meaning save as a link to a dead and dusty past.

It was while returning from a visit with this schoolmaster one night about a week after my arrival at Stregoicavar that a sudden recollection struck me—it was Midsummer Night! The very time that the legends linked with grisly implications to the Black Stone. I turned away from the tavern and strode swiftly through the village. Stregoicavar lay silent; the villagers retired early. I saw no one as I passed rapidly out of the village and up into the firs which masked the mountains slopes with whispering darkness. A broad silver moon hung above the valley, flooding the crags and slopes in a weird light and etching the shadows blackly. No wind blew through the firs, but a mysterious, intangible rustling and whispering was abroad. Surely on such nights in past centuries, my whimsical imagination told me, naked witches on magic broomsticks had flown across the valley, pursued by jeering demoniac familiars.

I came to the cliffs and was somewhat disquieted to note that the illusive moonlight lent them a subtle appearance I had not noticed before —in the weird light they appeared less like natural cliffs and more like the ruins of cyclopean and Titan-reared battlements jutting from the mountain- slope.

Shaking off this hallucination with difficulty I came upon the plateau and hesitated a moment before I plunged into the brooding darkness of the woods. A sort of breathless tenseness hung over the shadows, like an unseen monster holding its breath lest it scare away its prey. I shook off the sensation—a natural one, considering the eeriness of the place and its evil reputation—and made my way through the wood, experiencing a most unpleasant sensation that I was being followed, and halting once, sure that something clammy and unstable had brushed against my face in the darkness.

I came out into the glade and saw the tall monolith rearing its gaunt height above the sward. At the edge of the woods on the side toward the cliffs was a stone which formed a sort of natural seat. L sat down, reflecting that it was probably while there that the mad poet, Justin Geoffrey, had written his fantastic People of the Monolith. Mine host thought that it was the Stone which had caused Geoffrey's insanity, but the seeds of madness had been sown in the poet's brain long before he ever came to Stregoicavar.

A glance at my watch showed that the hour of midnight was close at hand. I leaned back, waiting whatever ghostly demonstration might appear. A thin night wind started up among the branches of the firs, with an uncanny suggestion of faint, unseen pipes whispering an eerie and evil tune. The monotony of the sound and my steady gazing at the monolith produced a sort of selfhypnosis upon me; I grew drowsy. I fought this feeling, but sleep stole on me in spite of myself; the monolith seemed to sway and dance, strangely distorted to my gaze, and then I slept.

I opened my eyes and sought to rise, but lay still, as if an icy hand gripped me helpless. Cold terror stole over me: The glade was no longer deserted. It was thronged by a silent crowd of strange people, and my distended eyes took in strange barbaric details of costume which my reason told me were archaic and forgotten even in this backward land. Surely, I thought, these are villagers who have come here to hold some fantastic conclave—but another glance told me that these people were not the folk of Stregoicavar. They were a shorter, more squat race, whose brows were lower, whose faces were broader and duller. Some had Slavic or Magyar features, but those features were degraded as from a mixture of some baser, alien strain I could not classify. Many wore the hides of wild beasts, and their whole appearance, both men and women, was one of sensual brutishness. They terrified and repelled me, but they gave me no heed. They formed in a vast half-circle in front of the monolith and began a sort of chant, flinging their arms in unison and weaving their bodies rhythmically from the waist upward. All eyes were fixed on the top of the Stone which they seemed to be invoking. But the strangest of all was the dimness of their voices; not fifty yards from me hundreds of men and women were unmistakably lifting their voices in a wild chant, yet those voices came to me as a faint indistinguishable murmur as if from across vast leagues of Space —or time.

Before the monolith stood a sort of brazier from which a vile, nauseous yellow smoke billowed upward, curling curiously in a swaying spiral around the black shaft, like a vast unstable snake.

On one side of this brazier lay two figures—a young girt, stark naked and bound hand and foot, and an infant, apparently only a few months old. On the other side of the brazier squatted a hideous old hag with a queer sort of black drum on her lap; this drum she beat with slow, light blows of her open palms, but I could not hear the sound.

The rhythm of the swaying bodies grew faster and into the space between the people and the monolith sprang a naked young woman, her eyes blazing, her long black hair flying loose. Spinning dizzily on her toes, she whirled across the open space and fell prostrate before the Stone, where she lay motionless. The next instant a fantastic figure followed her—a man from whose waist hung a goatskin, and whose features were entirely hidden by a sort of mask made from a huge wolf's head, so that he looked like a monstrous, nightmare being, horribly compounded of elements both human and bestial. In his hand he held a bunch of long fir switches bound together at the larger ends, and the moonlight glinted on a chain of heavy gold looped about his neck.

A smaller chain depending from it suggested a pendant of same sort, but this was missing.

The people tossed their arms violently and seemed to redouble their shouts as this grotesque creature loped across the open space with many a fantastic leap and caper. Coming to the woman who lay before the monolith, he began to lash her with the switches he bore, and she leaped up and spun into the wild steps of the most incredible dance I have ever seen. And her tormentor danced with her, keeping the wild rhythm, matching her every shirl and bound, while incessantly raining cruel blows on her naked body. And at every blow he shouted a single word, over and over, and all the people shouted it back. I could see the working of their lips, and now the faint far-off murmur of their voices merged and blended into one distant shout, repeated over and over with slobbering ecstasy. But what that one word was, I could not make out.

In dizzy whirls spun the wild dancers, while the lookers-on, standing still in their tracks, followed the rhythm of their dance with swaying bodies and weaving arms. Madness grew in the eves of the capering votaress and was reflected in the eyes of the watchers. Wilder and more extravagant grew the whirling frenzy of that mad dance—it became a bestial and obscene thing, while the old hag howled and battered the drum like a crazy woman, and the switches cracked out a devil's tune.

Blood trickled down the dancer's limbs but she seemed not to feel the lashing save as a stimulus for further enormities of outrageous motion; bounding into the midst of the yellow smoke which now spread out tenuous tentacles to embrace both flying figures, she seemed to merge with that foul fog and veil herself with it. Then emerging into plain view, closely followed by the beast-thing that flogged her, she shot into an indescribable, explosive burst of dynamic mad motion, and on the very crest of that mad wave, she dropped suddenly to the sward, quivering and panting as if completely overcome by her frenzied exertions. The lashing continued with unabated violence and intensity and she began to wriggle toward the monolith on her belly: The priest —or such I will call him—followed, lashing her unprotected body with all the power of his arm as she writhed along, leaving a heavy track of blood on the trampled earth. She reached the monolith, and gasping and panting, flung both arms about it and covered the cold stone with fierce hot kisses, as in frenzied and unholy adoration.'

The fantastic priest bounded high in the air, flinging away the red- dabbled switches, and the worshippers, howling and foaming at the mouths, turned on each other with tooth and nail, rendering one another's garments and flesh in a blind passion of bestiality. The priest swept up the infant with a long arm, and shouting again that Name, whirled the wailing babe high in the air and dashed its brains out against the monolith, leaving a ghastly stain on the black surface: Cold with horror I saw him rip the tiny body open with his bare brutish fingers and fling handfuls of blood on the shaft, then toss the red and torn shape into the brazier, extinguishing flame and smoke in a crimson rain, while the maddened brutes behind him howled over and over the Name. Then suddenly they all fell prostrate, writhing like snakes, while the priest flung wide his gory hands as in triumph: I opened my mouth to scream my horror and loathing, but only a dry rattle sounded; a huge monstrous toadlike thing squatted on the top of the monolith!

I saw its bloated, repulsive and unstable outline against the moonlight and set in what would have been the face of a natural creature, its huge, blinking eyes which reflected all the lust, abysmal greed, obscene cruelty and monstrous evil that has stalked the sons of men since their ancestors mowed blind and hairless in the tree-tops. In those grisly eyes were mirrored all the unholy things and vile secrets that sleep in the cities under the sea, and that skulk from the light of day in the blackness of primordial caverns. And so that ghastly thing that the unhallowed ritual and sadism and blood had evoked from the silence of the hills, leered and blinked down on its bestial worshippers, who groveled in abhorrent abasement before it.

Now the beast-masked priest lifted the bound and weakly writhing girl in his brutish hands and held her up toward that horror on the monolith. And as that monstrosity sucked in its breath, lustfully and slobberingly, something snapped in my brain and I fell into a merciful faint.

I opened my eyes on a still white dawn. All the events of the night rushed back on me and I sprang up, then stared about me in amazement. The monolith brooded gaunt and silent above the sward which waved, green and untrampled, in the morning breeze. A few quick strides took me across the glade; here had the dancers leaped and bounded until the ground should have been trampled bare; and here had the votaress wriggled her painful way to the Stone, streaming blood on the earth. But no drop of crimson showed on the uncrushed sward. I looked, shudderingly, at the side of the monolith against which the bestial priest had brained the stolen baby—but no dark stain nor grisly clot showed there.

A dream! It had been a wild nightmare—or else—I shrugged my shoulders. What vivid clarity for a dream! I returned quietly to the village and entered the inn without being seen. And there I sat meditating over the strange events of the night. More and more was I. prone to discard the dream- theory. That what I had seen was illusion and without material substance, was evident. But I believed that I had looked on the mirrored shadow of a deed perpetrated in ghastly actuality in bygone days. But how was I to know? What proof to show that my vision had been a gathering of foul specters rather than a nightmare originating in my brain?

As if for answer a name flashed into my mind—Selim Bahadur! According to legend this man, who had been a soldier as well as a scribe, had commanded that part of Suleiman's army which had devastated Stregoicavar; it seemed logical enough; and if so, he had gone straight from the blotted-out countrvside to the bloody field of Schomvaal, and his doom. I sprang up with a sudden shout—that manuscript which was taken from the Turk's body, and which Count Boris shuddered over—might it not contain some narration of what the conquering Turks found in Stregoicavar? What else could have shaken the iron nerves of the Polish adventurer? And since the bones of the Count had never been recovered, what more certain than that the lacquered case, with its mysterious contents, still lav hidden beneath the ruins that covered Boris Vladinoff? I began packing my bag with fierce haste.

Three days later found me esconced in a little village a few miles from the old battlefield, and when the moon rose I was working with savage intensity on the great pile of crumbling stone that crowned the hill. It was back- breaking toil—looking back now I cannot see how I accomplished it. I labored without a pause from moonrise to dawn as the sun was coming up I tore aside the last tangle of stones and looked on all that was mortal of Count Boris Vladinoff—only a few, pitiful fragments of crumbling bone—and among them, crushed out of all original shape, lay a case whose lacquered surface had kept it from complete decay through the centuries.

I seized it with frenzied eagerness, and back in my tavern chamber I opened the case and found the parchment comparatively intact; and there was something else in the case—a small squat object wrapped in silk. I was wild to plumb the secrets of those yellowed pages, but weariness forbade me. Since leaving Stregoicavar I had hardly slept at all, and the terrific exertions of the previous night combined to overcome me. In spite of myself I was forced to stretch myself on my bed, nor did I awake until sundown.

I snatched a hasty supper, and then in the light of a flickering candle, I hasty supper, myself to read the near Turkish characters that covered the parchment. It was difficult work, for I am not deeply versed in the language and the archaic style of the narrative baffled me. But as I toiled through it a word or a phrase here and there leaped at me and a dimly growing horror shook me in its grip. I bent my energies fiercely to the task, and as the tale grew clearer and took more tangible form my blood chilled in my veins, my hair stood up and my tongue clove to my mouth.

At last when gray dawn was stealing through the latticed window, I laid down the manuscript and took up and unwrapped the thing in the bit of silk. Staring at it with haggard eyes I knew the truth of the matter was clinched, even had it been possible to doubt the veracity of that terrible manuscript.

And I replaced both obscene things in the case, nor did I rest or sleep or eat until that case containing them had been weighted with stones and flung into the deepest current of the Danube which, God grant, carried them back into the Hell from which they came.

It was no dream I dreamed on Midsummer Midnight in the hills above Stregoicavar. Well for Justin Geoffrey that he tarried there only in the sunlight and went his way, for had he gazed upon that ghastly conclave, his mad brain would have snapped before it did. How my own reason held, I do not know.

No—it was no dream—I gazed upon a foul rout of votaries long dead, come up from Hell to worship as of old; ghosts that bowed before a ghost. For Hell has long claimed their hideous god.

By what foul alchemy or godless sorcery the Gates of Hell are opened on that one eery night T do not know, but mine own eyes have seen. And I know I looked on no living thing that night, for the manuscript written in the careful hand of Selim Bahadur narrated at length what he and his raiders found in the valley of Stregoicavar; and I read, set down in detail, the blasphemous obscenities that torture wrung from the lips of screaming worshippers; and I read, too, of the lost, grim black cavern high in the hills where the horrified Turks hemmed a monstrous, bloated, wallowing toad-like being and slew it with flame and ancient steel blessed in old times by Muhammad, and with incantations that were old when Arabia was young. And even staunch old Selim's hand shook as he recorded the cataclysmic, earth-shaking death-howls of the monstrosity, which died not alone; for half-score of his slayers perished with him, in ways that Selim would not or could not describe.

And that squat idol carved of gold and wrapped in silk was an image of himself, and Selim tore it from the golden chain that looped the neck of the slain high priest of the mask.

Well that the Turks swept out that foul valley with torch and clean steel! Such sights as those brooding mountains have looked on belong to the darkness and abysses of lost eons. No—it is not fear of the toad-thing that makes me shudder in the night. He is made fast in Hell with his nauseous horde, freed only for an hour on the most weird night of the year, as I have seen. And of his worshippers, none—remains.

But it is the realization that such things once crouched beastlike above the souls of men which brings cold sweat to my brow; and I fear to peer again into the leaves of Von Junzt's abomination. For now I understand his repeated phrase of keys!—aye! Keys to Outer Doors—links with an abhorrent past and—who knows?—of abhorrent spheres of the present. And I understand why the tavernkeeper's nightmare-haunted nephew saw in his dream, the Black Stone like a spire on a cyclopean black castle. If men ever excavate among those mountains they may find incredible things below those masking slopes. For the cave wherein the Turks trapped the—thing —was not truly a cavern, and I shudder to contemplate the gigantic gulf of eons which must stretch between this age and the time when the earth shook herself and reared up, like a wave, those blue mountains that, rising, enveloped unthinkable things. May no man ever seek to uproot that ghastly spire men call the Black Stone!

A Key! Aye, it is a Key, symbol of a forgotten horror. That horror has faded into the limbo from which it crawled, loathsomely, in the black dawn of the earth. But what of the other fiendish possibilities hinted at by Von Junzt —what of the monstrous hand which strangled out his life? Since reading what Selim Bahadur wrote, I can no longer doubt anything in the Black Book. Man was not always master of the earth—and is he now? What nameless shapes may even now lurk in the dark places of the world?



THE THING ON THE ROOF

Cover Image

Weird Tales, February 1932



First published in Weird Tales, February 1932

They lumber through the night
With their elephantine tread;
I shudder in affright
As I cower in my bed.
They lift colossal wings
On the high gable roofs
Which tremble to the trample
Of their mastodonic hoofs.
—Justin Geoffrey: Out of the Old Land


LET me begin by saying that I was surprised when Tussmann called on me. We had never been close friends; the man's mercenary instincts repelled me; and since our bitter controversy of three years before, when he attempted to discredit my Evidences of Nahua Culture in Yucatan, which was the result of years of careful research, our relations had been anything but cordial. However, I received him and found his manner hasty and abrupt, but rather abstracted, as if his dislike for me had been thrust aside in some driving passion that had hold of him.

His errand was quickly stated. He wished my aid in obtaining a volume in the first edition of Von Junzt's Nameless Cults—the edition known as the Black Book, not from its color, but because of its dark contents. He might almost as well have asked me for the original Greek translation of the Necronomicon. Though since my return from Yucatan I had devoted practically all my time to my avocation of book collecting, I had not stumbled onto any hint that the book in the Dusseldorf edition was still in existence.

A word as to this rare work. Its extreme ambiguity in spots, coupled with its incredible subject matter, has caused it long to be regarded as the ravings of a maniac and the author was damned with the brand of insanity. But the fact remains that much of his assertions are unanswerable, and that he spent the full forty-five years of his life prying into strange places and discovering secret and abysmal things. Not a great many volumes were printed in the first edition and many of these were burned by their frightened owners when Von Junzt was found strangled in a mysterious manner, in his barred and bolted chamber one night in 1840, six months after he had returned from a mysterious journey to Mongolia.

Five years later a London printer, one Bridewall, pirated the work, and issued a cheap translation for sensational effect, full of grotesque woodcuts, and riddled with misspellings, faulty translations and the usual errors of a cheap and unscholarly printing. This still further discredited the original work, and publishers and public forgot about the book until 1909 when the Golden Goblin Press of New York brought out an edition.

Their production was so carefully expurgated that fully a fourth of the original matter was cut out; the book was handsomely bound and decorated with the exquisite and weirdly imaginative illustrations of Diego Vasquez. The edition was intended for popular consumption but the artistic instinct of the publishers defeated that end, since the cost of issuing the book was so great that they were forced to cite it at a prohibitive price.

I was explaining all this to Tussmann when he interrupted brusquely to say that he was not utterly ignorant in such matters. One of the Golden Goblin books ornamented his library, he said, and it was in it that he found a certain line which aroused his interest. If I could procure him a copy of the original 1839 edition, he would make it worth my while; knowing, he added, that it would be useless to offer me money, he would, instead, in return for my trouble on his behalf, make a full retraction of his former accusations in regard to my Yucatan researches, and offer a complete apology in The Scientific News.

I will admit that I was astounded at this, and realized that if the matter meant so much to Tussmann that he was willing to make such concessions, it must indeed be of the utmost importance. I answered that I considered that I had sufficiently refuted his charges in the eyes of the world and had no desire to put him in a humiliating position, but that I would make the utmost efforts to procure him what he wanted.

He thanked me abruptly and took his leave, saying rather vaguely that he hoped to find a complete exposition of something in the Black Book which had evidently been slighted in the later edition.

I set to work, writing letters to friends, colleagues and book dealers all over the world, and soon discovered that I had assumed a task of no small magnitude. Three months elapsed before my efforts were crowned with success, but at last, through the aid of Professor James Clement of Richmond, Virginia, I was able to obtain what I wished.

I notified Tussmann and he came to London by the next train. His eyes burned avidly as he gazed at the thick, dusty volume with its heavy leather covers and rusty iron hasps, and his fingers quivered with eagerness as he thumbed the time-yellowed pages.

And when he cried out fiercely and smashed his clenched fist down on the table I knew that he had found what he hunted.

"Listen!" he commanded, and he read to me a passage that spoke of an old, old temple in a Honduras jungle where a strange god was worshipped by an ancient tribe which became extinct before the coming of the Spaniards. And Tussmann read aloud of the mummy that had been, in life, the last high priest of that vanished people, and which now lay in a chamber hewn in the solid rock of the cliff against which the temple was built. About that mummy's withered neck was a copper chain, and on that chain a great red jewel carved in the form of a toad. This jewel was a key, Von Junzt went on to say, to the treasure of the temple which lay hidden in a subterranean crypt far below the temple's altar.

Tussmann's eyes blazed.

"I have seen that temple! I have stood before the altar. I have seen the sealed-up entrance of the chamber in which, the natives say, lies the mummy of the priest. It is a very curious temple, no more like the ruins of the prehistoric Indians than it is like the buildings of the modern Latin- Americans. The Indians in the vicinity disclaim any former connection with the place; they say that the people who built that temple were a different race from themselves, and were there when their own ancestors came into the country. I believe it to be a remnant of some long-vanished civilization which began to decay thousands of years before the Spaniards came.

"I would have liked to have broken into the sealed-up chamber, but I had neither the time nor the tools for the task. I was hurrying to the coast, having been wounded by an accidental gunshot in the foot, and I stumbled onto the place purely by chance.

"I have been planning to have another look at it, but circumstances have prevented—now I intend to let nothing stand in my way! By chance I came upon a passage in the Golden Goblin edition of this book, describing the temple. But that was all; the mummy was only briefly mentioned. Interested, I obtained one of Bridewall's translations but ran up against a blank wall of baffling blunders. By some irritating mischance the translator had even mistaken the location of the Temple of the Toad, as Von Junzt calls it, and has it in Guatemala instead of Honduras. The general description is faulty, the jewel is mentioned and the fact that it is a 'key'. But a key to what, Bridewall's book does not state. I now felt that I was on the track of a real discovery, unless Von Junzt was, as many maintain, a madman. But that the man was actually in Honduras at one time is well attested, and no one could so vividly describe the temple—as he does in the Black Book—unless he had seen it himself. How he learned of the jewel is more than I can say. The Indians who told me of the mummy said nothing of any jewel. I can only believe that Von Junzt found his way into the sealed crypt somehow—the man had uncanny ways of learning hidden things.

"To the best of my knowledge only one other white man has seen the Temple of the Toad besides Von Junzt and myself—the Spanish traveler Juan Gonzales, who made a partial exploration of that country in 1793. He mentioned, briefly, a curious fane that differed from most Indian ruins, and spoke skeptically of a legend current among the natives that there was 'something unusual' hidden under the temple. I feel certain that he was referring to the Temple of the Toad.

"Tomorrow I sail for Central America. Keep the book; I have no more use for it. This time I am going fully prepared and I intend to find what is hidden in that temple, if I have to demolish it. It can be nothing less than a great store of gold! The Spaniards missed it, somehow; when they arrived in Central America, the Temple of the Toad was deserted; they were searching for living Indians from whom torture could wring gold; not for mummies of lost peoples. But I mean to have that treasure."

So saying Tussman took his departure. I sat down and opened the book at the place where he had left off reading, and I sat until midnight, wrapt in Von Junzt's curious, wild and at times utterly vague expoundings. And I found pertaining to the Temple of the Toad certain things which disquieted me so much that the next morning I attempted to get in touch with Tussmann, only to find that he had already sailed.

Several months passed and then I received a letter from Tussmann, asking me to come and spend a few days with him at his estate in Sussex; he also requested me to bring the Black Book with me.

I arrived at Tussmann's rather isolated estate just after nightfall. He lived in almost feudal state, his great ivy-grown house and broad lawns surrounded by high stone walls. As I went up the hedge-bordered way from the gate to the house, I noted that the place had not been well kept in its master's absence. Weeds grew rank among the trees, almost choking out the grass. Among some unkempt bushes over against the outer wall, I heard what appeared to be a horse or an ox blundering and lumbering about. I distinctly heard the clink of its hoof on a stone.

A servant who eyed me suspiciously admitted me and I found Tussmann pacing to and fro in his study like a caged lion. His giant frame was leaner, harder than when I had last seen him; his face was bronzed by a tropic sun. There were more and harsher lines in his strong face and his eyes burned more intensely than ever. A smoldering, baffled anger seemed to underlie his manner.

"Well, Tussmann," I greeted him, "what success? Did you find the gold?"

"I found not an ounce of gold," he growled. "The whole thing was a hoax —well, not all of it. I broke into the sealed chamber and found the mummy—"

"And the jewel?" I exclaimed.

He drew something from his pocket and handed it to me.

I gazed curiously at the thing I held. It was a great jewel, clear and transparent as crystal, but of a sinister crimson, carved, as Von Junzt had declared, in the shape of a toad. I shuddered involuntarily; the image was peculiarly repulsive. I turned my attention to the heavy and curiously wrought copper chain which supported it.

"What are these characters carved on the chain?" I asked curiously.

"I can not say," Tussmann replied. "I had thought perhaps you might know. I find a faint resemblance between them and certain partly defaced hieroglyphics on a monolith known as the Black Stone in the mountains of Hungary. I have been unable to decipher them."

"Tell me of your trip," I urged, and over our whiskey-and-sodas he began, as if with a strange reluctance.

"I found the temple again with no great difficulty, though it lies in a lonely and little-frequented region. The temple is built against a sheer stone cliff in a deserted valley unknown to maps and explorers. I would not endeavor to make an estimate of its antiquity, but it is built of a sort of unusually hard basalt, such as I have never seen anywhere else, and its extreme weathering suggests incredible age.

"Most of the columns which form its facade are in ruins, thrusting up shattered stumps from worn bases, like the scattered and broken teeth of some grinning hag. The outer walls are crumbling, but the inner walls and the columns which support such of the roof as remains intact, seem good for another thousand years, as well as the walls of the inner chamber.

"The main chamber is a large circular affair with a floor composed of great squares of stone. In the center stands the altar, merely a huge, round, curiously carved block of the same material. Directly behind the altar, in the solid stone cliff which forms the rear wall of the chamber, is the sealed and hewn-out chamber wherein lay the mummy of the temple's last priest.

"I broke into the crypt with not too much difficulty and found the mummy exactly as is stated in the Black Book. Though it was in a remarkable state of preservation, I was unable to classify it. The withered features and general contour of the skull suggested certain degraded and mongrel peoples of Lower Egypt, and I feel certain that the priest was a member of a race more akin to the Caucasian than the Indian. Beyond this, I can not make any positive statement.

"But the jewel was there, the chain looped about the dried-up neck."

From this point Tussmann's narrative became so vague that I had some difficulty in following him and wondered if the tropic sun had affected his mind. He had opened a hidden door in the altar somehow with the jewel—just how, he did not plainly say, and it struck me that he did not clearly understand himself the action of the jewel-key. But the opening of the secret door had had a bad effect on the hardy rogues in his employ. They had refused point-blank to follow him through that gaping black opening which had appeared so mysteriously when the gem was touched to the altar.

Tussmann entered alone with his pistol and electric torch, finding a narrow stone stair that wound down into the bowels of the earth, apparently. He followed this and presently came into a broad corridor, in the blackness of which his tiny beam of light was almost engulfed. As he told this he spoke with strange annoyance of a toad which hopped ahead of him, just beyond the circle of light, all the time he was below ground.

Making his way along dank tunnels and stairways that were wells of solid blackness, he at last came to a heavy door fantastically carved, which he felt must be the crypt wherein was secreted the gold of the ancient worshippers. He pressed the toad-jewel against it at several places and finally the door gaped wide.

"And the treasure?" I broke in eagerly.

He laughed in savage self-mockery.

"There was no gold there, no precious gems—nothing"—he hesitated—"nothing that I could bring away."

Again his tale lapsed into vagueness. I gathered that he had left the temple rather hurriedly without searching any further for the supposed treasure. He had intended bringing the mummy away with him, he said, to present to some museum, but when he came up out of the pits, it could not be found and he believed that his men, in superstitious aversion to having such a companion on their road to the coast, had thrown it into some well or cavern.

"And so," he concluded, "I am in England again no richer than when I left."

"You have the jewel," I reminded him. "Surely it is valuable."

He eyed it without favor, but with a sort of fierce avidness almost obsessional.

"Would you say that it is a ruby?" he asked.

I shook my head. "I am unable to classify it."

"And I. But let me see the book."

He slowly turned the heavy pages, his lips moving as he read. Sometimes he shook his head as if puzzled, and I noticed him dwell long over a certain line.

"This man dipped so deeply into forbidden things," said he, "I can not wonder that his fate was so strange and mysterious. He must have had some foreboding of his end—here he warns men not to disturb sleeping things."

Tussmann seemed lost in thought for some moments.

"Aye, sleeping things," he muttered, "that seem dead, but only lie waiting for some blind fool to awake them—I should have read further in the Black Book—and I should have shut the door when I left the crypt —but I have the key and I'll keep it in spite of Hell."

He roused himself from his reveries and was about to speak when he stopped short. From somewhere upstairs had come a peculiar sound.

"What was that?" he glared at me. I shook my head and he ran to the door and shouted for a servant. The man entered a few moments later and he was rather pale.

"You were upstairs?" growled Tussmann.

"Yes, sir."

"Did you hear anything?" asked Tussmann harshly and in a manner almost threatening and accusing.

"I did, sir," the man answered with a puzzled look on his face.

"What did you hear?" The question was fairly snarled.

"Well, sir," the man laughed apologetically, "you'll say I'm a bit off, I fear, but to tell you the truth, sir, it sounded like a horse stamping around on the roof!"

A blaze of absolute madness leaped into Tussmann's eyes.

"You fool!" he screamed. "Get out of here!" The man shrank back in amazement and Tussmann snatched up the gleaming toad-carved jewel.

"I've been a fool!" he raved. "I didn't read far enough—and I should have shut the door—but by heaven, the key is mine and I'll keep it in spite of man or devil."

And with these strange words he turned and fled upstairs. A moment later his door slammed heavily and a servant, knocking timidly, brought forth only a blasphemous order to retire and a luridly worded threat to shoot anyone who tried to obtain entrance into the room.

Had it not been so late I would have left the house, for I was certain that Tussmann was stark mad. As it was, I retired to the room a frightened servant showed me, but I did not go to bed. I opened the pages of the Black Book at the place where Tussmann had been reading.

This much was evident, unless the man was utterly insane: he had stumbled upon something unexpected in the Temple of the Toad. Something unnatural about the opening of the altar door had frightened his men, and in the subterraneous crypt Tussmann had found somethingthat he had not thought to find. And I believed that he had been followed from Central America, and that the reason for his persecution was the jewel he called the Key.

Seeking some clue in Von Junzt's volume, I read again of the Temple of the Toad, of the strange pre-Indian people who worshipped there, and of the huge, tittering, tentacled, hoofed monstrosity that they worshipped.

Tussmann had said that he had not read far enough when he had first seen the book. Puzzling over this cryptic phrase I came upon the line he had pored over—marked by his thumb nail. It seemed to me to be another of Von Junzt's many ambiguities, for it merely stated that a temple's god was the temple's treasure. Then the dark implication of the hint struck me and cold sweat beaded my forehead.

The Key to the Treasure! And the temple's treasure was the temple's god! And sleeping Things might awaken on the opening of their prison door! I sprang up, unnerved by the intolerable suggestion, and at that moment something crashed in the stillness and the death-scream of a human being burst upon my ears.

In an instant I was out of the room, and as I dashed up the stairs I heard sounds that have made me doubt my sanity ever since. At Tussmann's door I halted, essaying with shaking hand to turn the knob. The door was locked, and as I hesitated I heard from within a hideous high-pitched tittering and then the disgusting squashy sound as if a great, jelly-like bulk was being forced through the window. The sound ceased and I could have sworn I heard a faint swish of gigantic wings. Then silence.

Gathering my shattered nerves, I broke down the door. A foul and overpowering stench billowed out like a yellow mist. Gasping in nausea I entered. The room was in ruins, but nothing was missing except that crimson toad-carved jewel Tussmann called the Key, and that was never found. A foul, unspeakable slime smeared the windowsill, and in the center of the room lay Tussmann, his head crushed and flattened; and on the red ruin of skull and face, the plain print of an enormous hoof.



THE CHALLENGE FROM BEYOND

Fantasy Magazine, September 1935

Fantasy Magazine, September 1935



Written in August 1935
First published in Fantasy Magazine, September 1935

In 1935, the editor of Fantasy Magazine asked five prominent science fiction writers and five prominent fantasy writers to write two "round-robin" stories, both called The Challenge From Beyond. The authors of the fantasy version were C.L. Moore, A. Merritt, H.P. Lovecraft, Robert E. Howard and Frank Belknap Long. The science fiction version was written by Stanley G. Weinbaum, Donald Wandrei, Edward E. (E.E. Doc) Smith, Harl Vincent, and Murray Leinster. In the following text, the name of the author of each section of the story is given in square brackets.



[C. L. MOORE]

George Campbell opened sleep-fogged eyes upon darkness and lay gazing out of the tent flap upon the pale August night for some minutes before he roused enough even to wonder what had wakened him. There was in the keen, clear air of these Canadian woods a soporific as potent as any drug. Campbell lay quiet for a moment, sinking slowly back into the delicious borderlands of sleep, conscious of an exquisite weariness, an unaccustomed sense of muscles well used, and relaxed now into perfect ease. These were vacation's most delightful moments, after all—rest, after toil, in the clear, sweet forest night.

Luxuriously, as his mind sank backward into oblivion, he assured himself once more that three long months of freedom lay before him—freedom from cities and monotony, freedom from pedagogy and the University and students with no rudiments of interest in the geology he earned his daily bread by dinning Into their obdurate ears. Freedom from—

Abruptly the delightful somnolence crashed about him. Somewhere outside the sound of tin shrieking across tin slashed into his peace. George Campbell sat up jerkily and reached for his flashlight. Then he laughed and put it down again, straining his eyes through the midnight gloom outside where among the tumbling cans of his supplies a dark anonymous little night beast was prowling. He stretched out a long arm and groped about among the rocks at the tent door for a missile. His fingers closed on a large stone, and he drew back his hand to throw.

But he never threw it. It was such a queer thing he had come upon in the dark. Square, crystal smooth, obviously artificial, with dull rounded corners. The strangeness of its rock surfaces to his fingers was so remarkable that he reached again for his flashlight and turned its rays upon the thing he held.

All sleepiness left him as he saw what it was he had picked up in his idle groping. It was clear as rock crystal, this queer, smooth cube. Quartz, unquestionably, but not in its usual hexagonal crystallized form. Somehow —he could not guess the method—it had been wrought into a perfect cube, about four inches in measurement over each worn face. For it was incredibly worn. The hard, hard crystal was rounded now until its corners were almost gone and the thing was beginning to assume the outlines of a sphere. Ages and ages of wearing, years almost beyond counting, must have passed over this strange clear thing.

But the most curious thing of all was that shape he could make out dimly in the heart of the crystal. For imbedded in its center lay a little disc of a pale and nameless substance with characters incised deep upon its quartz- enclosed surface. Wedge-shaped characters, faintly reminiscent of cuneiform writing.

George Campbell wrinkled his brows and bent closer above the little enigma in his hands, puzzling helplessly. How could such a thing as this have imbedded in pure rock crystal? Remotely a memory floated through his mind of ancient legends that called quartz crystals ice which had frozen too hard to melt again. Ice—and wedge-shaped cuneiforms—yes, didn't that sort of writing originate among the Sumerians who came down from the north in history's remotest beginnings to settle in the primitive Mesopotamian valley? Then hard sense regained control and he laughed. Quartz, of course, was formed in the earliest of earth's geological periods, when there was nothing anywhere but beat and heaving rock. Ice had not come for tens of millions of years after this thing must have been formed.

And yet—that writing. Man-made, surely, although its characters were unfamiliar save in their faint hinting at cuneiform shapes. Or could there, In a Paleozoic world, have been things with a written language who might have graven these cryptic wedges upon the quartz-enveloped disc he held? Or —might a thing like this have fallen meteor-like out of space into the unformed rock of a still molten world? Could it—

Then he caught himself up sharply and felt his ears going hot at the luridness of his own imagination. The silence and the solitude and the queer thing in his hands were conspiring to play tricks with his common sense. He shrugged and laid the crystal down at the edge of his pallet, switching off the light. Perhaps morning and a clear head would bring him an answer to the questions that seemed so insoluble now.

But sleep did not come easily. For one thing, it seemed to him as he flashed off the light, that the little cube had shone for a moment as if with sustained light before it faded into the surrounding dark. Or perhaps he was wrong. Perhaps It had been only his dazzled eyes that seemed to see the light forsake it reluctantly, glowing In the enigmatic deeps of the thing with queer persistence.

He lay there unquietly for a long while, turning the unanswered questions over and over in his mind. There was something about this crystal cube out of the unmeasured past, perhaps from the dawn of all history, that constituted a challenge that would not let him sleep.


[A. MERRITT]

He lay there, it seemed to him, for hours. It had been the lingering light, the luminescence that seemed so reluctant to die, which held his mind. It was as though something in the heart of the cube had awakened, stirred drowsily, become suddenly alert... and Intent upon him.

Sheer fantasy, this. He stirred impatiently and flashed his light upon his watch. Close to one o'clock; three hours more before the dawn. The beam fell and was focused upon the warm crystal cube. He held it there closely, for minutes. He snapped It out, then watched.

There was no doubt about it now. As his eyes accustomed themselves to the darkness, he saw that the strange crystal was glimmering with tiny fugitive lights deep within it like threads of sapphire lightnings. They were at Its center and they seemed to him to come from the pale disk with Its disturbing markings. And the disc itself was becoming larger... the markings shifting shapes... the cube was growing... was it illusion brought about by the tiny lightnings...

He heard a sound. It was the very ghost of a sound, like the ghosts of harp strings being plucked with ghostly fingers. He bent closer. It came from the cube...

There was squeaking in the underbrush, a flurry of bodies and an agonized wailing like a child in death throes and swiftly stilled. Some small tragedy of the wilderness, killer and prey. He stepped over to where it had been enacted, but could see nothing. He again snapped off the flash and looked toward his tent. Upon the ground was a pale blue glimmering. It was the cube. He stooped to pick it up; then obeying some obscure warning, drew back his hand.

And again, he saw, its glow was dying. The tiny sapphire lightnings flashing fitfully, withdrawing to the disc from which they had come. There was no sound from it.

He sat, watching the luminescence glow and fade, glow and fade, but steadily becoming dimmer. It came to him that two elements were necessary to produce the phenomenon. The electric ray itself, and his own fixed attention. His mind must travel along the ray, fix itself upon the cube's heart, if its beat were to wax, until... what?

He felt a chill of spirit, as though from contact with some alien thing. It was alien, he knew it; not of this earth. Not of earth's life. He conquered his shrinking, picked up the cube and took It into the tent. It was neither warm nor cold; except for its weight he would not have known he held it. He put it upon the table, keeping the torch turned from it; then stepped to the flap of the tent and closed it.

He went back to the table, drew up the camp chair, and turned the flash directly upon the cube, focusing it so far as he could upon its heart. He sent all his will, all his concentration, along it; focusing will and sight upon the disc as he had the light.

As though at command, the sapphire lightnings burned forth. They burst from the disc into the body of the crystal cube, then beat back, bathing the disc and the markings. Again these began to change, shifting, moving, advancing, and retreating in the blue gleaming. They were no longer cuneiform. They were things... objects.

He heard the murmuring music, the plucked harp strings. Louder grew the sound and louder, and now all the body of the cube vibrated to their rhythm. The crystal walls were melting, growing misty as though formed of the mist of diamonds. And the disc Itself was growing... the shapes shifting, dividing and multiplying as though some door had been opened and Into it companies of phantasms were pouring. While brighter, more bright grew the pulsing light.

He felt swift panic, tried to withdraw sight and will, dropped the flash. The cube had no need now of the ray... and he could not withdraw... could not withdraw? Why, he himself was being sucked into that disc which was now a globe within which unnameable shapes danced to a music that bathed the globe with steady radiance.

There was no tent. There was only a vast curtain of sparkling mist behind which shone the globe... He felt himself drawn through that mist, sucked through it as if by a mighty wind, straight for the globe.


[H.P. LOVECRAFT]

As the mist-blurred light of the sapphire suns grew more and more intense, the outlines of the globe ahead wavered and dissolved to a churning chaos. Its pallor and its motion and its music all blended themselves with the engulfing mist-bleaching It to a pale steel-colour and setting it undulantly in motion. And the sapphire suns, too, melted Imperceptibly into the greying infinity of shapeless pulsation.

Meanwhile the sense of forward, outward motion grew intolerably, incredibly, cosmically swift. Every standard of speed known to earth seemed dwarfed, and Campbell knew that any such flight in physical reality would mean instant death to a human being. Even as it was—in this strange, hellish hypnosis or nightmare—the quasi-visual impression of meteor-like hurtling almost paralyzed his mind. Though there were no real points of reference in the grey, pulsing void, he felt that he was approaching and passing the speed of light Itself. Finally his consciousness did go under —and merciful blackness swallowed everything.

It was very suddenly, and amidst the most impenetrable darkness, that thoughts and Ideas again came to George Campbell. Of how many moments— or years—or eternities—had elapsed since his flight through the grey void, he could form no estimate. He knew only that he seemed to be at rest and without pain. Indeed, the absence of all physical sensation was the salient quality of his condition. It made even the blackness seem less solidly black —suggesting as it did that he was rather a disembodied intelligence in a state beyond physical senses, than a corporeal being with senses deprived of their accustomed objects of perception. He could think sharply and quickly —almost preternaturally so—yet could form no idea whatsoever of his situation.

Half by instinct, he realised that he was not in his own tent. True, he might have awaked there from a nightmare to a world equally black; yet he knew this was not so. There was no camp cot beneath him—he had no hands to feel the blankets and canvas surface and flashlight that ought to be around him —there was no sensation of cold in the air—no flap through which he could glimpse the pale night outside... something was wrong, dreadfully wrong.

He cast his mind backward and thought of the fluorescent cube which had hypnotised him—of that, and all which had followed. He had known that his mind was going, yet had been unable to draw back. At the last moment there had been a shocking, panic fear—a subconscious fear beyond even that caused by the sensation of daemonic flight. It had come from some vague flash or remote recollection—just what, he could not at once tell. Some cell-group In the back of his head had seemed to find a cloudily familiar quality In the cube—and that familiarity was fraught with dim terror. Now he tried to remember what the familiarity and the terror were.

Little by little it came to him. Once—long ago, in connection with his geological life-work—he had read of something like that cube. It had to do with those debatable and disquieting clay fragments called the Eltdown Shards, dug up from pre-carboniferous strata in southern England thirty years before. Their shape and markings were so queer that a few scholars hinted at artificiality, and made wild conjectures about them and their origin. They came, clearly, from a time when no human beings could exist on the globe —but their contours and figurings were damnably puzzling. That was how they got their name.

It was not, however, In the writings of any sober scientist that Campbell had seen that reference to a crystal, disc-holding globe. The source was far less reputable, and infinitely more vivid. About 1912 a deeply learned Sussex clergyman of occultist leanings—the Reverend Arthur Brooke Winters-Hall —had professed to identify the markings on the Eltdown Shards with some of the so-called "pre-human hieroglyphs" persistently cherished and esoterically handed down in certain mystical circles, and had published at his own expense what purported to be a "translation" of the primal and baffling "inscriptions"—a "translation" still quoted frequently and seriously by occult writers. In this "translation'—a surprisingly long brochure In view of the limited number of "shards" existing—had occurred the narrative, supposedly of pre-human authorship, containing the now frightening reference.

As the story went, there dwelt on a world—and eventually on countless other worlds—of outer space a mighty order of worm-like beings whose attainments and whose control of nature surpassed anything within the range of terrestrial imagination. They had mastered the art of interstellar travel early in their career, and had peopled every habitable planet in their own galaxy—killing off the races they found.

Beyond the limits of their own galaxy—which was not ours— they could not navigate in person; but in their quest for knowledge of all space and time they discovered a means of spanning certain transgalactic gulfs with their minds. They devised peculiar objects—strangely energized cubes of a curious crystal containing hypnotic talismans and enclosed in space- resisting spherical envelopes of an unknown substance—which could be forcibly expelled beyond the limits of their universe, and which would respond to the attraction of cool solid matter only.

These, of which a few would necessarily land on various inhabited worlds in outside universes, formed the ether-bridges needed for mental communication. Atmospheric friction burned away the protecting envelope, leaving the cube exposed and subject to discovery by the intelligent minds of the world where it fell. By its very nature, the cube would attract and rivet attention. This, when coupled with the action of light, was sufficient to set its special properties working.

The mind that noticed the cube would be drawn into it by the power of the disc, and would be sent on a thread of obscure energy to the place whence the disc had come—the remote world of the worm-like space explorers across stupendous galactic abysses. Received in one of the machines to which each cube was attuned, the captured mind would remain suspended without body or senses until examined by one of the dominant race. Then it would, by an obscure process of interchange, be pumped of all its contents. The investigator's mind would now occupy the strange machine while the captive mind occupied the interrogator's worm-like body. Then, in another interchange, the interrogator's mind would leap across boundless space to the captive's vacant and unconscious body on the trans-galactic world—animating the alien tenement as best It might, and exploring the alien world in the guise of one of its denizens.

When done with exploration, the adventurer would use the cube and its disc in accomplishing his return—and sometimes the captured mind would be restored safely to its own remote world. Not always, however, was the dominant race so kind. Sometimes, when a potentially important race capable of space travel was found, the worm-like folk would employ the cube to capture and annihilate minds by the thousands, and would extirpate the race for diplomatic reasons—using the exploring minds as agents of destruction.

In other cases sections of the worm-folk would permanently occupy a trans- galactic planet—destroying the captured minds and wiping out the remaining inhabitants preparatory to settling down in unfamiliar bodies. Never, however, could the parent civilization be quite duplicated In such a case; since the new planet would not contain all the materials necessary for the worm-race's arts. The cubes, for example, could be made only on the home planet.

Only a few of the numberless cubes sent forth ever found a landing and response on an inhabited world—since there was no such thing as aiming them at goals beyond sight or knowledge. Only three, ran the story, had ever landed on peopled worlds in our own particular universe. One of these had struck a planet near the galactic rim two thousand billion years ago, while another had lodged three billion years ago on a world near the centre of the galaxy. The third—and the only one ever known to have invaded the solar system—had reached our own earth 150,000,000 years ago.

It was with this latter that Dr. Winters-Hall's "translation" chiefly dealt. When the cube struck the earth, he wrote, the ruling terrestrial species was a huge, cone-shaped race surpassing all others before or since In mentality and achievements. This race was so advanced that it had actually sent minds abroad in both space and time to explore the cosmos, hence recognised something of what had happened when the cube fell from the sky and certain Individuals had suffered mental change after gazing at it.

Realising that the changed Individuals represented invading minds, the race's leaders had them destroyed—even at the cost of leaving the displaced minds exiled in alien space. They had had experience with even stranger transitions. When, through a mental exploration of space and time, they formed a rough Idea of what the cube was, they carefully hid the thing from light and sight, and guarded it as a menace. They did not wish to destroy a thing so rich in later experimental possibilities. Now and then some rash, unscrupulous adventurer would furtively gain access to it and sample its perilous powers despite the consequences—but all such cases were discovered, and safely and drastically dealt with.

Of this evil meddling the only bad result was that the worm-like outside race learned from the new exiles what had happened to their explorers on earth, and conceived a violent hatred of the planet and all its life-forms. They would have depopulated it if they could, and indeed sent additional cubes into space in the wild hope of striking it by accident in unguarded places—but that accident never came to pass.

The cone-shaped terrestrial beings kept the one existing cube in a special shrine as a relique and basis for experiments, till after aeons it was lost amidst the chaos of war and the destruction of the great polar city where it was guarded. When, fifty million years ago, the beings sent their minds ahead into the infinite future to avoid a nameless peril of inner earth, the whereabouts of the sinister cube from space were unknown.

This much, according to the learned occultist, the Eltdown Shards had said. What now made the account so obscurely frightful to Campbell was the minute accuracy with which the alien cube had been described. Every detail tallied—dimensions, consistency, heiroglyphed central disc, hypnotic effects. As he thought the matter over and over amidst the darkness of his strange situation, he began to wonder whether his whole experience with the crystal cube—indeed, its very existence—were not a nightmare brought on by some freakish subconscious memory of this old bit of extravagant, charlatanic reading. If so, though, the nightmare must still be in force; since his present apparently bodiless state had nothing of normality in it.

Of the time consumed by this puzzled memory and reflection, Campbell could form no estimate. Everything about his state was so unreal that ordinary dimensions and measurements became meaningless. It seemed an eternity, but perhaps it was not really long before the sudden interruption came. What happened was as strange and inexplicable as the blackness it succeeded. There was a sensation—of the mind rather than of the body—and all at once Campbell felt his thoughts swept or sucked beyond his control in tumultuous and chaotic fashion.

Memories arose irresponsibly and irrelevantly. All that he knew— all his personal background, traditions, experiences, scholarship, dreams, ideas, and inspirations—welled up abruptly and simultaneously, with a dizzying speed and abundance which soon made him unable to keep track of any separate concept. The parade of all his mental contents became an avalanche, a cascade, a vortex. It was as horrible and vertiginous as his hypnotic flight through space when the crystal cube pulled him. Finally it sapped his consciousness and brought on fresh oblivion.

Another measureless blank—and then a slow trickle of sensation. This time it was physical, not mental. Sapphire light, and a low rumble of distant sound. There were tactile impressions—he could realise that he was lying at full length on something, though there was a baffling strangeness about the feel of his posture. He could not reconcile the pressure of the supporting surface with his own outlines—or with the outlines of the human form at all. He tried to move his arms, but found no definite response to the attempt. Instead, there were little, ineffectual nervous twitches all over the area which seemed to mark his body.

He tried to open his eyes more widely, but found himself unable to control their mechanism. The sapphire light came in a diffused, nebulous manner, and could nowhere be voluntarily focussed Into definiteness. Gradually, though, visual images began to trickle in curiously and indecisively. The limits and qualities of vision were not those which he was used to, but he could roughly correlate the sensation with what he had known as sight. As this sensation gained some degree of stability, Campbell realised that he must still be in the throes of nightmare.

He seemed to be in a room of considerable extent—of medium height, but with a large proportionate area. On every side—and he could apparently see all four sides at once—were high, narrowish slits which seemed to serve as combined doors and windows. There were singular low tables or pedestals, but no furniture of normal nature and proportions. Through the slits streamed floods of sapphire light, and beyond them could be mistily seen the sides and roofs of fantastic buildings like clustered cubes. On the walls —in the vertical panels between the slits—were strange markings of an oddly disquieting character. It was some time before Campbell understood why they disturbed him so—then he saw that they were, in repeated instances, precisely like some of the hieroglyphs on the crystal cube's disc.

The actual nightmare element, though, was something more than this. It began with the living thing which presently entered through one of the slits, advancing deliberately toward him and bearing a metal box of bizarre proportions and glassy, mirror-like surfaces. For this thing was nothing human —nothing of earth—nothing even of man's myths and dreams. It was a gigantic, pale-grey worm or centipede, as large around as a man and twice as long, with a disc-like, apparently eyeless, cilia-fringed head bearing a purple central orifice. It glided on its rear pairs of legs, with its fore part raised vertically—the legs, or at least two pairs of them, serving as arms. Along its spinal ridge was a curious purple comb, and a fan-shaped tail of some grey membrane ended its grotesque bulk. There was a ring of flexible red spikes around its neck, and from the twistings of these came clicking, twanging sounds in measured, deliberate rhythms.

Here, indeed, was outré nightmare at its height—capricious fantasy at its apex. But even this vision of delirium was not what caused George Campbell to lapse a third time into unconsciousness. It took one more thing—one final, unbearable touch—to do that. As the nameless worm advanced with its glistening box, the reclining man caught in the mirror-like surface a glimpse of what should have been his own body. Yet— horribly verifying his disordered and unfamiliar sensations—it was not his own body at all that he saw reflected in the burnished metal. It was, instead, the loathsome, pale-grey bulk of one of the great centipedes.


[ROBERT E. HOWARD & FRANK BELKNAP LONG]

From that final lap of senselessness, he emerged with a full understanding of his situation. His mind was Imprisoned in the body of a frightful native of an alien planet, while, somewhere on the other side of the universe, his own body was housing the monster's personality.

He fought down an unreasoning horror. Judged from a cosmic standpoint, why should his metamorphosis horrify him? Life and consciousness were the only realities in the universe. Form was unimportant. His present body was hideous only according to terrestrial standards. Fear and revulsion were drowned in the excitement of titanic adventure.

What was his former body but a cloak, eventually to be cast off at death anyway? He had no sentimental illusions about the life from which he had been exiled. What had it ever given him save toil, poverty, continual frustration and repression? If this life before him offered no more, at least it offered no less. Intuition told him it offered more—much more.

With the honesty possible only when life is stripped to its naked fundamentals, he realized that he remembered with pleasure only the physical delights of his former life. But he had long ago exhausted all the physical possibilities contained in that earthly body. Earth held no new thrills. But in the possession of this new, alien body he felt promises of strange, exotic joys.

A lawless exultation rose in him. He was a man without a world, tree of all conventions or inhibitions of Earth, or of this strange planet, free of every artificial restraint in the universe. He was a god! With grim amusement he thought of his body moving in earth's business and society, with all the while an alien monster staring out of the windows that were George Campbell's eyes on people who would flee !f they knew.

Let him walk the earth slaying and destroying as he would. Earth and its races no longer had any meaning to George Campbell. There he had been one of a billion nonentities, fixed in place by a mountainous accumulation of conventions, laws and manners, doomed to live and die in his sordid niche. But in one blind bound he had soared above the commonplace. This was not death, but re-birth—the birth of a full-grown mentality, with a new-found freedom that made little of physical captivity on Yekub.

He started. Yekub! It was the name of this planet, but how had he known? Then he knew, as he knew the name of him whose body he occupied—Tothe. Memory, deep grooved in Tothe's brain, was stirring in him—shadows of the knowledge Tothe had. Carved deep in the physical tissues of the brain, they spoke dimly as implanted instincts to George Campbell; and his human consciousness seized them and translated them to show him the way not only to safety and freedom, but to the power his soul, stripped to its primitive impulses, craved. Not as a slave would he dwell on Yekub, but as a king! Just as of old barbarians had sat on the throne of lordly empires.

For the first time he turned his attention to his surroundings. He still lay on the couch-like thing in the midst of that fantastic room, and the centipede man stood before him, holding the polished metal object, and clashing its neck-spikes. Thus it spoke to him, Campbell knew, and what it said he dimly understood, through the implanted thought processes of Tothe, just as he knew the creature was Yukth, supreme lord of science.

But Campbell gave no heed, for he had made his desperate plan, a plan so alien to the ways of Yekub that !t was beyond Yukth's comprehension and caught him wholly unprepared. Yukth, like Campbell, saw the sharp-pointed metal shard on a nearby table, but to Yukth !t was only a scientific implement. He did not even know it could be used as a weapon. Campbell's earthly mind supplied the knowledge and the action that followed, driving Tothe's body into movements no man of Yekub had ever made before.

Campbell snatched the pointed shard and struck, ripping savagely upward. Yukth reared and toppled, his entrails spilling on the floor. In an instant Campbell was streaking for a door. His speed was amazing, exhilarating, first fulfillment of the promise of novel physical sensations.

As he ran, guided wholly by the Instinctive knowledge implanted in Tothe's physical reflexes, it was as If he were borne by a separate consciousness in his legs. Tothe's body was bearing him along a route it had traversed ten thousand times when animated by Tothe's mind.

Down a winding corridor he raced, up a twisted stair, through a carved door, and the same instincts that had brought him there told him he had found what he sought. He was in a circular room with a domed roof from which shone a livid blue light. A strange structure rose In the middle of the rainbow-hued floor, tier on tier, each of a separate, vivid color. The ultimate tier was a purple cone, from the apex of which a blue smoky mist drifted upward to a sphere that poised in mid-air—a sphere that shone like translucent ivory.

This, the deep-grooved memories of Tothe told Campbell, was the god of Yekub, though why the people of Yekub feared and worshipped it had been forgotten a million years. A worm-priest stood between him and the altar which no hand of flesh had ever touched. That it could be touched was a blasphemy that had never occurred to a man of Yekub. The worm-priest stood in frozen horror until Campbell's shard ripped the life out of him.

On his centipede-legs Campbell clambered the tiered altar, heedless of its sudden quiverings, heedless of the change that was taking place in the floating sphere, heedless of the smoke that now billowed out In blue clouds. He was drunk with the feel of power. He feared the superstitions of Yekub no more than he feared those of earth. With that globe in his hands he would be king of Yekub. The worm men would dare deny him nothing, when he held their god as hostage. He reached a hand for the ball—no longer ivory-hued, but red as blood...


[FRANK BELKNAP LONG]

Out of the tent into the pale August night walked the body of George Campbell. It moved with a slow, wavering gait between the bodies of enormous trees, over a forest path strewed with sweet scented pine needles. The air was crisp and cold. The sky was an inverted bowl of frosted silver flecked with stardust, and far to the north the Aurora Borealis splashed streamers of fire.

The head of the walking man lolled hideously from side to side. From the corners of his lax mouth drooled thick threads of amber froth, which fluttered in the night breeze. He walked upright at first, as a man would walk, but gradually as the tent receded, his posture altered. His torso began almost imperceptibly to slant, and his limbs to shorten.

In a far-off world of outer space the centipede creature that was George Campbell clasped to Its bosom a god whose lineaments were red as blood, and ran with insect-like quiverings across a rainbow-hued hall and out through massive portals into the bright glow of alien suns.

Weaving between the trees of earth in an attitude that suggested the awkward loping of a werebeast, the body of George Campbell was fulfilling a mindless destiny. Long, claw-tipped fingers dragged leaves from a carpet of odorous pine needles as it moved toward a wide expanse of gleaming water.

In the far-off, extra-galactic world of the worm people, George Campbell moved between cyclopean blocks of black masonry down long, fern-planted avenues holding aloft the round red god.

There was a harsh animal cry in the underbrush near the gleaming lake on earth where the mind of a worm creature dwelt in a body swayed by instinct. Human teeth sank into soft animal fur, tore at black animal flesh. A little silver fox sank its fangs in frantic retaliation into a furry human wrist, and thrashed about in terror as its blood spurted. Slowly the body of George Campbell arose, its mouth splashed with fresh blood. With upper limbs swaying oddly it moved towards the waters of the lake.

As the variform creature that was George Campbell crawled between the black blocks of stone thousands of worm-shapes prostrated themselves in the scintillating dust before it. A godlike power seemed to emanate from its weaving body as it moved with a slow, undulant motion toward a throne of spiritual empire transcending all the sovereignties of earth.

A trapper stumbling wearily through the dense woods of earth near the tent where the worm-creature dwelt in the body of George Campbell came to the gleaming waters of the lake and discerned something dark floating there. He had been lost in the woods all night, and weariness enveloped him like a leaden cloak in the pale morning light.

But the shape was a challenge that he could not ignore. Moving to the edge of the water he knelt in the soft mud and reached out toward the floating bulk. Slowly he pulled it to the shore.

Far off in outer space the worm-creature holding the glowing red god ascended a throne that gleamed like the constellation Cassiopeia under an alien vault of hyper-suns. The great deity that he held aloft energized his worm tenement, burning away in the white fire of a supermundane spirituality all animal dross.

On earth the trapper gazed with unutterable horror into the blackened and hairy face of the drowned man. It was a bestial face, repulsively anthropoid in contour, and from its twisted, distorted mouth black ichor poured.

"He who sought your body in the abysses of Time will occupy an unresponsive tenement," said the red god. "No spawn of Yekub can control the body of a human.

"On all earth, living creatures rend one another, and feast with unutterable cruelty on their kith and kin. No worm-mind can control a bestial man-body when it yearns to raven. Only man-minds Instinctively conditioned through the course of ten thousand generations can keep the human instincts in thrall. Your body will destroy Itself on earth, seeking the blood of its animal kin, seeking the cool water where it can wallow at Its ease. Seeking eventually destruction, for the death-instinct is more powerful in it than the instincts of life and it will destroy itself in seeking to return to the slime from which it sprang."

Thus spoke the round red god of Yekub in a far-off segment of the space- time continuum to George Campbell as the latter, with all human desire purged away, sat on a throne and ruled an empire of worms more wisely kindly, and benevolently than any man of earth had ever ruled an empire of men.



THE FIRE OF ASSHURBANIPAL

Cover Image

Weird Tales, December 1936



First published in Weird Tales, December 1936

"The Fire of Asshurbanipal" was originally written early in the 1930's as a straight adventure story. Howard later revised it, giving it a supernatural ending. After Howard's death his father submitted this version to Weird Tales, which published it in December, 1936



YAR AM squinted carefully down the blue barrel of his Lee-Enfield, called devoutly on Allah and sent a bullet through the brain of a flying rider.

"Allaho akbar!"

The big Afghan shouted in glee, waving his weapon above his head, "God is great! By Allah, sahib, I have sent another one of the dogs to Hell!"

His companion peered cautiously over the rim of the sand-pit they had scooped with their hands. He was a lean and wiry American, Steve Clarney by name.

"Good work, old horse," said this person. "Four left. Look—they're drawing off."

The white-robed horsemen were indeed reining away, clustering together just out of accurate rifle-range, as if in council. There had been seven when they had first swooped down on the comrades, but the fire from the two rifles in the sand-pit had been deadly.

"Look, sahib—they abandon the fray!"

Yar Ali stood up boldly and shouted taunts at the departing riders, one of whom whirled and sent a bullet that kicked up sand thirty feet in front of the pit.

"They shoot like the sons of dogs," said Yar Ali in complacent self- esteem. "By Allah, did you see that rogue plunge from his saddle as my lead went home? Up, sahib; let us run after them and cut them down!"

Paying no attention to this outrageous proposal—for he knew it was but one of the gestures Afghan nature continually demands—Steve rose, dusted off his breeches and gazing after the riders, now white specks far out on the desert, said musingly: "Those fellows ride as if they had some set purpose in mind—not a bit like men running from a licking."

"Aye," agreed Yar Ali promptly and seeing nothing inconsistent with his present attitude and recent bloodthirsty suggestion, "they ride after more of their kind—they are hawks who give up their prey not quickly. We had best move our position quickly, Steve sahib. They will come back—maybe in a few hours, maybe in a few days—it all depends on how far away lies the oasis of their tribe. But they will be back. We have guns and lives—they want both. And behold."

The Afghan levered out the empty shell and slipped a single cartridge into the breech of his rifle.

"My last bullet, sahib."

Steve nodded. "I've got three left."

The raiders whom their bullets had knocked from the saddle had been looted by their own comrades. No use searching the bodies which lay in the sand for ammunition. Steve lifted his canteen and shook it. Not much water remained. He knew that Yar Ali had only a little more than he, though the big Afridi, bred in a barren land, had used and needed less water than did the American; although the latter, judged from a white man's standards, was hard and tough as a wolf. As Steve unscrewed the canteen cap and drank very sparingly, he mentally reviewed the chain of events that had led them to their present position.

Wanderers, soldiers of fortune, thrown together by chance and attracted to each other by mutual admiration, he and Yar Ali had wandered from India up through Turkistan and down through Persia, an oddly assorted but highly capable pair. Driven by the restless urge of inherent wanderlust, their avowed purpose —which they swore to and sometimes believed themselves—was the accumulation of some vague and undiscovered treasure, some pot of gold at the foot of some yet unborn rainbow.

Then in ancient Shiraz they had heard of the Fire of Asshurbanipal. From the lips of an ancient Persian trader, who only half believed what he repeated to them, they heard the tale that he in turn had heard from the babbling lips of delirium, in his distant youth. He had been a member of a caravan, fifty years before, which, wandering far on the southern shore of the Persian Gulf trading for pearls, had followed the tale of a rare pearl far into the desert.

The pearl, rumored found by a diver and stolen by a shaykh of the interior, they did not find, but they did pick up a Turk who was dying of starvation, thirst and a bullet wound in the thigh. As, he died in delirium, he babbled a wild tale of a silent dead city of black stone set in the drifting sands of the desert far to the westward, and of a flaming gem clutched in the bony fingers of a skeleton on an ancient throne.

He had not dared bring it away with him, because of an overpowering brooding horror that haunted the place, and thirst had driven him into the desert again, where Bedouins had pursued and wounded him. Yet he had escaped, riding hard until his horse fell under him. He died without telling how he had reached the mythical city in the first place, but the old trader thought he must have come from the northwest—a deserter from the Turkish army, making a desperate attempt to reach the Gulf.

The men of the caravan had made no attempt to plunge still further into the desert in search of the city; for, said the old trader, they believed it to be the ancient, ancient City of Evil spoken of in the Necronomicon of the mad Arab Alhazred—the city of the dead on which an ancient curse rested. Legends named it vaguely: the Arabs called it Beled-el-Djinn, the City of Devils, and the Turks, Karashehr, the Black City. And the gem was that ancient and accursed jewel belonging to a king of long ago, whom the Grecians called Sardanapalus and the Semitic peoples Asshurbanipal.

Steve had been fascinated by the tale. Admitting to himself that it was doubtless one of the ten thousand cock-and-bull myths booted about the East, still there was a possibility that he and Yar Ali had stumbled onto a trace of that pot, of rainbow gold for which they searched. And Yar Ali had heard hints before of a silent city of the sands; tales had followed the eastbound caravans over the high Persian uplands and across the sands of Turkistan, into the mountain country and beyond—vague tales; whispers of a black city of the djinn, deep in the hazes of a haunted desert.

So, following the trail of the legend, the companions had tome from Shiraz to a village on the Arabian shore of the Persian Gulf, and there had heard more from an old man who had been a pearl-driver in his youth. The loquacity of age was on him and he told tales repeated to him by wandering tribesmen who had them in turn from the wild nomads of the deep interior; and again Steve and Yar Ah heard of the still black city with giant beasts carved of stone, and the skeleton sultan who held the blazing gem.

And so, mentally swearing at himself for a fool, Steve had made the plunge, and Yar Ali, secure in the knowledge that all things lay on the lap of Allah, had come with him. Their scanty supply of money had been just sufficient to provide riding-camels and provisions for a bold flying invasion of the unknown. Their only chart had been the vague rumors that placed the supposed location of Kara-Shehr.

There had been days of hard travel, pushing the beasts and conserving water and food. Then, deep in the desert they invaded, they had encountered a blinding sand-wind in which they had lost the camels. After that came long miles of staggering through the sands, battered by a flaming sun, subsisting on rapidly dwindling water from their canteens, and food Yar Ali had in a pouch. No thought of finding the mythical city now. They pushed on blindly, in hope of stumbling upon a spring; they knew that behind them no oases lay within a distance they could hope to cover on foot. It was a desperate chance, but their only one.

Then white-clad hawks had swooped down on them, out of the haze of the skyline, and from a shallow and hastily scooped trench the adventurers had exchanged shots with the wild riders who circled them at top speed. The bullets of the Bedouins had skipped through their makeshift fortifications, knocking dust into their eyes and flicking bits of cloth from their garments, but by good chance neither had been hit.

Their one bit of luck, reflected Clarney, as he cursed himself for a fool. What a mad venture it had been, anyway! To think that two men could so dare the desert and live, much less wrest from its abvsmal bosom the secrets of the ages! And that crazy tale of a skeleton hand gripping a flaming jewel in a dead city-bosh! What utter rot! He must have been crazy himself to credit it, the American decided with the clarity of view that suffering and danger bring.

"Well, old horse," said Steve, lifting his rifle, "let's get going. It's a toss-up if we die of thirst or get sniped off by the desert-brothers. Anyway, we're doin' no good here."

"God gives," agreed Yar Ali cheerfully. "The sun sinks westward. Soon the coolness of night will be upon us. Perhaps we shall find water yet, sabib. Look, the terrain changes to the south."

Clarney shaded his eyes against the dying sun. Beyond a level, barren expanse of several miles width, the land did indeed become more broken; aborted hills were in evidence. The American slung his rifle over his arm and sighed.

"Heave ahead; we're food for the buzzards anyhow."

The sun sank and the moon rose, flooding the desert with weird silver light. Drifted sand glimmered in long ripples, as if a sea had suddenly been frozen into immobility. Steve, parched fiercely by a thirst he dared not fully quench, cursed beneath his breath. The desert was beautiful beneath the moon, with the beauty of a cold marble lorelei to lure men to destruction. What a mad quest! his weary brain reiterated; the Fire of Asshurbanipal retreated into the mazes of unreality with each dragging step. The desert became not merely a material wasteland, but the gray mists of the lost eons, in whose depths dreamed sunken things.

Clarney stumbled and swore; was he failing already? Yar Ali swung along with the easy, tireless stride of the mountain man, and Steve set his teeth, nerving himself to greater effort. They were entering the broken country at last, and the going became harder. Shallow gullies and narrow ravines knifed 'the earth with wavering patterns. Most of them were nearly filled with sand, and there was no trace of water.

"This country was once oasis country," commented Yar Ali. "Allah knows how many centuries ago the sand took it, as the sand has taken so many cities in TurkiStan."

They swung on like dead men in a gray land of death.

The moon grew red and sinister as she sank, and shadowy darkness settled over the desert before they had reached a point where they could see what lay beyond the broken belt. Even the big Afghan's feet began to drag, and Steve kept himself erect only by a savage effort of will. At last they toiled up a sort of ridge, on the southern side of which the land sloped downward.

"We rest," declared Steve. "There's no water in this hellish country. No use in goin' on for ever. My legs are stiff as gun-barrels. I couldn't take another step to save my neck. Here's a kind of stunted cliff, about as high as a man's shoulder, facing south. We'll sleep in the lee of it.

"And shall we not keep watch, Steve sahib?"

"We don't," answered Steve. "If the Arabs cut our throats while we're asleep, so much the better. We're goners anyhow."

With which optimistic observation Clarney lay down stiffly in the deep sand. But Yar Ali stood, leaning forward, straining his eyes into the elusive darkness that turned the star-flecked horizons to murky wells of shadow.

"Something lies on the skyline to the south," he muttered uneasily. "A hill? I cannot tell, or even be sure that I see anything at all."

"You're seeing mirages already," said Steve irritably. "Lie down and sleep."

And so saying Steve slumbered.

The sun in his eves awoke him. He sat up, yawning, and his first sensation was that of thirst. He lifted his canteen and wet his lips. One drink left. Yar Ali still slept. Steve's eves wandered over the southern horizon and he started. He kicked the recumbent Afghan.

"Hey, wake up, Ali. I reckon you weren't seeing things after all. There's your hill—and a queer-lookin' one, too."

The Afridi woke as a wild thing wakes, instantly and completely, his hand leaping to his long knife as he glared about for enemies. His gaze followed Steve's pointing fingers and his eves widened.

"By Allah and by Allah!" he swore. "We have come into a land of djinn! That is no hill—it is a city of stone in the midst of the sands!"

Steve bounded to his feet like a steel spring released. As he gazed with bated breath, a fierce shout escaped his lips. At his feet the slope of the ridge ran down into a wide and level expanse of sand that stretched away southward. And far away, across those sands, to his straining sight the 'hill' slowly took shape, like a mirage growing from the drifting sands.

He saw great uneven walls, massive battlements; all about crawled the sands like a living, sensate thing, drifted high about the walls, softening the rugged outlines. No wonder that at first glance the whole had appeared like a hill.

"Kara-Shehr!" Clarney exclaimed fiercely. "Beled-el-Djinn! The city of the dead! It wasn't a pipe-dream after all! We've found it—by Heaven, we've found it! Come on! Let's go!"

Yar Ali shook his head uncertainly and muttered something about evil djinn under his breath, but he followed. The sight of the ruins had swept from Steve his thirst and hunger, and the fatigue that a few hours' sleep had not fully overcome. He trudged on swiftly, oblivious to the rising heat, his eyes gleaming with the lust of the explorer. It was not altogether greed for the fabled gem that had prompted Steve Clarney to risk his life in that grim wilderness; deep in his soul lurked the age-old heritage of the white man, the urge to seek out the hidden places of the world, and that urge had been stirred to the depths by the ancient tales.

Now as they crossed the level wastes that separated the broken land from the city, they saw—the shattered walls take clearer form and shape, as if they grew out of the morning sky. The city seemed built of huge blocks of black stone, but how high the walls had been there was no telling because of the sand that drifted high about their base; in many places they had fallen away and the sand hid the fragments entirely.

The sun reached her zenith and thirst intruded itself in spite of zeal and enthusiasm, but Steve fiercely mastered his suffering. His lips were parched and swollen, but fie would not take that last drink until he had reached the ruined city. Yar Ali wet his lips from his own canteen and tried to share the remainder with his friend. Steve shook his head and plodded on.

In the ferocious heat of the desert afternoon they reached the ruin, and passing through a wide breach in the crumbling wall, gazed on the dead city. Sand choked the ancient streets and lent fantastic form to huge, fallen and half-hidden columns. So crumbled into decay and so covered with sand was the whole that the explorers could make out little of the original plan of the city; now it was but a waste of drifted sand and crumbling stone over which brooded, like an invisible cloud, an aura of unspeakable antiquity.

But directly in front of them ran a broad avenue, the outline of which not even the ravaging sands and winds of time had been able to efface. On either side of the wide way were ranged huge columns, not unusually tall, even allowing for the sand that hid their bases, but incredibly massive. On the top of each column stood a figure carved from solid stone—great, somber images, half human, half bestial, partaking of the brooding brutishness of the whole city. Steve cried out in amazement.

"The winged bulls of Nineveh. The bulls with men's heads! By the saints, AH, the old tales are true! The Assyrians did build this city! The whole tale's true! They must have come here when the Babylonians destroved Assyriawhy, this scene's a dead ringer for pictures I've seen—reconstructed scenes of old Nineveh! And look!"

He pointed down the broad street to the great building which reared at the other end, a colossal, brooding edifice whose columns and walls of solid black stone blocks defied the winds and sands of time. The drifting, obliterating sea washed about its foundations, overflowing into its doorways, but it would require a thousand years to inundate the whole structure.

"An abode of devils!" muttered Yar Ali, uneasily.

"The temple of Baal!" exclaimed Steve. "Come on!—I was afraid we'd find all the palaces and temples hidden by the sand and have to dig for the gem."

"Little good it will do us," muttered Yar Ali. "Here we die."

"I reckon so." Steve unscrewed the cap of his canteen. "Let's take our last drink. Anyway, we're safe from the Arabs. Thev'd never dare come here, with their superstitions. We'll drink and then we'll die, I reckon, but first we'll find the jewel. When I pass out, I want to have it in my hand. Mavbe a few centuries later some lucky son-of-a-gun will find our skeletons—and the gem. Here's to him, whoever he is!"

With which grim jest Clarney drained his canteen and Yar Ali followed suit. They had played their last ace; the rest lay on the lap of Allah.

They strode up the broad way, and Yar Ali, utterly fearless in the face of human foci, glanced nervously to tight and left, half expecting to see a horned and fantastic face leering at him from behind a column. Steve him felt the somber antiquity of the place, and almost found himself fearing a rush of bronze war chariots down the forgotten streets, or to hear the sudden menacing flare of bronze trumpets. The silence in dead cities was' so much more intense, he reflected, than that on the open desert.

They came to the portals of the great temple. Rows of immense columns flanked the wide doorway, which was ankledeep in sand, and from which sagged massive bronze frameworks that had once braced mighty doors, whose polished woodwork had rotted away centuries ago. They passed into a mighty hall of misty twilight whose shadowy stone roof was upheld by columns like the trunks of forest trees. The whole effect of the architecture was one of awesome magnitude and sullen, breathtaking splendor, like a temple built by somber giants for the abode of dark gods.

Yar-Ali walked fearfully, as if he expected to awake sleeping gods, and Steve, without the Afridi's superstitions, yet felt the gloomy majesty of the place lay somber hands on his soul.

No trace of a footprint showed in the deep dust on the floor; half a century had passed since the affrighted and devilridden Turk had fled these silent halls. As for the Bedouins, it was easy to see why those superstitious sons of the desert shunned this haunted city—and haunted it was, not by actual ghosts, perhaps, but by the shadows of lost splendors.

As they trod the sands of the hall, which seemed endless, Steve pondered many questions: How did these fugitives from the wrath of frenzied rebels build this city? How did they pass through the country of their foes—for Babylonia lay between Assyria and the Arabian desert. Yet there had been no other place for them to go; westward lay Syria and the sea, and north and east swarmed the 'dangerous Medes', those fierce Aryans whose aid had stiffened the arm of Babylon to smite her foe to the dust.

Possibly, thought Steve, Kara-Shehr—whatever its name had been in those dim days—had been built as an outpost border city before the fall of the Assyrian empire, whither survivals of that overthrow fled. At any rate it was possible that Kara-Shehr had outlasted Nineveh by some centuries—a strange, hermit city, no doubt, cut off from the rest of the world.

Surely, as Yar Ali had said, this was once fertile country, watered by oases; and doubtless in the broken country they had passed over the night before, there had been quarries that furnished the stone for the building of the city.

Then what caused its downfall? Did the encroachment of the sands and the filling up of the springs cause the people to abandon it, or was Kara-Shehr a city of silence before the sands crept over the walls? Did the downfall come from within or without? Did civil war blot out the inhabitants, or were they slaughtered by some powerful foe from the desert? Clarney shook his head in baffled chagrin. The answers to those questions were lost in—the maze of forgotten ages.

"Allaho akbar!" They had traversed the great shadowy hall and at its further end they came upon a hideous black stone altar, behind which loomed an ancient god, bestial and horrific. Steve shrugged his shoulders as he recognized the monstrous aspect of the image—aye, that teas Baal, on which black altar in other ages many a screaming, writhing, naked victim had offered up its naked soul. The idol embodied in its utter, abysmal and sullen bestiality the whole soul of this demoniac city. Surely, thought Steve, the builders of Nineveh and Kara-Shehr were cast in another mold from the people of today. Their art and culture were too ponderous, too grimly Barren of the lighter aspects of humanity, to be wholly human, as modern man understands humanity.

Their architecture was repellent; of high skill, yet so massive, sullen and brutish in effect as to be almost beyond the comprehension of moderns.

The adventurers passed through a narrow door which opened in the end of the hall close to the idol, and came into a series of wide, dim, dusty chambers connected by column-flanked corridors. Along these they strode in the gray ghostly light, and came at last to a wide stair, whose massive stone steps led upward and vanished in the gloom. Here Yar Ali halted.

"We have dared much, sahib," he muttered. "Is it wise to dare more?"

Steve, aquiver with eagerness, yet understood the Afghan's mind. "You mean we shouldn't, go up those stairs?"

"They have an evil look. To what chambers of silence and horror may they lead? When djinn haunt deserted buildings, they lurk in the upper chambers. At any moment a demon may bite off our heads."

"We're dead men anyhow," grunted Steve. "But I tell you—you go on back through the hall and watch for the Arabs while I go upstairs."

"Watch for a wind on the horizon," responded the Afghan gloomily, shifting his rifle and loosening his long knife in its scabbard. "No Bedouin comes here. Lead on, sahib. Thou'rt mad after the manner of all Franks,—but I would not leave thee to face the djinn alone."

So the companions mounted the massive stairs, their feet sinking deep into the accumulated dust of centuries at each step. Up and up they went, to an incredible height until the depths below merged into a vague gloom.

"We walk blind to our doom, sahib," muttered Yar Ali. "Allah il allah —and Muhammad is his Prophet! Nevertheless, I feel the presence of slumbering Evil and never again shall I hear the wind blowing up the Khyber Pass."

Steve made no reply. He did not like the breathless silence that brooded over the ancient temple, nor the grisly gray light that filtered from some hidden source.

Now above them the gloom lightened somewhat and they emerged into a vast circular chamber, grayly illumined by light that filtered in through the high, pierced ceiling. But another radiance lent itself to the illumination. A cry burst from Steve's lips, echoed by Yar Ali.

Standing on the top step of the broad stone stair, they looked directly across the broad chamber, with its dustcovered heavy tile floor and bare black stone walls. From about the center of the chamber, massive steps led up to a stone dais, and on this dais stood a marble throne. About this throne glowed and shimmered an uncanny light, and the awestruck adventurers gasped as they saw its source. On the throne slumped a human skeleton, an almost shapeless mass of moldering bones. A fleshless hand sagged outstretched upon the broad marble throne-arm, and in its grisly clasp there pulsed and throbbed like a living thing, a great crimson stone.

The Fire of Asshurbanipal! Even after they had found the lost city Steve had not really allowed himself to believe that they would find the gem, or that it even existed in reality. Yet he could not doubt the evidence of his eyes, dazzled by that evil, incredible glow. With a fierce shout he sprang across the chamber and up the steps. Yar All was at his heels, but when Steve would have seized the gem, the Afghan laid a hand on his arm.

"Wait!" exclaimed the big Muhammadan. "Touch it not yet, sahib! A curse lies on ancient things—and surely this is a thing triply accursed! Else why has it lain here untouched in a country of thieves for so many centuries? It is not well to disturb the possessions of the dead."

"Bosh!" snorted the American. "Superstitions! The Bedouins were scared by the tales that have come down to 'em from their ancestors. Being desert- dwellers they mistrust cities anyway, and no doubt this one had an evil reputation in its lifetime. And nobody except Bedouins have seen this place before, except that Turk, who was probably half demented with suffering.

"These bones may be those of the king mentioned in the legend—the dry desert air preserves such things indefinitelybut I doubt it. May be Assyrian—most likely Arab—some beggar that got the gem and then died on that throne for some reason or other."

The Afghan scarcely heard him. He was gazing in fearful fascination at the great stone, as a hypnotized bird stares into a serpent's eye.

"Look at it, sahib!" he whispered. "What is it? No such gem as this was ever cut by. mortal hands! Look how it throbs and pulses like the heart of a cobra!"

Steve was looking, and he was aware of a strange undefined feeling of uneasiness. Well versed in the knowledge of precious stones, he had never seen a stone like this. At first glance he had supposed it to be a monster ruby, as told in the legends. Now he was not sure, and he had a nervous feeling that Yar Ali was right, that this was no natural, normal gem: He could not classify the style in which it was cut, and such was the power of its lurid radiance that he found it difficult to gaze at it closely for any length of time. The whole setting was not one calculated to soothe restless nerves. The deep dust on the floor suggested an unwholesome antiquity; the gray light evoked a sense of unreality, and the heavy black walls towered grimly, hinting at hidden things.

"Let's take the stone, and go!" muttered Steve, an unaccustomed panicky dread rising in his bosom.

"Wait!" Yar Ali's eyes were blazing, and he gazed, not at the gem, but at the sullen stone walls. "We are flies in the lair of the spider! Sahib, as Allah lives, it is more than the ghosts of old fears that lurk over this city of horror! I feel the presence of peril, as I have felt it before—as I felt it in a jungle cavern where a python lurked unseen in—the darkness —as I felt it in the temple of Thuggee where the hidden stranglers of Siva crouched to spring upon us—as I feel it now, tenfold!"

Steve's hair prickled. He knew that Yar All was a grim veteran, not to be stampeded by silly fear or senseless panic; he well remembered the incidents referred to by the Afghan, as he remembered other occasions upon which Yar Ali's Oriental telepathic instinct had warned him of danger before that danger was seen or heard.

"What is it, Yar Ali?" he whispered.

The Afghan shook his head, his eyes filled with a weird mysterious light as he listened to the dim occult promptings of his subconsciousness.

"I know not; I know it is close to us, and that it is very ancient and very evil. I think—" Suddenly he halted and wheeled, the eery light vanishing from his eyes to be replaced by a glare of wolf-like fear and suspicion.

"Hark, sahib!" he snapped. "Ghosts or dead men mount the stair!"

Steve stiffened as the stealthy pad of soft sandals on stone reached his ear.

"By Judas, Ali!" he rapped; "something's out there—"

The ancient walls re-echoed to a chorus of wild yells as a horde of savage figures flooded the chamber. For one dazed insane instant Steve believed wildly that they were being attacked by re-embodied warriors of a vanished age; then the spiteful crack of a bullet past his ear and the acrid smell of powder told him that their foes were material enough. Clarney cursed; in their fancied security—they had been caught like rats in a trap by the pursuing Arabs.

Even as the American threw up his rifle, Yar Ali fired point-blank from the hip with deadly effect, hurled his empty rifle into the horde and went down the steps like a hurricane, his three-foot Khyber knife shimmering in his hairv hand. Into his gusto for battle went real relief that his foes were human. A bullet ripped the turban from his head, but an Arab went down with a split skull beneath the hillman's first, shearing stroke.

A tall Bedouin clapped his gun-muzzle to the Afghan's side, but before he could pull the trigger, Clarney's bullet scattered his brains. The very number of the attackers hindered their onslaught on the big Afridi, whose tigerish quickness made shooting as dangerous to themselves as to him. The bulk of them swarmed about him, striking with scimitar and rifle-stock while others charged up the steps after Steve. At that range there was no missing; the American simply thrust his rifle muzzle into a bearded face and blasted it into a ghastly ruin. The others came on, screaming like panthers.

And now as he prepared to expend his last cartridge, Clarney saw two things in one flashing instant—a wild warrior who, with froth on his beard and a heavy simitar uplifted, was almost upon him, and another who knelt on the floor drawing a careful bead on the plunging Yar Ali. Steve made an instant choice and fired over the shoulder of the charging swordsman, killing the rifleman—and voluntarily offering his own life for his friend's; for the scimitar was swinging at his own head. But even as the Arab swung, grunting with the force of the blow, his sandaled foot slipped on the marble steps and the curved blade, veering erratically from its arc, clashed on Steve's rifle-barrel. In an instant the American clubbed his rifle, and as the Bedouin recovered his balance and again heaved up the scimitar, Clarnev struck with all his rangy power, and stock and skull shattered together.

Then a heavy ball smacked into his shoulder, sickening him with the shock.

As he staggered dizzily, a Bedouin whipped a turbancloth about his feet and jerked viciously. Clarney pitched headlong down the steps, to strike with stunning force. A gun-stock in a brown hand went up to dash out his brains, but an imperious command halted the blow.

"Slay him not, but bind him hand and foot."

As Steve struggled dazedly against many gripping hands, it seemed to him that somewhere he had heard that imperious voice before.

The American's downfall had occurred in a matter of seconds. Even as Steve's second shot had cracked, Yar Ali had half severed a raider's arm and himself received a numbing blow from a rifle-stock on his left shoulder. His sheepskin coat, worn despite the desert heat, saved his hide from half a dozen slashing knives. A rifle was discharged so close to his face that the powder burnt him fiercely, bringing a bloodthirsty yell from the maddened Afghan. As Yar Ali swung up his dripping blade the rifleman, ashy-faced, lifted his rifle above his head in both hands to parry the downward blow, whereat the Afridi, with a yelp of ferocious exultation, shifted as a junglecat strikes and plunged his long knife into the Arab's belly. But at that instant a rifle-stock, swung with all the hearty ill-will its wielder could evoke, crashed against the giant's head, laying open the scalp and dashing him to his knees.

With the dogged and silent ferocity of his breed, Yar Ali staggered blindly up again, slashing at foes he could scarcely see, but a storm of blows battered him down again, nor did his attackers cease beating him until he lay still. They would have finished him in short order then, but for another peremptory order from their chief; whereupon they bound the senseless knife-man and flung him down alongside Steve, who was fully conscious and aware of the savage hurt of the bullet in his shoulder.

He glared up at the tall Arab who stood looking down at him.

"Well, sabib," said this one—and Steve saw he was no Bedouin —"do you not remember me?"

Steve scowled; a bullet-wound is no aid to concentration.

"You look familiar—by Judas!—you are! Nureddin El Mekru!"

"I am honored! The sahib remembers!" Nureddin salaamed mockingly. "And you remember, no doubt, the occasion on which you made me a present of—this!"

The dark eyes shadowed with bitter menace and the shaykh indicated a thin white scar on the angle of his jaw...

"I remember," snarled Clarney, whom pain and anger did not tend to make docile. "It was in Somaliland, years ago. You were in the slave-trade then. A wretch of a nigger escaped from you and took refuge with me. You walked into my camp one night in your high-handed way, started a row and in the ensuing scrap you got a butcher-knife across your face. I wish I'd cut your lousy throat."

"You had your chance," answered the Arab. "Now the tables are turned."

"I thought your stamping-ground lay west," growled Clarney; "Yemen and the Somali country."

"I quit the slave-trade long ago," answered the shaykh. "It is an outworn game. I led a band of thieves in Yemen for a time; then again I was forced to change my location. I came here with a few faithful followers, and by Allah, those wild men nearly slit my throat at first. But I overcame their suspicions, and now I lead more men than have followed me in years.

"They whom you fought off yesterday were my men—scouts I had sent out ahead. My oasis lies far to the west. We have ridden for many days, for I was on my way to this very city. When my scouts rode in and told me of two wanderers, I did not alter my course, for I had business first in Beled-el- Djinn. We rode into the city from the west and saw your tracks in the sand. We followed there, and you were blind buffalo who heard not our coming."

Steve snarled. "You wouldn't have caught us so easy, only we thought no Bedouin would dare come into Kara-Shehr."

Nureddin nodded. "But I am no Bedouin. I have traveled far and seen many lands and many races, and I have read many books. I know that fear is smoke, that the dead are dead, and that djinn and ghosts and curses are mists that the wind blows away. It was because of the tales of the red stone that I came into this forsaken desert. But it has taken months to persuade my men to ride with me here.

"But—I am here! And your presence is a delightful surprise. Doubtless you have guessed why I had you taken alive; I have more elaborate entertainment planned for you and that Pathan swine. Now—I take the Fire of Asshurbanipal and we will go."

He turned toward the dais, and one of his men, a bearded one-eyed giant, exclaimed, "Hold, my lord! Ancient evil reigned here before. the days of Muhammad! The djinn howl through these halls when the winds blow, and men have seen ghosts dancing on the walls beneath the moon. No man of mortals has dared this black city for a thousand years—save one, half a century ago, who fled shrieking.

"You have come here from Yemen; you do not know the ancient curse on this foul city, and this evil stone, which pulses like the red heart of Satan! We have followed you here against our judgment, because you have proven yourself a strong man, and have said you hold a charm against all evil beings. You said you but wished to look on this mysterious gem, but now we see it is your intention to take it for yourself. Do not offend the djinn!"

"Nay, Nureddin, do not offend the djinn!" chorused the other Bedouins. The shaykh's own hard-bitten ruffians, standing in a compact group somewhat apart from the Bedouins, said nothing; hardened to crimes and deeds of impiety, they were less affected by the superstitions of the desert men, to whom the dread tale of the accursed city had been repeated for centuries. Steve, even while hating Nureddin with concentrated venom, realized the magnetic power of the man, the innate leadership that had enabled him to overcome thus far the fears and traditions of ages.

"The curse is laid on infidels who invade the city," answered Nureddin, "not on the Faithful. See, in this chamber have we overcome our kafar foes!"

A white-bearded desert hawk shook his head.

"The curse is more ancient than Muhammad, and recks not of race or creed. Evil men reared this black city in the dawn of the Beginnings of Days. They oppressed our ancestors of the black tents, and warred among themselves; aye, the black walls of this foul city were stained with blood, and echoed to the shouts of unholy revel and the whispers of dark intrigues.

"Thus came the stone to the city: there dwelt a magician at the court of Asshurbanipal, and the black wisdom of ages was not denied to him. To gain honor and power for himself, he dared the horrors of a nameless vast cavern in a dark, untraveled land, and from those fiendhaunted depths he brought that blazing gem, which is carved of the frozen flames of Hell! By reason of his fearful power in black magic, he put a spell on the demon which guarded the ancient gem, and so stole away the stone. And the demon slept in the cavern unknowing.

"So this magician—Xuthltan by name—dwelt in the court of the sultan Asshurbanipal and did magic and forecast events by scanning the lurid deeps of the stone, into which no eyes but his could look unblinded. And men called the stone the Fire of Asshurbanipal, in honor of the king.

"But evil came upon the kingdom and men cried out that it was the curse of the djinn, and the sultan in great fear bade Xuthltan take the gem and cast it into the cavern from which he had taken it, lest worse ill befall them.

"Yet it was not the magician's will to give up the gem wherein he read strange secrets of pre-Adamite days, and he fled to the rebel city of Kara- Shehr, where soon civil war broke out and men strove with one another to possess the gem. Then the king who ruled the city, coveting the stone, seized the magician and put him to death by torture, and in this very room he watched him die; with the gem in his hand the king sat upon the throne—even as he has sat upon the throne—even as he has sat throughout the centuries —even as now he sits!"

The Arab's finger stabbed at the moldering bones on the marble throne, and the wild desert men blenched; even Nureddin's own scoundrels recoiled, catching their breath, but the shaykh showed no sign of perturbation.

"As Xuthltan died," continued the old Bedouin, "he cursed the stone whose magic had not saved him, and he shrieked aloud the fearful words which undid the spell he had put upon the demon in the cavern, and set the monster free. And crying out on the forgotten gods, Cthulhu and Koth and Yog-Sothoth, and all the pre-Adamite Dwellers in the black cities under the sea and the caverns of the earth, he called upon them—to take back that which was theirs, and with his dying breath pronounced doom on the false king, and that doom was that the king should sit on his throne holding in his hand the Fire of Asshurbanipal until the thunder of judgment Day.

"Thereat the great stone cried out as a live thing cries, and the king and his soldiers saw a black cloud spinning up from the floor, and out of the cloud blew a fetid wind, and out of the wind came a grisly shape which stretched forth fearsome paws and laid them on the king, who shriveled and died at their touch. And the soldiers fled screaming, and all the people of the city ran forth wailing into the desert, where they perished or gained through the wastes to the far oasis towns. Kara-Shehr lay silent and deserted, the haunt of the lizard and the jackal. And when some of the desertpeople ventured into the city they found the king dead on his throne, clutching the blazing gem, but they dared not lay hand upon it, for they knew the demon lurked near to guard it through all the ages—as he lurks near even as we stand here."

The warriors shuddered involuntarily and glanced about, and Nureddin said, "Why did he not come forth when the Franks entered the chamber? Is he deaf, that the sound of the combat has not awakened him?"

"We have not touched the gem," answered the old Bedouin, "nor had the Franks molested it. Men have looked on it and lived; but no mortal may touch it and survive."

Nureddin started to speak, gazed at the stubborn, uneasy faces and realized the futility of argument. His attitude changed abruptly.

"I am master here," he snapped, dropping a hand to his holster. "I have not sweat and bled for this gem to be balked at the last by groundless fears! Stand back, all! Let any man cross me at the peril of his head!"

He faced them, his eyes blazing, and they fell back, cowed by the force of his ruthless personality. He strode boldly up the marble steps, and the Arabs caught their breath, recoiling toward the door; Yar Ali, conscious at last, groaned dismally. God! thought Steve, what a barbaric scene!—bound captives on the dust-heaped floor, wild warriors clustered about, gripping their weapons, the raw acrid scent of blood and burnt powder still fouling the air, corpses strewn in a horrid welter of blood, brains and entrails—and on the dais, the hawk-faced shaykh, oblivious to all except the evil crimson glow in the skeleton fingers that rested on the marble throne.

A tense silence gripped all as Nureddin stretched forth his hand slowly, as if hypnotized by the throbbing crimson light. And in Steve's subconsciousness there shuddered a dim echo, as of something vast and loathsome waking suddenly from an age-long slumber. The American's eyes moved instinctively toward the grim cyclopean walls. The jewel's glow had altered strangely; it burned a deeper, darker red, angry and menacing.

"Heart of all evil," murmured the shaykh, "how many princes died for thee in the Beginnings of Happenings? Surely the blood of kings throbs in thee. The sultans and the princesses and the generals who wore thee, they are dust and are forgotten, but thou blazest with majesty undimmed, fire of the world—"

Nureddin seized the stone. A shuddery wail broke from the Arabs, cut through by a sharp inhuman cry. To Steve it seemed, horribly, that the great jewel had cried out like a living thing! The stone slipped from the shaykh's hand. Nureddin might have dropped it; to Steve it looked as though it leaped convulsively, as a live thing might leap. It rolled from the dais, bounding from step to step, with Nureddin springing after it, cursing as his clutching hand missed it. It struck the floor, veered sharply, and despite the deep dust, rolled like a revolving ball of fire toward the back wall. Nureddin was close upon it—it struck the wall—the shaykh's hand reached for it.

A scream of mortal fear ripped the tense silence. Without warning the solid wall had opened. Out of the black wall that gaped there, a tentacle shot and gripped the shaykh's body as a python girdles its victim, and jerked him headlong into the darkness. And then the wall showed blank and solid once more; only from within sounded a hideous, high-pitched, muffled screaming that chilled the blood of the listeners. Howling wordlessly, the Arabs stampeded, jammed in a battling, screeching mass in the doorway, tore through and raced madly down the wide stairs.

Steve and Yar Ali, lying helplessly, heard the frenzied clamor of their flight fade away into the distance, and gazed in dumb horror at the grim wall. The shrieks had faded into a more horrific silence. Holding their breath, they heard suddenly a sound that froze the blood in their veins—the soft sliding of metal or stone in a groove. At the same time the hidden door began to open, and Steve caught a glimmer in the blackness that might have been the glitter of monstrous eyes. He closed his own eyes; he dared not look upon whatever horror slunk from that hideous black well. He knew that there are strains the human brain cannot stand, and every primitive instinct in his soul cried out to him that this thing was nightmare and lunacy. He sensed that Yar Ali likewise closed his eyes, and the two lay like dead men.

Clarney heard no sound, but he sensed the presence of a horrific evil too grisly for human comprehension—of an Invader from Outer Gulfs and far black reaches of cosmic being. A deadly cold pervaded the chamber, and Steve felt the glare of inhuman eyes sear through his closed lids and freeze his consciousness. If he looked, if he opened his eyes, he knew stark black madness would be his instant lot.

He felt a soul-shakingly foul breath against his face and knew that the monster was bending close above him, but he lay like a man frozen in a nightmare. He clung to one thought: neither he nor Yar Ali had touched the jewel this horror guarded.

Then he no longer smelled the foul odor, the coldness in the air grew appreciably less, and he heard again the secret door slide in its groove. The fiend was returning to its hiding-place. Not all the legions of Hell could have prevented Steve's eyes, from opening a trifle. He had only a glimpse as the hidden door slid to—and that one glimpse was enough to drive all consciousness from his brain. Steve Clarney, iron-nerved adventurer, fainted for the only time in his checkered life.

How long he lay there Steve never knew, but it could not have been long, for he was roused by Yar Ali's whisper, "Lie still, sahib, a little shifting of my body and I can reach thy cords with my teeth."

Steve felt the Afghan's powerful teeth at work on his bonds, and as he lay with his face jammed into the thick dust, and his wounded shoulder began to throb agonizingly—he had forgotten it until now—he began to gather the wandering threads of his consciousness, and it all came back to him. How much, he wondered dazedly, had been the nightmares of delirium, born from suffering and the thirst that caked his throat? The fight with, the Arabs had been real—the bonds and the wounds showed that—but the grisly doom of the shaykh—the thing that had crept out of the black entrance in the wall—surely that had been a figment of delirium. Nureddin had fallen into a well or pit of some sort—Stave felt his hands were free and he rose to a sitting posture, fumbling for a pocket-knife the Arabs had overlooked. He did not look up or about the chamber as he slashed, the cords that bound his I ankles, and then freed Yar Ali, working awkwardly because his left arm was stiff and useless.

"Where are the Bedouins?" he asked, as the Afghan rose, lifting him to his feet.

"Allah, sahib," whispered Yar Ali, "are you mad? Have you forgotten? Let us go quickly before the djinn returns!"

"It was a nightmare," muttered Steve. "Look—the jewel is back on the throne—" His voice died out. Again that red glow throbbed about the ancient throne, reflecting from the moldering skull; again in the outstretched finger-bones pulsed the Fire of Asshurbanipal. But at the foot of the throne lay another object that had not been there before—the severed head of Nureddin el Mekru stared sightlessly up at the gray light filtering through the stone ceiling. The bloodless lips were drawn back from the teeth in a ghastly grin, the staring eyes mirrored an intolerable horror. In the thick dust of the floor three spoors showed—one of the shaykh's where he had followed the red jewel as it rolled to the wall, and above it two other sets of tracks, coming to the throne and returning to the wall—vast, shapeless tracks, as of splayed feet, taloned and gigantic, neither human nor animal.

"My God!" choked Steve. "It was true—and the Thing—the Thing I saw—"

Steve remembered the flight from that chamber as a rushing nightmare, in which he and his companion hurtled headlong down an endless stair that was a gray well of fear, raced blindly through dusty silent chambers, past the glowering idol in the mighty hall and into the blazing light of the desert sun, where they fell slavering, fighting for breath.

Again Steve was roused by the Afridi's voice: "Sahib, sahib, in the Name of Allah the Compassionate, our luck has turned!"

Steve looked at his companion as a man might look in a trance: The big Afghan's garments were in tatters, and blood-soaked. He was stained with dust and caked with blood, and his voice was a croak. But his eyes were alight with hope and he pointed with a trembling finger.

"In the shade of yon ruined wall!" he croaked, striving to moisten his blackened lips. "Allah it allah! The horses of the men we killed! With canteens and food-pouches at the saddle-horns! Those dogs fled without halting for the steeds of their comrades!"

New life surged up into Steve's bosom and he rose, staggering.

"Out of here," he mumbled. "Out of here, quick!"

Like dying men they stumbled to the horses, tore them loose and climbed fumblingly into the saddles.

"We'll lead the spare mounts," croaked Steve, and Yar Ali nodded emphatic agreement.

"Belike we shall need them ere we sight the coast."

Though their tortured nerves screamed for the water that swung in canteens at the saddle-horns, they turned the mounts aside and, swaying in the saddle, rode like flying corpses down the long sandy street of Kara-Shehr, between the ruined palaces and the crumbling columns, crossed the fallen wall and swept out into the desert. Not once did either glance back toward that black pile of ancient horror, nor did either speak until the ruins faded into the hazy distance. Then and only then did they draw rein and ease their thirst.

"Allah il allah!" said Yar Ali piously. "Those dogs have beaten me until it is as though every bone in my body were broken. Dismount, I beg thee, sahib, and let me probe for that accursed bullet, and dress thy shoulder to the best of my meager ability."

While this was going on, Yar Ali spoke, avoiding his friend's eye, "You said, sahib, you said something about—about seeing? What saw ye, in Allah's name?"

A strong shudder shook the American's steely fray "You didn't look when —when the—the Thing put back the jewel in the skeleton's hand and left Nureddin's head on the dais?"

"By Allah, not I!" swore Yar Ali. "My eyes were as closed as if they had been welded together by the molten irons of Satan!"

Steve made no reply until the comrades had once more swung into the saddle and started on their long trek for the coast, which, with spare horses, food, water and weapons, they had a good chance to reach.

"I looked," the American said somberly. "I wish I had not; I know I'll dream about it for the rest of my life. I had only a glance; I couldn't describe it as a man describes an earthly thing. God help me, it wasn't earthly or sane either. Mankind isn't the first owner of the earth; there were Beings here before his coming—and now, survivals of hideously ancient epochs. Maybe spheres of alien dimensions press unseen on this material universe today. Sorcerers have called up sleeping devils before now and controlled them with magic. It is not unreasonable to suppose an Assyrian magician could invoke an elemental demon out of the earth to avenge him and guard something that must have come out of Hell in the first place."

"I'll try to tell you what I glimpsed; then we'll never speak of it again. It was gigantic and black and shadowy; it was a hulking monstrosity that walked upright like a man, but it was like a toad, too, and it was winged and tentacled. I saw only its back; if I'd seen the front of it—its face —I'd have undoubtedly lost my mind. The old Arab was right; God help us, it was the monster that Xuthltan called up out of the dark blind caverns of the earth to guard the Fire of Asshurbanipal!"


THE END

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