Title: You Can't Go Home Again (1947)
Author: Thomas Wolfe
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Language:  English
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You Can't Go Home Again

by

Thomas Wolfe

There came to him an image of man's whole life upon the earth. It seemed to him that all man's life was like a tiny spurt of flame that blazed out briefly in an illimitable and terrifying darkness, and that all man's grandeur, tragic dignity, his heroic glory, came from the brevity and smallness of this flame. He knew his life was little and would be extinguished, and that only darkness was immense and everlasting. And he knew that he would die with defiance on his lips, and that the shout of his denial would ring with the last pulsing of his heart into the maw of all-engulfing night.

CONTENTS

BOOK 1. - THE NATIVE'S RETURN

1. The Drunken Beggar on Horseback
2. Fame's First Wooing
3. The Microscopic Gentleman from Japan
4. Some Things Will Never Change
5. The Hidden Terror
6. The Home-coming
7. Boom Town
8. The Company
9. The City of Lost Men

BOOK II - THE WORLD THAT JACK BUILT

10. Jack at Morn
11. Mrs. Jack Awake
12. Downtown
13. Service Entrance
14. Zero Hour
15. The Party at Jack's
16. A Moment of Decision
17. Mr. Hirsch Could Wait
18. Piggy Logan's Circus
19. Unscheduled Climax
20. Out of Control
21. Love Is Not Enough

BOOK III. - AN END AND A BEGINNING

22. A Question of Guilt
23. The Lion Hunters
24. Man-Creating and Man-Alive
25. The Catastrophe
26. The Wounded Faun

BOOK IV. - THE QUEST OF THE FAIR MEDUSA

27. The Locusts Have No King
28. The Fox
29. "The Hollow Men"
30. The Anodyne
31. The Promise of America

BOOK V. - EXILE AND DISCOVERY

32. The Universe of Daisy Purvis
33. Enter Mr. Lloyd McHarg
34. The Two Visitors
35. A Guest in Spite of Himself
36. The House in the Country
37. The Morning After

BOOK VI. - "I HAVE A THING TO TELL YOU"

38. The Dark Messiah
39. "One Big Fool"
40. Last Farewell
41. Five Passengers for Paris
42. The Family of Earth
43. The Capture
44. The Way of No Return

BOOK VII. - A WIND IS RISING, AND THE RIVERS FLOW

45. Young Icarus
46. Even Two Angels Not Enough
47. Ecclesiasticus
48. Credo

BOOK I - THE NATIVE'S RETURN

1. The Drunken Beggar on Horseback

It was the hour of twilight on a soft spring day towards the end of April in the year of Our Lord 1929, and George Webber leaned his elbows on the sill of his back window and looked out at what he could see of New York. His eye took in the towering mass of the new hospital at the end of the block, its upper floors set back in terraces, the soaring walls salmon coloured in the evening light. This side of the hospital, and directly opposite, was the lower structure of the annexe, where the nurses and the waitresses lived. In the rest of the block half a dozen old brick houses, squeezed together in a solid row, leaned wearily against each other and showed their backsides to him.

The air was strangely quiet. All the noises of the city were muted here into a distant hum, so unceasing that it seemed to belong to silence. Suddenly, through the open windows at the front of the house came the raucous splutter of a truck starting up at the loading platform of the warehouse across the street. The heavy motor warmed up with a full-throated roar, then there was a grinding clash of gears, and George felt the old house tremble under him as the truck swung out into the street and thundered off. The noise receded, grew fainter, then faded into the general hum, and all was quiet as before.

As George leaned looking out of his back window a nameless happiness welled within, him and he shouted over to the waitresses in the hospital annexe, who were ironing out as usual their two pairs of drawers and their flimsy little dresses. He heard, as from a great distance, the faint shouts of children playing in the streets, and, near at hand, the low voices of the people in the houses. He watched the cool, steep shadows, and saw how the evening light was moving in the little squares of yards, each of which had in it something intimate, familiar, and revealing--a patch of earth in which a pretty woman had been setting out flowers, working earnestly for hours and wearing a big straw hat and canvas gloves; a little plot of new-sown grass, solemnly watered every evening by a man with a square red face and a bald head; a little shed or playhouse or workshop for some business man's spare-time hobby; or a gay-painted table, some easy lounging chairs, and a huge bright-striped garden parasol to cover it, and a good-looking girl who had been sitting there all afternoon reading, with a coat thrown over her shoulders and a tall drink at her side.

Through some enchantment of the quiet and the westering light and the smell of April in the air, it seemed to George that he knew these people all around him. He loved this old house on Twelfth Street, its red brick walls, its rooms of noble height and spaciousness, its old dark woods and floors that creaked; and in the magic of the moment it seemed to be enriched and given a profound and lonely dignity by all the human beings it had sheltered in its ninety years. The house became like a living presence. Every object seemed to have an animate vitality of its own--walls, rooms, chairs, tables, even a half-wet bath towel hanging from the shower ring above the tub, a coat thrown down upon a chair, and his papers, manuscripts, and books scattered about the room in wild confusion.

The simple joy he felt at being once more a part of such familiar things also contained an element of strangeness and unreality. With a sharp stab of wonder he reminded himself, as he had done a hundred times in the last few weeks, that he had really come home again--home to America, home to Manhattan's swarming rock, and home again to love; and his happiness was faintly edged with guilt when he remembered that less than a year before he had gone abroad in anger and despair, seeking to escape what now he had returned to.

In his bitter resolution of that spring a year ago, he had wanted most of all to get away from the woman he loved. Esther Jack was much older than he, married and living with her husband and grown daughter. But she had given George her love, and given it so deeply, so exclusively, that he had come to feel himself caught as in a trap. It was from that that he had wanted to escape--that and the shameful memory of their savage quarrels, and a growing madness in himself which had increased in violence as she had tried to hold him. So he had finally left her and fled to Europe. He had gone away to forget her, only to find that he could not; he had done nothing but think of her all the time. The memory of her rosy, jolly face, her essential goodness, her sure and certain talent, and all the hours that they had spent together returned to torture him with new desire and longing for her.

Thus, fleeing from a love that still pursued him, he had become a wanderer in strange countries. He had travelled through England, France, and Germany, had seen countless new sights and people, and--cursing, whoring, drinking, brawling his way across the continent--had had his head bashed in, some teeth knocked out, and his nose broken in a beer-hall fight. And then, in the solitude of convalescence in a Munich hospital, lying in bed upon his back with his ruined face turned upwards towards the ceiling, he had had nothing else to do but think. There, at last, he had learned a little sense. There his madness had gone out of him, and for the first time in many years he had felt at peace within himself.

For he had learned some of the things that every man must find out for himself, and he had found out about them as one has to find out--through error and through trial, through fantasy and illusion, through falsehood and his own damn foolishness, through being mistaken and wrong and an idiot and egotistical and aspiring and hopeful and believing and confused. As he lay there in the hospital he had gone back over his life, and, bit by bit, had extracted from it some of the hard lessons of experience. Each thing he learned was so simple and obvious, once he grasped it, that he wondered why he had not always known it. All together, they wove into a kind of leading thread, trailing backwards through his past, and out into the future. And he thought that now, perhaps, he could begin to shape his life to mastery, for he felt a sense of new direction deep within him, but whither it would take him he could not say.

And what had he learned? A philosopher would not think it much, perhaps, yet in a simple human way it was a good deal. Just by living, by making the thousand little daily choices that his whole complex of heredity, environment, conscious thought, and deep emotion had driven him to make, and by taking the consequences, he had learned that he could not eat his cake and have it, too. He had learned that-in spite of his strange body, so much off scale that it had often made him think himself a creature set apart, he was still the son and brother of all men living. He had learned that he could not devour the earth, that he must know and accept his limitations. He realised that much of his torment of the years past had been self-inflicted, and an inevitable part of growing up. And, most important of all for one who had taken so long to grow up, he thought be had learned not to be the slave of his emotions.

Most of the trouble he had brought upon himself, he saw, had come from leaping down the throat of things. Very well, he would look before he leaped hereafter. The trick was to get his reason and his emotions pulling together in double harness, instead of letting them fly off in opposite directions, tearing him apart between them. He would try to give his head command and see what happened: then if head said, "Leap!"--he'd leap with all his heart.

And that was where Esther came in, for he had really not meant to come back to her. His head had told him it was better to let their affair end as it had ended. But no sooner had he arrived in New York than his heart told him to call her up--and he had done it. Then they had met again, and after that things followed their own course.

So here he was, back with Esther--the one thing he had once been sure would never happen. Yes, and very happy to be back. That was the queerest part of it. It seemed, perversely, that he ought to be unhappy to be doing what his reason had told him not to do. But he was not. And that was why, as he leaned there musing on his window-sill while the last light faded and the April night came on, a subtle worm was gnawing at his conscience and he wondered darkly at how great a lag there was between his thinking and his actions.

He was twenty-eight years old now, and wise enough to know that there are sometimes reasons of which the reason knows nothing, and that the emotional pattern of one's life, formed and set by years of living, is not to be discarded quite as easily as one may throw away a battered hat or worn-out shoe. Well, he was not the first man to be caught on the horns of this dilemma. Had not even the philosophers themselves been similarly caught? Yes--and then written sage words about it:

"A foolish consistency," Emerson had said, "is the hobgoblin of little minds."

And great Goethe, accepting the inevitable truth that human growth does not proceed in a straight line to its goal, had compared the development and progress of mankind to the reelings of a drunken beggar on horseback.

What was important, perhaps, was not that the beggar was drunk and reeling, but that he was mounted on his horse, and, however unsteadily, was going somewhere.

This thought was comforting to George, and he pondered it for some time, yet it did not altogether remove the edge of guilt that faintly tinged his contentment. There was still a possible flaw in the argument: His inconsistency in coming back-to Esther--was it wise or foolish?...Must the beggar on horseback for ever reel?

Esther awoke as quick and sudden as a bird. She lay upon her back and stared up at the ceiling straight and wide. This was her body and her flesh, she was alive and ready in a moment.

She thought at once of George. Their reunion had been a joyous re-discovery of love, and all things were made new again. They had taken up the broken fragments of their life and joined them together with all the intensity and beauty that they had known in the best days before he went away. The madness that bad nearly wrecked them both had now gone out of him entirely. He was' still full of his, unpredictable moods and fancies, but she had not seen a trace of the old black fury that used to make him lash about and beat his knuckles bloody against the wall. Since he returned he had seemed quieter, surer, in better control of himself, and in everything he did he acted as if he wanted to show her that he loved her. She had never known such perfect happiness. Life was good.

Outside, on Park Avenue, the people had begun to move along the pavements once more, the streets of the city began to fill and thicken. Upon the table by her bed the little dock ticked eagerly its pulse of time as if it hurried forward for ever like a child towards some imagined joy, and a clock struck slowly in the house with a measured, solemn chime. The morning sun steeped each object in her room with casual light, and in her heart she said, "It is now."

Nora brought coffee and hot rolls, and Esther read the paper. She read the gossip of the theatre, and she read the names of the cast that had been engaged for the new German play that the Community Guild was going to do in the autumn, and she read that "Miss Esther Jack has been engaged to design the show". She laughed because they called her "Miss", and because she could see the horrified look on his face when he read it, and because she remembered his expression when the little tailor thought she was his wife, and because it gave her so much pleasure to see her name in the paper--"Miss Esther Jack, whose work has won her recognition as one of the foremost modern designers."

She was feeling gay and happy and pleased with herself, so she put the paper in her bag, together with some other clippings she had saved, and took them with her when she went down-town to Twelfth Street for her daily visit to George. She handed them to him, and sat opposite to watch his face as he read them. She remembered all the things they had written about her work:

"...subtle, searching, and hushed, with a wry and rueful humour of its own..."

"...made these old eyes shine by its deft, sure touch of whimsey as nothing else in this prodigal season of dramatic husks has done..."

"...the gay insouciance of her unmannered settings, touched with those qualities which we have come to expect in all her ardent services to that sometimes too ungrateful jade, the drama..."

"...the excellent fooling that is implicit in these droll sets, elvishly sly, mocking, and, need we add or make apology for adding, expert?..."

She could hardly keep from laughing at the scornful twist of his mouth and the mocking tone of his comment as he bit off the phrases.

"'Elvishly sly!' Now isn't that too God-damned delightful!" he said with mincing precision. "'Made these old eyes shine!' Why, the quaint little bastard!...'That sometimes too ungrateful jade!' Oh, deary me, now!...'And need we add--!' I am swooning, sweetheart: pass the garlic!"

He threw the papers on the floor with an air of disgust and turned to her with a look of mock sternness that crinkled the corners of his eyes.

"Well," he said, "do I get fed, or must I starve here while you wallow in this bilge?"

She could control herself no longer and shrieked with glee. "I didn't do it!" she gasped. "I didn't write it! I can't help it if they write like that! Isn't it awful?"

"Yes, and you hate it, don't you?" he said. "You lap it up! You arc sitting there licking your lips over it now, gloating on it, and on my hunger! Don't you know, woman, that I haven't had a bite to eat all day? Do I get fed, or not? Will you put your deft whimsey in a steak?"

"Yes," she said. "Would you like a steak?"

"Will you make these old eyes shine with a chop and a delicate dressing of young onions?"

"Yes," she said. "Yes."

He came over and put his arms about her, his eyes searching hers in a look of love and hunger. "Will you make me one of your causes that is subtle, searching, and hushed?"

"Yes," she said. "Whatever you like, I will make it for you."

"Why will you make it for me?" he asked.

It was like a ritual that both of them knew, and they fastened upon each word and answer because they were so eager to hear it from each other.

"Because I love you. Because I want to feed you and to love you."

"Will it be good?" he said.

"It will be so good that there will be no words to tell its goodness," she said. "It will be good because I am so good and beautiful, and because I can do everything better than any other woman you will ever know, and because I love you with all my heart and soul, and want to be a part of you."

"Will this great love get into the food you cook for me?"

"It will be in every morsel that you eat. It will feed your hunger as you've never been fed before. It will be like a living miracle, and will make you better and richer as long as you live. You will never forget it. It will be a glory and a triumph."

"Then this will be such food as no one ever ate before," he said. "Yes," she said.-"It will be."

And it was so. There was never anything like it in the world before. April had come back again.

So now they were together. But things were not quite the same between them as they had once been. Even on the surface they were different. No longer now for them was there a single tenement and dwelling place. From the first day of his return he had flatly refused to go back to the house on Waverly Place which the two of them had previously shared for work and love and living. Instead, he had taken these two large rooms on Twelfth Street, which occupied the whole second floor of the house and could be made into one enormous room by opening the sliding doors between them. There was also a tiny kitchen, just big enough to turn around in. The whole arrangement suited George perfectly because it gave him both space and privacy. Here Esther could come and go as she liked; here they could be alone together whenever they wished; here they could feed at the heart of love.

The most important thing about it, however, was that this was his place, not theirs, and that fact re-established their relations on a different level. Henceforth he was determined not to let his life and love be one. She had her world of the theatre and of her rich friends which he did not want to belong to, and he had his world of writing which he would have to manage alone. He would keep love a thing apart, and safeguard to himself the mastery of his life, his separate soul, his own integrity.

Would she accept this compromise? Would she take his love, but leave him free to live his life and do his work? That was the way he told her it must be, and she said yes, she understood. But could she do it? Was it in a woman's nature to be content with all that a man could give her, and not for ever want what was not his to give? Already there were little portents that made him begin to doubt it.

One morning when she came to see him and was telling him with spirit and great good humour about a little comedy she had witnessed in the street, suddenly she stopped short in the middle of it, a cloud passed over her face, her eyes became troubled, and she turned to him and said:

"You do love me, don't you, George?"

"Yes," he said. "Of course. You know I do."

"Will you never leave me again?" she asked, a little breathless. "Will you go on loving me for ever?"

Her abrupt change of mood and her easy assumption that he or any human being could honestly pledge himself to anyone or anything for ever struck him as ludicrous, and he laughed.

She made an impatient gesture with her hand. "Don't laugh, George," she said. "I need to know. Tell me. Will you go on loving me for ever?"

Her seriousness, and the impossibility of giving her an answer annoyed him now, and he rose from his chair, stared down blankly at her for a moment, and then began pacing back and forth across the room. He paused once or twice and turned to her as if to speak, but, finding it hard to say what he wanted to say, he resumed his nervous pacing.

Esther followed him with her eyes; their expression betraying her mixed feelings, in which amusement and exasperation were giving way to alarm.

"What have I done now?" she thought. "God, was there ever anybody like him! You never can tell what he'll do! All I did was ask him a simple question and he acts like this! Still, it's better than the way he used to act. He used to blow up and call me vile names. Now he just stews in his own juice and I can't tell what he's thinking. Look at him--pacing like a wild animal in a cage, like a temperamental and introspective monkey!"

As a matter of fact, in moments of excitement George did look rather like a monkey. Barrel-chested, with broad, heavy shoulders, he walked with a slight stoop, letting his arms swing loosely, and they were so long that they dangled almost to the knees, the big hands and spatulate fingers curving deeply in like paws. His head, set down solidly upon a short neck, was carried somewhat forward with a thrusting movement, so that his whole figure had a prowling and half-crouching posture. He looked even shorter than he was, for, although he was an inch or two above the middle height, around five feet nine or ten, his legs were not quite proportionate to the upper part of his body. Moreover, his features were small--somewhat pug-nosed, the eyes set very deep in beneath heavy brows, the forehead rather low, the hair beginning not far above the brows. And when he was agitated or interested in something, he had the trick of peering upward with a kind of packed attentiveness, and this, together with his general posture, the head thrust forward, the body prowling downwards, gave him a distinctly simian appearance. It was easy to see why some of his friends called him Monk.

Esther watched him a minute or two, feeling disappointed and hurt that he had not answered her. He stopped by the front window and stood looking out, and she went over to him and quietly put her arm through his. She saw the vein swell in his temple, and knew there was no use in speaking.

Outside, the little Jewish tailors were coming from the office of their union next door and were standing in the street. They were pale, dirty, and greasy, and very much alive. They shouted and gesticulated at one another, they stroked each other gently on the cheek in mounting fury, saying tenderly in a throttled voice: "Nah! Nah! Nah!" Then, still smiling in their rage, they began to slap each other gently in the face with itching finger-tips. At length they screamed and dealt each other stinging slaps. Others cursed and shouted, some laughed, and a few said nothing, but stood darkly, sombrely apart, feeding upon their entrails.

Then the young Irish cops charged in among them. There was something bought and corrupt about their look. They had brutal and brainless faces, full of pride. Their jaws were loose and coarse, they chewed gum constantly as they shoved and thrust their way along, and they kept saying:

"Break it up, now! Break it up! All right! Keep movin'!"

The motors roared by like projectiles, and people were passing along the pavement. There were the faces George and Esther had never seen before, and there were the faces they had always seen, everywhere: always different, they never changed; they welled up from the sourceless springs of life with unending fecundity, with limitless variety, with incessant movement, and with the monotony of everlasting repetition. There were the three girl-friends who pass along the streets of life for ever. One had a cruel and sensual face, she wore glasses, and her mouth was hard and vulgar. Another had the great nose and the little bony features of a rat. The face of the third was full and loose, jeering with fat rouged lips and oily volutes of the nostrils. And when they laughed, there was no warmth or joy in the sound: high, shrill, ugly, and hysterical, their laughter only asked the earth to notice them.

In the street the children played. They were dark and strong and violent, aping talk and toughness from their elders. They leaped on one another and hurled the weakest to the pavement. The policemen herded the noisy little tailors along before them, and they went away. The sky was blue and young and vital, there were no clouds in it; the trees were budding into leaf; the sunlight fell into the street, upon all the people there, with an innocent and fearless life.

Esther glanced at George and saw his face grow twisted as he looked. He wanted to say to her that we are all savage, foolish, violent, and mistaken; that, full of our fear and confusion, we walk in ignorance upon the living and beautiful earth, breathing young, vital air and bathing in the light of morning, seeing it not because of the murder in our hearts.

But he did not say these things. Wearily he turned away from the window.

"There's for ever," he said. "There's your for ever."

2. Fame's First Wooing

In spite of the colourings of guilt that often tinged his brighter moods, George was happier than he had ever been. There can be no doubt about that. He exulted in the fact. The old madness had gone out of him, and for long stretches at a time he was now buoyed up by the glorious belief--not by any means a new one with him, though it was much stronger now than it had ever been before--that he was at last in triumphant control of his destiny. From his early childhood, when he was living like an orphan with his Joyner relatives back in Libya Hill, he had dreamed that one day he would go to New York and there find love and fame and fortune. For several years New York had been the place that he called home, and love was his already; and now he felt, with the assurance of deep conviction, that the time for fame and fortune was at hand.

Anyone is happy who confidently awaits the fulfilment of his highest dreams, and in that way George Was happy. And, like most of us when things are going well, he took the credit wholly to himself. It was not chance or luck or any blind confluence of events that had produced the change in his spirits: his contentment and sense of mastery were the reward of his own singular and peculiar merit, and no more than his just due. Nevertheless fortune had played a central part in his transformation. A most incredible thing had happened.

He had been back in New York only a few days when Lulu Scudder, the literary agent, telephoned him in great excitement. The publishing house of James Rodney & Co. was interested in his manuscript, and Foxhall Edwards, the distinguished editor of this great house, wanted to talk to him about it. Of course, you couldn't tell about these things, but it was always a good idea to strike while the iron was hot. Could he go over right away to see Edwards?

As he made his way uptown George told himself that it was silly to be excited, that probably nothing would come of it. Hadn't one publisher already turned the book down, saying that it was no novel? That publisher had even written---and the words of his rejection had seared themselves in. George's brain--"The novel form is not adapted to such talents, as you have." And it was still the same manuscript. Not a line of it had been changed, not a word cut, in spite of hints from Esther and Miss Scudder that it was too long for any publisher to handle. He had stubbornly refused to alter it, insisting that it would have to be printed as it was or not at all. And he had left the manuscript with Miss Scudder and gone away to Europe, convinced that her efforts to find a publisher would prove futile.

All the time he was abroad it had nauseated him to think of his manuscript, of the years of work and sleepless nights, he had put into it, and of the high hopes that bad sustained him through it; and he had tried, not to think of it, convinced now that it was no good, that he himself was no good, and that all his hot ambitions and his dreams of fame were the vapourings of a shoddy aesthete without talent. In this, he told himself, he was just like most of the other piddling instructors at the School for Utility Cultures, from which he had fled, and to which he would return to resume his classes in English composition when his leave of absence expired. They talked for ever about the great books they were writing, or were going to write, because, like him, they needed so desperately to find some avenue of escape from the dreary round of teaching, reading themes, grading papers, and trying to strike a spark in minds that had no flint in them. He had stayed in Europe almost nine months, and no word had come from Miss Scudder, so he had felt confirmed in all his darkest forebodings.

But now she said the Rodney people were interested. Well, they had taken their time about it. And what did "interested" mean? Very likely they would tell him they had detected in the book some slight traces of a talent which, with careful nursing, could be schooled to produce, in time, a publishable book. He had heard that publishers sometimes had a weather eye for this sort of thing and that they would often string an aspiring author along for years, giving him just the necessary degree, of encouragement to keep him from abandoning hope altogether and to make him think that they had faith in his great future if only he would go on writing book after rejected book until he "found himself". Well, he'd show them that he was not their fool! Not by so much as a flicker of an eyelash would he betray his disappointment, and he would commit himself to nothing!

If the traffic policeman on the corner noticed a strange young man in front of the office of James Rodney & Co. that morning, he would never have guessed at the core of firm resolution with which this young man had tried to steel himself for the interview that lay before him. If the policeman saw him at all, he probably observed him with misgiving, wondering whether he ought not to intervene to prevent the commission of a felony, or at any rate whether he ought not to speak to the young man and hold him in conversation until the ambulance could arrive and take him to Bellevue for observation.

For, as the young man approached the building at a rapid, loping stride, a stern scowl upon his face and his lips set in a grim line, he had hardly crossed the street and set his foot upon the kerb before the publisher's building when his step faltered, he stopped and looked about him as if not knowing what to do, and then, in evident confusion, forced himself to go on. 'But now his movements were uncertain; as if his legs obeyed his will with great reluctance. He lunged ahead, then stopped, then lunged again and made for the door, only to halt again in a paroxysm of indecision as he came up to it. He stood there facing the door for a moment, clenching and unclenching his hands, then looked about him quickly, suspiciously, as though he expected to find somebody watching him. At last, with a slight shudder of resolution, he thrust his hands deep into his pockets, turned deliberately, and walked on past the door.

And now he moved slowly, the line of his mouth set grimmer than before, and his head was carried stiffly forward from the shoulders as if he were trying to hold himself to the course he had decided upon by focusing on some distant object straight before him. But all the while, as he went along before the entrance and the show windows filled with books which flanked it on both sides, he peered sharply out of the corner of his eye like a spy who had to find out what was going on inside the building without letting the passers-by observe his interest. He walked to the end of the block and turned about and then came back, and again as he passed in front of the publishing house he kept his face fixed straight ahead and looked stealthily out of the corner of his eye. For fifteen or twenty minutes he repeated this strange manoeuvred, and each time as he approached the door he-would hesitate and half turn as if about to enter, and then abruptly go on as before.

Finally, as he came abreast of the entrance for perhaps the fiftieth time, he quickened his stride and seized the door-knob--but at once, as though it had given him an electric shock, he snatched his hand away and backed off, and stood on the kerb looking up at the house of James Rodney & Co. For several minutes more he stood there, shifting uneasily on his feet and watching all the upper windows as for a sign. Then, suddenly, his jaw muscles tightened, he stuck out his under lip in desperate resolve, and he bolted across the pavement, hurled himself against the door, and disappeared inside.

An hour later, if the policeman was still on duty at the corner, he was no doubt as puzzled and mystified as before by the young man's behaviour as he emerged from the building. He came out slowly, walking mechanically, a dazed look on his face, and in one of his hands, which dangled loosely at his sides, he held a crumpled slip of yellow paper. He emerged from the office of James Rodney & Co. like a man walking in a trance. With the slow and thoughtless movements of an automaton, he turned his steps uptown, and, still with the rapt and dazed look upon his face, he headed north and disappeared into the crowd..

It was, late afternoon and the shadows were slanting swiftly eastwards when George Webber came to his senses somewhere in the wilds of the upper Bronx. How he got there he never knew. All he could remember was that suddenly he felt hungry and stopped and looked about him and realized where he was. His dazed look gave way to one of amazement and incredulity, and his mouth began W stretch in a broad grin. In his hand he still held the rectangular slip of crisp yellow paper, and slowly he smoothed out the wrinkles and examined it carefully.

It was a cheque for five hundred dollars. His book bad been accepted, and this was an advance against his royalties.

So he was happier than he had ever been in all his life. Fame, at last, was knocking at his door and wooing him with her sweet blandishments, and he lived in a kind of glorious delirium. The next weeks and months were filled with the excitement of the impending event. The book would not be published till the autumn, but meanwhile there was much work to do. Foxhall Edwards had made some suggestions for cutting and revising the manuscript, and, although George at first objected, he surprised himself in the end by agreeing with Edwards, and he undertook to do what Edwards wanted.

George had called his novel, Home to Our Mountains, and in it he had packed everything he knew about his home town in Old Catawba and the people there. He had distilled every line of it out of his own experience of life. And, now that the issue was decided, he sometimes trembled when he thought that it would be only a matter of months before the whole world knew what he had written. He loathed the thought of giving pain to anyone, and that he might do so had never occurred to him till now. But now it was out of his hands, and he began to feel uneasy. Of course it was fiction, but it was made as all honest fiction must be, from the stuff of human life. Some people might recognize themselves, and be offended, and then what would he do? Would he have to go around in smoked glasses and false whiskers? He comforted himself with the hope that his characterisations were not so true as, in another mood, he liked to think they, were, and he thought that perhaps no one would notice anything.

Rodney's Magazine, too, had become interested in the young author and was going to publish a story, a chapter from the book, in their next number. This news added immensely to his excitement. He was eager to see his name in print, and in the happy interval of expectancy he felt like a kind of universal Don Juan, for he literally loved everybody--his fellow instructors at the school, his drab students, the little shopkeepers in all the stores, even the nameless hordes that thronged the streets. Rodney's, of course, was the greatest and the finest publishing house in all the world, and Foxhall Edwards was the greatest editor and the finest man that ever was. George had liked him instinctively from the first, and now, like an old and intimate friend, he was calling him Fox. George knew that Fox believed in him, and the editor's faith and confidence, coming as it had come, at a time when George had given up all hope, restored his self-respect and charged him with energy for new work.

Already his next novel was begun and was beginning to take shape within him. He would soon have to get it out of him. He dreaded the prospect of buckling down in earnest to write it, for he knew the agony of it. It was like demoniacal possession, driving him with an alien force much greater than his own. While the fury of creation was upon him, it meant sixty cigarettes a day, twenty cups of coffee, meals snatched anyhow and anywhere and at whatever time of day or night he happened to remember he was hungry. It meant sleeplessness, and miles of walking to bring on the physical fatigue without which he could not sleep, then nightmares, nerves, and exhaustion in the morning. As he said to Fox:

"There are better ways to write a book, but this, God help me, is mine, and you'll have to learn to put up with it."

When Rodney's Magazine came out with the story, George fully expected convulsions of the earth, falling meteors, suspension of traffic in the streets, and a general strike. But nothing happened. A few of his friends mentioned it, but that was all. For several days he felt let down, but then his common sense reassured him that people couldn't really tell much about a new author from a short piece in a magazine. The book would show them who he was and what he could do. It would be different then. He could afford to wait a little longer for the fame which he was certain would soon be his.

It was not until later, after the first excitement had worn off and George had become accustomed to the novelty of being an author whose book was actually going to be published, that he began to learn a little about the unknown world of publishing and the people who inhabit it--and not till then did he begin to understand and appreciate the teal quality of Fox Edwards. And it was through Otto Hauser--so much like Fox in his essential integrity, so sharply contrasted to him in other respects--that George got his first real insight into the character of his editor.

Hausa Was a reader at Rodney's, and probably the best publisher's reader in America. He might have been a publisher's editor--a rare and good one--had he been driven forward by ambition, enthusiasm, daring, tenacious resolution, and that eagerness to seek and find the best which a great editor must have. But Hauser was content to spend his days reading ridiculous manuscripts written by ridiculous people on all sorts of ridiculous subjects "The Breast Stroke," "Rock Gardens for Everybody," "The Life and Times of Lydia Pinkham," "The New Age of Plenty"--and once in a while something that had the fire of passion, the spark of genius, the glow of truth.

Otto Hauser lived in a tiny apartment near First Avenue, and he invited George to drop in one evening. George went, and they spent the evening talking. After that he returned again and again because he liked Otto, and also because he was puzzled by the contradictions of his qualities, especially by something aloof, impersonal, and withdrawing in his nature which seemed so out of place beside the clear and positive elements in his character.

Otto did all the housekeeping himself. He had tried having cleaning women in from time to time, but eventually he had dispensed entirely with their services. 'They were not clean and tidy enough to suit him, and their casual and haphazard disarrangements of objects that had been placed exactly where he wanted them annoyed his order-loving soul. He hated clutter. He had only a few books--a shelf or two--most of them the latest publications of the house of Rodney, and a few volumes sent him by other publishers. Usually he gave his books away as soon as he finished reading them because he hated clutter, and books made clutter. Sometimes he wondered if he didn't hate books, too. Certainly he didn't like to have many of them around: the sight of them irritated him.

George found him a curious enigma. Otto Hauser was possessed of remarkable gifts, yet he was almost wholly lacking in those qualities which cause a man to "get on" in the world. In fact, he didn't want to "get on". He had a horror of "getting on", of going any further than he bad already gone. He wanted to be a publisher's reader, and nothing more. At James Rodney & Co. he did the work they put into his hands. He did punctiliously what he was required to do. He gave his word, when he was asked to give it, with the complete integrity of his quiet soul, the unerring rightness of his judgment, the utter finality of his Germanic spirit. But beyond that he would not go.

When one of the editors at Rodney's, of whom there were several besides Foxhall Edwards, asked Hauser for his opinion, the ensuing conversation would go something like this:

"You have read the manuscript?"

"Yes," said Hauser, "I have read it."

"What did you think of it?"

"I thought it was without merit."

"Then you do not recommend its publication?"

"No, I do not think it is worth publishing."

Or:

"Did you read that manuscript?"

"Yes," Hauser would say. "I read it."

"Well, what did you think of it? (Confound it, can't the fellow say what he thinks without having to be asked all the timer)"

"I think it is a work of genius."

Incredulously: "You do!"

"I do, yes. To my mind there is no question about it."

"But look here, Hauser--" excitedly--"if what you say is true, this boy--the fellow who wrote it--why, he's just a kid--no one ever heard of him before--comes from somewhere out West--Nebraska, Iowa, one of those places--never been anywhere, apparently--if what you say is true, we've made a discovery!"

"I suppose you have. Yes. The book is a work of genius."

"But--(Damn it all, what's wrong with the man anyway? Here he makes a discovery like this--an astounding statement of this sort--and shows no more enthusiasm than if he were discussing a cabbage head!)--but, see here, then! You--you mean there's something wrong with it?"

"No, I don't think there's anything wrong with it. I think it is a magnificent piece of writing."

"But--(Good Lord, the fellow is a queer fish!)--but you mean to say that--that perhaps it's not suitable for publication in its present form?"

"No. I think it's eminently publishable."

"But it's overwritten, isn't it?"

"It is overwritten. Yes."

"I thought so, too," said the editor shrewdly. "Of course, the fellow shows he knows very little about writing. He doesn't know how he does it, he repeats himself continually, he is childish and exuberant and extravagant, and he does ten times too much of everything.. We have a hundred other writers who know more about writing than he does."

"I suppose we have, yes," Hauser agreed. "Nevertheless, he is a man of genius, and they are not. His, book is a work of genius, and theirs are not."

"Then you think we ought to publish him?"

"I think so, yes."

"But--(Ah, here's the catch, maybe--the thing he's holding back on!)--but you think this is all he has to say?--that he's written himself out in this one book?--that he'll never be able to write another?"

"No. I think nothing of the sort. I can't say, of course. They may kill him, as they often do----"

"(God, what a gloomy Gus the fellow is!)"

"--but on the basis of this book, I should say there's no danger of his running dry. He should have fifty books in him."

"But--(Good Lord! What is the catch?)--but then you mean you don't think it's time for such a book as this in America yet?"

"No, I don't mean that. I think it is time."

"Why?"

"Because it has happened. Iris always time when it happens."

"But some of our best critics say it's not time."

"I know they do. However, they are wrong. It is simply not their time, that's all."

"How do you mean?"

"I mean, their time is critic's time. The book is creator's time. The two times are not the same."

"You think, then, that the critics are behind the time?"

"They are behind creator's time, yes."

"Then they may not see this book as the work of genius which you say it is. Do you think they will?"

"I can't say. Perhaps not. However, it doesn't matter."

"Doesn't matter! Why, what do you mean?"

"I mean that the thing is good, and cannot be destroyed. Therefore it doesn't matter what anyone says."

"Then--Good Lord, Hauser!--if what you say is true, we've made a great discovery!"

"I think you have. Yes."

"But--but--is that all you have to say?"

"I think so, yes. What else is there to say?"

Baffled: "Nothing--only, I should think you would be excited about it!" Then, completely defeated and resigned: "Oh, all right! All right, Hauser! Thanks very much!"

The people at Rodney's couldn't understand it. They didn't know what to make of it. Finally, they had given up trying, all except Fox Edwards--and Fox would never give up trying to understand anything. Fox still came by Hauser's office--his little cell--and looked in on him. Fox's old grey hat would be pushed back on his head, for he never took it off when he worked, and there would be a look of troubled wonder in his sea-pale eyes as he bent over and stooped and craned and stared at Hauser, as if he were regarding for the first time some fantastic monster from the marine jungles of the ocean. Then he would turn and walk away, hands hanging to his coat lapels, and in his eyes there would be a look of utter astonishment.

Fox couldn't understand it yet. As for Hauser himself, he had no answers, nothing to tell them.

It was not until George Webber had become well acquainted with both men that be began to penetrate the mystery. Foxhall Edwards and Otto Hauser--to know them both, to see them working in the same office, each in his own way, was to understand them both as perhaps neither could have been understood completely by himself. Each man, by being what he was, revealed to George the secret springs of character which had made the two of them so much alike--and so utterly different.

There may have been a time when an intense and steady flame had been alive in the quiet depths of Otto Hauser's spirit. But that was before he knew what it was like to be a great editor. Now he had seen it for himself, and he wanted none of it. For ten years he had watched Fox Edwards, and he well knew what was needed: the pure flame living in the midst of darkness; the constant, quiet, and relentless effort of the will to accomplish what the pure flame burned for, what the spirit knew; the unspoken agony of that constant effort as it fought to win through to its clear purpose and somehow to subdue the world's blind and brutal force of ignorance, hostility, prejudice, and intolerance which were opposed to it--the fools of age, the fools of prudery, the fools of genteelness, fogyism, and nice-Nellyism, the fools of bigotry, Philistinism, jealousy, and envy, and, worst of all, the utter, sheer damn fools of nature!

Oh, to burn so, so to be consumed, exhausted, spent by the passion of this constant flame! And for what? For what? And why? Because some obscure kid from Tennessee, some tenant farmer's son from Georgia, or some country doctor's boy in North Dakota--untitled, unpedigreed, unhallowed by fools' standards--had been touched with genius, and so had striven to give a tongue to the high passion of his loneliness, to wrest from his locked spirit his soul's language and a portion of the tongue of his unuttered brothers, to find a channel in the blind immensity of this harsh land for the pent tides of his creation, and to make, perhaps, in this howling wilderness of life some carving and some dwelling of his own--all this before the world's fool-bigotry, fool-ignorance, fool-cowardice, fool-faddism, fool-mockery, fool-stylism, and fool-hatred for anyone who was not corrupted, beaten, and a fool had either quenched the hot, burning passion with ridicule, contempt, denial, and oblivion, or else corrupted the strong will with the pollutions of fool-success. It was for this that such as Fox must burn and suffer--to keep that flame' of agony alive in the spirit of some inspired and stricken boy until the world of fools had taken it into their custody, and betrayed it!

Otto Hauser had seen it all.

And in the end what was the reward for such a one as Fox? To achieve the lonely and unhoped-for victories one by one, and to see the very fools who had denied them acclaim them as their own. To lapse again to search, to silence, and to waiting while fools greedily pocketed as their own the coin of one man's spirit, proudly hailed as their discovery the treasure of another's exploration, loudly celebrated their own vision as they took unto themselves the fulfilment of another's prophecy. Ah, the heart must break at last--the heart of Fox, as well as the heart of genius, the lost boy; the frail, small heart of man must falter, stop at last from beating; but the heart of folly would beat on for ever.

So Otto Hauser would have none of it. He would grow hot over nothing. He would try to see the truth for himself, and let it go at that.

This was Otto Hauser as George came to know him. In the confidence of friendship Otto held up a mirror to his own soul, affording a clear, unposed reflection of his quiet, unassuming, and baffling integrity; but in the same mirror he also revealed, without quite being aware of it, the stronger and more shining image of Fox Edwards.

George knew how fortunate he was to have as his editor a man like Fox. And as time went on, and his respect and admiration for the older man warmed to deep affection, he realized that Fox had become for him much more than editor and friend. Little by little it seemed to George that he had found in Fox the father he had lost and had long been looking for. And so it was that Fox became a second father to him--the father of his spirit.

3. The Microscopic Gentleman from Japan

In the old house where George lived that year Mr. Katamoto occupied the ground floor just below him, and in a little while they got to know each other very well. It might be said that their friendship began in mystification and went on to a state of security and staunch understanding.

Not that Mr. Katamoto ever forgave George when he erred. He was always instantly ready to inform him that he had taken a false step again (the word is used advisedly), but he was so infinitely patient, so unflaggingly hopeful of George's improvement, so unfailingly good-natured and courteous, that no one could possibly have been angry or failed to try to mend his ways. What saved the situation was Katamoto's gleeful, childlike sense of humour. He was one of those microscopic gentlemen from Japan, scarcely five feet tall, thin and very wiry in his build, and George's barrel chest, broad shoulders, long, dangling arms, and large feet seemed to inspire his comic risibilities from the beginning. The first time they met, as they were just passing each other in the hall, Katamoto began to giggle when he saw George coming; and as they came abreast, the little man flashed a great expanse of gleaming teeth, wagged a finger roguishly, and said:

"Tramp-ling! Tramp-ling!"

For several days, whenever they passed each other in the hall, this same performance was repeated. George thought the words were very mysterious, and at first could not fathom their recondite meaning or understand why the sound of them was enough to set Katamoto off in a paroxysm of mirth. And yet when he would utter them and George would look at him in a surprised, inquiring kind of way, Katamoto would bend double with convulsive laughter and would stamp at the floor like a child with a tiny foot, shrieking hysterically! "Yis--yis--yis! You are tramp-ling!"--after which he would flee away.

George inferred that these mysterious references to "tramp-ling" which always set Katamoto off in such a fit of laughter had something to do with the bigness of his feet, for Katamoto would look at them quickly and slyly as he passed, and then giggle. However, a fuller explanation was soon provided. Katamoto came upstairs one afternoon and knocked at George's door. When it was opened, he giggled and flashed his teeth and looked somewhat embarrassed.. After a moment, with evident hesitancy, he grinned painfully and said:

"If you ple-e-eze, sir! Will you--have some tea--with me--yis?" He spoke the words very slowly, with a deliberate formality, after which he flashed a quick, eager, and ingratiating smile.

George told him he would be glad to, and got his coat and started downstairs with him. Katamoto padded swiftly on ahead, his little feet shod in felt slippers that made no sound. Half-way down the stairs, as if the noise of George's heavy tread had touched his funny-bone again, Katamoto stopped quickly, turned and pointed at George's feet, and giggled coyly: "Tramp-ling! You are trampling!" Then he turned and fairly fled away down the stairs and down the hall, shrieking like a gleeful child. He waited at the door to usher his guest in, introduced him to the slender, agile little Japanese girl who seemed to stay there all the time, and finally brought George back into his studio and served him tea.

It was an amazing place. Katamoto bad redecorated the fine old rooms and fitted them up according to the whims of his curious taste. The big back room was very crowded, intricate, and partitioned off into several small compartments with beautiful Japanese screens. He had also constructed a flight of stairs and a balcony that extended around three sides of the room, and on this balcony George could see a couch. The room was crowded with tiny chairs and tables, and there was an opulent-looking sofa and cushions. There were a great many small carved objects and bric-à-brac, and a strong smell of incense.

The centre of the room, however, had been left entirely bare save for a big strip of spattered canvas and an enormous plaster figure. George gathered that he did a thriving business turning out sculptures for expensive speak-easies, or immense fifteen-foot statues of native politicians which were to decorate public squares in little towns, or in the state capitals of Arkansas, Nebraska, Iowa, and Wyoming. Where and how he had learned this curious profession George never found out, but he had mastered it with true Japanese fidelity, and so well that his products were apparently in greater demand than those of American sculptors. In spite of his small size and fragile build, the man was a dynamo of energy and could perform the labours of a Titan. God knows how he did it--where he found the strength.

George asked a question about the big plaster cast in the centre of the room, and Katamoto took him over and showed it to him, remarking as he pointed to the creature's huge feet:

"He is--like you!...He is tramp-ling!...Yis!...He is tramp-ling!"

Then he took George up the stairs on to the balcony, which George dutifully admired.

"Yis?--You like?" He smiled at George eagerly, a little doubtfully, then pointed at his couch and said: "I sleep here!" Then he pointed to the ceiling, which was so low that George had to stoop. "You sleep there?" said Katamoto eagerly.

George nodded.

Katamoto went on again with a quick smile, but with embarrassed hesitancy and a painful difficulty in his tone that had not been there before:

"I here," he said, pointing, "you there--yis?"

He looked at George almost pleadingly, a little desperately--and suddenly George began to catch on.

"Oh! You mean I am right above you--" Katamoto nodded with instant relief--"and sometimes when I stay up late you hear me?"

"Yis! Yis!" He kept nodding his head vigorously. "Sometimes--" he smiled a little painfully--"sometimes--you will be tramp-ling!" He shook his finger at George with coy reproof and giggled.

"I'm awfully sorry," George said. "Of course, I didn't know you slept so near--so near the ceiling. When I work late I pace the floor. It's a bad habit. I'll do what I can to stop it."

"Oh, no-o!" he cried, genuinely distressed. "I not want--how you say it?--change your life!...If you ple-e-ese, sir! Just little thing--not wear shoes at night!" He pointed at his own small felt-shod feet and smiled up at George hopefully. "You like slippers yis?" And he smiled persuasively again.

After that, of course, George wore slippers. But sometimes he would forget, and the next morning Katamoto would be rapping at his door again. He was never angry, he was always patient and good-humoured, he was always beautifully courteous--but he would always call George to account. "You were tramp-ling!" he would cry. "Last night--again--tramp-ling!" And George would tell him he was sorry and would try not to do it again, and Katamoto would go away giggling, pausing to turn and wag his finger roguishly and call out once more, "Tramp-ling!"--after which he would flee downstairs, shrieking with laughter.

They were good friends.

In the months that followed, again and again George would come in the house to find the hall below full of sweating, panting movers, over whom Katamoto, covered from head to foot with clots and lumps of plaster, would hover prayerfully and with a fearful, pleading grin lest they mar his work, twisting his small hands together convulsively, aiding the work along by slight shudders, quick darts of breathless terror, writhing and shrinking movements of the body, and saying all the while with an elaborate, strained, and beseeching courtesy:

"Now, if--you--gentleman--a little!...You...yis--yis--yis-s!" with a convulsive grin. "Oh-h-h! Yis--yis-s! If you ple-e-ese, sir!...If you would down--a little--yis-s!--yis-s!--yis-s!" he hissed softly with that prayerful and pleading grin.

And the movers would carry out of the house and stow into their van the enormous piecemeal fragments of some North Dakota Pericles, whose size was so great that one wondered how this dapper, fragile little man could possibly have fashioned such a leviathan.

Then the movers would depart, and for a space Mr. Katamoto would loaf and invite his soul. He would come out in the backyard with his girl, the slender, agile little Japanese--who looked as, if she had some Italian blood in her as well--and for hours at a time they would play at handball. Mr. Katamoto would knock the ball up against the projecting brick wall of the house next door, and every time he scored a point he would scream with laughter, clapping his small hands together, bending over weakly and pressing his hand against his stomach, and staggering about with delight and merriment. Choking with laughter, he would cry out in a high, delirious voice as rapidly as he could:

"Yis, yis, yis! Yis, yis, yis! Yis, yis, yis!"

Then he would catch sight of George looking at him from the window, and this would set him off again, for he would wag his finger and fairly scream:

"You were tramp-ling!...Yis, yis, yis!...Last night--again tramp-ling!"

This would reduce him to such a paroxysm of mirth that he would stagger across the court and lean against the wall, all caved in, holding his narrow stomach and shrieking faintly.

It was now the full height of steaming summer, and one day early in August George came home to find the movers in the house again. This time it was obvious that a work of more than usual magnitude was in transit. Mr. Katamoto, spattered with plaster, was of course hovering about in the hall, grinning nervously and fluttering prayerfully around the husky truckmen. As George came in, two of the men were backing slowly down the hall, carrying between them an immense head, monstrously jowled and set in an expression of farseeing statesmanship. A moment later three more men backed out of the studio, panting and cursing as they grunted painfully around the flowing fragment of a long frock coat and the vested splendour of a bulging belly. The first pair had now gone back in the studio, and when they came out again they were staggering beneath the trousered shank of a mighty leg and a booted Atlantean hoof, and as they passed, one of the other men, now returning for more of the statesman's parts, pressed himself against the wall to let them by and said:

"Jesus! If the son-of-a-bitch stepped on you with that foot, he wouldn't leave a grease spot, would he, Joe?"

The last piece of all was an immense fragment of the Solon's arm and fist, with one huge forefinger pointed upwards in an attitude of solemn objurgation and avowal.

That figure was Katamoto's masterpiece; and George felt as he saw it pass that the enormous upraised finger was the summit of his art and the consummation of his life: Certainly it was the apple of his eye. George had never seen him before in such a state of extreme agitation. He fairly prayed above the sweating men: It was obvious that the coarse indelicacy of their touch made him shudder. The grin was frozen on his face in an expression of congealed terror. He writhed, he wriggled, he wrung his little hands, he crooned to them. And if anything had happened to that fat, pointed finger, George felt sure that he would have dropped dead on the spot.

At length, however, they got everything stowed away in their big van without mishap and drove off with their Ozymandias, leaving Mr. Katamoto, frail, haggard, and utterly exhausted, looking at the kerb. He came back into the house and saw George standing there and smiled wanly at him.

"Tramp-ling," he said feebly, and shook his finger, and for the first time there was no mirth or energy in him.

George had never seen him tired before. It had never occurred to him that he could get tired. The little man had always been so full of inexhaustible life. And now, somehow, George felt an unaccountable sadness to see him so weary and so strangely grey. Katamoto was silent for a moment, and then he lifted his face and said, almost tonelessly, yet with a shade of wistful eagerness:

"You see statue--yis?"

"Yes, Kato, I saw it."

"And you like?"

"Yes, very much."

"And--" he giggled a little and made a shaking movement with his hands--"you see foot?"

"Yes."

"I sink," he said, "he will be tramp-ling--yis?"--and he made laughing sound.

"He ought to," George said, "with a hoof like that. It's almost as big as mine," he added, as an afterthought.

Katamoto seemed delighted with this observation, for he laughed shrilly and said: "Yis! Yis!"--nodding his head emphatically. He was silent for another moment, then hesitantly, but with an eagerness that he could not conceal, he said:

"And you see finger?"

"Yes, Kato."

"And you like?"--quickly, earnestly.

"Very much."

"Big finger--yis?"--with a note of rising triumph in his "Very big, Kato."

"And pointing--yis?" he said ecstatically, grinning from ear to ear and pointing his own small finger heavenward.

"Yes, pointing."

He sighed contentedly. "Well, zen," he said, with the appeased' air of a child, "I'm glad you like."

For a week or so after that George did not see Katamoto again or even think of him. This was the vacation period at the School for Utility Cultures, and George was devoting every minute of his time, day and, night, to a fury of new writing. Then one afternoon; a long passage completed and the almost illegible pages of his swift scrawl tossed in a careless heap upon the floor, he sat relaxed, looking out of his back window, and suddenly he thought of Katamoto again. He remembered that he had not seen him recently, and it seemed strange that he had not even heard the familiar thud of the little ball against the wall outside or the sound of his high, shrill laughter. This realisation, with its sense of loss, so troubled him that he went downstairs immediately and pressed Katamoto's bell.

There was no answer. All was silent. He waited, and no one came. Then he went down to the basement and found the janitor and spoke to him. He said that Mr. Katamoto had been ill, No, it was not serious, he thought, but the doctor had advised a rest, a brief period of relaxation from his exhausting labours, and had sent him for care and observation to the near-by hospital.

George meant to go to see him, but he was busy with his writing and kept putting it off. Then one morning, some ten days later, coming back home after breakfast in a restaurant, he found a moving van backed up before the house. Katamoto's door was open, and when he looked inside the moving people had already stripped the apartment almost bare. In the centre of the once fantastic room, now empty, where Katamoto had performed his prodigies of work, stood a young Japanese, an acquaintance of the sculptor, whom George had seen there several times before. He was supervising the removal of the last furnishings.

The young Japanese looked up quickly, politely, with a toothy grin of frozen courtesy as George came in. He did not speak until George asked him how Mr. Katamoto was. And then, with the same toothy, frozen grin upon his face, the same impenetrable courtesy, he said that Mr. Katamoto was dead.

George was shocked, and stood there for a moment, knowing there was nothing more to say, and yet feeling somehow, as people always feel on these occasions, that there was something that, he ought to say. He looked at the young Japanese and started to speak, and found himself looking into the inscrutable, polite, untelling eyes of Asia.

So he said nothing more. He just thanked the young man and went out.

4. Some Things Will Never Change

Out of his front windows George could see nothing except the sombre bulk of the warehouse across the street. It was an old building, with a bleak and ugly front of rusty, indurated brown and a harsh webbing of fire-escapes, and across the whole width of the facade stretched a battered wooden sign on which, in faded letters, one could make out the name--"The Security Distributing Corp." George did not know what a distributing corporation was, but every day since he had come into this street to live, enormous motor-vans had driven up before this dingy building and had backed snugly against the worn plankings of the loading platform, which ended with a sharp, sheared emptiness four feet above the pavement. The drivers and their helpers would leap from their seats, and instantly the quiet depths of the old building would burst into a furious energy of work, and the air would be filled with harsh cries:

"Back it up, deh! Back it up! Cuh-mahn! Cuh-mahn! Givvus a hand, youse guys! Hey-y! You!"

They looked at one another with hard faces of smiling derision, quietly saying "Jesus!" out of the corners of their mouths. Surly, they stood upon their rights, defending truculently the narrow frontier of their duty:

"Wadda I care where it goes! Dat's yoeh look-out! Wat t'hell's it got to do wit me?"

They worked with speed and power and splendid aptness, furiously, unamiably, with high, exacerbated voices, spurred and goaded by their harsh unrest.

The city was their stony-hearted mother, and from her breast they had drawn a bitter nurture. Born to brick and asphalt, to crowded tenements and swarming streets, stunned into sleep as children beneath the sudden slamming racket of the elevated trains, taught to fight, to menace, and to struggle in a world of savage violence and incessant din, they had had the city's qualities stamped into their flesh and movements, distilled through all their tissues, etched with the city's acid into their tongue and brain and vision. Their faces were tough and seamed, the skin thick, dry, without a hue of freshness or of colour. Their pulse beat with the furious rhythm of the city's stroke: ready in an instant with a curse, metallic clangours sounded from their twisted lips, and their hearts were filled with a dark, immense, and secret pride.

Their souls were like the asphalt visages of city streets. Each day the violent colours of a thousand new sensations swept across them, and each day all sound and sight and fury were erased from their unyielding surfaces. Ten thousand furious days had passed about them, and they had no memory. They lived like creatures born full-grown into present time, shedding the whole accumulation of the past with every breath, and all their lives were written in the passing of each actual moment.

And they were sure and certain, for ever wrong, but always confident. They had no hesitation, they confessed no ignorance or error, and they knew no doubts. They began each morning with a gibe, a shout, an oath of hard impatience, eager for the tumult of the day. At noon they sat strongly in their seats and, through fumes of oil and hot machinery, addressed their curses to the public at the tricks and strategies of cunning rivals, the tyranny of the police, the stupidity of pedestrians, and the errors of less skilful men than they. Each day they faced the perils of the streets with hearts as calm as if they were alone upon a country road. Each day, with minds untroubled, they embarked upon adventures from which the bravest men bred in the wilderness would have recoiled in terror and desolation.

In the raw days of early spring they had worn shirts of thick black wool and leather jackets, but now, in summer, their arms were naked, tattooed, brown, and lean with the play of whipcord muscles. The power and precision with which they worked stirred in George a deep emotion of respect, and also touched him with humility. For whenever he saw it, his own life, with its conflicting desires, its uncertain projects and designs, its labours begun in hope and so often ended in incompletion, by comparison with the lives of these men who, had learned to use their strength and talents perfectly, seemed faltering, blind, and baffled.

At night, too, five times a week, the mighty vans would line up at the kerb in an immense and waiting caravan. They were covered now with great tarpaulins, small green lamps were burning on each side, and the drivers, their faces faintly lit with the glowing points of cigarettes, would be talking quietly in the shadows of their huge machines. Once George had asked one of the drivers the destination of these nightly journeys, and the man had told him that they went to Philadelphia, and would return again by morning.

The sight of these great vans at night, sombre, silent, yet alive with powerful expectancy as their drivers waited for the word to start, gave George a sense of mystery and joy. These men were part of that great company who love the night, and he felt a bond of union with them. For he had always loved the night more dearly than the day, and the energies of his life had risen to their greatest strength in the secret and exultant heart of darkness.

He knew the joys and labours of such men as these. He could see the shadowy procession of their vans lumbering through the sleeping towns, and feel the darkness, the cool fragrance of the country, on his face. He could see the drivers hunched behind the wheels, their senses all alert in the lilac dark, their eyes fixed hard upon the road to curtain off the loneliness of the land at night. And he knew the places where they stopped to eat, the little all-night lunch-rooms warm with greasy light, now empty save for the dozing authority of the aproned Greek behind the counter, and now filled with the heavy shuffle of the drivers' feet, the hard and casual intrusions of their voices.

They came in, flung themselves upon the row of stools, and gave their orders. And as they waited, their hunger drawn into sharp focus by the male smells of boiling coffee, frying eggs and onions, and sizzling hamburgers, they took the pungent, priceless, and uncostly solace of a cigarette, lit between cupped hand and strong-seamed mouth, drawn deep and then exhaled in slow fumes from the nostrils. They poured great gobs and gluts of thick tomato ketchup on their hamburgers, tore with blackened fingers at the slabs of fragrant bread, and ate with jungle lust, thrusting at plate and cup with quick and savage gulpings.

Oh, he was with them, of them, for them, blood brother of their joy and hunger to the last hard swallow, the last deep, ease of sated bellies, the last slow coil of blue expiring from their grateful lungs. Their lives seemed glorious to him in the magic dark of summer. They swept cleanly through the night into the first light and bird song of the morning, into the morning of new joy upon the earth; and as he thought of this it seemed to him that the secret, wild, and lonely heart of man was young and living in the darkness, and could never die.

Before him, all that summer of 1929, in the broad window of the warehouse, a man sat at a desk and looked out into the street, in a posture that never changed. George saw him there whenever he glanced across, yet he never saw him do anything but look out of the window with a fixed, abstracted stare. At first the man had been such an unobtrusive part of his surroundings that he had seemed to fade into' them, and had gone almost unnoticed. Then Esther, having observed him there, pointed to him one day and said merrily:

"There's our friend in the Distributing Corp again! What do you suppose he distributes? I've never seen him do anything! Have you noticed him--hah?" she cried eagerly. "God! It's the strangest thing I ever saw!" She laughed richly, made a shrug of bewildered protest, and, after a moment, said with serious wonder: "Isn't it queer? What do you suppose a man like that can do? What do you suppose he's thinking of?"

"Oh, I don't know," George said indifferently. "Of nothing, I suppose."

Then they forgot the man and turned to talk of other things, yet from that moment the man's singular presence was pricked out in George's mind and he began to watch him with hypnotic fascination, puzzled by the mystery of his immobility and his stare.

And after that, as soon as Esther came in every day, she would glance across the street and cry out in a jolly voice which had in it the note of affectionate satisfaction and assurance that people have when they see some familiar and expected object:

"Well, I see our old friend, The Distributing Corp, is still looking out of his window! I wonder what he's thinking of to-day."

She would turn away, laughing. Then, for a moment, with her childlike fascination for words and rhythms, she gravely meditated their strange beat, silently framing and pronouncing with her lips a series of meaningless sounds--"Corp-Borp-Forp-Dorp-Torp"--and at length singing out in a gleeful chant, and with an air of triumphant discovery:

"The Distributing Corp, the Distributing Corp,
He sits all day and he does no Worp!"

George protested that her rhyme made no sense, but she threw back her encrimsoned face and screamed with laughter.

But after a while they stopped laughing about the man. For, obscure as his employment seemed, incredible and comical as his indolence had been when they first noticed it, there came to be something impressive, immense, and formidable in the quality of that fixed stare. Day by day, a thronging traffic of life and business passed before him in the street; day by day, the great vans came, the drivers, handlers, and packers swarmed before his eyes, filling, the air with their oaths and cries, irritably intent upon their labour but the man in the window never looked at them, never gave any, sign that he heard them, never seemed to be aware of their existence--he just sat there and looked out, his eyes fixed in an abstracted stare.

In the course of George Webber's life, many things of no great importance in themselves had become deeply embedded in his memory, stuck there like burs in a scottie's tail; and always they were little things which, in an instant of clear perception, had riven his heart with some poignant flash of meaning. Thus he remembered, and would remember for ever, the sight of Esther's radiant, earnest face when, unexpectedly one night, he caught sight of it as it flamed and 'vanished in a crowd of grey, faceless faces in Times Square. So, too, he remembered two deaf mutes he had seen talking on their fingers in a subway train; and a ringing peal of children's laughter in a desolate street at sunset; and the waitresses in their dingy little rooms across the backyard, washing, ironing, and rewashing day after day the few adornments of their shabby finery, in endless preparations for a visitor who never came.

And now, to his store of treasured trivia was added the memory of this man's face--thick, white, expressionless, set in its stolid and sorrowful stare. Immutable, calm, impassive, it became for him the symbol of a kind of permanence in the rush and sweep of chaos in the city, where all things come and go and pass and are so soon forgotten. For, day after day, as he watched the man and tried to penetrate his mystery, at last it seemed to him that he had found the answer.

And after that, in later years, whenever he remembered the man's face, the time was fixed at the end of a day in late summer. Without-violence or heat, the last rays of the sun fell on the warm brick of the building and painted it with a sad, unearthly light. In the window the man sat, always looking out. He never wavered in his gaze, his eyes were calm and sorrowful, and on his face was legible the exile of an imprisoned spirit.

That man's face became for him the face of. Darkness and of Time. It never spoke, and yet it had a voice--a voice that seemed to have the whole earth in it. It was the voice of evening and of night, and in it were the blended tongues of all those men who have passed through the heat and fury of the day, and who now lean quietly upon the sills of evening. In it was the whole vast hush and weariness that comes upon the city at the hour of dusk, when the chaos of another day is ended, and when everything--streets, buildings, and eight million people--breathe slowly, with a tired and sorrowful joy. And in that single tongueless voice was the knowledge of all their tongues.

"Child, child," it said, "have patience and belief, for life is many days, and each present hour will pass away. Son, son, you have been mad and drunken, furious and wild, filled with hatred and despair, and all the dark confusions of the soul--but so have we. You found the earth too great for your one life, you found your brain and sinew smaller than the hunger and desire that fed on them--but it has been this way with all men. You have stumbled on in darkness, you have been pulled in opposite directions, you have faltered, you have missed the way--but, child, this is the chronicle of the earth. And now, because you have known madness and despair, and because you will grow desperate again before you come to evening, we who have stormed the ramparts of the furious earth and been hurled back, we who have been maddened by the unknowable and bitter mystery of love, we who have hungered after fame and savoured all of life, the tumult, pain, and frenzy, and now sit quietly by our windows watching all that henceforth never more shall touch us--we call upon you to take heart, for we can swear to you that these things pass.

"We have outlived the shift and glitter of so many fashions, we have seen so many things that come and go, so many words forgotten, so many flames that flared and were destroyed; yet we know now we are strangers whose footfalls have not left a print upon the endless streets of life. We shall not go into the dark again, nor suffer madness, nor admit despair: we have built a wall about us now. We shall not hear the docks of time strike out on foreign air, nor wake at morning in some alien land to think of home: our wandering is over, and our hunger fed. 0 brother, son, and comrade, because we have lived so long and seen so much, we are content to make our own a few things now, letting millions pass.

"Some things will never change. Some things will always be the same. Lean down your ear upon the earth, and listen.

"The voice of forest water in the night, a woman's laughter in the dark, the clean, hard rattle of raked gravel, the cricketing stitch of midday in hot meadows, the delicate web of children's voices in bright air--these things will never change.

"The glitter of sunlight on roughened water, the glory of the stars, the innocence of morning, the smell of the sea in harbours, the feathery blur and smoky buddings of young boughs, and something there that comes and goes and never can be captured, the thorn of spring, the sharp and tongueless cry--these things will always be the same.

"All things belonging to the earth will never change--the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff arms clash and tremble in the dark, and the dust of lovers long since buried in the earth--all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth--these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts for ever. Only the earth endures, but it endures for ever.

"The tarantula, the adder, and the asp will also never change. Pain and death will always be the same. But under the pavements trembling like a pulse, under the buildings trembling like a cry, under the waste of time, under the hoof of the beast above the broken bones of cities, there will be something growing like a flower, something bursting from the earth again, for ever deathless, faithful, coming into life again like April."

5. The Hidden Terror

Hand looked at the yellow envelope curiously and turned it over and over in his hand. It gave him a feeling of uneasiness and suppressed excitement to see his name through the transparent front. He was not used to receiving telegrams. Instinctively he delayed opening it because he dreaded what it might contain. Some forgotten incident in his childhood made him associate telegrams with bad news. Who could have sent it? And what could it be about? Well, open it, you fool, and find out!

He ripped off the flap and took out the message. He read it quickly, first glancing at the signature. It was from his Uncle Mark Joyner:

"YOUR AUNT MAW DIED LAST NIGHT STOP FUNERAL THURSDAY IN LIBYA HILL STOP COME HOME IF YOU CAN."

That was all. No explanation of what she had died of. Old age, most likely. Nothing else could have killed her. She hadn't been sick or' they would have let him know before this.

The news shook him profoundly. But it was not grief he felt so much as a deep sense of loss, almost impersonal in its quality--a sense of loss and unbelief such as one might feel to discover suddenly that some great force 'in nature had ceased to operate. He couldn't take it in. Ever since his mother had died when he was only eight years old, Aunt Maw had been the most solid and permanent fixture in his boy's universe. She was a spinster, the older sister of his mother and of his Uncle Mark, and she had taken charge of him and brought him up with all the inflexible zeal of her puritanical nature. She had done her best to make a Joyner of him and a credit to the narrow, provincial, mountain clan to which she belonged.-In this she had failed, and his defection from the ways of Joyner righteousness had caused her deep pain. He had known this for a long time; but now he realised, too, more clearly than he had, ever done before, that she had never faltered in her duty to him as she saw it. As he thought about her life the felt an inexpressible pity for her, and a surge of tenderness and affection almost choked him.

As far back as he could remember, Aunt Maw had seemed to him an ageless crone, as old as God. He could still hear her voice--that croaking monotone which had gone on and on in endless stories of her past, peopling his childhood world with the whole host of Joyners dead and buried in the hills of Zebulon in ancient days before the Civil War. And almost every tale she had told him was a chronicle of sickness, death, and sorrow. She had known about all the Joyners for the last hundred years, and whether they had died of consumption, typhoid fever, pneumonia, meningitis, or pellagra, and she had relived each incident in their lives with an air of croaking relish. From her he had got a picture of his mountain kinsmen that was constantly dark with the terrors of misery and sudden death, a picture made ghostly at frequent intervals by supernatural revelations. The Joyners, so she thought, had been endowed with occult powers by the Almighty, and weft for ever popping up on country roads and speaking to people as they passed, only to have it turn out later that they had been fifty miles away at the time. They were for ever hearing voices and receiving premonitions. If a neighbour died suddenly, the Joyners would flock from miles around 'to sit up with the corpse, and in the flickering light of pine logs on the hearth they would talk unceasingly through the night, their droning voices punctuated by the crumbling of the ash as they told how they had received intimations of the impending death a week before it happened.

This was the image of the Joyner world which Aunt Maw's tireless memories had built up in the mind and spirit of the boy. And he had felt somehow that although other men would live their day and die, the Joyners were a race apart, not subject to this law. They fed on death and were triumphant over it, and the Joyners would go on for ever. But now Aunt Maw the oldest and most death-triumphant Joyner of them all, was dead...

The funeral was to be on Thursday. This was Tuesday. If he took the train to-day, he would arrive to-morrow. He knew that all the Joyners from the hills of Zebulon County in Old Catawba would be gathering even now to hold their tribal rites of death and sorrow, and if he got there so soon he would not be able to escape the horror of their brooding talk. It would be better to wait a day and turn up just before the funeral.

It was now early September. The new term at the School for Utility Cultures would not begin until after the middle of the month, George had not been back to Libya Hill in several years, and he thought he might remain a week or so to see the town again. But he dreaded the prospect of staying with his Joyner relatives, especially at a time like this. Then he remembered Randy Shepperton, who lived next door. Mr. and Mrs. Shepperton were both dead now, and the older girl had married and moved away. Randy had a good job in the town and lived on in the family place with his sister Margaret, who kept house for him. Perhaps they could put him up. They would understand his feelings. So he sent a telegram to Randy, asking for his hospitality, and telling what train he would arrive on.

By the next afternoon, when George went to Pennsylvania Station to catch his train, he had recovered from the first shock of Aunt Maw's death. The human mind is a fearful instrument of adaptation, and in nothing is this more clearly shown than in its mysterious powers of resilience, self-protection, and self-healing. Unless an event completely shatters the order of one's life, the mind, if it has youth and health and time enough, accepts the inevitable and gets itself ready for the next happening like a grimly dutiful American tourist who, on arriving at a new town, looks around him, takes his bearings, and says, "Well, where do I go from here?" So it was with George. The prospect of the funeral filled him with dread, but that was still a day off; meanwhile he had a long train ride ahead of him, and he pushed his sombre feelings into the background and allowed himself to savour freely the eager excitement which any journey by train always gave him.

The station, as he entered it, was murmurous with the immense and distant sound of time. Great; slant beams of mottled light fell ponderously athwart the station's floor, and the calm voice of time hovered along the walls and ceiling of that mighty room, distilled out of the voices and movements of the people who swarmed beneath. It had the murmur of a distant sea, the languorous lapse and flow of waters on a beach. It was elemental, detached, indifferent to the lives of men. They contributed to it as drops of rain contribute to a river that draws its flood and movement majestically from great depths, out of purple hills at evening.

Few buildings are vast enough to hold the sound of time, and now it seemed to George that there was a superb fitness in the fact that the one which held it better than all others should be a railway station. For here, as nowhere else on earth, men were brought together for a moment at the beginning or end of their innumerable journeys, here one saw their greetings and farewells, here, in a single instant, one got the entire picture of the human destiny. Men came and went, they passed and vanished, and all were moving through the moments of their lives to death, all made small tickings in the sound of time--but the voice of time remained aloof and unperturbed, a drowsy and eternal murmur below the immense and distant roof.

Each man and woman was full of his own journey. He had one way' to go, one end to reach, through all the shifting complexities of the crowd. For each it was his journey, and he cared nothing about the journeys of the others. Here, as George waited, was a traveller who was afraid that he would miss his train. He was excited, his movements were feverish and abrupt, he shouted to his porter, he went to the window to buy his ticket, he had to wait in line, he fairly pranced with nervousness and kept looking at the clock. Then his wife came quickly towards him over the polished floor. When she was still some distance off, she shouted:

"Have you got the tickets? We haven't much time! We'll miss the train!"

"Don't I know it?" he shouted back in an annoyed tone. "I'm doing the best I can!"' Then he added bitterly and loudly: "We may make it if this man in front of me ever gets done buying his ticket!"

The man in front turned on him menacingly. "Now wait a minute, wait a minute!" he said. "You're not the only one who has to make a train, you know! I was here before you were! You'll have to wait your tarn like everybody else!"

A quarrel now developed between them. The other travellers who were waiting for their tickets grew angry and began to mutter. The ticket agent drummed impatiently on his window and peered out at them with a sour visage. Finally some young tough down the line called out in tones of whining irritation:

"Aw, take it outside f' Chris' sake! Give the rest of us a chance! You guys are holdin' up the line!"

At last the man got his tickets and rushed towards his porter, hot and excited. The negro waited suave and smiling, full of easy reassurance:

"You folks don't need to hurry now. You got lotsa time to make that train. It ain't goin' away without you."

Who were these travellers for whom time lay coiled in delicate twists of blue steel wire in each man's pocket? Here were a few of them: a homesick nigger going back to Georgia; a rich young man from an estate on the Hudson who was going to visit his mother in Washington; a district superintendent, and three of his agents, of a farm machinery company, who had been attending a convention of district leaders in the city; the president of a bank in an Old Catawba town which was tottering on the edge of ruin, who had come desperately, accompanied by two local politicians, to petition New York bankers for a loan; a Greek with tan shoes, a cardboard valise; a swarthy face, and eyes glittering with mistrust, who had peered in through the ticket seller's window, saying: "How mucha you want to go to Pittsburgh, eh?"; an effeminate young man from one of the city universities who was going to make his weekly lecture on the arts of the theatre to a dub of ladies in Trenton, New Jersey; a lady poetess from a town in Indiana who had been to New York for her yearly spree of "bohemianism"; a prize-fighter and his manager on their way to a fight in St. Louis; some Princeton boys just back from a summer in Europe, on their way home for a short visit before returning to college; a private soldier in the United States army, with the cheap, tough, and slovenly appearance of a private soldier in the United States army; the president of a state university in the Middle West who had just made an eloquent appeal for funds to the New York alumni; a young married couple from Mississippi, with everything new--new clothes, new baggage--and a shy, hostile, and bewildered look; two little Filipinos, brown as berries and with the delicate bones of birds, dressed with the foppish perfection of manikins; women from the suburban towns of New Jersey who had come to the city to shop; women and girls from small towns in the South and West, who had come for holidays, sprees, or visits; the managers and agents of clothing stores in little towns all over the country who had come to the city to buy new styles and fashions; New Yorkers of a certain class, flashily dressed, sensual, and with a high, hard finish, knowing and assured, on their way to vacations in Atlantic City; jaded, faded, bedraggled women, scolding and jerking viciously at the puny arms of dirty children; swarthy, scowling, and dominant-looking Italian men with their dark, greasy, and flabby-looking women, sullen but submissive both to lust and beatings; and smartly-dressed American women, obedient to neither bed nor whip, who had assertive, harsh voices, bold glances, and the good figures but not the living curves, either of body or of spirit, of love, lust, tenderness, or any female fullness of the earth whatever.

There were all sorts and conditions of men and travellers: poor people with the hard, sterile faces of all New Jerseys of the flesh and spirit; shabby and beaten-looking devils with cheap suitcases containing a tie, a collar, and a shirt, who had a look of having dropped for ever off of passing trains into the dirty cinders of new towns and the hope of some new fortune; the shabby floaters and drifters of the nation; suave, wealthy, and experienced people who had been too far, too often, on too many costly trains and ships, and who never looked out of windows any more; old men and women from the country on first visits to their children in the city, who looked about them constantly and suspiciously with the quick eyes of birds and animals, alert, mistrustful, and afraid. There were people who saw everything, and people who saw nothing; people who were weary, sullen, sour, and people who laughed, shouted, and were exultant with the thrill of the voyage; people who thrust and jostled, and people who stood quietly and watched and waited; people with amused, superior looks, and people who glared and bristled pugnaciously. Young, old, rich, poor, Jews, Gentiles, Negroes, Italians, Greeks, Americans--they were all there in the station, their infinitely varied destinies suddenly harmonised and given a moment of intense and sombre meaning as they were gathered into the murmurous, all-taking unity of time.

George had a berth in car K19. It was not really different in any respect from any other pullman car, yet for George it had a very special quality and meaning. For every day K19 bound together two points upon the continent--the great city and the small town of Libya Hill where he had been born, eight hundred miles away. It left New York at one-thirty-five each afternoon, and it arrived in Libya Hill at eleven-twenty the next morning.

The moment he entered the pullman he was transported instantly from the vast allness of general humanity in the station into the familiar geography of his home town. One might have been away for years and never have seen 'an old familiar face; one might have wandered to the far ends of the earth; one might have got with child a mandrake root, or heard mermaids singing, or known the words and music of what songs the Sirens sang; one might have lived and worked alone for ages in the canyons of Manhattan until the very memory of home was lost and far as in a dream: yet the moment that he entered K19 it all came back again, his feet touched earth, and he was home.

It was uncanny. And what was most wonderful and mysterious about it was that one could come here to this appointed meeting each day at thirty-five minutes after one o'clock, one could come here through the humming traffic of the city to the gigantic portals of the mighty station, one could walk through the concourse for ever swarming with its bustle of arrival and departure, one could traverse the great expanses of the station, peopled with Everybody and haunted by the voice of time--and then, down those steep stairs, there in the tunnel's depth, underneath this hive-like universe of life, waiting in its proper place, no whit different outwardly from all its other grimy brethren, was K19.

The beaming porter took his bag with a cheerful greeting: "Yes, suh, Mistah Webbah! Glad to see you, suh! Comin' down to see de folks?"

And as they made their way down the green aisle to his seat, George told him that he was going home to his aunt's funeral. Instantly the negro's smile was blotted out, and his face took on an expression of deep solemnity and respect.

"I'se sorry to hear dat, Mistah Webbah," he said, shaking his head. "Yes, suh, I'se pow'ful sorry to hear you say dat."

Even before these words, were out of mind, another voice from the seat behind was raised in greeting, and George did not have to turn to know who it was. It was Sol Isaacs, of The Toggery, and George knew that he had been up to the city on a buying trip, a pilgrimage that he made four times a year. Somehow the knowledge of this commercial punctuality warmed the young man's heart, as did the friendly beak-nosed face, the gaudy shirt, the bright neck-tie, and the dapper smartness of the light grey suit--for Sol was what is known as "a snappy dresser".

George looked around him now to see if there were any others that he knew. Yes, there was the tall, spare, brittle, sandy-complexioned figure of the banker, Jarvis Riggs, and on the seat opposite, engaged in conversation with him, were two other local dignitaries. He recognized the round-featured, weak amiability of the Mayor, Baxter Kennedy; and, sprawled beside him, his long, heavy shanks thrust out into the aisle, the bald crown of his head with its tonsured fringe of black hair thrown back against the top of the seat, his loose-jowled face hanging heavy as he talked, was the large, well-oiled beefiness of Pa on Flack, who manipulated the politics of Libya Hill and was called "Parson" because he never missed a prayer-meeting at the Campbellite Church. They were talking earnestly and loudly, and George could overhear fragments of their conversation:

"Market Street--oh, give me Market Street any day!"

"Gay Rudd is asking two thousand a front foot for his. He'll get it, too. I wouldn't take a cent less than twenty-five, and I'm not selling anyway."

"You mark my word, she'll go to three before another year is out! And that's not Al! That's only the beginning!"

Could this be Libya Hill that they were talking about? It didn't sound at all like the sleepy little mountain town he had known all his life. He rose from his seat and went over to the group.

"Why, hello, Webber! Hello, son!" Parson Flack screwed up his face into something that was meant for an ingratiating smile and showed his big yellow teeth. "Glad to see you. How are you, son?"

George shook hands all round and stood beside them a moment.

"We heard you speaking to the porter when you came in," said the Mayor, with a look of solemn commiseration on his weak face. "Sorry, son. We didn't know about it. We've been away a week. Happen suddenly?...Yes, yes, of course. Well, your aunt was pretty old. Got to expect that sort of thing at her time of life. She was a good woman, a good woman. Sorry, son, that such a sad occasion brings you home."

There was a short silence after this, as if the others wished it understood that the Mayor had voiced their sentiments, too. Then, this mark of respect to the dead being accomplished, Jarvis Riggs spoke up heartily:

"You ought to stay around a while, Webber. You wouldn't know the town. Things are booming down our way. Why, only the other day Mack Judson paid three hundred thousand for the Draper Block. The building is a dump, of course--what he paid for was the land. That's five thousand a foot. Pretty good for Libya Hill, eh? The Reeves estate has bought up all the land on Parker Street below Parker Hill. They're going to build the whole thing up with business property. That's the way it is all over town. Within a few years Libya Hill is going to be the largest and most beautiful city in the state. You mark my words."

"Yes," agreed Parson Flack, nodding his head ponderously, knowingly, "and I hear they've been trying to buy your uncle's property on South Main Street, there at the corner of the Square. A syndicate wants to tear down the hardware store and put up a big hotel. Your uncle wouldn't sell. He's smart."

George returned to his seat feeling confused and bewildered. He was going back home for the first time in several years, and he wanted to see the town as he remembered it. Evidently he would find it considerably changed. But what was this that was happening to it? He couldn't make it out. It disturbed him vaguely, as one is always disturbed and shaken by the sudden realisation of Time's changes in something that one has known all one's life.

The train had hurtled like a projectile through its tube beneath the Hudson River to emerge in the dazzling sunlight of a September afternoon, and now it was racing across the flat desolation of the Jersey meadows. George sat by the window and saw the smouldering dumps, the bogs, the blackened factories slide past, and felt that one of the most wonderful things in the world is the experience of being on a train. It is so different from watching a train go by. To anyone outside, a speeding train is a thunderbolt of driving rods, a hot hiss of steam, a blurred flash of coaches, a wall of movement and of noise, a shriek, a wail, and then just emptiness and absence, with a feeling of "There goes everybody!" without knowing who anybody is. And all of a sudden the watcher feels the vastness and loneliness of America, and the nothingness of all those little lives burled past upon the immensity of the continent. But if one is inside the train, everything is different. The train itself is a miracle of man's handiwork, and everything about it is eloquent of human purpose and direction. One feels the brakes go on when the train is coming to a river, and one knows that the old gloved hand of cunning is at the throttle. One's own sense of manhood and of mastery is heightened by being on a train. And all the other people, how real they are! One sees the fat black porter with his ivory teeth and the great swollen gland on the back of his neck, and one warms with friendship for him. One looks at all the pretty girls with a sharpened eye and an awakened pulse. One observes all the other passengers with lively interest, and feels that he has known them for ever. In the morning most of them will be gone out of his life; some will drop out silently at night through the dark, drugged snoring of the sleepers; but now all are caught upon the wing and held for a moment in the peculiar intimacy of this pullman-car which has become their common home for a night.

Two travelling salesmen have struck up a chance acquaintance in the smoking-room, entering immediately the vast confraternity of their trade, and in a moment they are laying out the continent as familiarly as if it were their own backyard. They tell about running into So-and-So in St. Paul last July, and----

"Who do you suppose I met coming out of Brown's Hotel in Denver just a week ago?"

"You don't mean it! I haven't seen old Joe in years!"

"And Jim Withers--they've transferred him to the Atlanta office!"

"Going to New Orleans?"

"No, I'll make it this trip. I was there in May."

With such talk as this one grows instantly familiar. One enters naturally into the lives of all these people, caught here for just a night and hurtled down together across the continent at sixty miles an hour, and one becomes a member of the whole huge family of the earth.

Perhaps this is our strange and haunting paradox here in America--that we are fixed and certain only when we are in movement. At any rate, that is how it seemed to young George Webber, who was never so assured of his purpose as when he was going somewhere on a train. And he never had the sense of home so much as when he felt that he was going there. It was only when he got there that his homelessness began.

At the far end of the car a man stood up and started back down the aisle towards the washroom. He walked with a slight limp and leaned upon a cane, and with his free hand he held on to the backs of the seats to brace himself against the lurching of the train. As he came abreast of George, who sat there gazing out the window, the man stopped abruptly. A strong, good-natured voice, warm, easy, bantering, unafraid, unchanged--exactly as it was when it was fourteen years of age--broke like a flood of living light upon his consciousness:

"Well I'll be dogged! Hi, there, Monkus! Where you goin'?"

At the sound of the old jesting nickname George looked up quickly. It was Nebraska Crane. The square, freckled, sunburned visage had the same humorous friendliness it had always had, and the tar-black Cherokee eyes looked out with the same straight, deadly fearlessness. The big brown paw came out and they clasped each other firmly. And, instantly, it was like coming home to a strong and friendly place. In another moment they were seated together, talking with the familiarity of people whom no gulf of years and distance could alter or separate.

George had seen Nebraska Crane only once in all the years since he himself had first left Libya Hill and gone away to college. But he had not lost sight of him. Nobody had lost sight of Nebraska Crane. That wiry, fearless little figure of the Cherokee boy who used to comedown the hill on Locust Street with the bat slung over his shoulder and the well-oiled fielder's mitt protruding from his hip-pocket had been prophetic of a greater destiny, for Nebraska had become a professional baseball player, he had crashed into the big leagues, and his name had been emblazoned in the papers every day.

The newspapers had had a lot to do with his seeing Nebraska that other time. It was in August 1925, just after George had returned to New York from his first trip abroad. That very night, in fact, a little before midnight, as he was seated in a Childs Restaurant with smoking wheatcakes, coffee, and an ink-fresh copy of next morning's Herald-Tribune before him, the headline jumped out at him: "Crane Slams Another Homer". He read the account of the game eagerly, and felt a strong desire to see Nebraska again and to get back in his blood once more the honest tang of America. Acting on a sudden impulse, he decided to call him up. Sure enough, his name was in the book, with an address way up in the Bronx. He gave the number and waited. A man's voice answered the phone, but at first he didn't recognise it.

"Hello!...Hello!...Is Mr. Crane there?...Is that you, Bras?"

"Hello." Nebraska's voice was hesitant, slow, a little hostile, touched with the caution and suspicion of mountain people when speaking to a stranger. "Who is that?...Who?...Is that you, Monk?"--suddenly and quickly, as he recognised who it was. "Well I'll be dogged!" he cried. His tone was delighted, astounded, warm with friendly greeting now, and had the somewhat high and faintly howling quality that mountain people's voices often have when they are talking to someone over the telephone: the tone was full, sonorous, countrified, and a little puzzled, as if he were yelling to someone on an adjoining mountain peak on a gusty day in autumn when the wind was thrashing through the trees. "Where'd you come from? How the hell are you, boy?" he yelled before George could answer. "Where you been all this time, anyway?"

"I've been in Europe. I just got back this morning."

"Well I'll be dogged!"--still astounded, delighted, full of howling friendliness. "When am I gonna see you? How about comin' to the game to-morrow? I'll fix you up. And say," he went on rapidly, "if you can stick aroun' after the game, I'll take you home to meet the wife and kid. How about it?"

So it was agreed. George went to the game and saw Nebraska knock another home run, but he remembered best what happened afterwards. When the player had had his shower and had dressed, the two friends left the ball park, and as they went out a crowd of young boys who had been waiting at the gate rushed upon them. They were those dark-faced, dark-eyed, dark-haired little urchins who spring up like dragon seed from the grim pavements of New York, but in whose tough little faces and raucous voices there still remains, curiously, the innocence and faith of children everywhere.

"It's Bras!" the children cried. "Hi, Bras! Hey, Bras!" In a moment they were pressing round him in a swarming horde, deafening the ears with their shrill cries, begging, shouting, tugging at his sleeves, doing everything they could to attract his attention, holding dirty little scraps of paper towards him, stubs of pencils, battered little note-books, asking him to sign his autograph.

He behaved with the spontaneous warmth and kindliness of his character. He scrawled his name out rapidly on a dozen grimy bits of paper, skilfully working his way along through the yelling, pushing, jumping group, and all the time keeping up a rapid fire of banter, badinage, and good-natured reproof:

"All right--give it here, then!...Why don't you fellahs pick on somebody else once in a while?...Say, boy!" he said suddenly, turning to look down at one unfortunate child, and pointing an accusing finger at him--"What you doin' aroun' here again, to-day? I signed my name fer you at least a dozen times!"

"No sir, Misteh Crane!" the urchin earnestly replied. "Honest--not me!"

"Ain't that right?" Nebraska said, appealing to the other children. "Don't this boy keep comin' back here every day?"

They grinned, delighted at the chagrin of their fellow petitioner. "Dat's right, Misteh Crane! Dat guy's got a whole book wit' nuttin' but yoeh name in it!"

"Ah-h!" the victim cried, and turned upon his betrayers bitterly. "What youse guys tryin' to do--get wise or somep'n? Honest, Misteh Crane!"--he looked up earnestly again at Nebraska--"Don't believe 'em! I jest want yoeh ottygraph! Please, Misteh Crane, it'll only take a minute!"

For a moment more Nebraska stood looking down at the child with an expression of mock sternness; at last he took the outstretched note-book, rapidly scratched his name across a page, and handed it back. And as he did so, he put his big paw on the urchin's head and gave it a clumsy pat; then, gently and playfully, he shoved it from him, and walked off down the street.

The apartment where Nebraska lived was like a hundred thousand others in the Bronx. The ugly yellow brick building had a false front, with meaningless little turrets at the corners of the roof, and a general air of spurious luxury about it. The rooms were rather small and cramped, and were made even more so by the heavy, over-stuffed Grand Rapids furniture. The walls of the living-room, painted a mottled, rusty cream, were bare except for a couple of sentimental coloured prints, while the place of honour over the mantel was reserved for an enlarged and garishly tinted photograph of Nebraska's little son at the age of two, looking straight and solemnly out at all comers from a gilded oval frame.

Myrtle, Nebraska's wife, was small and plump, and pretty in a doll-like way. Her corn-silk hair was frizzled in a halo about her face, and her chubby features were heavily accented by rouge and lipstick. But she was simple and natural in her talk and bearing, and George liked her at once. She welcomed him with a warm and friendly smile and said she had heard a lot about him.

They all sat down. The child, who was three or four years old by this time, and who had been shy, holding on to his mother's dress and peeping out from behind her, now ran across the room to his father and began climbing all over him. Nebraska and Myrtle asked George a lot of questions about himself, what he had been doing, where he had been, and especially what countries he had visited in Europe. They seemed to think of Europe as a place so far away that anyone who had actually been there was touched with an unbelievable aura of strangeness and romance.

"Whereall did you go over there, anyway?" asked Nebraska.

"Oh, everywhere, Bras," George said--"France, England, Holland, Germany, Denmark, Sweden, Italy--all over the place."

"Well I'll be dogged!"--in frank astonishment. "You sure do git aroun', don't you?"

"Not the way you do, Bras. You're travelling most of the time."

"Who--me? Oh, hell, I don't git anywhere--just the same ole places. Chicago, St. Looie, Philly--I seen 'em all so often I could find my way blindfolded!" He waved them aside with a gesture of his hand. Then, suddenly, he looked at George as though he were just seeing him for the first time, and he reached over and slapped him on the knee and exclaimed: "Well I'll be dogged! Hot+ you doin', anyway, Monkus?"

"Oh, can't complain. How about you? But I don't need to ask that. I've been reading all about you in the papers."

"Yes, Monkus," he said. "I been havin' a good year. But, boy!"--he shook his head suddenly and grinned--"Do the ole dogs feel it!" He was silent a moment, then he went on quietly:

"I been up here since 1919--that's seven years, and it's a long time in this game. Not many of 'em stay much longer. When you been shaggin' flies as long as that you may lose count, but you don't need to count--your legs'll tell you."

"But, good Lord, Bras, you're all right! Why, the way you got around out there to-day you looked like a colt!"

"Yeah," Nebraska said, "maybe I looked like a colt, but I felt like a plough horse." He fell silent again, then he tapped his friend gently on the knee with his brown hand and said abruptly: "No, Monkus. When you been in this business as long as I have, you know it."

"Oh, come on, Bras, quit your kidding!" said George, remembering that the player was only two years older than himself. "You're still a young man. Why, you're only twenty-seven!"

"Sure, sure," Nebraska answered quietly. "But it's like I say. You cain't stay in this business much longer than I have. Of course, Cobb an' Speaker an' a few like that--they was up here a long time. But eight years is about the average, an' I been here seven already. So if I can hang on a few years more, I won't have no kick to make...Hell!" he said in a moment, with the old hearty ring in his voice, "I ain't got no kick to make, no-way. If I got my release to-morrow, I'd still feel I done all right...Ain't that so, Buzz?" he cried genially to the child, who had settled down on his knee, at the same time seizing the boy and cradling him comfortably in his strong arm. "Ole Bras has done all right, ain't he?"

"That's the way me an' Bras feel about it," remarked Myrtle, who during this conversation had been rocking back and forth, placidly ruminating on a wad of gum. "Along there last year it looked once or twice as if Bras might git traded. He said to me one day before the game, 'Well, ole lady, if I don't git some hits to-day somethin' tells me you an' me is goin' to take a trip.' So I says, 'Trip where?' An' he says, 'I don't know, but they're goin' to sell me down the river if I don't git goin', an' somethin' tells me it's now or never!' So I just looks at him," continued Myrtle placidly, "an' I says, 'Well, what do you want me to do? Do you want me to come to-day or not?' You know, gener'ly, Bras won't let me come when he ain't hittin'--he says it's bad luck. But he just looks at me a minute, an' I can see him sort of studyin' it over, an' all of a sudden he makes up his mind an' says, 'Yes, come on if you want to; I couldn't have no more bad luck than I been havin', no-way, an' maybe it's come time fer things to change, so you come on.' Well, I went--an' I don't know whether I brought him luck or not, but somethin' did," said Myrtle, rocking in her chair complacently.

"Dogged if she didn't!" Nebraska chuckled. "I got three hits out of four times up that day, an' two of 'em was home runs!"

"Yeah," Myrtle agreed, "an' that Philadelphia fast-ball thrower was throwin' 'em, too."

"He sure was!" said Nebraska.

"I know," went on Myrtle, chewing placidly, "because I heard some of the boys say later that it was like he was throwin' 'em up there from out of the bleachers, with all them men in shirt-sleeves right behind him, an' the boys said half the time they couldn't even see the ball. But Bras must of saw it--or been lucky--because he hit two home runs off of him, an' that pitcher didn't like it, either. The second one Bras got, he went stompin' an' tearin' around out there like a wild bull. He sure did look mad," said Myrtle in her customary placid tone.

"Maddest man I ever seen!" Nebraska cried delightedly. "I thought he was goin' to dig a hole plumb through to China...But that's the way it was. She's right about it. That was the day I got goin'. I know one of the boys said to me later, 'Bras,' he says, 'we all thought you was goin' to take a ride, but you sure dug in, didn't you?' That's the way it is in this game. I seen Babe Ruth go fer weeks when he couldn't hit a balloon, an' all of a sudden he lams into it. Seems like he just cain't miss from then on."

All this had happened four years ago. Now the two friends had met again, and were seated side by side in the speeding train, talking and catching up on one another. When George explained the reason for his going home, Nebraska turned to him with open-mouthed astonishment, genuine concern written in the frown upon his brown and homely face.

"Well, what d'you know about that!" he said. "I sure am sorry, Monk." He was silent while he thought about it, and embarrassed, not knowing what to say. Then, after a moment: "Gee!"--he shook his head--"your aunt was one swell cook! I never will fergit it! Remember how she used to feed us kids--every danged one of us in the whole neighbourhood?" He paused, then grinned up shyly at his friend: "I sure wish I had a fistful of them good ole cookies of hers right this minute!"

Nebraska's right ankle was taped and bandaged; a heavy cane rested between his knees. George asked him what had happened.

"I pulled a tendon," Nebraska said, "an' got laid off. So I thought I might as well run down an' see the folks. Myrtle, she couldn't come--the kid's got to git ready fer school."

"How are they?" George asked.

"Oh, fine, fine. All wool an' a yard wide, both of 'em!" He was silent for a moment, then he looked at his friend with a tolerant Cherokee grin and said: "But I'm crackin' up, Monkus. Guess I cain't stan' the gaff much more."

Nebraska was only thirty-one now, and George was incredulous. Nebraska smiled good-naturedly again:

"That's an ole man in baseball, Monk. I went up when I was twenty-one. I been aroun' a long time."

The quiet resignation of the player touched his friend with sadness. It was hard and painful for him to face the fact that this strong and fearless creature, who had stood in his life always for courage and for victory, should now be speaking with such ready acceptance of defeat.

"But, Bras," he protested, "you've been hitting just as well this season as you ever did! I've read about you in the papers, and the reporters have all said the same thing."

"Oh, I can still hit 'em," Nebraska quietly agreed. "It ain't the hittin' that bothers me. That's the last thing you lose, anyway. Leastways, it's goin' to be that way with me, an' I talked to other fellahs who said it was that way with them." After a pause he went on in a low tone: "If this ole leg heals up in time, I'll go on back an' git in the game again an' finish out the season. An' if I'm lucky, maybe they'll keep me on a couple more years, because they know I can still hit. But, hell," he added quietly, "they know I'm through. They already got me all tied up with string."

As Nebraska talked, George saw that the Cherokee in him was the same now as it had been when he was a boy. His cheerful fatalism had always been the source of his great strength and courage. That was why he had never been afraid of anything, not even death. But, seeing the look of regret on George's face, Nebraska smiled again and went on lightly:

"That's the way it is, Monk. You're good up there as long as you're good. After that they sell you down the river. Hell, I ain't kickin'. I been lucky. I had ten years of it already, an' that's more than most. An' I been in three World's Serious. If I can hold on fer another year or two--if they don't let me go or trade me--I think maybe we'll be in again. Me an' Myrtle has figgered it all out. I had to help her people some, an' I bought a farm fer Mama an' the Ole Man--that's where they always wanted to be. An' I got three hundred acres of my own in Zebulon--all paid fer, too!--an' if I git a good price this year fer my tobacco, I Stan' to clear two thousand dollars. So if I can git two years more in the League an' one more good World's Serious, why"--he turned his square face towards his friend and grinned his brown and freckled grin, just as he used to as a boy--"we'll be all set."

"And--you mean you'll be satisfied?"

"Huh? Satisfied?" Nebraska turned to him with a puzzled look. "How do you mean?"

"I mean after all you've seen and done, Bras--the big cities and the crowds, and all the people shouting--and the newspapers, and the headlines, and the World's Series--and--and--the first of March, and St. Petersburg, and meeting all the fellows again, and spring training----"

Nebraska groaned.

"Why, what's the matter?"

"Spring trainin'."

"You mean you don't like it?"

"Like it! Them first three weeks is just plain hell. It ain't bad when you're a kid. You don't put on much weight durin' the winter, an' when you come down in the spring it only takes a few days to loosen up an' git the kinks out. In two weeks' time you're loose as ashes. But wait till you been aroun' as long as I have!" He laughed loudly and shook his head. "Boy! The first time you go after a grounder you can hear your joints creak. After a while you begin to limber up--you work into it an' git the soreness out of your muscles. By the time the season starts, along in April, you feel pretty good. By May you're goin' like a house a-fire, an' you tell yourself you're good as you ever was. You're still goin' strong along in June. An' then you hit July, an' you git them double-headers in St. Looie! Boy, oh boy!" Again he shook his head and laughed, baring big square teeth. "Monkus," he said quietly, turning to his companion, and now his face was serious and he had his black Indian look--"you ever been in St. Looie in July?"

"No."

"All right, then," he said very softly and scornfully. "An' you ain't played ball there in July. You come up to bat with sweat bustin' from your ears. You step up an' look out there to where the pitcher ought to be, an' you see four of him. The crowd in the bleachers is out there roastin' in their shirt-sleeves, an' when the pitcher throws the ball it just comes from nowheres--it comes right out of all them shirt-sleeves in the bleachers. It's on top of you before you know it. Well, anyway, you dig in an' git a toe-hold, take your cut, an' maybe you connect. You straighten out a fast one. It's good fer two bases if you hustle. In the old days you could've made it standin' up. But now--boy!" He shook his head slowly. "You cain't tell me nothin' about that ball park in St. Looie in July! They got it all growed out in grass in April, but after July first"--he gave a short laugh--"hell!--it's paved with concrete! An' when you git to first, them dogs is sayin', 'Boy, let's stay here!' But you gotta keep on goin'--you know the manager is watchin' you--you're gonna ketch hell if you don't take that extra base, it may mean the game. An' the boys up in the press-box, they got their eyes glued on you, too--they've begun to say old Crane is playin' on a dime--an' you're thinkin' about next year an' maybe gittin' in another Serious--an' you hope to God you don't git traded to St. Looie. So you take it on the lam, you slide into second like the Twentieth Century comin' into the Chicago yards--an' when you git up an' feel yourself all over to see if any of your parts is missin', you gotta listen to one of that second baseman's wisecracks: 'What's the hurry, Bras? Afraid you'll be late fer the Veterans' Reunion?'"

"I begin to see what you mean, all right," said George.

"See what I mean? Why, say! One day this season I ast one of the boys what month it was, an' when he told me it was just the middle of July, I says to him: 'July, hell! If it ain't September I'll eat your hat!' 'Go ahead, then,' he says, 'an' eat it, because it ain't September, Bras--it's July.' 'Well,' I says, 'they must be havin' sixty days a month this year--it's the longest damn July I ever felt!' An' lemme tell you, I didn't miss it fer, either--I'll be dogged if I did! When you git old in this business, it may be only July, but you think it's September." He was silent for a moment. "But they'll keep you in there, gener'ly, as long as you can hit. If you can smack that ole apple, they'll send you out there if they've got to use glue to keep you from fallin' apart. So maybe I'll git in another year or two if I'm lucky. So long's I can hit 'em, maybe they'll keep sendin' me out there till all the other players has to grunt every time ole Bras goes after a ground ball!" He laughed. "I ain't that bad yet, but soon's I am, I'm through."

"You won't mind it, then, when you have to quit?"

He didn't answer at once. He sat there looking out the window at the factory-blighted landscape of New Jersey. Then he laughed a little wearily:

"Boy, this may be a ride on the train to you, but to me--say!--I covered this stretch so often that I can tell you what telephone post we're passin' without even lookin' out the window. Why, hell yes!"--he laughed loudly now, in the old infectious way--"I used to have 'em numbered--now I got 'em named!"

"And you think you can get used to spending all your time out on the farm in Zebulon?"

"Git used to it?" In Nebraska's voice there was now the same note of scornful protest that it had when he was a boy, and for a moment he turned and looked at his friend with an expression of astonished disgust. "Why, what are you talkin' about? That's the greatest life in the world!"

"And your father? How is he, Bras?"

The player grinned and shook his head: "Oh, the Ole Man's happy as a possum. He's doin' what he wanted to do all his life."

"And is he well?"

"If he felt any better he'd have to go to bed. Strong as a bull," said Nebraska proudly. "He could wrastle a bear right now an' bite his nose off! Why, hell yes!" the player went on with an air of conviction--"he could take any two men I know to-day an' throw 'em over his shoulder!"

"Bras, do you remember when you and I were kids and your father was on the police force, how he used to wrestle all those professionals that came to town? There were some good ones, too!"

"You're damn right there was!" said the player, nodding his head. "Tom Anderson, who used to be South Atlantic champion, an' that fellah Petersen--do you remember him?"

"Sure. They called him the Bone-Crushing Swede--he used to come there all the time."

"Yeah, that's him. He used to wrastle all over the country--he was way up there, one of the best in the business. The Ole Man wrastled him three times, an' throwed him once, too!"

"And that big fellow they called the Strangler Turk----"

"Yeah, an' he was good, too! Only he wasn't no Turk--he only called hisself one. The Ole Man told me he was some kind of Polack or Bohunk from the steel mills out in Pennsylvania, an' that's how he got so strong."

"And the Jersey Giant----"

"Yeah----"

"And Cyclone Finnegan----"

"Yeah----"

"And Bull Dakota--and Texas Jim Ryan--and the Masked Marvel? Do you remember the Masked Marvel?"

"Yeah--only there was a whole lot of them--guys cruisin' all over the country callin' theirselves the Masked Marvel. The Ole Man wrastled two of 'em. Only the real Masked Marvel never came to town. The Ole Man told me there was a real Masked Marvel, but he-was too damn good, I guess, to come to Libya Hill."

"Do you remember the night, Bras, up at the old City Auditorium, when your father was wrestling one of these Masked Marvels, and we were there in the front row rooting for him, and he got a strangle hold on this fellow with the mask, and the mask came off--and the fellow wasn't the Masked Marvel at all, but only that Greek who used to work all night at the Bijou Café for Ladies and Gents down by the depot?"

"Yeah--haw-haw!" Nebraska threw back his head and laughed loudly. "I'd clean fergot that damn Greek, but that's who it was! The whole crowd hollered frame-up an' tried to git their money back--I'll swear, Monk! I'm glad to see you!" He put his big brown hand on his companion's knee. "It don't seem no time, does it? It all comes back!"

"Yes, Bras"--for a moment George looked out at the flashing landscape with a feeling of sadness and wonder in his heart--"it all comes back."

George sat by the window and watched the stifled land stroke past him. It was unseasonably hot for September, there had been no rain for weeks, and all afternoon the contours of the eastern seaboard faded away into the weary hazes of the heat. The soil was parched and dusty, and under a glazed and burning sky coarse yellow grasses and the withered stalks of weeds simmered and flashed beside the tracks. The whole continent seemed to be gasping for its breath. In the hot green depths of the train a powder of fine cinders beat in through the meshes of the screens, and during the pauses at stations the little fans at both ends of the car hummed monotonously, with a sound that seemed to be the voice of the heat itself. During these intervals when the train stood still, enormous engines steamed slowly by on adjacent tracks, or stood panting, passive as great cats, and their engineers wiped wads of blackened waste across their grimy faces, while the passengers fanned feebly with sheaves of languid paper or sat in soaked and sweltering dejection.

For a long time George sat alone beside his window. His eyes took in every detail of the changing scene, but his thoughts were turned inward, absorbed in recollections which his meeting with Nebraska Crane had brought alive again. The great train pounded down across New Jersey, across Pennsylvania, across the tip of Delaware, and into Maryland. The unfolding panorama of the land was itself like a sequence on the scroll of time. George felt lost and a little sick. His talk with his boyhood friend had driven him back across the years. The changes in Nebraska and his quiet acceptance of defeat had added an undertone of sadness to the vague, uneasy sense of foreboding which he had got from his conversation with the banker, the politician, and the Mayor.

At Baltimore, when the train slowed to a stop in the gloom beneath the station, he caught a-momentary glimpse of a face on the platform as it slid past his window. All that he could see was a blur of thin, white features and a sunken mouth, but at the corners of the mouth he thought he also caught the shadow of a smile--faint, evil, ghostly--and at sight of it a sudden and unreasoning terror seized him. Could that be Judge Rumford Bland?

As the train started up again and passed through the tunnel on the other side of the city, a blind man appeared at the rear of the car. The other people were talking, reading, or dozing, and the blind man came in so quietly that none of them noticed him enter. He took the first seat at the end and sat down. When the train emerged into the waning sunlight of this September day, George looked round and saw him sitting there. He just sat quietly, gripping a heavy walnut walking-stick with a frail hand, the sightless eyes fixed in vacancy, the thin and sunken face listening with that terrible intent stillness that only the blind know, and around the mouth hovered that faint suggestion of a smile, which, hardly perceptible though it was, had in it a kind of terrible vitality and the mercurial attractiveness of a ruined angel. It was Judge Rumford Bland!

George had not seen him in fifteen years. At that time he was not blind, but already his eyes were beginning to fail. George remembered him as he was then, and remembered, too, how the sight of the man, frequently to be seen prowling the empty streets of the night when all other life was sleeping and the town was dead, had struck a nameless terror into his boy's heart. Even then, before blindness had come upon him, some nocturnal urge had made him seek deserted pavements beneath the blank and sterile corner lights, past windows that were always dark, past doors that were for ever locked.

He came from an old and distinguished family, and, like all his male ancestors for one hundred years or more, he had been trained in the profession of the law. For a single term he had been a police-court magistrate, and from then on was known as "Judge" Bland. But he had fallen grievously from the high estate his family held. During the period of George Webber's boyhood he still professed to be a lawyer. He had a shabby office in a disreputable old building which he owned, and his name was on the door as an attorney, but his living was earned by other and more devious means. Indeed, his legal skill and knowledge had been used more for the purpose of circumventing the law and defeating justice than in maintaining them. Practically all his "business" was derived from the negro population of the town, and of this business the principal item was usury.

On the Square, in his ramshackle two-storey building of rusty brick, was "the store". It was a second-hand furniture store, and it occupied the ground floor and basement of the building. It was, of course, nothing but a blind for his illegal transactions with the negroes. A hasty and appalled inspection of the mountainous heap of ill-smelling junk which it contained would have been enough to convince one that if the owner had to depend on the sale of his stock he would have to close his doors within a month. It was incredible. In the dirty window was a pool table, taken as brutal tribute from some negro billiard parlour. But what a pool table! Surely it had not a fellow in all the relics in the land. Its surface was full of lumps and dents and ridges. Not a pocket remained without a hole in the bottom big enough to drop a baseball through. The green cloth-covering had worn through or become unfixed in a dozen places. The edges of the table and the cloth itself were seared and burnt with the marks of innumerable cigarettes. Yet this dilapidated object was by all odds the most grandiose adornment of the whole store.

As one peered back into the gloom of the interior he became aware of the most fantastic collection of nigger junk that was ever brought together in one place. On the street floor as well as in the basement it was piled up to the ceiling, and all jumbled together as if some gigantic steam-shovel had opened its jaws and dumped everything just as it was. There were broken-down rocking-chairs, bureaus with cracked mirrors and no bottoms in the drawers, tables with one, two, or three of their legs missing, rusty old kitchen stoves with burnt-out grates and elbows of sooty pipe, blackened frying pans encased in the grease of years, flat irons, chipped plates and bowls and pitchers, washtubs, chamber-pots, and a thousand other objects, all worn out, cracked, and broken.

What, then, was the purpose of this store, since it was filled with objects of so little value that even the poorest negroes could get slight use from them? The purpose, and the way Judge Rumford Bland used it, was quite simple:

A negro in trouble, in immediate need of money to pay a police-court fine, a doctor's bill, or some urgent debt, would come to see Judge Bland. Sometimes he needed as little as five or ten dollars, occasionally as much as fifty dollars, but usually it was less than that. Judge Bland would then demand to know what security he had. The negro, of course, had none, save perhaps a few personal possessions and some wretched little furniture--a bed, a chair, a table, a kitchen stove. Judge Bland would send his collector, bulldog, and chief lieutenant--a ferret-faced man named Clyde Beals--to inspect these miserable possessions, and if he thought the junk important enough to its owner to justify the loan, he would advance the money, extracting from it, however, the first instalment of his interest.

From this point on, the game was plainly and flagrantly usurious. The interest was payable weekly, every Saturday night. On a ten-dollar loan Judge Bland extracted interest of fifty cents a week; on a twenty-dollar loan, interest of a dollar a week; and so on. That is why the amount of the loans was rarely as much as fifty dollars. Not only were the contents of most negro shacks less than that, but to pay two dollars and a half in weekly interest was beyond the capacity of most negroes, whose wage, if they were men, might not be more than five or six dollars a week, and if they were women--cooks or house-servants in the town--might be only three or four dollars. Enough had to be left them for a bare existence or it was no game. The purpose and skill of the game came in lending the negro a sum of money somewhat greater than his weekly wage and his consequent ability to pay back, but also a sum whose weekly interest was within the range of his small income.

Judge Bland had on his books the names of negroes who had paid him fifty cents or a dollar a week over a period of years, on an original loan of ten or twenty dollars. Many of these poor and ignorant people were unable to comprehend what had happened to them. They could only feel mournfully, dumbly, with the slave-like submissiveness of their whole training and conditioning, that at some time in the distant past they had got their money, spent it, and had their fling, and that now they must pay perpetual tribute for that privilege. Such men and women as these would come to that dim-lit place of filth and misery on Saturday night, and there the Judge himself, black-frocked, white-shirted, beneath one dingy, fly-specked bulb, would hold his private court:

"What's wrong, Carrie? You're two weeks behind in your payments. Is fifty cents all you got this week?"

"It doan seem lak it was three weeks. Musta slipped up somewheres in my countin'."

"You didn't slip up. It's three weeks. You owe a dollar fifty. Is this all you got?"

With sullen apology: "Yassuh."

"When will you have the rest of it?"

"Dey's a fellah who say he gonna give me----"

"Never mind about that. Are you going to keep up your payments after this or not?"

"Dat's whut Ah wuz sayin'. Jus' as soon as Monday come, an' dat fellah----"

Harshly: "Who you working for now?"

"Doctah Hollandah----"

"You cooking for him?"

Sullenly, with unfathomable negro mournfulness: "Yassuh."

"How much is he paying you?"

"Three dollahs."

"And you mean you can't keep up? You can't pay fifty cents a week?"

Still sullen, dark, and mournful, as doubtful and confused as jungle depths of Africa: "Doan know...Seem lak a long time since Ah started payin' up----"

Harshly, cold as poison, quick as a striking snake: "You've never started paying up. You've paid nothing. You're only paying interest, and behind in that."

And still doubtfully, in black confusion, fumbling and fingering and bringing forth at last a wad of greasy little receipts from the battered purse: "Doan know, seem lak Ah got enough of dese to've paid dat ten dollahs up long ago. How much longer does Ah have to keep on payin'?"

"Till you've got ten dollars...All right, Carrie: here's your receipt. You bring that extra dollar in next week."

Others, a little more intelligent than Carrie, would comprehend more dearly what had happened to them, but would continue to pay because they were unable to get together at one time enough money to release them from their bondage. A few would have energy and power enough to save their pennies until at last they were able to buy back their freedom. Still others, after paying week by week and month by month, would just give up in despair and would pay no more. Then, of course, Clyde Beals was on them like a vulture. He nagged, he wheedled, and he threatened; and if, finally, he saw that he could get no more money from them, he took their household furniture. Hence the chaotic pile of malodorous junk which filled the shop.

Why, it may be asked, in a practice that was so flagrantly, nakedly, and unashamedly usurious as this, did Judge Rumford Bland not come into collision with the law? Did the police not know from what sources, and in what ways, his income was derived?

They knew perfectly. The very store in which this miserable business was carried on was within twenty yards of the City Hall, and within fifty feet of the side entrance to the town calaboose, up whose stone steps many of these same negroes had time and again been hauled and mauled and hurled into a cell. The practice, criminal though it was, was a common one, winked at by the local authorities, and but one of many similar practices by which unscrupulous white men all over the South feathered their own nests at the expense of an oppressed and ignorant people. The fact that such usury was practised chiefly against "a bunch of niggers" to a large degree condoned and pardoned it in the eyes of the law.

Moreover, Judge Rumford Bland knew that the people with whom he dealt would not inform on him. He knew that the negro stood in awe of the complex mystery of the law, of which he understood little or nothing, or in terror of its brutal force. The law for him was largely a matter of the police, and the police was a white man in a uniform, who had the power and authority to arrest him, to beat him with his fist or with a club, to shoot him with a gun, and to lock him up in a small, dark cell. It was not likely, therefore, that any negro would take his troubles to the police. He was not aware that he had any rights as a citizen, and that Judge Rumford Bland had violated those rights; or, if he was aware of rights, however vaguely, he was not likely to ask for their protection by a group of men at whose hands he had known only assault, arrest, and imprisonment.

Above the shambles of the nigger junk, upon the second floor, were Judge Bland's offices. A wooden stairway, worn by the tread of clay-booted time, and a hand-rail, loose as an old tooth, smooth, besweated by the touch of many a black palm, led up to a dark hallway. Here, in Stygian gloom, one heard the punctual monotone of a single and regularly repeated small drop of water dripping somewhere in the rear, and caught the overpowering smell of the tin urinal. Opening off of this hall-way was the glazed glass of the office door, which bore the legend in black paint, partly flaked off:

RUMFORD BLAND
ATTORNEY AT LAW

Within, the front room was furnished with such lumber as lawyers use. The floor was bare, there were two roll-top desks, black with age, two bookcases with glass doors, filled with battered volumes of old pigskin brown, a spittoon, brass-bodied and capacious, swimming with tobacco juice, a couple of ancient swivel chairs, and a few other nondescript straight-backed chairs for visitors to sit and creak in. On the walls were several faded diplomas--Pine Rock College, Bachelor of Arts; The University of Old Catawba, Doctor of Laws; and a certificate of The Old Catawba Bar Association. Behind was another room with nothing in it but some more bookcases full of heavy tomes in musty calf bindings, a few chairs, and against the wall a plush sofa--the room, it was whispered, "where Bland took his women". Out front, in the windows that looked on the Square, their glass unwashed and specked with the ghosts of flies that died when Gettysburg was young, were two old, frayed, mottled-yellow window shades, themselves as old as Garfield, and still faintly marked with the distinguished names of "Kennedy and Bland". The Kennedy of that old law firm had been the father of Baxter Kennedy, the Mayor, and his partner, old General Bland, had been Rumford's father. Both bad been dead for years, but no one had bothered to change the lettering.

Such were the premises of Judge Rumford Bland as George Webber remembered them. Judge Rumford Bland--"bondsman", "furniture dealer", usurious lender to the blacks. Judge Rumford Bland--son of a brigadier of infantry, C.S.A., member of the bar, wearer of immaculate white and broadcloth black.

What had happened to this man that had so corrupted and perverted his life from its true and honourable direction? No one knew. There was no question that he possessed remarkable gifts. In his boyhood George had heard the more reputable attorneys of the town admit that few of them would have been Judge Bland's match in skill and ability had he chosen to use his talents in an honest way.

But he was stained with evil. There was something genuinely old and corrupt at the sources of his life and spirit. It had got into his blood, his bone, his flesh. It was palpable in the touch of his thin, frail hand when he greeted you, it was present in the deadly weariness of his tone of voice, in the dead-white texture of his emaciated face, in his lank and lustreless auburn hair, and, most of all, in his sunken mouth, around which there hovered constantly the ghost of a smile. It could only be called the ghost of a smile, and yet, really, it was no smile at all. It was, if anything, only a shadow at the corners of the mouth. When one looked closely, it was gone. But one knew that it was always there--lewd, evil, mocking, horribly corrupt, and suggesting a limitless vitality akin to the humour of death, which welled up from some secret spring in his dark soul.

In his early manhood Judge Bland had married a beautiful but dissolute woman, whom he shortly divorced. The utter cynicism that marked his attitude towards women was perhaps partly traceable to this source. Ever since his divorce he had lived alone with his mother, a stately, white-haired lady to whom he rendered at all times a faithful, solicitous, exquisitely kind and gentle duty. Some people suspected that this filial devotion was tinged with irony and contemptuous resignation, but certainly the old lady herself had no cause to think so. She occupied a pleasant old house, surrounded with every comfort, and if she ever guessed by what dark means her luxuries had been assured, she never spoke of it to her son. As for women generally, Judge Bland divided them brutally into two groups--the mothers and the prostitutes--and, aside from the single exception in his own home, his sole interest was in the second division.

He had begun to go blind several years before George left Libya Hill, and the thin, white face, with its shadowy smile, had been given a sinister enhancement by the dark spectacles which he then wore. He was under treatment at the Johns Hopkins Hospital in Baltimore, and made trips there at intervals of six weeks, but his vision was growing steadily worse, and the doctors had already told him that his condition was practically hopeless. The malady that was destroying his sight had been brought on by a loathsome disease which he thought had been checked long since, and which he frankly admitted had been engendered in his eyes.

In spite of all these sinister and revolting facts of character, of spirit, and of person, Judge Bland, astonishing as it may seem, had always been an enormously attractive figure. Everyone who met him knew at once that the man was bad. No, "bad" is not the word for it. Everyone knew that he was evil--genuinely, unfathomably evil--and evil of this sort has a grandeur about it not unlike the grandeur of supreme goodness. And indeed, there was goodness in him that had never altogether died. In his single term upon the bench as a police-court magistrate, it was universally agreed that Judge Bland had been fair and wise in his disposal of swift justice. Whatever it was that had made this fact possible--and no one pretended to understand it--the aura of it still clung to him. And it was for just this reason that people who met him were instantly, even if they fought against it, captivated, drawn close to him, somehow made to like him. At the very moment that they met him, and felt the force of death and evil working in him, they also felt--oh, call it the phantom, the radiance, the lost soul, of an enormous virtue. And with the recognition of that quality came the sudden stab of overwhelming regret, the feeling of "What a loss! What a shame!" And yet no one could say why.

As the early dusk of approaching autumn settled swiftly down, the train sped southward towards Virginia. George sat by the window watching the dark shapes of trees flash by, and thought back over all that he had ever known about Judge Rumford Bland. The loathing and terror and mysterious attraction which the man had always had for him were now so great that he felt he could not sit alone there any longer. Midway in the car the other people from Libya Hill had gathered together in a noisy huddle. Jarvis Riggs, Mayor Kennedy, and Sol Isaacs were sitting down or sprawling on the arms of the seats, and Parson Flack was standing in the aisle, leaning over earnestly as he talked, with arms outstretched on the backs of the two seats that enclosed the group. In the centre of this huddle, the focus of all their attention, was Nebraska Crane. They had caught him as he went by, and now they had him cornered.

George rose and went over to join them, and as he did so he glanced again in the direction of Judge Bland. He was dressed with old-fashioned fastidiousness, just as he had always dressed, in loose-fitting garments of plain and heavy black, a starched white shirt, a low collar and a black string neck-tie, and a wide-brimmed Panama hat which he had not removed. Beneath the brim of the hat his once auburn hair was now a dead, and lifeless white. This and the sightless eyes were the only changes in him. Otherwise he looked just as he had looked fifteen years ago. He had not stirred since he came in. Ha sat upright, leaning a little forward on his cane, his blindly staring eyes fixed before him, his white and sunken face held in an attitude of intense, listening stillness.

As George joined the group in the middle of the car, they were excitedly discussing property values--all of them, that is, except Nebraska Crane. Parson Flack would bend over earnestly, showing his big teeth in a smile and tell about some recent deal, and what a certain piece of land had sold for--"Right out there on Charles Street, not far from where you used to live, Bras!" To each of these new marvels the player's response was the same:

"Well I'll be dogged!" he said, astounded. "What d'you know about that!"

The banker now leaned forward and tapped Nebraska confidentially on the knee. He talked to him persuasively, in friendly wise, urging him to invest his savings in the real estate speculations of the town. He brought up all his heaviest artillery of logic and mathematics, drawing forth his pencil and note-book to figure out just how much a given sum of money could be increased if it was shrewdly invested now in this or that piece of property, and then sold when the time was right.

"You can't go wrong!" said Jarvis Riggs, a little feverishly. "The town is bound to grow. Why, Libya Hill is only at the beginning of its development. You bring your money back home, my boy, and let it go to work for you! You'll see!"

This went on for some time. But in the face of all their urgings Nebraska remained his characteristic self. He was respectful and good-natured, but a little dubious, and fundamentally stubborn.

"I already got me a farm out in Zebulon," he said, and, grinning--"It's paid fer, too! When I git through playin' baseball, I'm comin' back an' settle down out there an' farm it. It's three hundred acres of the purtiest bottom land you ever seen. That's all I want. I couldn't use no more."

As Nebraska talked to them in his simple, homely way, he spoke as a man of the earth for whom the future opened up serenely, an independent, stubborn man who knew what he wanted, a man who was firmly rooted, established, secure against calamity and want. He was completely detached from the fever of the times--from the fever of the boom-mad town as well as from the larger fever of the nation. The others talked incessantly about land, but George saw that Nebraska Crane was the only one who still conceived of the land as a place on which to live, and of living on the land as a way of life.

At last Nebraska detached himself from the group and said he was going back to take a smoke. George started to follow him. As he passed down the aisle behind his friend and came abreast of the last seat, suddenly a quiet, toneless voice said:

"Good evening, Webber."

He stopped and spun round. The blind man was seated there before him. He had almost forgotten about him. The blind man had not moved as he spoke. He was still leaning a little forward on his cane, his thin, white face held straight before him as if he were still listening for something. George felt now, as he had always felt, the strange fascination in that evil shadow of a smile that hovered about the corners of the blind man's mouth. He paused, then said:

"Judge Bland."

"Sit down, son." And like a child under the spell of the Pied Piper, he sat down. "Let the dead bury their dead. Come sit among the blind."

The words were uttered tonelessly, yet their cruel and lifeless contempt penetrated nakedly throughout the car. The other men stopped talking and turned as if they had received an electric shock. George did not know what to say; in the embarrassment of the moment he blurted out:

"I--I--there are a lot of people on the train from home. I--I've been talking to them--Mayor Kennedy, and----"

The blind man, never moving, in his terrible toneless voice that carried to all ears, broke in:

"Yes, I know. As eminent a set of sons-of-bitches as were ever gathered together in the narrow confines of a single pullman-car."

The whole car listened in an appalled silence. The group in the middle looked at one another with fear in their eyes, and in a moment they began 'talking feverishly again.

"I hear you were in France again last year," the voice now said. "And did you find the French whores any different from the homegrown variety?"

The naked words, with their toneless evil, pierced through the car like a flash of sheer terror. All conversation stopped. Everyone was stunned, frozen into immobility.

"You'll find there's not much difference," Judge Bland observed calmly and in the same tone. "Syphilis makes the whole world kin. And if you want to lose your eyesight, you can do it in this great democracy as well as anywhere on earth."

The whole car was as quiet as death. In another moment the stunned faces turned towards one another, and the men began to talk in furtive whispers.

Through all of this the expression on that white and sunken face had never altered, and the shadow of that ghostly smile still lingered around the mouth. But now, low and casually, he said to the young man:

"How are you, son? I'm glad to see you." And in that simple phrase, spoken by the blind man, there was the suggestion of a devilish humour, although his expression did not change a bit.

"You--you've been in Baltimore, Judge Bland?"

"Yes, I still come up to Hopkins now and then. It does no good, of course. You see, son," the tone was low and friendly now, "I've gone completely blind since I last saw you."

"I didn't know. But you don't mean that you----"

"Oh, utterly! Utterly!" replied Judge Bland, and all at once he threw his sightless face up and laughed with sardonic glee, displaying blackened rims of teeth, as if the joke was too good to be kept. "My dear boy, I assure you that I am utterly blind. I can no longer distinguish one of our most prominent local bastards two feet off--Now, Jarvis!" he suddenly cried out in a chiding voice in the direction of the unfortunate Riggs, who had loudly resumed his discussion of property values--"you know that's not true! Why, man, I can tell by the look in your eyes that you're lying!" And again he lifted his face and was shaken by devilish, quiet laughter. "Excuse the interruption, son," he went on. "I believe the subject of our discourse was bastardy. Why, can you believe it?"--he leaned forward again his long fingers playing gently on the polished ridges of his stick--"where bastardy is concerned, I find I can no longer trust my eyes at all. I rely exclusively on the sense of smell. And"--for the first time his face was sunken deliberately in weariness and disgust--"it is enough. A sense of smell is all you need." Abruptly changing now, he said: "How are the folks?"

"Why--Aunt Maw's dead. I--I'm going home to the funeral."

"Dead, is she?"

That was all he said. None of the usual civilities, no expression of polite regret, just that and nothing more. Then, after a moment:

"So you're going down to bury her." It was a statement, and he said it reflectively, as though meditating upon it; then--"And do you think you can go home again?"

George was a little startled and puzzled: "Why--I don't understand. How do you mean, Judge Bland?"

There was another flare of that secret, evil laughter. "I mean, do you think you can really go home again?" Then, sharp, cold, peremptory--"Now answer me! Do you think you can?"

"Why--why yes! Why--" the young man was desperate, almost frightened now, and, earnestly, beseechingly, he said--"why look here, Judge Bland--I haven't done anything--honestly I haven't!"

Again the low, demonic laughter: "You're sure?"

Frantic now with the old terror which the man had always inspired in him as a boy: "Why--why of course I'm sure! Look here, Judge Bland--in the name of God, what have I done?" He thought desperately of a dozen wild, fantastic things, feeling a sickening and overwhelming consciousness of guilt, without knowing why. He thought: "Has he heard about my book? Does he know I wrote about the town? Is that what he means?"

The blind man cackled thinly to himself, enjoying with evil tenderness his little cat's play with the young man: "The guilty fleeth where no man pursueth. Is that it, son?"

Frankly distracted: "Why--why--I'm not guilty!" Angrily: "Why damn it, I'm not guilty of anything!" Passionately, excitedly: "I can hold up my head with any man! I can look the whole damn world in the eye! I make no apologies to----"

He stopped short, seeing the evil ghost-shadow of a smile at the corners of the blind man's mouth. "That disease!" he thought--"the thing that ruined his eyes--maybe--maybe--why, yes--the man is crazy!" Then he spoke, slowly, simply:

"Judge Bland." He rose from the seat. "Good-bye, Judge Bland." The smile still played about the blind man's mouth, but he answered with a new note of kindness in his voice:

"Good-bye, son." There was a barely perceptible pause. "But don't forget I tried to warn you."

George walked quickly away with thudding heart and trembling limbs. What had Judge Bland meant when he asked, "Do you think you can go home again?" And what had been the meaning of that evil, silent, mocking laughter? What had he heard? What did he know? And these others--did they know, too?

He soon learned that his fear and panic in the blind man's presence were shared by all the people in the car. Even the passengers who had, never seen Judge Bland before had heard his naked, brutal words, and they were now horrified by the sight of him. As for the rest, the men from Libya Hill, this feeling was greatly enhanced, sharpened by all that they knew of him. He had pursued his life among them with insolent shamelessness. Though he still masked in all the outward aspects of respectability, he was in total disrepute, and yet he met the opinion of the town with such cold and poisonous contempt that everyone held him in a kind of terrified respect. As for Parson Flack, Jarvis Riggs, and Mayor Kennedy, they were afraid of him because his blind eyes saw straight through them. His sudden appearance in the car, where none had expected to meet him, had aroused in all of them a sense of stark, underlying terror.

As George went into the washroom suddenly, be came upon the Mayor cleaning his false teeth in the basin. The man's plump face, which George had always known in the guise of cheerful, hearty amiability, was all caved in. Hearing a sound behind him, the Mayor turned upon the newcomer. For a moment there was nothing but nameless fright in his weak brown eyes. He mumbled frantically, incoherently, holding his false teeth in his trembling fingers. Like a man who did not know what he was doing, he brandished them in a grotesque yet terrible gesture indicative of--God knows what!--but despair and terror were both in it. Then he put the teeth into his mouth again, smiled feebly, and muttered apologetically, with some counterfeit of his usual geniality:

"Ho, ho!--well, son! You caught me that time, all right! A man can't talk without his teeth!"

The same thing was now apparent everywhere. George saw it in the look of an eye, the movement of a hand, the give-away expression of a face in repose. The merchant, Sol Isaacs, took him aside and whispered:

"Have you heard what they're saying about the bank?" He looked around quickly and checked himself, as if afraid of the furtive sound of his own voice. "Oh, everything's O.K.! Sure it is! They just went a little too fast there for a while! Things are rather quiet right now--but they'll pick up!"

Among all of them there was the same kind of talk that George had heard before. "It's worth all of that," they told each other eagerly. "It'll bring twice as much in a year's time." They caught him by the lapel in the most friendly and hearty fashion and said he ought to settle down in Libya Hill and stay for good--"Greatest place on earth, you know!" They made their usual assured pronouncements upon finance, banking, market trends, and property values. But George sensed now that down below all this was just utter, naked, frantic terror--the terror of men who know that they are ruined and are afraid to admit it, even to themselves.

It was after midnight, and the great train was rushing south across Virginia in the moonlight. The people in the little towns lay in their beds and heard the mournful whistle, then the sudden roar as the train went through, and they turned over restlessly and dreamed of fair and distant cities.

In K19 most of the passengers had retired to their berths. Nebraska Crane had turned in early, but George was still up, and so, too, were the banker, the Mayor, and the political boss. Crass, world-weary, unimaginative fellows that they were, they were nevertheless too excited by something of the small boy in them that had never died to go to bed at their usual hour aboard a train, and were now drawn together for companionship in the smoke-fogged washroom. Behind the green curtains the complex of male voices rose and fell in talk as they told their endless washroom stories. Quietly, furtively, with sly delight, they began to recall unsavoury anecdotes remembered from the open and shameless life of Judge Rumford Bland, and at the end of each recital there would be a choking burst of strong laughter.

When the laughter and the slapping of thighs subsided, Parson Flack leaned forward again, eager to tell another. In a voice that was subdued, confidential, almost conspiratorial, he began:

"And do you remember the time that he----?"

Swiftly the curtain was drawn aside, all heads jerked up, and Judge Bland entered.

"Now, Parson"--said he in a chiding voice--"remember what?" Before the blind, cold stare of that emaciated face the seated men were silent. Something stronger than fear was in their eyes.

"Remember what?" he said again, a trifle harshly. He stood before them erect and fragile, both hands balanced on the head of the cane which he held anchored to the floor in front of him. He turned to Jarvis Riggs: "Remember when you established what you boasted was 'the fastest-growing bank in all the state'--and weren't too particular what it grew on?" He turned back to Parson Flack: "Remember when one of 'the boys', as you like to call them--you always look out for 'the boys', don't you, Parson?--remember when one of 'the boys' borrowed money from 'the fastest-growing bank' to buy two hundred acres on that hill across the river?"--he turned to the Mayor--"and sold the land to the town for a new cemetery?...Though why," he turned his face to Parson Flack again, "the dead should have to go so far to bury their dead I do not know!"

He paused impressively, like a country lawyer getting ready to launch his peroration to a jury.

"Remember what?"--the voice rose suddenly, high and sharp. "Do I remember, Parson, how you've run the town through all these years? Do I remember what a good thing you've made of politics? You've never aspired to public office, have you, Parson? Oh, no--you're much too modest. But you know how to pick the public-spirited citizens who do aspire, and whose great hearts pant with eagerness to serve their fellow men! Ah, yes. It's a very nice little private business, isn't it, Parson? And all 'the boys' are stockholders and get their cut of the profits--is that the way of it, Parson?...Remember what?" he cried again. "Do I remember now the broken fragments of a town that waits and fears and schemes to put off the day of its impending ruin? Why, Parson, yes--I can remember all these things. And yet I had no part in them, for, after all, I am a humble man. Oh"--with a deprecating nod--" a little nigger squeezing here and there, a little income out of Niggertown, a few illegal lendings, a comfortable practice in small usury--yet my wants were few, my tastes were very simple. I was always satisfied with, say, a modest five per cent a week. So I am not in the big money, Parson. I remember many things, but I see now I have spent my substance, wasted all my talents in riotous living--while pious Puritans have virtuously betrayed their town and given their whole-souled services to the ruin of their fellow men."

Again there was an ominous pause, and when he went on his voice was low, almost casual in its toneless irony:

"I am afraid I have been at best a giddy fellow, Parson, and that my old age will be spent in memories of trivial things--of various merry widows who came to town, of poker chips, racehorses, cards, and rattling dice, of bourbon, Scotch, and rye--all the forms of hellishness that saintly fellows, Parson, who go to prayer-meeting every week, know nothing of. So I suppose I'll warm my old age with the memories of my own sinfulness--and be buried at last, like all good men and true, among more public benefactors in the town's expensive graveyard on the hill...But I also remember other things, Parson. So can you. And maybe in my humble sphere I, too, have served a purpose--of being the wild oat of more worthy citizens."

They sat in utter silence, their frightened, guilty eyes all riveted upon his face, and each man felt as if those cold, unseeing eyes had looked straight through him. For a moment more Judge Bland just stood there, and, slowly, without a change of muscle in the blankness of his face, the ghostly smile began to hover like a shadow at the corners of his sunken mouth.

"Good evening, gentlemen," he said. He turned, and with his walking-stick he caught and held the curtain to one side. "I'll be seeing you."

All through the night George lay in his dark berth and watched the old earth of Virginia as it stroked past him in the dream-haunted silence of the moon. Field and hill and gulch and stream and wood again, the everlasting earth, the huge illimitable earth of America, kept stroking past him in the steep silence of the moon.

All through the ghostly stillness of the land, the train made on for ever its tremendous noise, fused of a thousand sounds, and they called back to him forgotten memories: old songs, old faces, old memories, and all strange, wordless, and unspoken things men know and live and feel, and never find a language for--the legend of dark time, the sad brevity of their days, the unknowable but haunting miracle of life itself. He heard again, as he had heard throughout his childhood, the pounding wheel, the tolling bell, the whistle-wail, and he remembered how these sounds, coming to him from the river's edge in the little town of his boyhood, had always evoked for him their tongueless prophecy of wild and secret joy, their glorious promises of new lands, morning, and a shining city. But now the lonely cry of the great train was speaking to him with an equal strangeness of return. For he was going home again.

The undertone of terror with which he had gone to bed, the sadness of the foreshadowed changes in the town, the sombre prospect of the funeral to-morrow, all combined to make him dread his homecoming, which so many times in the years since he had been away he had looked forward to some day with hope and exultation. It was all so different from what he thought it would be. He was still only an obscure instructor at one of the universities in the city, his book was not yet published, he was not by any standard which his native town could know--"successful", "a success". And as he thought of it, he realised that, almost more than anything, he feared the sharp, appraising eye, the worldly judgments, of that little town.

He thought of all his years away from home, the years of wandering in many lands and cities. He remembered how many times he had thought of home with such an intensity of passion that he could close his eyes and see the scheme of every street, and every house upon each street, and the faces of the people, as well as recall the countless things that they had said and the densely-woven fabric of all their histories. To-morrow he would see it all again, and he almost wished he had not come. It would have been easy to plead the excuse of work and other duty. And it was silly, anyhow, to feel as he did about the place.

But why had he always felt so strongly the magnetic pull of home, why had he thought so much about it and remembered it with such blazing accuracy, if it did not matter, and if this little town, and the immortal hills around it, was not the only home he had on earth? He did not know. All that he knew was that the years flow by like water, and that one day men come home again.

The train rushed onward through the moonlit land.

6. The Home-coming

When he looked from the windows of the train next morning the hills were there. They towered immense and magical into the blue weather, and suddenly the coolness was there, the winy sparkle of the air, and the shining brightness. Above him loomed huge shapes, the dense massed green of the wilderness, the cloven cuts' and gulches of the mountain passes, the dizzy steepness, with the sudden drops below. He could see the little huts stuck to the edge of bank and hollow, toy-small, far below him in the gorges. The everlasting stillness of the earth now met the intimate, toiling slowness of the train as it climbed up round the sinuous curves, and he had an instant sense of something refound that he had always known--something far, near, strange, and so familiar--and it seemed to him that he had never left the hills, and all that had passed in the years between was like a dream.

At last the train came sweeping down the long sloping bend into the station, But even before it had come to a full halt George had been watching out of the windows and had seen Randy Shepperton and his sister Margaret waiting for him on the platform. Randy, tall and athletic-looking, was teetering restlessly from one foot to another as his glance went back and forth along the windows of the train in search of him. Margaret's strong, big-boned figure was planted solidly, her hands clasped loosely across her waist, and her eyes were darting from car to car with swift intensity. And as George swung down from the steps of the pullman and, valise in hand, strode towards the platform across the rock ballast of the roadbed and the gleaming rails, he knew instantly, with that intuitive feeling of strangeness and recognition; just what they would say to him at the moment of their meeting.

Now they had seen him. He saw Margaret speak excitedly to her brother and motion towards his approaching figure. And now Randy was coming on the run, his broad hand extended in a gesture of welcome, his rich tenor shouting greetings as he came:

"How are you, boy?" he shouted. "Put it there!" he cried heartily as he came up, and vigorously wrung him by the hand. "Glad to see you, Monk!"

Still shouting greetings, he reached over and attempted to take the valise. The inevitable argument, vehement, good-natured, and protesting, began immediately, and in another moment Randy was in triumphant possession and the two were walking together towards the platform, Randy saying scornfully all the time in answer to the other's protests:

"Oh, for God's sake, forget about it! I'll let you do as much for me when I come up to the Big Town to visit you!...Here's Margaret!" he said as they reached the platform. "I know she'll be glad to see you!"

She was waiting for him with a broad smile on her homely face. They had grown up together as next-door neighbours, and were almost like brother and sister. As a matter of fact, when George had been ten and Margaret twelve, they had had one of those idyllic romances of childhood in which each pledged eternal devotion to the other and took it for granted that they would marry when they grew up. But the years had changed all that. He had gone away, and she had taken charge of Randy when her parents died; she now kept house for him, and had never married. As he saw her standing there with the warm smile on her face, and with something vaguely spinsterish in her look in spite of her large, full-breasted figure and her general air of hearty good nature, he felt a sudden stirring of pity and old affection for her.

"Hello, Margaret!" he said, somewhat thickly and excitedly. "How are you, Margaret?"

They shook hands, and he planted a clumsy kiss on her face. Then, blushing with pleasure, she stepped back a pace and regarded him with the half bantering expression she had used so often as a child.

"Well, well, well!" she said. "You haven't changed much, George! A little stouter, maybe, but I reckon I'd have known you!"

They spoke now quietly about Aunt Maw and about the funeral, saying the strained and awkward things that people always say when they talk of death. Then, this duty done, there was a little pause before they resumed their natural selves once more.

The two men looked at each other and grinned. When they had been boys together Randy had seemed to George more like Mercutio than anybody he had ever known. He had had a small, lean head, well shaped, set closely with blond hair; he had been quick as a flash, light, wiry, active, with a wonderful natural grace in everything he did; his mind and spirit had been cleat, exuberant, incisive, tempered like a fine Toledo blade. In college, too, he had been the same: he had not only done well in his classes, but had distinguished himself as a swimmer and as quarter-back on the football team.

But now something caught in George's throat as he looked at him and saw what time had done. Randy's lean, thin face was deeply furrowed, and the years had left a grey deposit at his temples. His hair was thinning back on both sides of the forehead, and there were little webbings of fine wrinkles at the corners of the eyes. It saddened George and somehow made him feel a bit ashamed to see how old and worn he looked. But the thing he noticed most was the expression in Randy's eyes. Where they had once been clear and had looked out on the world with a sharp and level gaze, they were now troubled, and haunted by some deep preoccupation which he could not quite shake off even in the manifest joy he felt at seeing his old friend again.

While they stood there, Jarvis Riggs, Parson Flack, and the Mayor came slowly down the platform talking earnestly to one of the leading real estate operators of the town, who had come down to meet them. Randy saw them and, still grinning, he winked at George and prodded him in the ribs.

"Oh, you'll get it now!" he cried in his old extravagant way. "At all hours, from daybreak to three o'clock in the morning--no holds barred! They'll be waiting for you when you get there!" he chortled.

"Who?" said George.

"Haw-w!" Randy laughed. "Why, I'll bet they're all lined up there on the front porch right now, in a reception committee to greet you and to cut your throat, every damned mountain grill of a real estate man in town! Old Horse-face Barnes, Skin-'em-alive Mack Judson, Skunk-eye Tim Wagner, The Demon. Promoter, and Old Squeeze-your-heart's-blood Simms, The Widder and Orphan Man from Arkansas--they're all there!" he said gloatingly. "She told them you're a prospect, and they're waiting for you! It's your turn now!" he yelled. "She told them that you're on the way, and they're drawing lots right now to see which one gets your shirt and which one takes the pants and B.V.D.s! Haw-w!"--and he poked his friend in the ribs again.

"They'll get nothing out of me," George said, laughing, "for I haven't got it to begin with.

"That doesn't matter!" Randy yelled. "If you've got an extra collar button, they'll take that as the first instalment, and then--haw-w! they'll collect your cuff-links, socks, and your suspenders in easy payments as the years roll on!"

He stood there laughing at the astounded look on his friend's face. Then, seeing his sister's reproving eye, he suddenly prodded her in the ribs, at which she shrieked in a vexed manner and slapped at his hand.

"I'll vow, Randy!" she cried fretfully. "What on earth's the matter with you? Why, you act like a regular idiot! I'll vow you do!"

"Haw-w!" he yelled again. Then, more soberly, but still grinning: "I guess we'll have to sleep you out over the garage, Monk, old boy. Dave Merrit's in town, and he's got the spare room." There was a slight note of deference in his voice as he mentioned Merrit's name, but he went on lightly: "Or if you like--haw-w!--there's a nice room at Mrs. Charles Montgomery Hopper's, and she'd be glad to have you!"

George looked rather uncomfortable at the mention of Mrs. Charles Montgomery Hopper. She was a worthy lady and he remembered her well, but he didn't want to stay at her boarding-house. Margaret saw his expression and laughed:

"Ho, ho, ho, ho, ho! You see what you're in for, don't you? The prodigal comes home and we give him his choice of Mrs. Hopper or the garage! Now is that life or not?"

"I don't mind a bit," protested George. "I think the garage is swell. And besides"--they all grinned at each other again with the affection of people who know each other so well that they are long past knowledge--"if I get to helling around at night, I won't feel that I'm disturbing you when I come in...But who is Mr. Merrit, anyway?"

"Why," Randy answered, and now he had an air of measuring his words with thoughtful deliberation, "he--he's the Company's man--my boss, you know. He travels around to all the branches to check up and see that everything's O.K. He's a fine fellow. You'll like him," said Randy seriously. "We've told him all about you and he wants to meet you."

"And we knew you wouldn't mind," Margaret said. "You know, it's business, he's with the Company, and of course it's good policy to be as nice to him as we can." But then, because such designing was really alien to her hospitable and whole-hearted spirit, she added: "Mr. Merrit is all right. I like him. We're glad to have him, anyway."

"Dave's a fine fellow," Randy repeated. "And I know he wants to see you...Well," he said, and the preoccupied look was in his eyes again, "if we're all ready, let's get going. I'm due back at the office now. Merrit's there, of course. Suppose I run you out to the house and drop you, then I'll see you later."

This was agreed upon. Randy grinned once more--a little nervously, George thought--and picked up the valise and started rapidly across the station platform towards his car, which was parked at the kerb.

At the funeral that afternoon the little frame house which old Lafayette Joyner--Aunt Maw's father, and George Webber's grandfather--had built with his own hands years ago looked just as it had always looked when George had lived there as a boy. Nothing about it had been changed. Yet it seemed smaller, meaner, more shabby than he remembered it. It was set some distance back from the street, between the Shepperton house on one side and the big brick house in which his Uncle Mark Joyner lived on the other. The street was lined with cars, many of them old and decrepit and covered with the red clay of the hills. In the yard in front of the house many men stood solemnly knotted in little groups, talking quietly, their bare heads and stiff Sunday clothes of austere black giving them an air of self-conscious shyness and restraint.

Inside, the little rooms were jammed with people, and the hush of death was on the gathering, broken now and then by muffled coughs and by stifled sobs and sniffles. Many of them were Joyners, who for three days had been coming in from the hills--old men and women with the marks of toil and pain upon their faces, cousins, in-laws, distant relatives of Aunt Maw. George had never seen some of them before, but they all bore the seal of the Joyner clan upon them, the look of haunting sorrow and something about the thin line of the lips that proclaimed their grim triumph in the presence of death.

In the tiny front room, where on wintry nights Aunt Maw had always sat by the light of a kerosene lamp before a flickering fire, telling the boy her endless stories of death and sorrow, she now lay in her black coffin, the top and front of which were open to display as much of her as possible to the general view. And instantly, as George entered, he knew that one of her main obsessions in life had been victorious over death. A spinster and a virgin all her years, she had always had a horrible fear that, somehow, some day, some man would see her body. As she grew older her thoughts had been more and more preoccupied with death, and with her morbid shame lest someone see her in the state of nature after she was dead. For this reason she had a horror of undertakers, and had made her brother, Mark, and his wife, Mag, solemnly promise that no man would see her unclothed corpse, that her laying out would be done by women, and, above all else, that she was not to be embalmed. By now she had been dead three days--three days of long hot sun and sultriness--and it seemed to George a grim but fitting ending that the last memory he would have of that little house, which in his childhood had been so filled with the stench of death-in-life, should now be the stench of death itself.

Mark Joyner shook hands cordially with his nephew and said he was glad he had been able to come down. His manner was simple, dignified, and reserved, eloquently expressive of quiet grief, for he had always been genuinely fond of his older sister. But Mag, his wife, who for fifty years had carried on a nagging, internecine warfare with Aunt Maw, had appointed herself chief mourner and was obviously enjoying the role. During the interminable service, when the Baptist minister in his twanging, nasal voice recited his long eulogy and went back over the events of Aunt Maw's life, Mag would break forth now and then in fits of loud weeping and would ostentatiously throw back her heavy black veil and swab vigorously with her handkerchief at her red and swollen eyes.

The minister, with the unconscious callousness of self-righteousness, rehearsed again the story of the family scandal. He told how George Webber's father had abandoned his wife, Amelia Joyner, to live in open shame with another woman, and how Amelia had shortly, afterwards "died of a broken heart". He told how "Brother Mark Joyner and his God-fearing wife, Sister Maggie Joyner," had been filled with righteous wrath and had gone to court and wrested the motherless boy from the sinful keeping of his father; and how "this good woman who now lies dead before us" had taken charge of her sister's son and brought him up in a Christian home. And he said be was glad to see that the young man who had been the recipient of this dutiful charity had come home again to pay his last debt of gratitude at the bier of the one to whom he owed so much.

Throughout all this Mag continued to choke and sputter with histrionic sorrow, and George sat there biting his lips, his eyes fixed on the floor, perspiration streaming from him, his jaws clenched hard, his face purple with shame and anger and nausea.

The afternoon wore on, and at last the service was over. People began to issue from the house, and the procession formed for the long, slow ride to the cemetery. With immense relief George escaped from the immediate family group and went over to Margaret Shepperton, and the two of them took possession of one of the limousines that had been hired for the occasion.

Just as the car was about to drive off and take its place in the line, a woman opened the door and got in with them. She was Mrs. Delia Flood, an old friend of Aunt Maw's. George had known her all his life.

"Why, hello there, young man," she said to George as she climbed in and sat down beside him "This would've been a proud day for your Aunt Maw if she could've known you'd come all the way back home to be here at her funeral. She thought the world of you, boy." She nodded absent-mindedly to Margaret. "I saw you had an empty place here, so I said, 'It's a pity to let it go to waste. Hop right in,' I said. 'Don't stand on ceremony. It might as well be you,' I said, 'as the next fellow.'"

Mrs. Delia Flood was a childless widow well past middle age, short, sturdy, and physically stolid, with jet black hair and small, piercing brown eyes, and a tongue that was never still. She would fasten upon anyone she could catch and corner, and would talk on and on in a steady monotone that had neither beginning nor end. She was a woman of property, and her favourite topic of conversation was real estate. In fact, long before the present era of speculation and sky-rocketing prices, she had had a mania for buying and selling land, and was a shrewd judge of values. With some sixth sense she had always known what direction the development of the growing town was likely to take, and when things happened as she predicted, it was usually found that she had bought up choice sites which she was able to sell for much more than she had paid for them. She lived simply and frugally, but she was generally believed to be well off.

For a little while Mrs. Flood sat in contemplative silence. But as the procession moved off and slowly made its way through the streets of the town, she began to glance sharply out of the windows on both sides, and before long, without any preliminary, she launched forth in a commentary on the history of every piece of property they passed. It was constant, panoramic, and exhaustive. She talked incessantly, gesturing briefly and casually with her hand, only pausing from time to time to nod deliberately to herself in a movement of strong affirmation.

"You see, don't you?" she said, nodding to herself with conviction, tranquilly indifferent whether they listened or not so long as the puppets of an audience were before her. "You see what they're goin' to do here, don't you? Why, Fred Barnes, Roy Simms, and Mack Judson--all that crowd--why, yes--here!--say!"--she cried, frowning meditatively--"wasn't I reading it? Didn't it all come out in the paper--why, here, you know, a week or two ago--how they proposed to tear down that whole block of buildings there and were goin' to put up the finest garage in this part of the country? Oh, it will take up the whole block, you know, with a fine eight-storey building over it, and storage space upstairs for more cars, and doctors' offices--why, yes!--they're even thinkin' of puttin' in a roof garden and a big restaurant on top. The whole thing will cost 'em over half a million dollars before they're done with it--oh, paid two thousand dollars a foot for every inch of it!" she cried. "But pshaw! Why those are Main Street prices--you can get business property up in the centre of town for that! I could've told 'em--but hm!"--with a scornful little tremor of the head--"they didn't want it anywhere but here--no, sir! They'll be lucky if they get out with their skins!"

George and Margaret offered no comment, but Mrs. Flood appeared not to notice, and as the procession crossed the bridge and turned into Preston Avenue she went on:

"See that house and lot over there! I paid twenty-five thousand for it two years ago, and now it's worth fifty thousand if it's worth a penny. Yes, and I'll get it, too. But pshaw! See here!"--she shook her head emphatically. "They couldn't pull a trick like that on me! I saw what he was up to! Yes! Didn't Mack Judson come to me? Didn't he try to trade with me? Oh, here along, you know, the first part of last April," she said impatiently, with a dismissing gesture of her hand, as if all this must be perfectly clear to everyone. "All that crowd that's in with him--they were behind him--I could see it plain as day. Says: 'I'll tell you what I'll do. We know you're a good trader, we respect your judgment, and we want you in,' he says, 'and just to have you with us, why, I'll trade you three fine lots I own up there on Pinecrest Road in Ridgewood for that house and lot of yours on Preston Avenue.' Says: 'You won't have to put up a cent. Just to get you in with us I'll make you an even swap!' 'Well,' I said, 'that's mighty fine of you, Mack, and I appreciate the compliment. If you want that house and lot on Preston Avenue,' I said, 'why, I reckon I can let you have it. You know my price,' I said. 'It's fifty thousand. What are those lots in Ridgewood worth?'--came right out and asked him, you know. 'Why,' he says, 'it's hard to say. I don't know just exactly what they are worth,' he says. 'The property up there is goin' up all the time.' I looked him straight in the eye and said to him: 'Well, Mack, I know what those lots are worth, and they're not worth what you paid for 'em. The town's movin' the other way. So if you want my house and lot,' I said, 'just bring me the cash and you can have it. But I won't swap with you.' That's exactly what I told him, and of course that was the end of it. He's never mentioned it again. Oh, yes, I saw what he was up to, all right."

Nearing the cemetery, the line of cars passed a place where an unpaved clay road went upwards among fields towards some lonely pines. The dirt road, at the point where it joined the main highway, was flanked by two portalled shapes of hewn granite blocks set there like markers of a splendid city yet unbuilt which would rise grandly from the hills that swept back into the green wilderness from the river. But now this ornate entrance and a large billboard planted in the field were the only evidences of what was yet to be. Mrs. Flood saw the sign.

"Hah? What's that?" she cried out in a sharply startled tone. "What does it say there?"

They all craned their necks to see it as they passed, and George read aloud the legend on the sign:

RIVERCREST
DEDICATED TO ALL THE PEOPLE
OF THIS SECTION AND TO THE GLORY
OF THE GREATER CITY THEY WILL BUILD

Mrs. Flood took in the words with obvious satisfaction. "Ah-hah!" she said, nodding her head slowly, with deliberate agreement. "That's just exactly it!"

Margaret nudged George and whispered in his ear:

"Dedicated!" she muttered scornfully--then, with mincing refinement: "Now ain't that nice? Dedicated to cutting your throat and bleeding you white of every nickel that you've got!"

They were now entering the cemetery, and the procession wound slowly in along a circling road and at length came to a halt near the rounded crest of the hill below the Joyner burial plot. At one corner of the plot a tall locust tree was growing, and beneath its shade all the Joyners had been buried. There was the family monument--a square, massive chunk of grey, metallic granite, brilliantly burnished, with "JOYNER" in raised letters upon its shining surface. On the ends were inscriptions for old Lafayette and his wife, with their names and dates; and, grouped about them, in parallel rows set on the gentle slope, were the graves of Lafayette's children. All these had smaller individual monuments, and on each of these, below the name and dates of birth and death, was some little elegiac poem carved in a Bowing script.

At one side of the burial plot the new-dug grave gaped darkly in the raw earth, and beside it was a mound of loose yellow clay. Ranged above it on the hill were several rows of folding chairs. Towards these the people, who were now getting out of the cars, began to move.

Mark and Mag and various other Joyners took the front rows, and George and Margaret, with Mrs. Flood still close beside them, found chairs at the back. Other people--friends, distant relatives, and mere acquaintances--stood in groups behind.

The lot looked out across a mile or two of deep, dense green, the wooded slopes and hollows that receded towards the winding river, and straight across beyond the river was the central business part of town. The spires and buildings, the old ones as well as some splendid new ones--hotels, office buildings, garages, churches, and the scaffolding and concrete of new construction which exploded from the familiar design with glittering violence--were plainly visible. It was a fine view.

While the people took their places and waited for the pallbearers to perform their last slow and heavy service up the final ascent of the hill, Mrs. Flood sat with her hands folded in her lap and gazed out over the town. Then she began shaking her head thoughtfully, her lips pursed in deprecation and regret, and in a low voice, as if she were talking to herself, she said:

"Hm! Hm! Hm! Too bad, too bad, too bad!"

"What's that, Mrs. Flood?" Margaret leaned over and whispered. "What's too bad?"

"Why, that they should ever have chosen such a place as this for the cemetery," she said regretfully. She had lowered her voice to a stage whisper, and those round her could hear everything she said. "Why, as I told Frank Candler just the other day, they've gone and deliberately given away the two best building sites in town to the niggers and the dead people! That's just exactly what they've done! I've always said as much--that the two finest building sites in town for natural beauty are Niggertown and Highview Cemetery. I could've told 'em that long years ago--they should've known it themselves if any of 'em could have seen an inch beyond his nose--that some day the town would grow up and this would be valuable property! Why, why on earth! When they were lookin' for a cemetery site--why on earth didn't they think of findin' one up there on Buxton Hill, say, where you get a beautiful view, and where land is not so valuable? But this!" she whispered loudly. "This, by rights, is building property! People could have fine homes here! And as for the niggers, I've always said that they'd have been better off if they'd been put down there on those old flats in the depot section. Now it's too late, of course--nothin' can be done--but it was certainly a serious mistake!" she whispered, and shook her head. "I've always known it!"

"Well, I guess you're right," Margaret whispered in reply. "I never thought of it before, but I guess you're right." And she nudged George with her elbow.

The pallbearers had set the coffin in its place, and the minister now began to read the brief and movingly solemn commitment service. Slowly the coffin was lowered in its grave. And as the black lid disappeared from sight George felt such a stab of wordless pain and grief as he had never known. But he knew even as he felt it that it wasn't sorrow for Aunt Maw. It was an aching pity for himself and for all men living, and in it was the knowledge of the briefness of man's days, and the smallness of his life, and the certain dark that comes too swiftly and that has no end. And he felt, too, more personally, now with Aunt Maw gone and no one left in all his family who was close to him, that one whole cycle of time had closed for him. He thought of the future opening blankly up before him, and for a moment he had an acute sense of terror and despair like that of a lost child, for he felt now that the last tie that had bound him to, his native earth was severed, and he saw himself as a creature homeless, uprooted, and alone, with no door to enter, no place to call his own, in all the vast desolation of the planet.

The people had now begun to move away and to walk back slowly towards their cars. The Joyners, however, kept their seats until the last spadeful of earth was heaped and patted into place. Then they arose, their duty done. Some of them just stood there now, talking quietly in their drawling voices, while others sauntered among the tombstones, bending over to read the inscriptions and straightening up to recall and tell each other some forgotten incident in the life of some forgotten Joyner. At last they, too, began to drift away.

George did not want to go back with them and be forced to hear the shreds of Aunt Maw's life torn apart and pieced together again, so he linked his arm through Margaret's and led her over the brow of the hill to the other side. For a little while they stood in the slanting light, silent, their faces to the west, and watched the great ball of the sun sink down behind the rim of distant mountains. And the majestic beauty of the spectacle, together with the woman's quiet presence there beside him, brought calm and peace to the young man's troubled spirit.

When they came back, the cemetery appeared to be deserted. But as they approached the Joyner plot they saw that Mrs. Delia Flood was still waiting for them. They had forgotten her, and realised now that she could not go without them, for there was only one car on the gravelled roadway below and the hired chauffeur was slumped behind his wheel, asleep. In the fast-failing light Mrs. Flood was wandering among the graves, stopping now and then to stoop and peer closely at an inscription on a stone. Then she would stand there meditatively and look out across the town, where the first lights were already beginning to wink on. She turned to them casually when they came up, as though she had taken no notice of their absence, and spoke to them in her curious fragmentary way, plucking the words right out of the middle of her thoughts.

"Why, to think," she said reflectively, "that he would go and move her! To think that any man could be so hard-hearted! Oh!" she shuddered with a brief convulsive pucker of revulsion. "It makes my blood run cold to think of it--and everybody told him so!--they told him so at the time--to think he would have no more mercy in him than to go and move her from the place where she lay buried!"

"Who was that, Mrs. Flood?" George said absently. "Move who?"

"Why, Amelia, of course--your mother, child!" she said impatiently, and gestured briefly towards the weather-rusted stone.

He bent forward and read again the familiar inscription:

Amelia Webber, née Joyner

and below her dates the carved verse:

Still is the voice we knew so well,
Vanished the face we love,
Flown her spirit pure to dwell
With angels up above.
Ours is the sorrow, ours the pain,
And ours the joy alone
To clasp her in our arms again
In Heaven, by God's throne.

"That's the thing that started all this movin'!" Mrs. Flood was saying. "Nobody'd ever have thought of comin' here if it hadn't been for Amelia! And here," she cried fretfully, "the woman had been dead and in her grave more than a year when he gets this notion in his head he's got to move her--and you couldn't reason with him! Why, your uncle, Mark Joyner--that's who it was! You couldn't argue with him!" she cried with vehement surprise. "Why, yes, of course! It was back there at the time they were havin' all that trouble with your father, child. He'd left Amelia and gone to live with that other woman--but I will say this for him!" and she nodded her head with determination. "When Amelia died, John Webber did the decent thing and buried her himself--claimed her as his wife and buried her! He'd bought a plot in the old cemetery, and that's where he put her. But then, more than a year afterwards--you know, child--when Mark Joyner had that trouble with your father about who was to bring you up--yes, and took it to the courts and won!--why, that's when it was that Mark took it in his head to move Amelia. Said he wouldn't let a sister of his lie in Webber earth! He already had this plot, of course, way over here on this hill where nobody'd ever thought of goin'. It was just a little private buryin' ground, then--a few families used it, that was all."

She paused and looked out thoughtfully over the town, then after a moment she went on:

"Your Aunt Maw, she tried to talk to Mark about it, but it was like talkin' to a stone wall. She told me all about it at the time. But no, sir!" she shook her head with a movement of strong decision. "He'd made up his mind and he wouldn't budge from it an inch! 'But see here, Mark,' she said. 'The thing's not right! Amelia ought to stay where she's buried!' She didn't like the looks of it, you know. 'Even the dead have got their rights,' she said. 'Where the tree falls, there let it lie!'--that's what she told him. But no! He wouldn't listen--you couldn't talk to him. He says: 'I'll move her if it's the last thing I ever live to do! I'll move her if I have to dig her up myself and carry the coffin on my back all the way to the top of that hill across the river! That's where she's goin',' he says, 'and you needn't argue any more!' Well, your Aunt Maw saw then that he had his mind made up and that it wouldn't do any good to talk to him about it. But oh! an awful mistake! an awful mistake!" she muttered, shaking her head slowly. "All that movin' and expense for nothin'! If he felt that way, he should've brought her over here in the first place, when she died! But I guess it was the lawsuit and all the bad blood it stirred up that made him feel that way," she now said tranquilly..."And that's the reason all these other people are buried here"--she made a sweeping gesture with her arm--"that's what started it, all right! Why, of course! When the old cemetery got filled up and they had to look round for a new site--why, one of those fellows in Parson Flack's gang at City Hall, he remembered the rumpus about Amelia and thought of all these empty acres way out here beside the old buryin' ground. He found he could buy 'em cheap, and that's what he did. That's exactly how it was," she said. "But I've always regretted it. I was against it from the start."

She fell silent again, and stood looking with solemn-eyed memory at the weather-rusted stone.

"Well, as I say, then," she went on calmly, "when your Aunt Maw saw he had his mind made up and that there was no use to try to change him--well, she went out to the old cemetery the day they moved her, and she asked me to go with her, you know. Oh, it was one of those raw, windy days you get in March! The very kind of day Amelia died on. And old Mrs. Wrenn and Amy Williamson--they had both been good friends of Amelia's--of course they went along, too. And, of course, when we got there, they were curious--they wanted to have a look, you know," she said calmly, mentioning this grisly desire with no surprise whatever. "And they tried to get me to look at it, too. Your Aunt Maw got so sick that Mark had to take her home in the carriage, but I stood my ground. 'No,' I said, 'you go on and satisfy your curiosity if that's what you want to do, but I won't look at it!' I said, 'I'd rather remember her the way she was.' Well, sir, they went ahead and did it then. They got old Prove--you know, he was that old nigger man that worked for Mark--they got him to open up the coffin, and I turned my back and walked away a little piece until they got through lookin'," she said tranquilly. "And pretty soon I heard 'em comin'. Well, I turned round and looked at 'em, and let me tell you somethin'," she said gravely, "their faces were a study! Oh, they turned pale and they trembled! 'Well, are you satisfied?' I said. 'Did you find what you were lookin' for?' 'Oh-h! says old Mrs. Wrenn, pale as a ghost, shakin' and wringin' her hands, you know. 'Oh, Delia!' she says, 'it was awful! I'm sorry that I looked!' she says. 'Ah-ha!' I said. 'What did I tell you? You see, don't you?' And she says: 'Oh-h, it was all gone!--all gone!--all rotted away to nothin' so you couldn't recognise her! The face was all gone until you could see the teeth! And the nails had all grown out long! But Delia!' she says, 'the hair!--the hair! Oh, I tell you what;' she says, 'the hair was beautiful! It had grown out until it covered everything--the finest head of hair I ever saw on anyone! But the rest of it--oh, I'm sorry that I looked!' she says. 'Well, I thought so! I thought so!' I said. 'I knew you'd be sorry, so I wouldn't look!'...But that's the way it was, all right," she concluded with the quiet satisfaction of omniscience.

Through this recital George and Margaret had stood transfixed, a look of horror on their faces, but Mrs. Flood did not notice them. She stood now looking down at Amelia's tombstone, her lips puckered thoughtfully, and after a little while she said:

"I don't know when I've thought of Amelia and John Webber--both of 'em dead and in their graves through all these years. She lies here, and he's all alone in his own lot over there on the other side of town, and that old trouble that they had seems very far away. You know," she said, looking up and speaking with a tone of deep conviction, "I believe that they have joined each other and are reconciled and happy. I believe I'll meet them some day in a Higher Sphere, along with all my other friends--all happy, and all leading a new life."

She was silent for a moment, and then, with a movement of strong decision, she turned away and looked out towards the town, where the lights were now burning hard and bright and steady in the dusk.

"Come, now!" she cried briskly and cheerfully. "It's time we were goin' home! It's gettin' dark!"

The three of them walked in silence down the slope towards the waiting car. As they came up to it and were about to get in, Mrs. Flood stopped and laid her hand on George's shoulder in a warm and easy gesture.

"Young man," she said, "I've been a long time livin' on this earth, and as the fellow says, the world do move! You've got your life ahead of you, and lots to learn and many things to do--but let me tell you somethin', boy!" and all at once she looked at him in a straight and deadly fashion. "Go out and see the world and get your fill of wanderin'," she cried, "and then come back and tell me if you've found a better place than home! I've seen great changes in my time, and I'll see more before I die. There are great things yet in store for us--great progress, great inventions--it will all come true. Perhaps I'll not live to see it, but you will! We've got a fine town here, and fine people to make it go--and we're not done yet. I've seen it all grow up out of a country village--and some day we will have a great city here."

She waited an instant as if she expected him to answer and corroborate her judgment, and when he merely nodded to show that he had heard her, she took it for agreement and went on:

"Your Aunt Maw always hoped that you'd come home again. And you will!" she said. "There's no better or more beautiful place on earth than in these mountains--and some day you'll come home again to stay."

7. Boom Town

During the week that followed Aunt Maw's funeral George renewed his acquaintance with his home town, and it was a disconcerting experience. The sleepy little mountain village in which he had grown up--for it had been hardly more than that then--was now changed almost beyond recognition. The very streets that he had known so well, and had remembered through the years in their familiar aspect of early-afternoon emptiness and drowsy lethargy, were now foaming with life, crowded with expensive traffic, filled with new faces he had never seen before. Occasionally he saw somebody that he knew, and in the strangeness of it all they seemed to him like lights shining in the darkness of a lonely coast.

But what he noticed chiefly--and once he observed it he began watching for it, and it was always there--was the look on the people's faces. It puzzled him, and frightened him, and when he tried to find a word to describe it, the only thing he could think of was--madness. The nervous, excited glitter in the eyes seemed to belong to nothing else but madness. The faces of natives and strangers alike appeared to be animated by some secret and unholy glee. And their bodies, as they darted, dodged, and thrust their way along, seemed to have a kind of leaping energy as if some powerful drug was driving them on. They gave him the impression of an entire population that was drunk--drunk with an intoxication which never made them weary, dead, or sodden, and which never wore of, but which incited them constantly to new efforts of leaping and thrusting exuberance.

The people he had known all his life cried out to him along the streets, seizing his hand and shaking it, and saying: "Hi, there, boy! Glad to see you home again! Going to be with us for a while now? Good! I'll be seeing you! I've got to go on now--got to meet a fellow down the street to sign some papers! Good to see you, boy!" Then, having uttered this tempestuous greeting without a pause and without the loss of a stride, pulling and dragging him along with them 'as they wrung his hand, they vanished.

On all sides he heard talk, talk, talk--terrific and incessant. And the tumult of voices was united in variations of a single chorus--speculation and real estate. People were gathered in earnestly chattering groups before the drug-stores, before the post office, before the Court House and the City Hall. They hurried along the pavements talking together with passionate absorption, bestowing half-abstracted nods of greeting from time to time on passing acquaintances.

The real estate men were everywhere. Their motors and buses roared through the streets of the town and out into the country, carrying crowds of prospective clients. One could see them on the porches of houses unfolding blueprints and prospectuses as they shouted enticements and promises of sudden wealth into the ears of deaf old women. Everyone was fair game for them--the lame, the halt, and the blind, Civil War veterans or their decrepit pensioned widows, as well as high school boys and girls, negro truck drivers, soda jerkers, elevator boys, and bootblacks.

Everyone bought real estate; and everyone was "a real estate man" either in name or practice. The barbers, the lawyers, the grocers, the butchers, the builders, the clothiers--all were engaged now in this single interest and obsession. And there seemed to be only one rule, universal and infallible--to buy, always to buy, to pay whatever price was asked, and to sell again within two days at any price one chose to fix. It was fantastic. Along all the streets in town the ownership of the land was constantly changing; and when the supply of streets was exhausted, new streets were feverishly created in the surrounding wilderness; and even before these streets were paved or a house had been built upon them, the land was being sold, and then resold, by the acre, by the lot, by the foot, for hundreds of thousands of dollars.

A spirit of drunken waste and wild destructiveness was everywhere apparent. The fairest places in the town were being mutilated at untold cost. In the centre of town there had been a beautiful green opulent with rich lawns and lordly trees, with beds of flowers and banks of honeysuckle, and on top of it there had been an immense, rambling, old wooden hotel. From its windows one could look out upon the vast panorama of mountain ranges in the smoky distance.

George could remember its wide porches and comfortable rockers, its innumerable eaves and gables, its labyrinth of wings and corridors, its great parlours and their thick red carpets, and the lobby with its old red leather chairs, hollowed and shaped by the backs of men, and its smell of tobacco and its iced tinkle of tall drinks. It had a splendid dining-room filled with laughter and quiet voices, where expert negroes in white jackets bent and scraped and chuckled over the jokes of the rich men from the North as with prayerful grace they served them delicious foods out of old silver dishes. George could remember, too, the smiles and the tender beauty of the rich men's wives and daughters. As a boy he had been touched with the unutterable mystery of all these things, for these wealthy travellers had come great distances and had somehow brought with them an evocation of the whole golden and unvisited world, with its fabulous cities and its promise of glory, fame, and love.

It had been one of the pleasantest places in the town, but now it was gone. An army of men and shovels had advanced upon this beautiful green hill and had levelled it down to an ugly flat of clay, and had paved it with a desolate horror of white concrete, and had built stores and garages and office buildings and parking spaces--all raw and new--and were now putting up a new hotel beneath the very spot where the old one had stood. It was to be a structure of sixteen storeys, of steel and concrete and pressed brick. It was being stamped out of the same mould, as if by some gigantic biscuit-cutter of hotels, that had produced a thousand others like it all over the country. And, to give a sumptuous--if spurious--distinction to its patterned uniformity, it was to be called The Libya-Ritz.

One day George ran into Sam Pennock, a boyhood friend and a classmate at Pine Rock College. Sam came down the busy street swiftly at his anxious, lunging stride, and immediately, without a word of greeting, he broke hoarsely into the abrupt and fragmentary manner of speaking that had always been characteristic of him, but that now seemed more feverish than ever:

"When did you get here?...How long are you going to stay?...What do you think of the way things look here?" Then, without waiting for an answer, he demanded with brusque, challenging, and almost impatient scornfulness: "Well, what do you intend to do--be a two-thousand-dollar-a-year school-teacher all your life?"

The contemptuous tone, with its implication of superiority--an implication he had noticed before in the attitude of these people, big with their inflated sense of wealth and achievement--stung George to retort sharply:

"There are worse things than teaching school! Being a paper millionaire is one of them! As for the two thousand dollars a year, you really get it, Sam! It's not real estate money, it's money you can spend. You can buy a ham sandwich with it."

Sam laughed. "You're right!" he said. "I don't blame you. It's the truth!" He began to shake his head slowly. "Lord, Lord!" he said. "They've all gone clean out of their heads here...Never saw anything like it in my life...Why, they're all crazy-as a loon!" he exclaimed. "You can't talk to them...You can't reason with them...They won't listen to you...They're getting prices for property here that you couldn't get' in New York."

"Are they getting it?"

"Well," he said, with a falsetto laugh, "they get the first five hundred dollars...You pay the next five hundred thousand on time."

"How much time?"

"God!" he said. "I don't know...All you want, I reckon...For ever!...It doesn't matter...You sell it next day for a million."

"On time?"

"That's it!" he cried, laughing. "You make half a million just like that."

"On time?"

"You've got it!" said Sam. "On time...God! Crazy, crazy, crazy," he kept laughing and shaking his head. "That's the way they make it."

"Are you making it, too?"

At once his manner became feverishly earnest: "Why, it's the damnedest thing you ever heard of!" he said. "I'm raking it in hand over fist!...Made three hundred thousand dollars in the last two months...Why, it's the truth!...Made a trade yesterday and turned round and sold the lot again not two hours later...Fifty thousand dollars just like that!" he snapped his fingers. "Does your uncle want to sell that house on Locust Street where your Aunt Maw lived?...Have you talked to him about it?...Would he consider an offer?"

"I suppose so, if he gets enough."

"How much does be want?" he demanded impatiently. "Would he take a hundred thousand?"

"Could you get it for him?"

"I could get it within twenty-four hours," he said. "I know a man who'd snap it up in five minutes...I tell you what I'll do, Monk, if you persuade him to sell--I'll split the commission with you...I'll give you five thousand dollars."

"All right, Sam, it's a go. Could you let me have fifty cents on account?"

"Do you think he'll sell?" he asked eagerly.

"Really, I don't know, but I doubt it. That place was my grandfather's. It's been in the family a long time. I imagine he'll want to keep it."

"Keep it! What's the sense in keeping it?...Now's the time when things are at the peak. He'll never get a better offer!"

"I know, but he's expecting to strike oil out in the backyard any time now," said George with a laugh.

At this moment there was a disturbance among the tides of traffic in the street. A magnificent car detached itself from the stream of humbler vehicles and moved in swiftly to the kerb, where it came to a smooth stop--a glitter of nickel, glass, and burnished steel. From it a gaudily attired creature stepped down to the pavement with an air of princely indolence, tucked a light Malacca cane carelessly under its right armpit, and slowly and fastidiously withdrew from its nicotined fingers a pair of lemon-coloured gloves, at the same time saying to the liveried chauffeur:

"You may go, James. Call for me again in hal-luf an houah!" The creature's face was thin and sunken. Its complexion was a deathly sallow--all except the nose, which was bulbous and glowed a brilliant red, showing an intricate network of enlarged purple veins. Its toothless jaws were equipped with such an enormous set of glittering false teeth that the lips could not cover them, and they grinned at the world with the prognathous bleakness of a skeleton. The whole figure, although heavy and shambling, had the tottering appearance which suggested a stupendous debauchery. It moved forward with its false, bleak grin, leaning heavily upon the stick, and suddenly George recognised that native ruin which had been known to him since childhood as Tim Wagner.

J. Timothy Wagner--the "J" was a recent and completely arbitrary addition of his own, appropriated, no doubt, to fit his ideas of personal grandeur, and to match the eminent position in the town's affairs to which he had belatedly risen--was the black sheep of one of the old, established families in the community. At the time George Webber was a boy, Tim Wagner had been for so long the product of complete disillusion that there was no longer any vestige of respect attached to him.

He had been pre-eminently the town sot. His title to this office was unquestioned. In this capacity he was even held in a kind of affection. His exploits were notorious, the subjects of a hundred stories. One night, for example, the loafers in McCormack's pharmacy had seen Tim swallow something and then shudder convulsively. This process was repeated several times, until the curiosity of the loafers was aroused. They began to observe him furtively but closely, and in a few minutes Tim thrust out his hand slyly, fumbled round in the gold-fish bowl, and withdrew his hand with a wriggling little shape between his fingers. Then the quick swallow and the convulsive shudder were repeated.

He had inherited two fortunes before his twenty-fifth year and had run through them both. Hilarious stories were told of Tim's celebrated pleasure tour upon the inheritance of the second fortune. He had chartered a private car, stocked it plentifully with liquor, and selected as his travelling companions the most notorious sots, vagabonds, and tramps the community could furnish. The debauch had lasted eight months. This party of itinerant bacchuses had made a tour of the entire country. They had exploded their empty flasks against the ramparts of the Rocky Mountains, tossed their empty kegs into San Francisco Bay, strewn the plains with their beer bottles. At last the party had achieved a condition of exhausted satiety in the nation's capital, where Tim, with what was left of his inheritance, had engaged an entire floor at one of the leading hotels. Then, one by one, the exhausted wanderers had drifted back to town, bringing tales of bacchanalian orgies that had not been equalled since the days of the Roman emperors, and leaving Tim finally in solitary possession of the wreckage of empty suites.

From that time on he had slipped rapidly into a state of perpetual sottishness. Even then, however, he had retained the traces of an attractive and engaging personality. Everyone had had a tolerant and unspoken affection for him. Save for the harm he did himself, Tim was an inoffensive and good-natured creature.

His figure on the streets of the town at night had been a familiar one. From sunset on, he might be found almost anywhere. It was easy to tell what progressive state of intoxication he had reached simply by observing his method of locomotion. No one ever saw him stagger. He did not weave drunkenly along the pavement. Rather, when he approached the saturation point, he walked very straight, very rapidly, but with funny little short steps. As he walked he kept his face partly lowered, glancing quickly and comically from side to side, with little possumlike looks. If he approached complete paralysis, he just stood quietly and leaned against something--a lamppost or a door-way or the side of a building or the front of the drugstore. Here he would remain for hours in a state of solemn immobility, broken only by an occasional belch. His face, already grown thin and flabby-jowled, with its flaming beacon of a nose, would at these times be composed in an expression of drunken gravity, and his whole condition would be characterised by a remarkable alertness, perceptiveness, and control. He rarely degenerated into complete collapse. Almost always he could respond instantly and briskly to a word of greeting.

Even the police had had a benevolent regard for him, and they had exercised a friendly guardianship over him. Through long experience and observation, every policeman on the force was thoroughly acquainted with Tim's symptoms. They could tell at a glance just what degree of intoxication he had reached, and if they thought he had crossed the final border line and that his collapse in door-way or gutter was imminent, they would take charge of him, speaking to him kindly, but with a stern warning:

"Tim, if you're on the streets again to-night, we're going to lock you up. Now you go on home and go to bed."

To this Tim would nod briskly, with instant and amiable agreement: "Yes, sir, yes, sir. Just what I was going to do, Captain Crane, when you spoke to me. Going home right this minute. Yes, sir."

With these words he would start off briskly across the street, his legs making their little fast, short steps and his eyes darting comically from side to side, until he had vanished round the corner. Within ten or fifteen minutes, however, he might be seen again, easing his way along cautiously in the dark shadow of a building, creeping up to the corner, and peeking round with a sly look on his face to see if any of the watchdogs of the law were in sight.

As time went on and his life lapsed more and more into total vagabondage, one of his wealthy aunts, in the hope that some employment might partially retrieve him, had given him the use of a vacant lot behind some buildings in the business section of the town, a short half-block from Main Street. The motor-car had now come in sufficient numbers to make parking laws important, and Tim was allowed by his aunt to use this lot as parking space for cars and to keep the money thus obtained. In this employment he succeeded far better than anyone expected. He had little to do except stay on the premises, and this was not difficult for him so long as he was plentifully supplied with corn whisky.

During this period of his life some canvassers at a local election, had looked for Tim to enrol him in the interest of their candidate, but they had been unable to find out where he lived. He had not; lived, of course, with any member of his family for years, and investigation failed to disclose that he had a room anywhere. The question then began to go round: "Where does Tim Wagner live? Where does he sleep?" No one could find out. And Tim's own answers, when pressed for information, were slyly evasive.

One day, however, the answer came to light. The motor-car had come, and come so thoroughly that people were even getting buried by motor-car. The day of the horse-drawn hearse had passed for ever. Accordingly, one of the local undertaking firms had told Tim he could have their old horse-drawn hearse if he would only take it off their premises. Tim had accepted the macabre gift and had parked the hearse in his lot. One day when Tim was absent the canvassers came back again, still persistent in their efforts to learn his address so they could enrol him. They noticed the old hearse, and, seeing that its raven curtains were so closely drawn that the interior was hidden from view, they decided to investigate. Cautiously they opened the doors of the hearse. A cot was inside. There was even a chair. It was completely furnished as a small but adequate bedroom.

So at last his secret had been found out. Henceforth all the town knew where he lived.

That was Tim Wagner as George had known him fifteen years ago. Since then he had been so constantly steeped in alcohol that his progressive disintegration had been marked, and he had lately adopted the fantastic trappings of a clown of royalty. Everyone knew all about him, and yet--the fact was incredible!--Tim Wagner had now become the supreme embodiment of the town's extravagant folly. For, as gamblers will stake a fortune on some moment's whimsey of belief, thrusting their money into a stranger's hand and bidding him to play with it because the colour of his hair is lucky, or as racetrack men will rub the hump upon a cripple's back to bring them luck, so the people of the town now listened prayerfully to every word Tim Wagner uttered. They sought his opinion in all their speculations, and acted instantly on this suggestions. He had become--in what way and for what reason no one knew--the high priest and prophet of this insanity of waste.

They knew that he was diseased and broken, that his wits were always addled now with alcohol, but they used him as men once used divining rods. They deferred to him as Russian peasants once deferred to the village idiot. They now believed with an absolute and unquestioning faith that some power of intuition in him made all his judgments infallible.

It was this creature who had just alighted at the kerb a little beyond George Webber and Sam Pennock, full of drunken majesty and bleary-eyed foppishness. Sam turned to him with a movement of feverish eagerness, saying to George abruptly:

"Wait a minute! I've got to speak to Tim Wagner about something! Wait till I come back!"

George watched the scene with amazement. Tim Wagner, still drawing the gloves off of his fingers with an expression of bored casualness, walked slowly over towards the entrance of McCormack's drug-store--no longer were his steps short and quick, for he leaned heavily on his cane--while Sam, in an attitude of obsequious entreaty, kept at his elbow, bending his tall form towards him and hoarsely pouring out a torrent of questions:

"...Property in West Libya...Seventy-five thousand dollars...Option expires to-morrow at noon...Joe Ingram has the piece above mine...Won't sell...Holding for hundred fifty...Mine's the best location...But Fred Bynum says too far from main road...What do you think, Tim?...Is it worth it?"

During the course of this torrential appeal Tim Wagner did not even turn to look at his petitioner. He gave no evidence whatever that he heard what Sam was saying. Instead, he stopped, thrust his gloves into his pocket, cast, his eyes round slyly in a series of quick glances, and suddenly began to root into himself violently with a clutching hand. Then he straightened up like a man just coming out of a trance, and seemed to become aware for the first time that Sam was waiting.

"What's that? What did you say, Sam?" he said rapidly. "How much did they offer you for it? Don't sell, don't sell!" he said suddenly and with great emphasis. "Now's the time to buy, not to sell. The trend is upwards. Buy! Buy! Don't take it. Don't sell. That's my advice!"

"I'm not selling, Tim," Sam cried excitedly. "I'm thinking of buying."

"Oh--yes, yes, yes!" Tim muttered rapidly. "I see, I see." He turned now for the first time and fixed his eyes upon his questioner. "Where did you say it was?" he demanded sharply. "Deepwood? Good! Good! Can't go wrong! Buy! Buy!"

He started to walk away into the drug-store, and the lounging idlers moved aside deferentially to let him pass. Sam rushed after him frantically and caught him by the arm, shouting:

"No, no, Tim! It's not Deepwood! It's the other way...I've been telling you...It's West Libya!"

"What's that?" Tim cried sharply. "West Libya? Why didn't you say so? That's different. Buy! Buy! Can't go wrong! Whole town's moving in that direction. Values double out there in six months. How much do they want?"

"Seventy-five thousand," Sam panted. "Option expires tomorrow...Five yeas to pay it up."

"Buy! Buy!" Tim barked, and walked off into the drug-store.

Sam strode back towards George, his eyes blazing with excitement.

"Did you hear him? Did you hear what he said?" he demanded hoarsely. "You heard him, didn't you?...Best damned judge of real estate that ever lived...Never known to make a mistake!...'Buy! Buy! Will double in value in six months!'...You were standing right here"--he said hoarsely and accusingly, glaring at George--"you heard what he said, didn't you?"

"Yes, I heard him."

Sam glanced wildly about him, passed his hand nervously through his hair several times, and then said, sighing heavily and shaking his head in wonder:

"Seventy-five thousand dollars' profit in one deal!...Never heard anything like it in my...life! Lord, Lord!" he cried. "What are we coming to?"

Somehow the news had got round that George had written a book and that it would soon be published. The editor of the local paper heard of it and sent a reporter to interview him, and printed a story about it.

"So you've written a book?" said the reporter. "What kind of a book is it? What's it about?"

"Why--I--I hardly know how to tell you," George stammered. "It--it's a novel----"

"A Southern novel? Anything to do with this part of the country?"

"Well--yes--that is--it's about the South, all right--about an Old Catawba family--but----"

LOCAL BOY WRITES ROMANCE OF THE OLD SOUTH

George Webber, son of the late John Webber and nephew of Mark Joyner, local hardware merchant, has written a novel with a Libya Hill background which the New York house of James Rodney & Co. will publish this autumn.

When interviewed last night, the young author stated that his book was a romance of the Old South, centring about the history of a distinguished antebellum family of this region. The people of Libya Hill and environs will await the publication of the book with special interest, not only because many of them will remember the author, who was born and brought up here, but also because that stirring period of Old Catawba's past has never before been accorded its rightful place of honour in the annals of Southern literature.

"We understand you have travelled a great deal since you left home. Been to Europe several times?"

"Yes, I have."

"In your opinion, how does this section of the country compare with other places you have seen?"

"Why--why--er--why good!...I mean, fine! That is----"

LOCAL PARADISE COMPARES FAVOURABLY

In answer to the reporter's question as to how this part of the country compared to other places he had seen, the former Libya man declared:

"There is no place I have ever visited--and my travels have taken me to England, Germany, Scotland, Ireland, Wales, Norway, Denmark, Sweden, to say nothing of the south of France, the Italian Riviera, and the Swiss Alps--which can compare in beauty with the setting of my native town.

"We have here," he said enthusiastically, "a veritable Paradise of Nature. Air, climate, scenery, water, natural beauty, all conspire to make this section the most ideal place in the whole world to live."

"Did you ever think of coming back here to live?"

"Well--yes--I have thought of it--but--you see----"

WILL SETTLE AND BUILD HERE

When questioned as to his future plans, the author said:

"For years, my dearest hope and chief ambition has been that one day I should be able to come back here to live. One who has ever known the magic of these hills cannot forget them. I hope, therefore, that the time is not far distant when I may return for good.

"Here, I feel, as nowhere else," the author continued wistfully, "that I will be able to and the inspiration that I must have to do my work. Scenically, climatically, geographically, and in every other way, the logical spot for a modern renaissance is right here among these hills. There is no reason why, in ten years' time, this community should not be a great artistic colony, drawing to it the great artists, the music and the beauty lovers, of the whole world, as Salzburg does now. The Rhododendron Festival is already a step in the right direction.

"It shall be a part of my purpose from now on," the earnest young author added, "to do everything in my power to further this great cause, and to urge all my writing and artistic friends to settle hereto make Libya Hill the place it ought to be--The Athens of America."

"Do you intend to write another book?"

"Yes--that is--I hope so. In fact--"

"Would you care to say anything about it?"

"Well--I don't know--it's pretty hard to say----"

"Come on, son, don't be bashful. We're all your home folks here...Now, take Longfellow. There was a great writer! You know what a young fellow with your ability ought to do? He ought to come back here and do for this section what Longfellow did for New England..."

PLANS NATIVE SAGA

When pressed for details about the literary work he hopes to do hereafter, the author became quite explicit:

"I want to return here," he said, "and commemorate the life, history, and development of Western Catawba in a series of poetic legends comparable to those with which the poet Longfellow commemorated the life of the Acadians and the folklore of the New England countryside. What I have in mind is a trilogy that will begin with the early settlement of the region by the first pioneers, among them my own forebears, and will trace the steady progress of Libya Hill from its founding and the coming of the railroad right down to its present international prominence and the proud place it occupies to-day as 'The Gem City of the Hills'."

George writhed and swore when he read the article. There was hardly an accurate statement in it. He felt angry and sheepish and guilty all at the same time.

He sat down and wrote a scathing letter to the paper, but when he had finished he tore it up. After all, what good would it do? The reporter had spun his story out of nothing more substantial than his victim's friendly tones and gestures, a few words and phrases which he had blurted out in his confusion, and, above all, his reticence to talk about his work; yet the fellow had obviously been so steeped in the booster spirit that he had been able to concoct this elaborate fantasy--probably without quite knowing that it was a fantasy.

Then, too, he reflected, people would take an emphatic denial of the statements that had been attributed to him as evidence that he was a sorehead, full of conceit about his book. You couldn't undo the effect of a thing like this with a simple negative. If he gave the lie to all that gush, everybody would say he was attacking the town and turning against those who had nurtured him. Better let bad enough alone.

So he did nothing about it. And after that, strangely enough, it seemed to George that the attitude of people changed towards him. Not that they had been unfriendly before. It was only that he now felt they approved of him. This in itself gave him a quiet sense of accomplishment, as if the stamp of business confirmation had been put upon him.

Like all Americans, George had been amorous of material success, so it made him happy now to know that the people of his home town believed he had got it, or at any rate was at last on the highroad to it. One thing about the whole affair was most fortunate. The publisher who had accepted his book had an old and much respected name; people knew the name, and would meet him on the street and wring his hand and say:

"So your book is going to be published by James Rodney & Co.?"

That simple question, asked with advance knowledge of the fact, had a wonderful sound. It had a ring, not only of congratulation that his book was being published, but also of implication that the distinguished house of Rodney had been fortunate to secure it. That was the way it sounded, and it was probably also the way it was meant. He had the feeling, therefore, that in the eyes of his own people he had "arrived". He was no longer a queer young fellow who had consumed his substance in the deluded hope that he was--oh, loaded word!--"a writer". He was a writer. He was not only a writer, but a writer who was about to be published, and by the ancient and honourable James Rodney & Co.

There is something good in the way people welcome success, or anything--no matter what--that is stamped with the markings of success. It is not an ugly thing, really. People love success because to most of them it means happiness, and, whatever form it takes, it is the image of what they, in their hearts, would like to be. This is more true in America than anywhere else. People put this label on the image of their heart's desire because they have never had an image of another kind of happiness. So, essentially, this love of success is not a bad thing, but a good thing. It calls forth a general and noble response, even though the response may also be mixed with self-interest. People are happy for your happiness because they want so much to be happy themselves. Therefore it's a good thing. The idea behind it is good, anyhow. The only trouble with it is that the direction is misplaced.

That was the way it seemed to George. He had gone through a long and severe period of probation, and now he was approved. It made him very happy. There is nothing in the world that will take the chip off of one's shoulder like a feeling of success. The chip was off now, and George didn't want to fight anybody. For the first time he felt that it was good to be home again.

Not that he did not have his apprehensions. He knew what he had written about the people and the life of his home town. He knew, too, that he had written about them with a nakedness and directness which, up to that time, had been rare in American fiction. He wondered how they would take it. Even when people congratulated him about the book he could not altogether escape a feeling of uneasiness, for he was afraid of what they would say and think after the book came out and they had read it.

These apprehensions took violent possession of him one night in a most vivid and horrible dream. He thought he was running and stumbling over the blasted heath of some foreign land, fleeing in terror from he knew not what. All that he knew was that he was filled with a nameless shame. It was wordless, and as shapeless as a smothering fog, yet his whole mind and soul shrank back in an agony of revulsion and self-contempt. So overwhelming was his sense of loathing and guilt that he coveted the place of murderers on whom the world had visited the fierceness of its wrath. He envied the whole list of those criminals who had reaped the sentence of mankind's dishonour--the thief, the liar, the trickster, the outlaw, and the traitor--men whose names were anathema and were spoken with a curse, but which were spoken; for he had committed a crime for which there was no name, he was putrescent with a taint for which there was neither comprehension nor cure, he was rotten with a vileness of corruption that placed him equally beyond salvation or vengeance, remote alike from pity, love, and hatred, and unworthy of a curse. Thus he fled across the immeasurable and barren heath beneath a burning sky, an exile in the centre of a planetary vacancy which, like his own shameful self, had no place either among things living or among things dead, and in which there was neither vengeance of lightning nor mercy of burial; for in all that limitless horizon there was no shade or shelter, no curve or bend, no hill or tree or hollow: there was only one vast, naked eye--searing and inscrutable--from which there was no escape, and which bathed his defenceless soul in its fathomless depths of shame.

And then, with bright and sharp intensity, the dream changed, and suddenly he found himself among the scenes and faces he had known long ago. He was a traveller who had returned after many years of wandering to the place he had known in his childhood. The sense of his dreadful but nameless corruption still hung ominously above him as he entered the streets of the town again, and he knew that he had returned to the springs of innocence and health from whence he came, and by which he would be saved.

But as he came into the town he became aware that the knowledge of his guilt was everywhere about him. He saw the men and women he had known in childhood, the boys with whom he had gone to school, the girls he had taken to dances. They were engaged in all their varied activities of life and business, and they showed their friendship towards one another, but when he approached and offered his hand in greeting they looked at him with blank stares, and in their gaze there was no love, hatred, pity, loathing, or any feeling whatsoever. Their faces, which had been full of friendliness and affection when they spoke to one another, went dead; they gave no sign of recognition or of greeting; they answered him briefly in toneless voices, giving him what information he asked, and repulsed every effort he made towards a resumption of old friendship with the annihilation of silence and that blank and level stare. They did not laugh or mock or nudge or whisper when he passed; they only waited and were still, as if they wanted but one thing--that he should depart out of their sight.

He walked on through the old familiar streets, past houses and places that lived again for him as if he had never left them, and by people who grew still and waited until he had gone, and the knowledge of wordless guilt was rooted in his soul. He knew that he was obliterated from their lives more completely than if he had died, and he felt that he was now lost to all men.

Presently he had left the town, and was again upon the blasted heath, and he was fleeing across it beneath the pitiless sky where flamed the naked eye that pierced him with its unutterable weight of shame.

8. The Company

George considered himself lucky to have the little room over the Shepperton garage. He was also glad that his visit had overlapped that of Mr. David Merrit, and that Mr. Merrit had been allowed to enjoy undisturbed the greater comfort of the Shepperton guest room, for Mr. Merrit had filled him with a pleasant glow at their first meeting. He was a ruddy, plump, well-kept man of forty-five or so, always ready with a joke and immensely agreeable, with pockets bulging with savoury cigars which he handed out to people on the slightest provocation. Randy had spoken of him as "the Company's man," and, although George did not know what the duties of a "Company's man" were, Mr. Merrit made them seem very pleasant.

George knew, of course, that Mr. Merrit was Randy's boss, and he learned that Mr. Merrit was in the habit of coming to town every two or three months. He would arrive like a benevolent, pink-cheeked Santa Claus, making his jolly little jokes, passing out his fat cigars, putting his arm round people's shoulders, and, in general, making everyone feel good. As he said himself:

"I've got to turn up now and then just to see that the boys are behaving themselves, and not taking in any wooden nickels."

Here he winked at George in such a comical way that all of them had to grin. Then he gave George a big cigar.

His functions seemed to be ambassadorial. He was always taking Randy and the salesmen of the Company out to lunch or dinner, and, save for brief visits to the office, he seemed to spend most of his time inaugurating an era of good feeling and high living. He would go around town and meet everybody, slapping people on the back and calling them by their first names, and for a week after he had left the business men of Libya Hill would still be smoking his cigars. When he came to town he always stayed "out of the house", and one knew that Margaret would prepare her best meals for him, and that there would be some good drinks. Mr. Merrit supplied the drinks himself, for he always brought along a plentiful store of expensive beverages. George could see at their first meeting that he was the kind of man who exudes an aura of good fellowship, and that was why it was so pleasant to have Mr. Merrit staying in the house.

Mr. Merrit was not only a nice fellow. He was also "with the Company", and George soon realised that "the Company" was a vital and mysterious force in all their lives. Randy had gone with it as soon as he left college. He had been sent to the main office, up North somewhere, and had been put through a course of training. Then he had come back South and had worked his way up from salesman to district agent--an important member of the sales organisation.

"The Company", "district agent", "the sales organisation"--mysterious titles all of them, but most comforting. During the week George was in Libya Hill with Randy and Margaret, Mr. Merrit was usually on hand at meal times, and at night he would sit out on the front porch with them and carry on in his jolly way, joking and laughing and giving them all a good time. Sometimes he would talk shop with Randy, telling stories about the Company and about his own experiences in the organisation, and before long George began to pick up a pretty good idea of what it was all about.

The Federal Weight, Scales, and Computing Company was a far-flung empire which had a superficial aspect of great complexity, but in its essence it was really beautifully simple. Its heart and soul--indeed, its very life--was its sales organisation.

The entire country was divided into districts, and over each district an agent was appointed. This agent, in turn, employed salesmen to cover the various portions of his district. Each district also had an "office man" to attend to any business that might come up while the agent and his salesmen were away, and a "repair man" whose duty it was to overhaul damaged or broken-down machines. Together, these comprised the agency, and the country was so divided that there was, on the average, an agency for every unit of half a million people in the total population. Thus there were two hundred and sixty or seventy agencies through the nation, and the agents with their salesmen made up a working force of from twelve to fifteen hundred men.

The higher purposes of this industrial empire, which the employees almost never referred to by name, as who should speak of the deity with coarse directness, but always with a just perceptible lowering and huskiness of the voice as "the Company"--these higher purposes were also beautifully simple. They were summed up in the famous utterance of the Great Man himself, Mr. Paul S. Appleton, III, who invariably repeated it every year as a peroration to his hour-long address before the assembled members of the sales organisation at their national convention. Standing before them at the close of each year's session, he would sweep his arm in a gesture of magnificent command towards an enormous map of the United States of America that covered the whole wall behind him, and say:

"There's your market! Go out and sell them!"

What could be simpler and more beautiful than this? What could more eloquently indicate that mighty sweep of the imagination which has been celebrated in the annals of modern business under the name of "vision"? The words had the spacious scope and austere directness that have characterised the utterances of great leaders in every epoch of man's history. It is Napoleon speaking to his troops in Egypt: "Soldiers, from the summit of yonder pyramids, forty centuries look down upon you." It is Captain Perry: "We have met the enemy, and they are ours." It is Dewey at Manila Bay: "You may fire when ready, Gridley." It is Grant before Spottsylvania Court House: "I propose to fight it out on this line, if it takes all summer."

So when Mr. Paul S. Appleton, III, waved his arm at the wall and said: "There's your market! Go out and sell them!"--the assembled captains, lieutenants, and privates in the ranks of his sales organisation knew that there were still giants in the earth, and that the age of romance was not dead.

True, there had once been a time when the aspirations of the Company had been more limited. That was when the founder of the institution, the grandfather of Mr. Paul S. Appleton, III, had expressed his modest hopes by saying: "I should like to see one of my machines in every store, shop, or business that needs one, and that can afford to pay for one." But the self-denying restrictions implicit in the founder's statement had long since become so out of date as to seem utterly mid-Victorian. Mr. David Merrit admitted it himself. Much as he hated to speak ill of any man, and especially the founder of the Company, he had to confess that by the standards of 1929 the old gentleman had lacked vision.

"That's old stuff now," said Mr. Merrit, shaking his head and winking at George, as though to take the curse off of his treason to the founder by making a joke of it. "We've gone way beyond that!" he exclaimed with pardonable pride. "Why, if we waited nowadays to sell a machine to someone who needs one, we'd get nowhere." He was nodding now at Randy, and speaking with the seriousness of deep conviction. "We don't wait until he needs one. If he says he's getting along all right without one, we make him buy one anyhow. We make him see the need, don't we, Randy? In other words, we create the need."

This, as Mr. Merrit went on to explain, was what is known in more technical phrase as "creative salesmanship" or "creating the market". And this poetic conception was the inspired work of one man--none other than the present head of the Company, Mr. Paul S. Appleton, III, himself. The idea had come to him in a single blinding flash, born full-blown like Pallas Athene from the head of Zeus, and Mr. Merrit still remembered the momentous occasion as vividly as if it had been only yesterday. It was at one of the meetings of the assembled parliaments of the Company that Mr. Appleton, soaring in an impassioned flight of oratory, became so intoxicated with the grandeur of his own vision that he stopped abruptly in the middle of a sentence and stood there as one entranced, gazing out dreamily into the unknown vistas of magic Canaan; and when he at last went on again, it was in a voice surcharged with quivering emotion:

"My friends," he said, "the possibilities of the market, now that we see how to create it, are practically unlimited!" Here he was silent for a moment, and Mr. Merrit said that the Great Man actually paled and seemed to stagger as he tried to speak, and that his voice faltered and sank to an almost inaudible whisper, as if he himself could hardly comprehend the magnitude of his own conception. "My friends"--he muttered thickly, and was seen to clutch the rostrum for support--"my friends--seen properly"--he whispered, and moistened his dry lips--"seen properly--the market we shall create being what it is"--his voice grew stronger, and the clarion words now rang forth--"there is no reason why one of our machines should not be in the possession of every man, woman, and child in the United\ States!" Then came the grand, familiar gesture to the map: "There's your market, boys! Go out and sell them!"

Henceforth this vision became the stone on which Mr. Paul S. Appleton, III, erected the magnificent edifice of the true church and living faith which was called "the Company". And in the service of this vision Mr. Appleton built up an organisation which worked with the beautiful precision of a locomotive piston. Over the salesman was the agent, and over the agent was the district supervisor, and over the district supervisor was the district manager, and over the district manager was the general manager, and over the general manager was--if not God himself, then the next thing to it, for the agents and salesmen referred to him in tones of proper reverence as "P. S. A."

Mr. Appleton also invented a special Company Heaven known as the Hundred Club. Its membership was headed by P. S. A., and all the ranks of the sales organisation were eligible, down to the humblest salesman. The Hundred Club was a social order, but it was also a good deal more than that. Each agent and salesman had a "quota"--that is to say, a certain amount of business which was assigned to him as the normal average of his district and capacity. A man's quota differed from another's according to the size of his territory, its wealth, and his own experience and ability. One man's quota would be sixty, another's eighty, another's ninety or one hundred, and if he was a district agent, his quota would be higher than that of a mere salesman. Each man, however, no matter how small or how large his quota might be, was eligible for membership in the Hundred Club, the only restriction being that he must average one hundred per cent of his quota. If he averaged more--if he got, say, one hundred and twenty per cent of his quota--there were appropriate honours and rewards, not only social but financial as well. One could be either high up or low down in the Hundred Club, for it had almost as many degrees of merit as the Masonic order.

The unit of the quota system was "the point", and a point was forty dollars' worth of business. So if a salesman had a quota of eighty, this meant that he had to sell the products of the Federal Weight, Scales, and Computing Company to the amount of at least $3200 every month, or almost $40,000 a year. The rewards were high. A salesman's commission was from fifteen to twenty per cent of his sales; an agent's from, twenty to twenty-five per cent. Beyond this there were bonuses to be earned by achieving or surpassing his quota. Thus it was possible for an ordinary salesman in an average district to earn from $6,000 to $8,000 a year, while an agent could earn from $12,000 to $15,000, and even more if his district was an exceptionally good one.

So much for the rewards of Mr. Appleton's Heaven. But what would Heaven be if there were no Hell? So Mr. Appleton was forced by the logic of the situation to invent a Hell, too. Once a man's quota was fixed at any given point, the Company never reduced it. Moreover, if a salesman's quota was eighty points and he achieved it during the year, he must be prepared at the beginning of the new year to find that his quota had been increased to ninety points. One had to go onwards and upwards constantly, and the race was to the swift.

While it was quite true that membership in the Hundred Club was not compulsory, it was also true that Mr. Paul S. Appleton, III, was a theologian who, like Calvin, knew how to combine free will and predestination. If one did not belong to the Hundred Club, the time was not far distant when one would not belong to Mr. Appleton. Not to belong to it was, for agent or salesman, the equivalent of living on the other side of the railroad tracks. If one failed of admission to the Company Heaven, or if one dropped out, his fellows would begin to ask guardedly: "Where's Joe Klutz these days?" The answers would be vague, and in the course of time Joe Klutz would be spoken of no more. He would fade into oblivion. He was "no longer with the Company".

Mr. Paul S. Appleton, III, never had but the one revelation--the one which Mr. Merrit so movingly described--but that was enough, and he never let its glories and allurements grow dim. Four times a year, at the beginning of each quarter, he would call his general manager before him and say: "What's the matter, Elmer? You're not getting the business! The market is there! You know what you can do about it--or else...!" Thereupon the general manager would summon the district managers one by one and repeat to them the words and manner of P. S. A., and the district managers would reenact the scene before each of the district supervisors, who would duplicate it to the agents, who would pass it on to the salesmen, who, since they had no one below them, would "get out and hustle--or else!" This was called "keeping up the morale of the organisation."

As Mr. David Merrit sat on the front porch and told of his many experiences with the Company, his words conveyed to George Webber a great deal more than he actually said. For his talk went on and on in its vein of mellow reminiscence, and Mr. Merrit made his little jokes and puffed contentedly at one of his own cigars, and everything he said carried an overtone of "What a fine and wonderful thing it is to be connected with the Company!"

He told, for example, about the splendid occasion every year when all the members of the Hundred Club were brought together for what was known as "The Week of Play". This was a magnificent annual outing conducted "at the Company's expense". The meeting place might be in Philadelphia or Washington, or in the tropic opulence of Los Angeles or Miami, or it might be on board a chartered ship--one of the small but luxurious twenty-thousand-tonners that ply the transatlantic routes--bound to Bermuda or Havana. Wherever it was, the Hundred Club was given a free sweep. If the journey was by sea, the ship was theirs--for a week. All the liquor in the world was theirs, if they could drink it--and Bermuda's coral isles, or the unlicensed privilege of gay Havana. For that one week everything on earth that money could buy was at the command of the members of the Hundred Club, everything was done on the grand scale, and the Company--the immortal, paternal, and great-hearted Company--"paid for everything".

But as Mr. Merrit painted his glowing picture of the fun they had on these occasions, George Webber saw quite another image. It was an image of twelve or fifteen hundred men--for on these pilgrimages, by general consent, women (or, at any rate, wives) were debarred--twelve or fifteen hundred men, Americans, most of them in their middle years, exhausted, overwrought, their nerves frayed down and stretched to the breaking point, met from all quarters of the continent "at the Company's expense" for one brief, wild, gaudy week of riot. And George thought grimly what this tragic spectacle of business men at play meant in terms of the entire scheme of things and the plan of life that had produced it. He began to understand, too, the changes which time had brought about in Randy.

The last day of his week in Libya Hill, George had gone to the station to buy his return ticket and he stopped in at Randy's office a little before one o'clock to go home to lunch with him. The outer salesroom, with its shining stock of scales and computing machines imposingly arrayed on walnut pedestals, was deserted, so he sat down to wait. On one wall hung a gigantic coloured poster. "August Was the Best Month in Federal History," it read. "Make September a Better One! The Market's There, Mr. Agent. The Rest Is Up to You!"

Behind the salesroom was a little partitioned Space which served Randy as an office. As George waited, gradually he became aware of mysterious sounds emanating from beyond the partition. First there was the rustle of heavy paper, as if the pages of a ledger were being turned, and occasionally there would be a quick murmur of hushed voices, confidential, ominous, interspersed with grunts and half-suppressed exclamations. Then all at once there were two loud bangs, as of a large ledger being slammed shut and thrown upon a desk or table, and after a moment's silence the voices rose louder, distinct, plainly audible. Instantly he recognised Randy's voice--low, grave, hesitant, and deeply troubled. The other voice he had never heard before.

But as he listened to that voice he began to tremble and grow white about the lips. For its very tone was a foul insult to human life, an ugly sneer whipped across the face of decent humanity, and as he realised that that voice, these words, were being used against his friend, he had a sudden blind feeling of murder in his heart. And what was so perplexing and so troubling was that this devil's voice had in it as well a curiously familiar note, as of someone he had known.

Then it came to him in a flash--it was Merrit speaking! The owner of that voice, incredible as it seemed, was none other than that plump, well-kept, jolly-looking man who had always been so full of hearty cheerfulness and good spirits every time he had seen him.

Now, behind that little partition of glazed glass and varnished wood, this man's voice had suddenly become fiendish. It was inconceivable, and as George listened he grew sick, as one does in some awful nightmare when he visions someone he knows doing some perverse and abominable act. But what was most dreadful of all was Randy's voice, humble, low, submissive, modestly entreating. Merrit's voice would cut across the air like a gob of rasping phlegm, and then Randy's voice--gentle, hesitant, deeply troubled--would come in from time to time in answer.

"Well, what's the matter? Don't you want the job?"

"Why--why, yes, you know I do, Dave--haw-w"--and Randy's voice lifted a little in a troubled and protesting laugh.

"What's the matter that you're not getting the business?" "Why--haw-w!"--again the little laugh, embarrassed and troubled--"I thought I was----"

"Well, you're not!" that rasping voice cut in like a knife. "This district ought to deliver thirty per cent more business than you're getting from it, and the Company is going to have it, too--or else! You deliver or you go right out on your can! See? The Company doesn't give a damn about you! It's after the business! You've been around a long time, but you don't mean a damn bit more to the Company than anybody else! And you know what's happened to a lot of other guys who got to feeling they were too big for their job--don't you?"

"Why--why, yes, Dave--but--haw-w!" the little laugh again"--but--honestly, I never thought----"

"We don't give a damn what you never thought!" the brutal voice ripped in. "I've given you fair warning now! You get the business or out you go!"

The glazed glass door burst open violently and Merrit came striding out of the little partitioned office. When he saw George, he looked startled. Then he was instantly transformed. His plump and ruddy face became wreathed in smiles, and he cried out in a hearty tone:

"Well, well, well Look who's here! If it's not the old boy himself!"

Randy had followed him out, and Merrit now turned and winked humorously at him, in the manner of a man who is carrying on a little bantering byplay:

"Randy," he said, "I believe George gets better looking from day to day. Has he broken any hearts yet?"

Randy tried to smile, grey-faced and haggardly.

"I bet you're burning them up in the Big Town," said Merrit, turning back to George. "And, say, I read that piece in the paper about your book. Great stuff, son! We're all proud of you!"

He gave George a hearty slap on the back and turned away with an air of jaunty readiness, picked up his hat, and said cheerfully:

"Well, what d'ya say, folks? What about one of Margaret's famous meals, out at the old homestead? Well, you can't hurt my feelings. I'm ready if you are. Let's go!"

And, smiling, ruddy, plump, cheerful, a perverted picture of amiable good will to all the world, he sauntered through the door. For a moment the two old friends just stood there looking at each other, white and haggard, with a bewildered expression in their eyes. In Randy's eyes there was also a look of shame. With that instinct for loyalty which was one of the roots of his soul, he said:

"Dave's a good fellow...You--you see, he's got to do these things...He--he's with the Company."

George didn't say anything. For as Randy spoke, and George remembered all that Merrit had told him about the Company, a terrific picture flashed through his, mind. It was a picture he had seen in a gallery somewhere, portraying a long line of men stretching from the Great Pyramid to the very portals of great Pharaoh's house, and great Pharaoh stood with a thonged whip in his hand and applied it unmercifully to the bare back and shoulders of the man in front of him, who was great Pharaoh's chief overseer, and in the hand of the overseer was a whip of many tails which he unstintedly applied to the quivering back of the wretch before him, who was the chief overseer's chief lieutenant, and in the lieutenant's hand a whip of rawhide which he laid vigourously on the quailing body of his head sergeant, and in the sergeant's hand a wicked flail with which he belaboured a whole company of groaning corporals, and in the hands of every corporal a knotted lash with which to whack a whole regiment of slaves, who pulled and hauled and bore burdens and toiled and sweated and built the towering structure of the pyramid.

So George didn't say anything. He couldn't. He had just found out something about life that he had not known before.

9. The City of Lost Men

Late that afternoon George asked Margaret to go with him to the cemetery, so she borrowed Randy's car and drove him out. On the way they stopped at a florist's and bought some chrysanthemums, which George placed on Aunt Maw's grave. There had been a heavy rain during the week and the new-made mound had sunk an inch or two, leaving a jagged crack round its edges.

As he laid the flowers on the damp, raw earth, suddenly it struck him as strange that he should be doing it. He was not a sentimental person, and for a moment it puzzled him that he should be making this gesture. He hadn't planned to do it. He had simply seen the florist's window as they drove along and, without thinking, had stopped and got the flowers, and now there they were.

Then he realised why he had done it--and why he had wanted to come back to the cemetery at all. This visit to Libya Hill, which he had dreamed about so many times as his home-coming, and which had not turned out in any way as he had thought it would be, was really his leave-taking, his farewell. The last tie that had bound him to his native earth was severed, and he was going out from here to make a life for himself as each man must--alone.

And now, once again, the dusk was falling in this place, and in the valley below the lights were beginning to come on in the town. With Margaret at his side, he stood there and looked down upon it, and she seemed to understand his feelings, for she was quiet and said nothing. Then, in a low voice, George began to speak to her. He needed to tell someone all that he had thought and felt during his week at borne. Randy was not available, and Margaret was the only one left to whom he could talk. She listened without interruption as he spoke about his book and his hopes for it, telling her as well as he could what kind of book it was, and how much he feared that the town would not like it. She pressed his arm reassuringly, and the gesture was more eloquent than any words could be.

He did not say anything about Randy and Merrit. There was no need to alarm her unduly, no sense in robbing her of that security which is so fundamental to a woman's peace and happiness. Sufficient unto the day...

But he spoke at length about the town itself, telling her all that he had seen of its speculative madness, and how it had impressed him. What did the future hold for that place and its people? They were always talking of the better life that lay ahead of them and of the greater city they would build, but to George it seemed that in all such talk there was evidence of a strange and savage hunger that drove them on, and that there was a desperate quality in it, as though what they really hungered for was ruin and death. It seemed to him that they were ruined, and that even when they laughed and shouted and smote each other on the back, the knowledge of their ruin was in them.

They had squandered fabulous sums in meaningless streets and bridges. They had torn down ancient buildings and erected new ones large enough to take care of a city of half a million people. They had levelled hills and bored through mountains, making magnificent tunnels paved with double roadways and glittering with shining tiles--tunnels which leaped out on the other side into Arcadian wilderness. They had flung away the earnings of a lifetime, and mortgaged those of a generation to come. They had ruined their city, and in doing so had ruined themselves, their children, and their children's children.

Already the town had passed from their possession. They no longer owned it. It was mortgaged under a debt of fifty million dollars, owned by bonding companies in the North. The very streets they walked on had been sold beneath their feet. They signed their names to papers calling for the payment of fabulous sums, and resold their land the next day to other madmen who signed away their lives with the same careless magnificence. On paper, their profits were enormous, but their "boom" was already over and they would not see it. They were staggering beneath obligations to pay which none of them could meet--and still they bought.

And when they had exhausted all their possibilities of ruin and extravagance that the town could offer, they had rushed out into the wilderness, into the lyrical immensities of wild earth where there was land enough for all men living, and they had staked off little plots and wedges in the hills as one might try to stake a picket fence out in the middle of the ocean. They had given fancy names to all these foolish enterprises--"Wild Boulders"--"Shady Acres"--"Eagle's Crest". They had set prices on these sites of forest, field, and tangled undergrowth that might have bought a mountain, and made charts and drawings showing populous communities of shops, houses, streets, roads, and clubs in regions where there was no road, no street, no house, and which could not be reached in any way save by a band of resolute pioneers armed with axes. These places were to be transformed into idyllic colonies for artists and writers and critics; and there were colonies as well for preachers, doctors, actors, dancers, golf players, and retired locomotive engineers. There were colonies for everyone, and, what is more, they sold the lots--to one another!

But under all this flash and play of great endeavour, the paucity of their designs and the starved meagreness of their lives were already apparent. The better life which they talked about resolved itself into a few sterile and baffled gestures. All they really did for themselves was to build uglier and more expensive homes, and buy new cars, and join a country club. And they did all this with a frenzied haste, because--it seemed to George--they were looking for food to feed their hunger and had not found it.

As he stood upon the hill and looked out on the scene that spread below him in the gathering darkness, with its pattern of lights to mark the streets and the creeping pin-pricks of the thronging traffic, he remembered the barren night-time streets of the town he had known so well in his boyhood. Their dreary and unpeopled desolation had burned its acid print upon his memory. Bare and deserted by ten o'clock at night, those streets had been an aching monotony, a weariness of hard lights and empty pavements, a frozen torpor broken only occasionally by the footfalls of some prowler--some desperate, famished, lonely man who hoped past hope and past belief for some haven of comfort, warmth, and love there in the wilderness, for the sudden opening of a magic door into some secret, rich, and more abundant life. There had been many such, but they had never found what they were searching for. They had been dying in the darkness--without a goal, a certain purpose, or a door.

And that, it seemed to George, was the way the thing had come. That was the way it had happened. Yes, it was there--on many a night long past and wearily accomplished, in ten thousand little towns and in ten million barren streets where all the passion, hope, and hunger of the famished men beat like a great pulse through the fields of darkness--it was there and nowhere else that all this madness had been brewed.

As he remembered the bleak, deserted streets of night which he had known here fifteen years before, he thought again of Judge Rumford Bland, whose solitary figure ranging restlessly through the sleeping town had been so familiar to him and had struck such terror in his heart. Perhaps he was the key to this whole tragedy. Perhaps Rumford Bland had sought his life in darkness not because of something evil in him--though certainly there was evil there--but because of something good that had not died. Something in the man had always fought against the dullness of provincial life, against is predudice, its caution, its smugness, its sterility, and its lack of joy. He had looked for something better in the night, for a place of warmth and fellowship, a moment of dark mystery, the thrill of imminent and unknown adventure, the excitement of the hunt, pursuit, perhaps the capture, and then the fulfilment of desire. Was it possible that in the blind man whose whole life had become such a miracle of open shamelessness, there had once been a warmth and an energy that had sought for an enhancement of the town's cold values, and for a joy and a beauty that were not there, but that lived in himself alone? Could that be what had wrecked him? Was he one of the lost men--lost, really, only because the town itself was lost, because his gifts had been rejected, his energies unused, the shoulder of his strength finding no work to bend to--because what he had had to give of hope, intelligence, curiosity, and warmth had found no place there, and so were lost?

Yes, the same thing that explained the plight the town had come to might also explain Judge Rumford Bland. What was it he had said on the train: "Do you think you can 'go home again?" And: "Don't forget I tried to warn you." Was this, then, what he had meant? If so, George understood him now.

Around them in the cemetery as George thought these things and spoke of them, the air brooded with a lazy, drowsy warmth. There was the last evening cry of robins, and the thrumming bullet noises in undergrowth and leaf, and broken sounds from far away--a voice in the wind, a boy's shout, the barking of a dog, the tinkle of a cowbell. There was the fragrance of intoxicating odours--the resinous smell of pine, and the smells of grass and warm sweet clover. All this was just as it had always been. But the town of his childhood, with its quiet streets and the old houses which had been almost obscured below the leafy spread of trees, was changed past recognition, scarred now with hard patches of bright concrete and raw dumps of new construction. It looked like a battlefield, cratered and shell torn with savage explosions of brick, cement, and harsh new stucco-And in the interspaces only the embowered remnants of the old and pleasant town remained--timid, retreating, overwhelmed--to remind one of the liquid leather shuffle in the quiet streets at noon when the men came home to lunch, and of laughter and low voices in the leafy rustle of the night. For this was lost!

An old and tragic light was shining faintly on the time-enchanted hills. George thought of Mrs. Delia Flood, and what she had said of Aunt Maw's hope that some day he'd come home again to stay.. And as he stood there with Margaret quietly by his side the old and tragic light of fading day shone faintly on their faces, and all at once it seemed to him that they were fixed there like a prophecy with the hills and river all round them, and that there was something lost, intolerable, foretold and come to pass, something like old time and destiny--some magic that he could not say.

Down by the river's edge, in darkness now, he heard the bell, the whistle, and the pounding wheel of the night express coming into town, there to pause for half an hour and then resume its northward journey. It swept away from them, leaving the lonely thunder of its echoes in the hills and the flame-flare of its open firebox for a moment, and then just heavy wheels and rumbling cars as the great train pounded on the rails across the river--and, finally, nothing but the silence it had left behind. Then, farther off and almost lost in the traffic of the town, he heard again and for the last time its wailing cry, and it brought to him once more, as it had done for ever in his childhood, its wild and secret exultation, its pain of going, and its triumphant promise of morning, new lands, and a shining city. And something in his heart was saying, like a demon's whisper that spoke of flight and darkness: "Soon! Soon! Soon!"

Then they got in the car and drove rapidly away from the great hill of the dead, the woman towards the certitude of lights, the people, and the town; the man towards the train, the city, and the unknown future.

BOOK II - THE WORLD THAT JACK BUILT

Back in New York the autumn term at the School for Utility cultures had begun, and George Webber took up again the old routine of academic chores. He hated teaching worse than ever, and found that even in his classes he was thinking about his new book and looking forward eagerly to his free hours when he could work upon it. It was hardly more than just begun, but for some reason the writing was going well, and George knew from past experience that he'd better take advantage of every moment while the frenzy of creation was upon him. He felt, too, almost desperately, that he ought to get as much of the new book written as he could before the first was published. That event, at once so desired and dreaded, now loomed before him imminently. He hoped the critics would be kind, or at least would treat his novel with respect. Fox Edwards said it ought to have a good critical reception, but that you couldn't tell anything about sales: better not think too much about it.

George was seeing Esther Jack every day, just as always, but in his excitement over the approaching publication of Home to Our Mountains and his feverish absorption in the new writing he was doing, she no longer occupied the forefront of his thoughts and feelings. She was aware of this and resented it, as women always do. Perhaps that's why she invited him to the party, believing that in such a setting she would seem more desirable to him and that thus she could recapture the major share of his attention. At any rate, she did invite him. It was to be an elaborate affair. Her family and all her richest and most brilliant friends were to be there, and she begged him to come.

He refused. He told her he had his work to do. He said he had his world and she had hers, and the two could never be the same. He reminded her of their compromise. He repeated that he did not want to belong to her world, that he had seen enough of it already, and that if she insisted on trying to absorb him in her life she was going to destroy the foundation on which their whole relationship had rested since he had come back to her.

But she kept after him and brushed his arguments aside. "Sometimes you sound just like a fool, George!" she said impatiently. "Once you get an idea in your head, you cling to it in the face of reason itself Really, you ought to go out more. You spend too much time cooped up here in your rooms," she said. "It's unhealthy! And how can you expect to be a writer if you don't take part in the life round you? I know what I'm talking about," she said, her face flushed with eager seriousness. "And, besides, what has all this nonsense about your world and my world got to do with us? Words, words, words! Stop being silly, and listen to me. I don't ask much of you. Do as I say this once, just to please me."

In the end she beat him down and he yielded. "All right," he muttered at last, defeated, without enthusiasm. "I'll go."

So September slid into October, and now the day of the great party had dawned. Later, as George looked back upon it, the date took on an ominous significance, for the brilliant party was staged exactly a week before the thunderous crash in the Stock Market which marked the end of an era.

10. Jack at Morn

At seven twenty-eight Mr. Frederic Jack awoke and began to come alive with all his might. He sat up and yawned strongly, stretching his arms and at the same time bending his slumber-swollen face into the plump muscle-hammock of his right shoulder, a movement coy and cuddlesome. "Eee-a-a-a-ach!" He stretched deliciously out of thick, rubbery sleep, and for a moment he sat heavily upright rubbing at his eyes with the clenched backs of his fingers. Then he flung off the covers with one determined motion and swung to the floor. His toes groped blindly in soft grey carpet stuff, smooth as felt, for his heelless slippers of red Russian leather. These found and slipped into, he padded noiselessly across the carpet to the window and stood, yawning and stretching again, as he looked out with sleepy satisfaction at a fine, crisp morning. Instantly he knew that it was October 17th, 1929, and the day of the party. Mr. Jack liked parties. Nine floors below him the cross street lay gulched in steep morning shadow, bluish, barren, cleanly ready for the day. A truck roared past with a solid rattling heaviness. An ash-can was banged on the pavement with an abrupt slamming racket. Upon the pavement a little figure of a man, foreshortened from above and covered by its drab cone of grey, bobbed swiftly along, turned the corner into Park Avenue, and was gone, heading southward towards work.

Below Mr. Frederick Jack the cross street was a narrow bluish lane between sheer cliffs of solid masonry, but to the west the morning sunlight, golden, young, immensely strong and delicate, cut with sculptured sharpness at the walls of towering buildings. It shone with an unearthly rose-golden glow upon the upper tiers and summits of soaring structures whose lower depths were still sunk in shadow. It rested without violence or heat upon retreating pyramids of steel and stone, fumed at their peaks with fading wisps of smoke. It was reflected with dazzling brilliance from the panes of innumerable lofty windows, and it made the wall surfaces of harsh white-yellow brick look soft and warm, the colour of rose petals.

Among the man-made peaks that stood silhouetted against the sky in this early sun were great hotels and clubs and office buildings bare of life. Mr. Jack could look straight into high office suites ready for their work: the morning light shaped patterns out of pale-hued desks and swivel-chairs of maple, and it burnished flimsy partition woods and thick glazed doors. The offices stood silent, empty, sterile, but they also seemed to have a kind of lonely expectation of the life that soon would well up swiftly from the streets to fill and use them. In the eerie light, with the cross street still bare of traffic and the office buildings empty, suddenly it seemed to Mr. Jack as if all life had been driven or extinguished from the city and as if those soaring obelisks were all that remained of a civilization that had been fabulous and legendary.

With a shrug of impatience he shook off the moment's aberration and peered down into the street again. It was empty as before, but already along Park Avenue the bright-hued cabs were drilling past the intersection like beetles in flight, most of them headed downtown in the direction of Grand Central Station. And everywhere, through that shining, living light, he could sense the slow-mounting roar of another furious day beginning. He stood there by his window, a man-mite poised high in the air upon a shelf of masonry, the miracle of God, a plump atom of triumphant man's flesh, founded upon a rock of luxury at the centre of the earth's densest web--but it was as the Prince of Atoms that he stood there and surveyed the scene, for he had bought the privileges of space, silence, light, and steel-walled security out of chaos with the ransom of an emperor, and he exulted in the price he paid for them. This grain of living dust had seen the countless insane accidents of shape and movement that daily passed the little window of his eye, but he felt no doubt or fear. He was not appalled.

Another man, looking out upon the city in its early-morning nakedness, might have thought its forms inhuman, monstrous, and Assyrian in their insolence. But not Mr. Frederick Jack. Indeed, if all those towers had been the monuments of his own special triumph, his pride and confidence and sense of ownership could hardly have been greater than they were. "My city," he thought. "Mine." It filled his heart with certitude and joy because he had learned, like many other men, to see, to marvel, to accept, and not to ask disturbing questions. In that arrogant boast of steel and stone he saw a permanence surviving every danger, an answer, crushing and conclusive, to every doubt.

He liked what was solid, rich, and spacious, made to last. He liked the feeling of security and power that great buildings gave him. He liked especially the thick walls and floors of this apartment house. The boards neither creaked nor sagged when he walked across them; they were as solid as if they had been hewn in one single block from the heart of a gigantic oak. All this, he felt, was as it should be.

He was a man who liked order in everything. The rising tide of traffic which now began to stream below him in the streets was therefore pleasing to him. Even in the thrust and jostle of the crowd his soul rejoiced, for he saw order everywhere. It was order that made the millions swarm at morning to their work in little cells, and swarm again at evening from their work to other little cells. It was an order as inevitable as the seasons, and in it Mr. Jack read the same harmony and permanence which he saw in the entire visible universe round him.

Mr. Jack turned and glanced about his room. It was a spacious chamber, twenty feet each way and twelve feet high, and in these noble proportions was written quietly a message of luxurious wellbeing and assurance. In the exact centre of the wall that faced the door stood his bed, a chaste four-poster of the Revolutionary period, and beside it a little table holding a small clock, a few books, and a lamp. In the centre of another wall was an antique chest of drawers, and tastefully arranged about the room were a gate-legged table, with a row of books and the latest magazines upon it, two fine old Windsor chairs, and a comfortable, well-padded east chair. Several charming French prints hung on the walls. On the floor was a thick and heavy carpet of dull grey. These were all the furnishings. The total effect was one of modest and almost austere simplicity, subtly combined with a sense of spaciousness, wealth, and power.

The owner of this room read its message with pleasure, and turned once more to the open window. With fingers pressed against his swelling breast, he breathed in a deep draught of the fresh, living air of morning. It was laden with the thrilling compost of the city, a fragrance delicately blended of many things. There was, strangely, the smell of earth, moist and somehow flowerful, tinged faintly with the salt reek of tidal waters and the fresh river smell, rank and a little rotten, and spiced among these odours was the sultry aroma of strong boiling coffee. This incense-laden air carried a tonic threat of conflict and of danger, and a leaping, winelike prophecy of power, wealth, and love. Mr. Jack breathed in this vital ether slowly, with heady joy, sensing again the unknown menace and delight it always brought to him.

All at once a trembling, faint and instant, passed in the earth below him. He paused, frowning, and an old unquiet feeling to which he could not give a name stirred in his heart. He did not like things to shake and tremble. When he had first come here to live and had awaked at morning thinking he felt a slight vibration in the massive walls around him, a tremor so brief and distant that he could not be certain of it, he had asked a few questions of the doorman who stood at the Park Avenue entrance of the building. The man told him that the great apartment house had been built across two depths of railway tunnels, and that all Mr. Jack had felt was the vibration that came from the passing of a train deep in the bowels of the earth. The man assured him that it was all quite safe, that the very trembling in the walls, in fact, was just another proof of safety.

Still, Mr. Jack did not like it. The news disturbed him vaguely. He would have liked it better if the building had been anchored upon the solid rock. So now, as he felt the slight tremor in the walls once more, he paused, frowned, and waited till it stopped. Then he smiled.

"Great trains pass under me," he thought. "Morning, bright morning, and still they come--all the boys who have dreamed dreams in the little towns. They come for ever to the city. Yes, even now they pass below me, wild with joy, mad with hope, drunk with their thoughts of victory. For what? For what? Glory, huge profits, and a girl! All of them come looking for the same magic wand. Power. Power. Power."

Thoroughly awake now, Mr. Jack closed the window and moved briskly across his chamber to the bathroom.' He liked lavish plumbing, thick with creamy porcelain and polished silver fixtures. For a moment he stood before the deep wash-basin with bared lips, looking at himself in the mirror, and regarding with considerable satisfaction the health and soundness of his strong front teeth. Then he brushed them earnestly with stiff, hard bristles and two inches of firm, thick paste, turning his head from side to side round the brush and glaring at his image in the glass until he foamed agreeably at the mouth with a lather that tasted of fresh mint. This done, he spat it out and let running water wash it down the drain, and then he rinsed his mouth and throat with gently biting antiseptic.

He liked the tidy, crowded array of lotions, cream, unguents, bottles, tubes, jars, brushes, and shaving implements that covered the shelf of thick blue glass above the basin. He lathered his face heavily with a large silver-handled shaving-brush, rubbing the lather in with firm finger-tips, brushing and stroking till his jaws were covered with a smooth, thick layer of warm shaving cream. Then he took the razor in his hand and opened it. He used a straight razor, and he always kept it in excellent condition. At the crucial moment, just before the first long downward stroke, he flourished slightly forward with his plump arms and shoulders, raising the glittering blade aloft in one firm hand, his legs widened stockily, crouching gently at the knees, his lathered face craned carefully to one side and upwards, and his eyes rolled towards the ceiling, as if he were getting braced and ready beneath a heavy burden. Then, holding one cheek delicately between two arched fingers, he advanced deliberately upon it with the gleaming blade. He grunted gently, with satisfaction, at the termination of the stroke. The blade had mown smoothly, leaving a perfect swath of pink, clean flesh across his face from cheek to jowl. He exulted in the slight tug and rasping pull of wiry stubble against the deadly sharpness of the razor, and in the relentless sweep and triumph of the steel.

And while he shaved Mr. Jack occupied his mind with pleasant thoughts of all the good things in his life.

He thought about his clothes. Elegant in dress, always excellently correct, he wore fresh garments every day. No cotton touched him. He bought underclothes of the finest silk, and he had more than forty suits from London. Every morning he examined his wardrobe studiously, choosing with care and with a good eye for harmony the shoes, socks, shirt, and necktie he would wear, and before he selected a suit he was sometimes lost in thought for several minutes. He loved to open wide the door of his great closet and see his suits hanging there in rows in all their groomed and regimented elegance. He liked the strong, clean smell of honest cloth, and in those forty several shapes and colours he saw as many pleasing reflections and variations of his own character. They filled him, as did everything about him, with a sense of morning confidence, joy, and vigour.

For breakfast he would have orange juice, two leghorn eggs, soft boiled, two slices of crisp, thin toast, and tasty little segments of pink Praguer ham, which looked so pretty on fresh parsley sprigs. And he would have coffee, strong coffee, cup after cup of it. So fortified, he would face the world with cheerful strength, ready for whatever chance the day might bring him.

The smell of earth which he had caught in the air this morning was good, and the remembrance of it laid a soothing unction on his soul. Although city-bred, Mr. Jack was as sensitive to the charms of Mother Earth as any man alive. He liked the cultivated forms of nature--the swarded lawns of great estates, gay regiments of brilliant garden flowers, and rich masses of clumped shrubbery. All these things delighted him. The call of the simple life had grown stronger every year, and he had built a big country house in Westchester County.

He liked the more expensive forms of sport. He would frequently go out in the country to play golf, and he loved bright sunlight on the rich velvet of the greens and the new-mown smell of fairways. And afterwards, when he had stood below the bracing drive of the shower and had felt the sweat of competition wash cleanly from his well-set form, he liked to loaf upon the cool veranda of the club and talk about his score, joke and laugh, pay or collect his bets, and drink good Scotch with other men of note. And he liked to watch his country's flag flap languidly upon the tall white pole because it looked so pretty there.

Mr. Jack also liked the ruder and more natural forms of beauty. He liked to see tall grasses billowing on a hillside, and he liked old shaded roads that wound away to quietness from driven glares of speed and concrete. He was touched by the cosmic sadness of leafy orange, gold, and russet brown in mid-October, and he had seen the evening light upon the old red of a mill and felt deep stillness in his heart ("all--could anyone believe it?--within thirty miles of New York City"). On those occasions the life of the metropolis had seemed very far away. And often he had paused to pluck a flower or stand beside a brook in thought. But after sighing with regret as, among such scenes, he thought of the haste and folly of man's life, Mr. Jack always came back to the city. For life was real, and life was earnest, and Mr. Jack was a business man.

He was a business man, so of course he liked to gamble. What is business but a gamble? Will prices go up or down? Will Congress do this or that? Will there be war in some far corner of the earth, and a shortage of some essential raw material? What will the ladies wear next year--big hats or little ones, long dresses or short? You make your guess and back it with your money, and if you don't guess right often enough you don't remain a business man. So Mr. Jack liked to gamble, and he gambled like the business man he was. He gambled every day upon the price of stocks. And at night he often gambled at his club. It was no piker's game he played. He never turned a hair about a thousand dollars. Large sums did not appal him. He was not frightened by Amount and Number. That is why he liked great crowds. That is why the beetling cliffs of immense and cruel architectures lapped his soul in strong security. When he saw a ninety-storey building he was not one to fall down grovelling in the dust, and beat a maddened brain with fists, and cry out: "Woe! 0 woe is me!" No. Every cloud-lost spire of masonry was a talisman of power, a monument to the everlasting empire of American business. It made him feel good. For that empire was his faith, his fortune, and his life. He had a fixed place in it.

Yet his neck was not stiff, nor his eye hard. Neither was he very proud. For he had seen the men who lean upon their sills at evening, and those who swarm from rat holes in the ground, and often he had wondered what their lives were like.

Mr. Jack finished shaving and rinsed his glowing face, first with hot water, then with cold. He dried it with a fresh towel, and he rubbed it carefully with a fragrant, gently stinging lotion. This done, he stood for a moment, satisfied, regarding his image, softly caressing the velvet texture of dose-shaved, ruddy cheeks with stroking fingertips. Then he turned briskly away, ready for his bath.

He liked the morning plunge in his great sunken tub, the sensual warmth of sudsy water, and the sharp, aromatic cleanness of the bath salts. He had an eye for aesthetic values, too, and he liked to loll back in the tub and watch the dance of water spangles in their magic shift and play upon the creamy ceiling. Most of all, he liked to come up pink and dripping, streaked liberally with tarry-scented soap, and then he loved the stinging drive and shock of needled spray, the sense of hardihood and bracing conflict, and he liked the glow of abundant health as he stepped forth, draining down upon a thick cork mat, and vigorously rubbed himself dry in the folds of a big, crashy bath towel.

All this he now anticipated eagerly as he let fall with a full thud the heavy silver-headed waste-pipe stopper. He turned the hot-water tap on as far as it would go, and watched a moment as the tumbling water began smokily to fill the tub with its thick boiling gurgle. Then, scuffing the slippers from his feet, he rapidly stripped off his silk pyjamas. He felt with pride the firm-swelling flexor muscle of his upper arm, and observed with keen satisfaction the reflection in the mirror of his plump, well-conditioned body. He was well-moulded and solid-looking, with hardly a trace of unwholesome fat upon him--a little undulance, perhaps, across the kidneys, a mere suggestion of a bay about the waist, but not enough to cause concern, and far less than he had seen on many men twenty years his junior. Content, deep and glowing, filled him. He turned the water off and tested it with a finger, which he jerked back with an exclamation of hurt surprise. In his self-absorption he had forgotten the cold water, so now he turned it on and waited while it seethed with tiny milky bubbles and sent waves of trembling light across the hot blue surface of his bath. At last he tried it with a cautious toe and found it tempered to his liking. He shut the water off.

And now, stepping back a pace or two, he gripped the warm tiling of the floor with his bare toes, straightened up with military smartness, drew in a deep breath, and vigorously began his morning exercises. With stiffened legs he bent strongly towards the floor, grunting as his groping finger-tips just grazed the tiling. Then he swung into punctual rhythms, counting: "One!--Two!--Three!--Four!" as his body moved. And all the time while his arms beat their regular strokes through the air, his thoughts continued to amble down the pleasant groove that his life had worn for them.

To-night was the great party, and he liked the brilliant gaiety of such gatherings. He was a wise man, too, who knew the world and the city well, and, although kind, he was not one to miss the fun of a little harmless byplay, the verbal thrust and parry of the clever ones, or the baiting of young innocents by those who were wily at the game. Something of the sort could usually be counted on when all kinds of people were brought together at these affairs. It gave a spice and zest to things. Some yokel, say, fresh from the rural districts, all hands and legs and awkwardness, hooked and wriggling on a cruel and cunning word--a woman's, preferably, because women were so swift and deft in matters of this nature. But there were men as well whose skill was great--pampered lap-dogs of rich houses, or feisty, nimble-witted little she-men whose mincing tongues were always good for one or two shrewd thrusts of poison in a hayseed's hide. There was something in the face of a fresh-baited country boy as it darkened to a slow, smouldering glow of shame, surprise, and anger and sought with clumsy and inept words to retort upon the wasp which had stung it and winged away--something so touching--that Mr. Jack, when he saw it, felt a sense of almost paternal tenderness for the hapless victim, a delightful sense of youth and innocence in himself. It was almost as if he were revisiting his own youth.

But enough was enough. Mr. Jack was neither a cruel nor an immoderate man. He liked the gay glitter of the night, the thrill and fever of high stakes, and the swift excitements of new pleasures. He liked the theatre and saw all the best plays, and the better, smarter, wittier revues--the ones with sharp, satiric lines, good dancing, and Gershwin music. He liked the shows his wife designed because she designed them, he was proud of her, and he enjoyed those evenings of ripe culture at the Guild. He also went to prize-fights in his evening clothes, and once when he came home he had the red blood of a champion on the white boiled bosom of his shirt. Few men could say as much.

He liked the social swim, and the presence of the better sort of actors, artists, writers, and wealthy, cultivated Jews round his table. He had a kind heart and a loyal nature. His purse was open to a friend in need. He kept a lavish table and a royal cellar, and his family was the apple of his eye.

But he also liked the long velvet backs of lovely women, and the flash of jewellery about their necks. He liked women to be seductive, bright with gold and diamonds to set off the brilliance of their evening gowns. He liked women cut to fashion, with firm breasts, long necks, slender legs, flat hips, and unsuspected depth and undulance. He liked their faces pale, their hair of bronze-gold wire, their red mouths thin, a little cruel, their eyes long, slanting, cat-grey, and lidded carefully. He liked a frosted cocktail shaker in a lady's hands, and he liked a voice hoarse-husky, city-wise, a trifle weary, ironic, faintly insolent, that said:

"Well! What happened to you, darling? I thought that You would never get here."

He liked all the things that men are fond of. All of them he had enjoyed himself, each in its proper time and place, and he expected everyone to act as well as he. But ripeness with Mr. Jack was everything, and he always knew the time to stop. His ancient and Hebraic spirit was tempered with a classic sense of moderation. He prized the virtue of decorum highly. He knew the value of the middle way.

He was not a man to wear his heart upon his overcoat, nor risk his life on every corner, nor throw himself away upon a word, nor spend his strength on the impulse of a moment's wild belief. This was such madness as the Gentiles knew. But, this side idolatry and madness he would go as far for friendship's sake as any man. He would go with a friend up to the very edge of ruin and defeat, and he would even try to hold him back. But once he saw a man was mad, and not to be persuaded by calm judgment, he was done with him. He would leave him where he was, although regretfully. Are matters helped if the whole crew drowns together with a single drunken sailor? He thought not. He could put a world of sincere meaning in the three words: "What a pity!"

Yes, Mr. Frederick Tack was kind and temperate. He had found life pleasant, and had won from it the secret of wise living. And the secret of wise living was founded in a graceful compromise, a tolerant acceptance. If a man wanted to live in this world without getting his pockets picked, he had better learn how to use his eyes and ears on what was going on around him. But if he wanted to live in this world without getting hit over the head, and without all the useless pain, grief, terror, and bitterness that mortify human flesh, he had also better learn how not to use his eyes and ears. This may sound difficult, but it had not been so for Mr. Jack. Perhaps some great inheritance of suffering, the long, dark ordeal of his race, had left him, as a precious distillation, this gift of balanced understanding. At any rate, he had not learned it, because it could not be taught: he had been born with it.

Therefore, he was not a man to rip the sheets in darkness or beat his knuckles raw against a wall. He would not madden furiously in the envenomed passages of night, nor would he ever be carried smashed and bloody from the stews. A woman's ways were no doubt hard to bear, but love's bitter mystery had broken no bones for Mr. Jack, and, so far as he was concerned, it could not murder sleep the way an injudicious wiener schitzel could, or that young Gentile fool, drunk again, probably, ringing the telephone at one a.m. to ask to speak to Esther.

Mr. Jack's brow was darkened as he thought of it. He muttered wordlessly. If fools are fools, let them be fools where their folly will not injure or impede the slumbers of a serious man.

Yes, Men could rob, lie, murder, swindle, trick, and cheat--the whole world knew as much. And women--well, they were women, and there was no help for that. Mr. Jack had also known something of the pain and folly that twist the indignant soul of youth--it was too bad, of course, too bad. But regardless of all this, the day was day and men must work, the night was night and men must sleep, and it was, he felt, intolerable----

"One!"

Red of face, he bent stiffly, with a grunt, until his fingers grazed the rich cream tiling of the bathroom floor.

--intolerable!----

"Two!"

He straightened sharply, his hands at his sides.

--that a man with serious work to do----

"Three!"

His arms shot up to full stretching height above his head, and came swiftly down again until he held clenched fists against his breast.

--should be pulled out of his bed in the middle of the night by a crazy young fool!----

"Four!"

His closed fists shot outwards in a strong driving movement, and came back to his sides again.

--It was intolerable, and, by God, be had half a mind to tell her so!

His exercises ended, Mr. Jack stepped carefully into the luxurious sunken tub and settled his body slowly in its crystal-blue depths. A sigh, long, lingering, full of pleasure, expired upon his lips.

11. Mrs. Jack Awake

Mrs. Jack awoke at eight oclock. She awoke like a child, completely alert and alive, instantly awake all over and with all sleep shaken clearly from her mind and senses the moment that she opened her eyes. It had been so with her all her life. For a moment she lay flat on her back and stared straight up at the ceiling.

Then with a vigorous and jubilant movement she flung the covers off of her small and opulent body, which was clothed with a long, sleeveless garment of thin yellow silk. She bent her knees briskly, drew her feet from beneath the covers, and straightened out flat again. She surveyed her small feet with a look of wonder and delight. The sight of her toes in perfect and solid alignment and of their healthy, shining nails filled her with pleasure.

With the same expression of childlike wonder and vanity she slowly lifted her left arm and began to revolve the hand deliberately before her fascinated eyes. She observed with tender concentration how the small and delicate wrist obeyed each command of her will, and she gazed raptly at the graceful, winglike movement of the hand and at the beauty and firm competence that were legible in its brown, narrow back and in the shapely fingers.. Then she lifted the other arm as well, and turned both hands upon their wrists, still gazing at them with a tender concentration of delight.

"What magic!" she thought. "What magic and strength are in them! God, how beautiful they are, and what things they can do! The design for everything I undertake comes out of me in the most wonderful and exciting way. It is all distilled and brewed inside of me--and yet nobody ever asks me how it happens! First, it is all one piece--like something solid in the head," she thought comically, now wrinkling her forehead with an almost animal-like expression of bewildered difficulty. "Then it all breaks up into little particles, and somehow arranges itself, and then it starts to move!" she thought triumphantly. "First I can feel it coming down along my neck and shoulders, and then it is moving up across my legs and belly, then it meets and joins together like a star. Then it flows out into my arms until it reaches down into my finger-tips--and then the hand just does what I want it to. It makes a line, and everything I want is in that line. It puts a fold into a piece of cloth, and no one else on earth could put it in that way, or make it look the same. It gives a turn to the spoon, a prod to the fork, a dash of pepper when I cook for George," she thought, "and there's a dish the finest chef on earth could never equal--because it's got me in it, heart and soul and all my love," she thought with triumphant joy. "Yes! And everything I've ever done has been the same--always the clear design, the line of life, running like a thread of gold all through me back to the time I was a child."

Now, having surveyed her deft and beautiful hands, she began deliberately to inspect her other members. Craning her head downwards, she examined the full outlines of her breasts, and the smooth contours of her stomach, thighs, and legs. She stretched forth her hands and touched them with approval. Then she put her hands down at her sides again and lay motionless, toes evenly in line, limbs straight, head front, eyes staring gravely at the ceiling--a little figure stretched out like a queen for burial, yet still warm, still palpable, immensely calm and beautiful, as she thought:

"These are my hands and these are my fingers, these are my legs and hips, these are my fine feet and my perfect toes--this is my body."

And suddenly, as if the inventory of these possessions filled her with an immense joy and satisfaction, she sat up with a shining face and placed her feet firmly on the floor. She wriggled into a pair of slippers, stood up, thrust her arms out and brought the hands down again behind her head, yawned, and then put on a yellow quilted dressing-gown which had been lying across the foot of the bed.

Esther had a rosy, jolly, delicate face of noble beauty. It was small, firm, and almost heart-shaped, and in its mobile features there was a strange union of child and woman. The instant anyone met her for the first time he felt: "This woman must look exactly the way she did when she was a child. She can't have changed at all." Yet her face also bore the markings of middle age. It was when she was talking to someone and her whole countenance was lighted by a merry and eager animation that the child's face was most clearly visible.

When she was at work, her face was likely to have the serious concentration of a mature and expert craftsman engaged in an absorbing and exacting labour, and it was at such time that she looked oldest. It was then that one noticed the somewhat fatigued and minutely wrinkled spaces round her eyes and some strands of grey that were beginning to sprinkle her dark-brown hair.

Similarly, in repose, or when she was alone, her face was likely to have a sombre, brooding depth. Its beauty then was profound and full of mystery. She was three parts a Jewess, and in her contemplative moods the ancient, dark, and sorrowful quality of her race seemed to take complete possession of her. She would wrinkle her brow with a look of perpelexity and grief, and in the cast of her features there would be a fatal quality, as of something priceless that was lost and irrecoverable. This look, which she did not wear often, had always troubled George Webber when he saw it because it suggested some secret knowledge buried deep within the woman whom he loved and whom he believed he had come to know.

But the way she appeared most often, and the way people remembered her best, was as a glowing, jolly, indomitably active and eager little creature in whose delicate face the image of the child peered out with joyfulness and immortal confidence. Then her apple-cheeks would glow with health and freshness, and when she came into a room she filled it with her loveliness and gave to everything about her the colour of morning life and innocence.

So, too, when she went out on the streets, among the thrusting throngs of desolate and sterile people, her face shone forth like a deathless flower among their dead, grey flesh and dark, dead eyes. They milled past her with their indistinguishable faces set in familiar expressions of inept hardness, betraying cunning without an end, guile without a purpose, cynical knowledge without faith or wisdom, yet even among these hordes of the unburied dead some would halt suddenly in the dreary fury of their existence and would stare at her with their harassed and driven eyes. Her whole figure with its fertile curves, opulent as the earth, belonged to an order of humanity so different from that of their own starved barrenness that they gazed after her like wretches trapped and damned in hell who, for one brief moment, had been granted a vision of living and imperishable beauty.

As Mrs. Jack stood there beside her bed, her maidservant, Nora Fogarty, knocked at the door and entered immediately, bearing a tray with a tall silver coffee-pot, a small bowl of sugar, a cup, saucer, and spoon, and the morning Times. The maid put the tray down on a little table beside the bed, saying in a thick voice:

"Good maar-nin', Mrs. Jack."

"Oh, hello, Nora!" the woman answered, crying out in the eager and surprised tone with which she usually responded to a greeting. "How are you--hah!" she asked, as if she were really greatly concerned, but immediately adding: "Isn't it going to be a nice day? Did you ever see a more beautiful morning in your life?"

"Oh, beautiful, Mrs. Jack!" Nora answered. "Beautiful!"

The maid's voice had a respectful and almost unctuously reverential tone of agreement as she answered, but there was in it an undernote of something sly, furtive, and sullen, and Mrs. Jack looked at her swiftly now and saw the maid's eyes, inflamed with drink and irrationally choleric, staring back at her. Their rancour, however, seemed to be directed not so much at her mistress as at the general family of the earth. Or, if Nora's eyes did swelter with a glare of spite more personal and direct, her resentment was blind and instinctive: it just smouldered in her with an ugly truculence, and she did not know the reason for it. Certainly it was not based on any feeling of class inferiority, for she was Irish, and a papist to the bone, and where social dignities were concerned she thought she knew on which side condescension lay.

She had served Mrs. Jack and her family for more than twenty years, and had grown slothful on their beauty, but in spite of a very affectionate devotion and warmth of old Irish feeling she had never doubted for a moment that they would ultimately go to hell, together with other pagans and all alien heathen tribes whatever. Just the same, she had done pretty well by herself among these prosperous infidels. She had a "cushy" job, she always fell heir to the scarcely-worn garments of Mrs. Jack and her sister Edith, and she saw to it that the policeman who came to woo her several times a week should lack for nothing in the way of food and drink to keep him contented and to forestall any desire he might have to stray off and forage in other pastures. Meanwhile, she had laid by several thousand dollars, and had kept her sisters and nieces back in County Cork faithfully furnished with a titillating chronicle (sprinkled with pious interjections of regret and deprecation and appeals to the Virgin to watch over her and guard her among such infidels) of high life in this rich New World that had such pickings in it.

No--decidedly this truculent resentment which smouldered in her eyes had nothing to do with caste. She had lived here for twenty years, enjoying the generous favour of a very good, superior sort of heathen, and growing used to almost all their sinful customs, but she had never let herself forget where the true way and the true light was, nor her hope that she would one day return into the more civilised and Christian precincts of her own kind.

Neither did the grievance in the maid's hot eyes come from a sense of poverty, the stubborn, silent anger of the poor against the rich, the feeling of injustice that decent people like herself should have to fetch and carry all their lives for idle, lazy wasters. She was not feeling sorry for herself because she had to drudge with roughened fingers all day long in order that this fine lady might smile rosily and keep beautiful. Nora knew full well that there was no task in all the household range of duties, whether of serving, mending, cooking, cleaning, or repairing, which her mistress could not do far better and with more dispatch than her.

She knew, too, that every day in the great city which roared all about her own dull ears this other woman was going back and forth with the energy of a dynamo, buying, ordering, fitting, cutting, and designing--now on the scaffolds with the painters, beating them at their own business in immense, draughty, and rather dismal rooms where her' designs were wrought out into substance, now sitting cross-legged among great bolts of cloth and plying a needle with a defter finger than any on the flashing hands of the pallid tailors all about her, now searching and prying indefatigably through a dozen gloomy little junk shops until she unearthed triumphantly the exact small ornament which she must have. She was always after her people, always pressing on, formidably but with good humour, keeping the affair in hand and pushing it to its conclusion in spite of the laziness, carelessness, vanity, stupidity, indifference, and faithlessness of those with whom she had to work--painters, actors, scene-shifters, bankers, union bosses, electricians, tailors, costumers, producers, and directors. Upon this whole motley and, for the most part, shabbily inept crew which carried on the crazy and precarious affair known as "show business", she enforced the structure, design, and incomparably rich colour of her own life. Nora knew about all this.

The maid had also seen enough of the hard world in which her mistress daily strove and conquered to convince herself that even if she had had any of the immense talent and knowledge that her mistress possessed, she did not have in all her lazy body as much energy, resolution, and power as the other woman carried in the tip of her little finger. And this awareness, so far from arousing any feeling of inferiority in her, only contributed to her self-satisfaction, making her feel that it was Mrs. Jack, not herself, who was really the working woman, and that she--enjoying the same food, the same drink, the same shelter, even the same clothing--would not swap places with her for anything on earth.

Yes, the maid knew that she was fortunate and had no cause for complaint; yet her grievance, ugly and perverse, glowered implacably in her inflamed and mutinous eyes. And she could not have found a word or reason for it. But as the two women faced each other no word was needed. The reason for it was printed in their flesh, legible in everything they did. It was not against Mrs. Jack's wealth, authority, and position that the maid's rancour was directed, but against something much more personal and indefinable--against the very tone and quality of the other woman's life. For within the past year there had come over the maid a distempered sense of failure and frustration, an obscure but powerful feeling that her life had somehow gone awry and was growing into sterile and fruitless age without ever having come to any ripeness. She was baffled and tormented by a sense of having missed something splendid and magnificent in life, without knowing at all what it was. But whatever it was, her mistress seemed marvellously somehow to have found it and enjoyed it to the full, and this obvious fact, which she could plainly see but could not define, goaded her almost past endurance.

Both women were about the same age, and so nearly the same size that the maid could wear any of her mistress's garments without alteration. But if they had been creatures from separate planetary systems, if each had been formed by a completely different protoplasm, the contrast between them could not have been more extreme.

Nora was not an ill-favoured woman. She had a mass of fairly abundant black hair which she brushed over to the side. Her face, had it not been for the distempered look which drink and her own baffled fury had now given it, would have been pleasant and attractive. There was warmth in it, but there was also a trace of that wild fierceness which belongs to something lawless in nature, at once coarse and delicate, murderous, tender, and savagely ebullient. She still had a trim figure, which wore neatly the well-cut skirt of rough green plaid which her mistress had given her (for, because of her long service, she was recognised as a kind of unofficial captain to the other maids and was usually not required to wear maid's uniform). But where the figure of the mistress was small of bone and fine of line and yet at the same time lavish and seductive, the figure of the maid was, by contrast, almost thick and clumsy-looking. It was the figure of a woman no longer young, fresh, and fertile, but already heavied, thickened, dried, and hardened by the shock, the wear, the weight, and the slow accumulation of intolerable days and merciless years, which take from people everything, and from which there is no escape.

No--no escape, except for her, the maid was thinking bitterly, with a dull feeling of inarticulate outrage, and for her, for her, there was never anything but triumph. For her the years brought nothing but a constantly growing success. And why? Why?

It was here, upon this question, that her spirit halted like a wild beast baffled by a sheer and solid blank of wall. Had they not both breathed the same air, eaten the same food, been clothed by the same garments, and sheltered by the same roof? Had she not had as much--and as good--of everything as her mistress? Yes--if anything she had had the better of it, for she would not drive herself from morning to night, she thought with contemptuous bitterness, the way her mistress did.

Yet here she stood, baffled and confused, glowering sullenly into the shining face of the other woman's glorious success--and she saw it, she knew it, she felt its outrage, but she had no word to voice her sense of an intolerable wrong. All she knew was that she had been stiffened and thickened by the same years that had given the other woman added grace and suppleness, that her skin had been dried and sallowed by the same lights and weathers that had added lustre to the radiant beauty of the other, and that even now her spirit was soured by her knowledge of ruin and defeat while in the other woman there coursed for ever an exquisite music of power and control, of health and joy.

Yes, she saw it plainly enough. The comparison was cruelly and terribly true, past the last atom of hope and disbelief. And as she stood there before her mistress with the weary distemper in her eyes, enforcing by a stern compulsion the qualities of obedience and respect into her voice, she saw, too, that the other woman read the secret of her envy and frustration, and that she pitied her because of it. And for this Nora's soul was filled with hatred, because pity seemed to her the final and intolerable indignity.

In fact, although the kind and jolly look on Mrs. Jack's lovely face had not changed a bit since she had greeted the maid, her eye had observed instantly all the signs of the unwholesome fury that was raging in the woman, and with a strong emotion of pity, wonder, and regret she was thinking:

"She's been at it again! This is the third time in a week that she's been drinking. I wonder what it is--I wonder what it is that happens to that kind of person."

Mrs. Jack did not know clearly what she meant by "that kind of person", but she felt momentarily the detached curiosity that a powerful, rich, and decisive character may feel when he pauses for a moment from the brilliant exercise of a talent that has crowned his life with triumphant ease and success almost every step of the way, and notes suddenly, and with surprise, that most of the other people in the world are fumbling blindly and wretchedly about, eking out from day to day the flabby substance of grey lives. She realised with regret that such people are so utterly lacking in any individual distinction that each seems to be a small particle of some immense and vicious life-stuff rather than a living creature who is able to feel and to inspire love, beauty, joy, passion, pain, and death. With a sense of sudden discovery the mistress was feeling this as she looked at the servant who had lived with her familiarly for almost twenty years, and now for the first time she reflected on the kind of life the other woman might have had.

"What is it?" she kept thinking. "What's gone wrong with her? She never used to be this way. It has all happened within the last year. And Nora used to be so pretty, too!" she thought, startled by the memory. "Why, when she first came to us she was really a very handsome girl. Isn't it a shame," she thought indignantly, "that she should let herself go to seed like this--a girl who's had the chances that she's had! I wonder why she never married. She used to have half a dozen of those big policemen on the string, and now there's only one who still comes faithfully. They were all mad about her, and she could have had her pick of them!"

All at once, as she was looking at the servant with kindly interest, the woman's breath, foul with a stale whisky stench, was blown upon her, and she got suddenly a rank body smell, strong, hairy, female, and unwashed. She frowned with revulsion, and her face began to burn with a glow of shame, embarrassment, and acute distaste.

"God, but she stinks!" she thought, with a feeling of horror and disgust. "You could cut the smell round her with an axe! The nasty things!" she thought, now including all the servants in her indictment. "I'll bet they never wash--and here they are all day long with nothing to do, and they could at least keep clean! My God! You'd think these people would be so glad to be here in this lovely place with the fine life we've made for them that they would be a little proud of it and try to show that they appreciate it! But no! They're just not good enough!" she thought scornfully, and for a moment her fine mouth was disfigured at one corner by an ugly expression.

It was an expression which had in it not only contempt and scorn, but also something almost racial--a quality of arrogance that was too bold and naked, as if it were eager to assert its own superiority. This ugly look rested only for a second, and almost imperceptibly, about the edges of her mouth, and it did not sit well on her lovely face. Then it was gone. But the maid had seen it, and that swift look, with all its implications, had stung and whipped her tortured spirit to a frenzy.

"Oh, yes, me fine lady!" she was thinking. "It's too good fer the likes of us ye are, ain't it? Oh me, yes, an' we're very grand, ain't we? What wit' our fine clothes an' our evenin' gowns an' our forty pairs of hand-made shoes! Jesus, now! Ye'd think she was some kind of centipede to see the different pairs of shoes she's got! An' our silk petticoats an' step-ins that we have made in Paris, now! Yes! That makes us very fine, don't it? It's not as if we ever did a little private monkey-business on the side, like ordinary people, is it? Oh, me, no! We are gathered together wit' a friend fer a little elegant an' high-class entertainment durin' the course of the evenin'! But if it's some poor girl wit'out an extra pair of drawers to her name, it's different, now! It's: 'Oh! you nasty thing! I'm disgusted wit' you!'...Yes! An' there's many a fine lady livin' on Park Avenoo right now who's no better, if the truth was told! That I know! So just take care, me lady, not to give yerself too many airs!" she thought with rancorous triumph...

"Ah! if I told all that I know! 'Nora,' she says, 'if anyone calls when I'm not here, I wish ye'd take the message yerself. Mr. Jack don't like to be disturbed.'...Jesus! From what I've seen there's none of 'em that likes to be disturbed. It's love and let love wit' 'em, no questions ast an' the divil take the hindmost, so long as ye do it in yer leisure hours. But if ye're twenty minutes late fer dinner, it's where the hell have ye been, an' what's to become of us when ye neglect yer family in this way?...Sure," she thought, warming with a flush of humour and a more tolerant and liberal spirit, "it's a queer world, ain't it? An' these are the queerest of the lot! Thank God I was brought up like a Christian in the Holy Church, an' still have grace enough to go to Mass when I have sinned! But then----"

As often happens with people of strong but disordered feelings, she was already sorry for her flare of ugly temper, and her affections were now running warmly in another direction:

"But then, God knows, there's not a better-hearted sort of people in the world! There's no one I'd rather work fer than Mrs. Jack. They'll give ye everything they have if they like ye. I've been here twenty years next April, an' in all that time no one has ever been turned away from the door who needed food. Sure, there's far worse that go to Mass seven days a week--yes, an' would steal the pennies off a dead man's eyes if they got the chance! It's a good home we've been given here--as I keep tellin' all the rest of 'em," she thought with virtuous content, "an' Nora Fogarty's not the one to turn an' bite the hand that's feedin' her--no matter what the rest of 'em may do!"

All this had passed in the minds and hearts of the two women with the instancy of thought. Meanwhile, the maid, having set the tray down on the little table by the bed, had gone to the windows, lowered them, raised the blinds to admit more light, slightly adjusted the curtains, and was now in the bathroom drawing the water in the tub, an activity signalised at first by the rush of tumbling waters, and later by a sound more quiet and sustained as she reduced the flow and tempered the boiling fluid to a moderate heat.

While this was going on, Mrs. Jack had seated herself on the edge of her bed, crossed her legs jauntily, poured out a cup of black steaming coffee from the tall silver pot, and opened the newspaper which lay folded on the tray. And now, as she drank her coffee and stared with blank, unseeing eyes at the print before her, there was a perplexed frown on her face, and she was slipping one finger in and out of a curious and ancient ring which she wore on her right hand. It was a habit which she performed unconsciously, and it always indicated a state of impatience and nervousness, or the troubled reflection of a mind that was rapidly collecting itself for a decisive action. So, now, her first emotions of pity, curiosity, and regret having passed, the practical necessity of doing something about Nora was pressing at her.

"That's where Fritz's liquor has been going," she thought. "He's been furious about it...She's got to stop it. If she keeps on at this rate, she'll be no good for anything in another month or two...God! I could kill her for being such a fool!" she thought. "What gets into these people, anyway?" Her small and lovely face now red with anger, the space between her troubled eyes cleft deeply by a frown, she determined to speak plainly and sternly to the maid without any more delay.

This decision being made, she was conscious instantly of a sense of great relief and a feeling almost of happiness, for indecision was alien to the temper of her soul. The knowledge of the maid's delinquency had been nagging at her conscience for some time, and now she wondered why she had ever hesitated. Yet, when the maid came back into the room again and paused before going out, as if waiting for further orders, and looked at her with a glance that now seemed affectionate and warm, Mrs. Jack felt acute embarrassment and regret as she began to speak, and, to her surprise, she found herself beginning in a hesitant and almost apologetic tone.

"Oh, Nora!" she said somewhat excitedly, slipping the ring rapidly on and off her finger. "There's something I want to talk to you about."

"Yes, Mrs. Jack," Nora answered humbly, and waited respectfully. "It's something Miss Edith wanted me to ask you," she went on quickly, somewhat timidly, discovering to her amazement that she was beginning her reproof quite differently from the way she had intended.

Nora waited in an attitude of studious and submissive attention.

"I wonder if you or any of the other girls remember seeing a dress Miss Edith had," she said, and went on quickly--"one of those dresses she brought back last year from Paris. It had a funny grey-green kind of colour and she used to wear it in the morning when she went to business. Do you remember--hah?" she said sharply.

"Yes, ma'am," said Nora with a solemn, wondering air. "I've seen it, Mrs. Jack."

"Well, Nora, she can't find it. It's gone."

"Gone?" said Nora, staring at her with a stupid and astonished look.

But even as the servant repeated the word, a furtive smile played round her mouth, betraying her sullen humour, and a look of sly triumph came in her eyes. Mrs. Jack read the signs instantly:

"Yes! She knows where it is!" she thought. "Of course she knows! One of them has taken it! It's perfectly disgraceful, and I'm not going to stand it any longer!"--and a wave of indignation, hot and choking, boiled up in her. "Yes, gone! It's gone, I tell you!" she said angrily to the staring maid. "What's become of it? Where do you think it's gone to?" she asked bluntly.

"I don't know, Mrs. Jack," Nora answered in a slow, wondering tone. "Miss Edith must have lost it."

"Lost it! Oh, Nora, don't be stupid!" she cried furiously. "How could she lose it? She's been nowhere. She's been here all the time. And the dress was here, too, hanging in her closet, up to a week ago! How can you lose a dress?" she cried impatiently. "Is it just going to crawl off your back and walk away from you when you're not looking?" she said sarcastically. "You know she didn't lose it! Someone's taken it!"

"Yes, ma'am," Nora said with dutiful acquiescence. "That's what I think, too. Someone must have sneaked in here when all of yez was out an' taken it. Ah, I tell ye," she remarked with a regretful movement of the head, "it's got so nowadays ye never know who to trust and who not to," she observed sententiously. "A friend of mine who works fer some big people up at Rye was tellin' me just the other day about a man that came there wit' some kind of a floor-mop he had to sell--ast to try it out an' show 'em how it worked upon their floors, ye know, an' a finer, cleaner-lookin' boy, she says, ye wouldn't see again in yer whole lifetime. 'An' my God! she says--I'm tellin' ye just the way she told it to me, Mrs. Jack--'I couldn't believe me own ears when they told me later what he'd done! If he'd been me own brother I couldn't have been more surprised!' she says.--Well, it just goes to show ye that----"

"Oh, Nora, for heaven's sake!" Mrs. Jack cried with an angry and impatient gesture. "Don't talk such rot to me! Who would come in here without your knowing it? You girls are here all day long, there's only the elevator and the service entrance, and you see everyone who comes in! And besides, if anyone ever took the trouble to break in, you know he wouldn't stop with just one dress. He'd be after money or jewellery or something valuable that he could sell."

"Well, now, I tell ye," Nora said, "that man was here last week to fix the refrigerator. I says to May at the time: 'I don't like the look of him,' I says. 'There's somethin' in his face that I don't like. Keep yer eye on him,' I says, 'because----'"

"Nora!"

At the sharp warning in her mistress's voice the maid stopped suddenly, looked quickly at her, and then was silent, with a dull flush of shame and truculence upon her face. Mrs. Jack stared back at her with a look of burning indignation, then she burst out with open, blazing anger.

"Look here!" Mrs. Jack cried furiously. "I think it's a dirty shame the way you girls are acting! We've been good to you! Nora," and now her voice grew gentler with pity, "there are no girls in this town who've been better treated than you have."

"Don't I know it, Mrs. Jack," Nora answered in a lilting and earnest tone, but her eyes were sullenly hostile and resentful. "Haven't I always said the same? Wasn't I sayin' the same thing meself to Janie just the other day? 'Sure,' I says, 'but we're the lucky ones! There's no one in the world I'd rather work fer than Mrs. Jack. Twenty years,' I says, 'I've been here, an' in all that time,' I says, 'I've never heard a cross word from her. They're the best people in the world,' I says, 'an' any girl that gets a job wit' 'em is lucky!' Sure, don't I know all of ye"--she cried richly--"Mr. Jack an' Miss Edith an' Miss Alma? Wouldn't I get down on me knees right now an' scrub me fingers to the bone if it would help ye any?"

"Who's asking you to scrub your fingers to the bone?" Mrs. Jack cried impatiently. "Lord, Nora, you girls have it pretty soft. There's mighty little scrubbing that you've had to do!" she said. "It's the rest of us who scrub!" she cried. "We go out of here every morning--six days in the week--and work like hell----"

"Don't I know it, Mrs. Jack?" Nora broke in. "Wasn't I sayin' to May just the other day----"

"Oh, damn what you said to May!" For a brief moment Mrs. Jack looked at the servant with a straight, burning face. Then she spoke more quietly to her. "Nora, listen to me," she said. "We've always given you girls everything you ever asked for. You've had the best wages anyone can get for what you do. And you've lived here with us just the same as the rest of us, for you know very well that----"

"Sure," Nora interrupted in a richly sentimental tone. "It hasn't been like I was workin' here at all! Ye couldn't have treated me any better if I'd been one of the family!"

"Oh, one of the family my eye!" Mrs. Jack said impatiently. "Don't make me laugh! There's no one in the family--unless maybe it's my daughter, Alma--who doesn't do more in a day than you girls do in a week! You've lived the life of Riley...here! The life of Riley!" she repeated, almost comically, and then she sat looking at the servant for a moment, a formidable little dynamo trembling with her indignation, slowly clenching and unclenching her small hands at her sides. "Good heavens, Nora!" she burst out in a furious tone. "It's not as if we ever begrudged you anything! We've never denied you anything you asked for! It's not the value of the dress! You know very well that Miss Edith would have given it to any one of you if you had gone to her and asked her for it! But--oh, it's intolerable!--intolerable!" she exclaimed suddenly in uncontrollable anger--"that you should have no more sense or decency than to do a thing like that to people who have always been your friends!"

"Sure, an' do ye think I'd be the one who'd do a thing like that?" cried Nora in a trembling voice. "Is it me ye're accusin', Mrs. Jack, when I've lived here wit' yez all this time? They could take me right hand"--in her rush of feeling she held the member up--"an' chop it from me arm before I'd take a button that belonged to one of yez. An' that's God's truth," she added solemnly. "I swear it to ye as I hope to live an' be forgiven fer me sins!" she declared more passionately as her mistress started to speak. "I never took a pin or penny that belonged to any one of yez--an' so help me God, that's true! An' yes! I'll swear it to ye be everything that's holy!" she now cried, tranced in a kind of ecstasy of sacred vows. "By the soul an' spirit of me blessed mother who is dead----"

"Ah, Nora!" Mrs. Jack said pityingly, shaking her head and turning away, and, in spite of her indignation, breaking into a short laugh at the extravagance of the servant's oaths. And she thought with a bitter, scornful humour: "God! You can't talk to her! She'll swear a thousand oaths and think that makes everything all right! Yes! and will drink Fritz's whisky and go to Mass if she has to crawl to get there--and cross herself with holy water--and listen to the priest say words she cannot understand--and come out glorified--to act like this when she knows that one of the girl's is taking things that don't belong to her! What strange and magic things these oaths and ceremonies are!" she thought. "They give a kind of life to people who have none of their own. They make a kind of truth for people who have found none for themselves. Love, beauty, everlasting truth, salvation--all that we hope and suffer for on earth is in them for these people. Everything that the rest of us have to get with our blood and labour, and by the anguish of our souls, is miraculously accomplished for them, somehow," she thought ironically, "if they can only swear to it 'by the soul an' spirit of me blessed mother who is dead.'"

"--An' so help me God, by all the Blessed Saints, an' by the Holy Virgin, too!" she heard Nora's voice intoning; and, wearily, she turned to the maid again and spoke to her softly, with an almost pleading earnestness:

"Nora, for God's sake have a little sense," she said. "What is the use of all this swearing by the Virgin and the Saints, and getting up and going out to Mass, when all you do is come back home to swill down Mr. Jack's whisky? Yes, and deceive the people who have been the best friends you ever had!" she cried out bitterly. Then, seeing the old mutinous look flaring again in the maid's sullen and distempered eyes, she went on almost tearfully: "Nora, try to have a little wisdom. Is this all you've been able to get from life--to come in here and act this way and blow your stinking breath on me, when all we've ever done has been to help you?" Her voice was trembling with her pity and her sense of passionate outrage, yet her anger was more than personal. She felt that the maid had betrayed something decent and inviolable in life--a faith and integrity in human feeling that should be kept and \honoured everywhere.

"Well, ma'am," said Nora with a toss of her black head, "as I was sayin', if it's me ye're accusing'----"

"No, Nora. Enough of that." Mrs. Jack's voice was sad, tired, dispirited, but its tone was also firm and final. She made a little dismissing gesture with her hand. "You may go now. I don't need anything more."

The maid marched to the door, her head held high, her stiff back and neck eloquently expressive of outraged innocence and suppressed fury. Then she paused, her hand upon the knob, and half-turned as she delivered her parting shot.

"About Miss Edith's dress"--she said with another toss of her head--"if it's not lost, I guess it'll turn up. Maybe one of the girls borrowed it, if ye know what I mean."

With this, she closed the door behind her and was gone.

Half an hour later Mr. Frederick Jack came walking down the hall with his copy of the Herald-Tribune under his arm. He was feeling in very good humour. By now he had completely forgotten his momentary annoyance at the telephone call that had awakened him in the middle of the night. He rapped lightly at his wife's door and waited. There was no answer. More faintly, listening, he rapped again.

"Are you there?" he said.

He opened the door and entered noiselessly.

She was already deeply absorbed in the first task of her day's work. On the other side of the room, with her back to him, she was seated at a small writing-desk between the windows with a little stack of bills, business letters, and personal correspondence on her left hand, and an open cheque-book on her right. She was vigorously scrawling off a note. As he advanced towards her she put down the pen, swiftly blotted the paper, and was preparing to fold it and thrust it in an envelope when he spoke.

"Good morning," he said in the pleasant, half-ironic tone that people use when they address someone who is not aware of their presence.

She jumped and turned round quickly.

"Oh, hello, Fritz!" she cried in her jolly voice. "How are youhah?"

He stooped in a somewhat formal fashion, planted a brief, friendly, and perfunctory kiss on her cheek, and straightened up, unconsciously shrugging his shoulders a little, and giving his sleeves and the bottom of his coat a tug to smooth out any wrinkle that might have appeared to disturb the faultless correctness of his appearance. While his wife's quick glance took in every detail of his costume for the day--his shoes, socks, trousers, coat, and tie, together with the perfection of his tailored form and the neat gardenia in his buttonhole--her face, now bent forward and held firmly in one cupped hand in an attitude of eager attentiveness, had a puzzled and good-natured look which seemed to say: "I can see that you are laughing at me about something. What have I done now?"

Mr. Jack stood before her, feet apart and arms akimbo, regarding her with an expression of mock gravity, in which, however, his good humour and elation were apparent.

"Well, what is it?" she cried excitedly.

In answer, Mr. Jack produced the newspaper which he had been holding folded back in one hand, and tapped it with his index finger, saying:

"Have you seen this?"

"No. Who is it?"

"It's Elliot in the Herald-Tribune. Like to hear it?"

"Yes. Read it. What does he say?"

Mr. Jack struck a pose, rattled the paper, frowned, cleared his throat in mock solemnity, and then began in a slightly ironic and affected tone, intended to conceal his own deep pleasure and satisfaction, to read the review.

"'Mr. Shulberg has brought to this, his latest production, the full artillery of his distinguished gifts for suave direction. He has paced it brilliantly, timed it--word, scene, and gesture--with some of the most subtly nuanced, deftly restrained, and quietly persuasive acting that this season has yet seen. He has a gift for silence that is eloquent--oh, devoutly eloquent!--among all the loud but for the most part meaningless vociferation of the current stage. All this your diligent observer is privileged to repeat with more than customary elation. Moreover, Mr. Shulberg has revealed to us in the person of Montgomery Mortimer the finest youthful talent that this season has discovered. Finally----'"

Mr. Jack cleared his throat solemnly--"Ahem, ahem!"--flourished his arms forward and rattled the paper expressively, and stared drolly at his wife over the top of it. Then he went on:

"'Finally, he has given us, with the distinguished aid of Miss Esther Jack, a faultless and unobtrusive décor which warmed these ancient bones as they have not been warmed for many a Broadway moon. In these three acts, Miss Jack contributes three of the most effective settings she has ever done for the stage. Hers is a talent that needs make obeisance to no one. She is, in fact, in the studied opinion of this humble but diligent observer, the first designer of her time.'"

Mr. Jack paused abruptly, looked at her with playful gravity, his head cocked over the edges of the paper and said: "Did you say something?"

"God!" she yelled, her happy face flushed with laughter and excitement. "Did you hear it? Vat is dees?" she said comically, making a Jewish gesture with her hands--"an ovation?--What else does he say--hah?" she asked, bending forward eagerly.

Mr. Jack proceeded:

"'It is therefore a pity that Miss Jack's brilliant talent should not have had better fare to feed on than was given it last evening at the Arlington. For the play itself, we must reluctantly admit, was neither----'"

"Well," said Mr. Jack, stopping abruptly and putting down the paper, "the rest of it is you know"--he shrugged slightly--"sort of soso. Neither good nor bad. He sort of pans it.--But say!" he cried, with jocular indignation. "I like the nerve of that guy! Where does he get this Miss Esther Jack stuff? Where do I come in?" he said. "Don't I get any credit at all for being your husband? You know," he said, "I'd like to get in somewhere if it's only a seat in the second balcony. Of course"--and now he began to speak in the impersonal manner that people often use when they are being heavily sarcastic, addressing himself to the vacant air as if some invisible auditor were there, and as if he himself were only a detached observer--"of course, he's nothing but her husband, anyway. What is he? Bah!" he said scornfully and contemptuously. "Nothing but a business man who doesn't deserve to have such a brilliant woman for his wife! What does be know about art? Can he appreciate her? Can he understand anything she does? Can he say--what is it this fellow says?" he demanded, suddenly looking at the paper with an intent stare and then reading from it again in an affected tone--"'a faultless and unobtrusive décor which warmed these ancient bones as they have not been warmed for many a Broadway moon.'"

"I know," she said with pitying contempt, as if the florid words of the reviewer aroused in her no other emotion, although the pleasure which the reviewer's praise had given her was still legible in her face. "I know. Isn't it pathetic? They're all so fancy, these fellows! They make me tired!"

"'Hers is a talent that needs make obeisance to no one,'" Mr. Jack continued. "Now that's a good one! Could her husband think of a thing like that? No!" he cried suddenly, shaking his head with a scornful laugh and waving a plump forefinger sideways before him. "Her husband is not smart enough!" he cried. "He is not good enough! He's nothing but a business man! He can't appreciate her!"--and all at once, to her amazement, she saw that his eyes were shot with tears, and that the lenses of his spectacles were being covered with a film of mist.

She stared at him wonderingly, her face bent towards him in an expression of startled and protesting concern, but at the same moment she was feeling, as she had often felt; that there was something obscure and strange in life which she had never been able to find out about or to express. For she knew that this unexpected and reasonless display of strong feeling in her husband bore no relation whatever to the review in the paper. His chagrin at having the reviewer refer to her as "Miss" was nothing more than a playful and jocular pretence. She knew that he was really bursting with elation because of her success.

With a sudden poignant and wordless pity--for whom, for what, she could not say--she had an instant picture of the great chasms downtown where he would spend his day, and where, in the furious drive and turmoil of his business, excited, prosperous-looking men would seize his arm or clap him on the back and shout:

"Say, have you seen to-day's Herald-Tribune? Did you read what it had to say about your wife? Aren't you proud of her? Congratulations!"

She could also see his ruddy face beginning to blush and burn brick-red with pleasure as he received these tributes, and as he tried to answer them with an amused and tolerant smile, and a few casual words of acknowledgment as if to say:

"Yes, I think I did see some mention of her. But of course you can hardly expect me to be excited by a thing like that. That's an old story to us now. They've said that kind of thing so often that we're used to it."

When he came home that night he would repeat all that had been said to him, and although he would do it with an air of faintly cynical amusement, she knew that his satisfaction would be immense and solid. She knew, too, that his pride would be enhanced by the knowledge that the wives of these rich men--handsome Jewesses most of them, as material-minded in their quest for what was fashionable in the world of art as were their husbands for what was profitable in the world of business--would also read of her success, would straightway go to witness it themselves, and then would speak of it in brilliant chambers of the night, where the glowing air would take on an added spice of something exciting and erotic from their handsome and sensual-looking faces.

All this she thought of instantly as she stared at this plump, grey-haired, and faultlessly groomed man whose eyes had suddenly, and for no reason that she knew, filled with tears, and whose mouth now had the pouting, wounded look of a hurt child. And her heart was filled with a nameless and undefinable sense of compassion as she cried warmly, in a protesting voice:

"But, Fritz! You know I never felt like that! You know I never said a thing like that to you! You know I love it when you like anything I do! I'd rather have your opinion ten times over than that of these newspaper fellows! What do they know anyway?" she muttered scornfully.

Mr. Jack, having taken off his glasses and polished them, having blown his nose vigorously and put his glasses on again, now lowered his head, braced his thumb stiffly on his temple and put four plump fingers across his eyes in a comical shielding position, saying rapidly in a muffled, apologetic voice:

"I know! I know! It's all right! I was only joking," he said with an embarrassed smile. Then he blew his nose vigorously again, his face lost its expression of wounded feeling, and he began to talk in a completely natural, matter-of-fact tone, as if nothing he had done or said had been at all unusual. "Well," he said, "how do you feel? Are you pleased with the way things went last night?"

"Oh, I suppose so," she answered dubiously, feeling all at once the vague discontent that was customary with her when her work was finished and the almost hysterical tension of the last days before a theatrical opening was at an end. Then she continued: "I think it went off pretty well, don't you? I thought my sets were sort of good--or did you think so?" she asked eagerly. "No," she went on in the disparaging tone of a child talking to itself, "I guess they were just ordinary. A long way from my best--hah?" she demanded.

"You know what I think," he said. "I've told you. There's no one who can touch you. The best thing in the show!" he said strongly. "They were by far the best thing in the show--by far! by far!" Then, quietly, he added: "Well, I suppose you're glad it's over. That's the end of it for this season, isn't it?"

"Yes," she said, "except for some costumes that I promised Irene Morgenstein I'd do for one of her ballets. And I've got to meet some of the Arlington company for fittings again this morning," she concluded in a dispirited tone.

"What, again! Weren't you satisfied with the way they looked last night? What's the trouble?"

"Oh"--she said with disgust--"what do you think's the trouble, Fritz? There's only one trouble! It never changes! It's always the same! The trouble is that there are so many half-baked fools in the world who'll never do the thing you tell them to do! That's the trouble! God!" she said frankly, "I'm too good for it! I never should have given up my painting. It makes me sick sometimes!" she burst out with warm indignation. "Isn't it a shame that everything I do has to be wasted on those people?"

"What people?"

"Oh, you know," she muttered, "the kind of people that you get in the theatre. Of course there are some good ones--but God!" she exclaimed, "most of them are such trash! Did you see me in this, and did you read what they said about me in that, and wasn't I a knockout in the other thing?" she muttered resentfully. "God, Fritz, to listen to the way they talk you'd think the only reason a play ever gets produced is to give them a chance to strut around and show themselves off upon a stage! When it ought to be the most wonderful thing in the world! Oh, the magic you can make, the things you can do with people if you want to! It's like nothing else on earth!" she cried. "Isn't it a shame no more is done with it?"

She was silent for a moment; sunk in her own thoughts, then she said wearily:

"Well, I'm glad this job's at an end. I wish there was something else I could do. If I only knew how to do something else, I'd do it. Really, I would," she said earnestly. "I'm tired of it. I'm too good for it," she said simply, and for a moment she stared moodily into space.

Then, frowning in a sombre and perturbed way, she fumbled in a wooden box upon the desk, took from it a cigarette, and lighted it. She got up nervously and began to walk about the room with short steps, frowning intently while she puffed at the cigarette, and holding it in the rather clumsy but charming manner of a woman who rarely smokes.

"I wonder if I'll get any more shows to do next season," she muttered half to herself, as if scarcely aware of her husband's presence. "I wonder if there'll be anything more for me. No one has spoken to me yet," she said gloomily.

"Well, if you're so tired of it, I shouldn't think you'd care," he said ironically, and then added: "Why worry about it till the time comes?"

With that he stooped and planted another friendly and perfunctory kiss on her cheek, gave her shoulder a gentle little pat, and turned and left the room.

12. Downtown

Mr. Jack had listened to his wife's complaint with the serious attention which stories of her labours, trials, and adventures in the theatre always aroused in him. For, in addition to the immense pride which he took in his wife's talent and success, he was like most rich men of his race, and particularly those who were living every day, as he was, in the glamorous, unreal, and fantastic world of speculation, strongly attracted by the glitter of the theatre.

The progress of his career during the forty years since he first came to New York had been away from the quieter, more traditional, and, as it now seemed to him, duller forms of social and domestic life, to those forms which were more brilliant and gay, filled with the constant excitement of new pleasures and sensations, and touched with a spice of uncertainty and menace. The life of his boyhood--that of his family, who for a hundred years had carried on a private banking business in a little town--now seemed to him impossibly stodgy. Not only its domestic and social activities, which went on as steadily and predictably as a clock from year to year, marked at punctual intervals by a ritual of dutiful visits and countervisits among relatives, but its business enterprise also, with its small and cautious transactions, now seemed paltry and uninteresting.

In New York he had moved on from speed to speed and from height to height, keeping pace with all the most magnificent developments in the furious city that roared in constantly increasing crescendo about him. Now, even in the world in which he lived by day, the feverish air of which he breathed into his lungs exultantly, there was a glittering, inflamed quality that was not unlike that of the night-time world of the theatre in which the actors lived.

At nine o'clock in the morning of every working day, Mr. Jack was hurled downtown to his office in a shining projectile of machinery, driven by a chauffeur who was a literal embodiment of New York in one of its most familiar aspects. As the driver prowled above his wheel, his dark and sallow face twisted bitterly by the sneer of his thin mouth, his dark eyes shining with an unnatural lustre like those of a man who is under the stimulation of a powerful drug, he seemed to be--and was--a creature which this furious city had created for its special uses. His tallowy flesh seemed to have been compacted, like that of millions of other men who wore grey hats and had faces of the same lifeless hue, out of a common city-substance--the universal grey stuff of pavements, buildings, towers, tunnels, and bridges. In his veins there seemed to flow and throb, instead of blood, the crackling electric current by which the whole city moved. It was legible in every act and gesture the man made. As his sinister figure prowled above the wheel, his eyes darting right and left, his hands guiding the powerful machine with skill and precision, grazing, cutting, flanking, shifting, insinuating, sneaking, and shooting the great car through all but impossible channels with murderous recklessness, it was evident that the unwholesome chemistry that raced in him was consonant with the great energy that was pulsing through all the arteries of the city.

Yet, to be driven downtown by this creature in this way seemed to increase Mr. Jack's anticipation and pleasure in the day's work that lay before him. He liked to sit beside his driver and watch him. The fellow's eyes were now sly and cunning as a cat's, now hard and black as basalt. His thin face pivoted swiftly right and left, now leering with crafty triumph as he snaked his car ahead round some cursing rival, now from the twisted corner of his mouth snarling out his hate loudly at other drivers or at careless pedestrians: "Guh-wan, ya screwy bast-ed! Guh-wan!" He would growl more softly at the menacing figure of some hated policeman, or would speak to his master out of the corner of his bitter mouth, saying a few words of grudging praise for some policeman who had granted him privileges:

"Some of dem are all right," he would say. "You know!"--with a constricted accent of his high, strained voice. "Dey're not all basteds. Dis guy"--with a jerk of his head towards the policeman who had nodded and let him pass--"dis guy's all right. I know him--sure! sure!--he's a bruddeh of me sisteh-in-law!"

The unnatural and unwholesome energy of his driver evoked in his master's mind an image of the world he lived in that was theatrical and phantasmal. Instead of seeing himself as one man going to his work like countless others in the practical and homely light of day, he saw himself and his driver as two cunning and powerful men pitted triumphantly against the world; and the monstrous architecture of the city, the phantasmagoric chaos of its traffic, the web of the streets swarming with people, became for him nothing more than a tremendous backdrop for his own activities. All of this--the sense of menace, conflict, cunning, power, stealth, and victory, and, above everything else, the sense of privilege--added to Mr. Jack's pleasure, and even gave him a heady joy as he rode downtown to work.

And the feverish world of speculation in which he worked, and which had now come to have this theatrical cast and colour, was everywhere sustained by this same sense of privilege. It was the privilege of men selected from the common run because of some mysterious intuition they were supposed to have--selected to live gloriously without labour or production, their profits mounting incredibly with every ticking of the clock, their wealth increased fabulously by a mere nod of the head or the shifting of a finger. This being so, it seemed to Mr. Jack, and, indeed, to many others at the time--for many who were not themselves members of this fortunate class envied those who were--it seemed, then, not only entirely reasonable but even natural that the whole structure of society from top to bottom should be honeycombed with privilege and dishonesty.

Mr. Jack knew, for example, that one of his chauffeurs swindled him constantly. He knew that every bill for petrol, oil, tyres, and overhauling was padded, that the chauffeur was in collusion with the garage owner for this purpose, and that he received a handsome percentage from him as a reward. Yet this knowledge did not disturb Mr. Jack. He actually got from it a degree of cynical amusement. Well aware of what was going on, he also knew that he could afford it, and somehow this gave him a sense of power and security. If he ever entertained any other attitude, it was to shrug his shoulders indifferently as he thought:

"Well, what of it? There's nothing to be done about it. They all do it. If it wasn't this fellow, it would be someone else."

Similarly, he knew that some of the maids in his household were not above "borrowing" things and "forgetting" to return them. He was aware that various members of the police force as well as several red-necked firemen spent most of their hours of ease in his kitchen or in the maids' sitting-room. He also knew that these guardians of the public peace and safety ate royally every night of the choicest dishes of his own table, and that their wants were cared for even before his family and his guests were served, and that his best whisky and his rarest wines were theirs for the taking.

But beyond an occasional burst of annoyance when he discovered that a case of real Irish whisky (with rusty sea-stained markings on the bottles to prove genuineness) had melted away almost overnight, a loss which roused his temper only because of the rareness of the thing lost, he said very little. When his wife spoke to him about such matters, as she occasionally did, in a tone of vague protest, saying: "Fritz, I'm sure those girls are taking things they have no right to. I think it's perfectly dreadful, don't you? What do you think we ought to do about it?"--his usual answer was to smile tolerantly, shrug, and show his palms.

It cost him a great deal of money to keep his family provided with shelter, clothing, service, food, and entertainment, but the fact that a considerable part of it was wasted or actually filched from him by his retainers caused him no distress whatever. All of this was so much of a piece with what went on every day in big business and high finance that he hardly gave it a thought. And his indifference was not the bravado of a man who felt that his world was trembling on the brink of certain ruin and who was recklessly making merry while he waited for the collapse. Quite the contrary. He gave tolerant consent to the extravagance and special privilege of those who were dependent on his bounty, not because he doubted, but because he felt secure. He was convinced that the fabric of his world was woven from threads of steel, and that the towering pyramid of speculation would not only endure, but would grow constantly greater. Therefore the defections of his servants were mere peccadillos, and didn't matter.

In all these ways Mr. Frederick Jack was not essentially different from ten thousand other men of his class and position. In that time and place he would have been peculiar if these things had not been true of him. For these men were all the victims of an occupational disease--a kind of mass hypnosis that denied to them the evidence of their senses. It was a monstrous and ironic fact that the very men who had created this world in which every value was false and theatrical saw themselves, not as creatures tranced by fatal illusions, but rather as the most knowing, practical, and hard-headed men alive. They did not think of themselves as gamblers, obsessed by their own fictions of speculation, but as brilliant executives of great affairs who at every moment of the day "had their fingers on the pulse of the nation." So when they looked about them and saw everywhere nothing but the myriad shapes of privilege, dishonesty, and self-interest, they were convinced that this was inevitably "the way things are".

It was generally assumed that every man had his price, just as every woman had hers. And if, in any discussion of conduct, it was suggested to one of these hard-headed, practical men that So-and-So had acted as he did for motives other than those of total self-interest and calculating desire, that he had done thus and so because he would rather endure pain himself than cause it to others whom he loved, or was loyal because of loyalty, or could not be bought or sold for no other reason than the integrity of his own character--the answer of the knowing one would be to smile politely but cynically, shrug it off, and say:

"All right. But I thought you were going to be intelligent. Let's talk of something else that we both understand."

Such men could not realise that their own vision of human nature was distorted. They prided themselves on their "hardness" and fortitude and intelligence, which had enabled them to accept so black a picture of the earth with such easy tolerance. It was not until a little later that the real substance of their "hardness" and intelligence was demonstrated to them in terms which they could grasp. When the bubble of their unreal world suddenly exploded before their eyes, many of them were so little capable of facing harsh reality and truth that they blew their brains out or threw themselves from the high windows of their offices into the streets below. And of those who faced it and saw it through, many a one who had been plump, immaculate, and assured now shrank and withered into premature and palsied senility.

All that, however, was still in the future. It was very imminent, but they did not know it, for they had trained themselves to deny the evidence of their senses. In that mid-October of 1929 nothing could exceed their satisfaction and assurance. They looked about them and, like an actor, saw with their eyes that all was false, but since they had schooled themselves to accept falseness as normal and natural, the discovery only enhanced their pleasure in life.

The choicest stories which these men told each other had to do with some facet of human chicanery, treachery, and dishonesty. They delighted to match anecdotes concerning the delightful knaveries of their chauffeurs, maids, cooks, and bootleggers, telling of the way these people cheated them as one would describe the antics of a household pet.

Such stories also had a great success at the dinner-table. The ladies would listen with mirth which they made an impressive show of trying to control, and at the conclusion of the tale they would say: "I--think--that--is--simp-ly--price-less!" (uttered slowly and deliberately, as if the humour of the story was almost beyond belief), or: "Isn't it in-cred-ible!" (spoken with a faint rising scream of laughter), or: "Stop! You know he didn't!" (delivered with a ladylike shriek). They used all the fashionable and stereotyped phrases of people "responding" to an "amusing" anecdote, for their lives had become so sterile and savourless that laughter had gone out of them.

Mr. Jack had a story of his own, and he told it so well and so frequently that it went the rounds of all the best dinner-tables in New York.

A few years before, when he was still living in the old brownstone house on the West Side, his wife was giving one of the open-house patties which she gave every year to the members of the "group" theatre for which she worked. At the height of the gaiety, when the party was in full swing and the actors were swarming through the rooms, gorging themselves to their heart's content on the bountiful food and drink, there was suddenly a great screaming of police sirens in the neighbourhood, and the sound of motors driven to their limit and approaching at top speed. The sirens turned into the street, and to the alarm of Mr. Jack and his guests, who now came crowding to the windows, a high-powered truck flanked by two motor-cycle policemen pulled up before the house and stopped. Immediately, the two policemen, whom Mr. Jack instantly recognised as friends of his maids, sprang to the ground, and in a moment more, with the assistance of several of their fellows who got out of the truck, they had lifted a great barrel from the truck and were solemnly rolling it across the pavement and up the stone steps into the house. This barrel, it turned out, was filled with beer. The police were contributing it to the party, to which they had been invited (for when the Jacks gave a party to their friends, the maids and cooks were also allowed to give a party to the policemen and firemen in the kitchen). Mr. Jack, moved by this act of friendship and generosity on the part of the police, desired to pay them for the trouble and expense the beer had cost them, but one of the policemen said to him:

"Forget about it, boss. It's O.K. I tell you how it is," he then said, lowering his voice to a tone of quiet and confidential intimacy. "Dis stuff don't cost us nuttin', see? Nah!" he vigorously declared. "It's given to us. Sure! It's a commission dey give us," he added delicately, "for seein' dat dere stuff goes troo O.K. See?"

Mr. Jack saw, and he told the story many times. For he was really a good and generous man, and an act like this, even when it came from those who had drunk royally at his expense for years and had consumed the value of a hundred barrels of beer, warmed and delighted him.

Thus, while he could not escape sharing the theatrical and false view of life which was prevalent everywhere about him, he had, along with that, as kind and liberal a spirit as one was likely to meet in the course of a day's journey. Of this there was constant and repeated evidence. He would act instantly to help people in distress, and he did it again and again--for actors down on their luck, for elderly spinsters with schemes for the renovation of the stage that were never profitable, for friends, relatives, and superannuated domestics. In addition to this, he was a loving and indulgent father, lavishing gifts upon his only child with a prodigal hand.

And, strangely, for one who lived among all the constantly shifting visages of a feverish and unstable world, he had always held with tenacious devotion to one of the ancient traditions of his race--a belief in the sacred and inviolable stability of the family. Through this devotion, in spite of the sensational tempo of city life with its menace to every kind of security, he had managed to keep his family together. And this was really the strongest bond which now connected him with his wife. They had long since agreed to live their own individual lives, but they had joined together in a common effort to maintain the unity of their family. And they had succeeded. For this reason and on this ground Mr. Jack respected and had a real affection for his wife.

Such was the well-groomed man who was delivered to his place of business every morning by his speed-drunk and city-hardened chauffeur. And within a hundred yards of the place where he alighted from his car ten thousand other men much like him in dress and style, in their general beliefs, and even, perhaps, in kindness, mercy, and tolerance, were also descending from their thunderbolts and were moving into another day of legend, smoke, and fury.

Having been set down at their doors, they were shot up in swift elevators to offices in the clouds. There they bought, sold, and traded in an atmosphere fraught with frantic madness. This madness was everywhere about them all day long, and they themselves were aware of it. Oh, yes, they sensed it well enough. Yet they said nothing. For it was one of the qualities of this time that men should see and feel the madness all round them and never mention it--never admit it even to themselves.

13. Service Entrance

The great apartment house in which the Jacks lived was not one of those structures which give to the Island of Manhattan its startling and fabulous quality--those cloud-soaring spires whose dizzy vertices and clifflike façades seem to belong to the sky rather than to the earth. These are the special shapes which flash in the mind of a European when he thinks about New York, and which in-bound travellers, looking from a liner's deck, see in all their appalling and inhuman loveliness sustained there lightly on the water. This building was none of these.

It was--just a building. It was not beautiful, certainly, but it was impressive because of its bulk, its squareness, its sheer mass. From the outside, it seemed to be a gigantic cube of city-weathered brick and stone, punctured evenly by its many windows. It filled an entire block, going through one street to the next.

When one entered it, however, one saw that it had been built in the form of a hollow square about a large central court. This court was laid out on two levels. The lower and middle part was covered with loose gravel, and raised above this level was a terrace for flower-beds, with a broad brick pavement flanking it on all four sides. Beyond the walk there was a span of arches which also ran the whole way round the square, giving the place something of the appearance of an enormous cloister. Leading off this cloister at regular intervals were the entrances to the apartments.

The building was so grand, so huge, so solid-seeming, that it gave the impression of having been hewn from the everlasting rock itself. Yet this was not true at all. The mighty edifice was really tubed and hollowed like a giant honeycomb. It was set on monstrous steel stilts, pillared below on vacancy, and sustained on curving arches. Its nerves, bones, and sinews went down below the level of the street to an underworld of storeyed basements, and below all these, far in the tortured rock, there was the tunnel's depth.

When dwellers in this imperial tenement felt a tremor at their feet, it was only then that they remembered there were trains beneath them--sleek expresses arriving and departing at all hours of the day and night. Then some of them reflected with immense satisfaction on the cleverness with which New York had reversed an order that is fixed and immutable everywhere else in America, and had made it fashionable to live, not merely "beside the tracks", but on top of them.

A little before seven o'clock that October evening, old John, who ran one of the service elevators in the building, came walking slowly along Park Avenue, ready to go on duty for his night's work. He had reached the entrance and was just turning in when he was accosted by a man of thirty or thereabouts who was obviously in a state of vinous dilapidation.

"Say, Bud----"

At the familiar words, uttered in a tone of fawning and yet rather menacing ingratiation, the face of the older man reddened with anger. He quickened his step and tried to move away, but the creature plucked at his sleeve and said in a low voice:

"I was just wonderin' if you could spare a guy a----"

"Na-h!" the old man snapped angrily. "I can't spare you anything! I'm twice your age and I always had to work for everything I got! If you was any good you'd do the same!"

"Oh yeah?" the other jeered, looking at the old man with eyes that had suddenly gone hard and ugly.

"Yeah!" old John snapped back, and then turned and passed through the great arched entrance of the building, feeling that his repartee had been a little inadequate, though it was the best he had been able to manage on the spur of the moment. He was still muttering to himself as he started along the colonnade that led to the south wing.

"What's the matter, Pop?" It was Ed, one of the day elevator men who spoke to him. "Who got your goat?"

"Ah-h," John muttered, still fuming with resentment, "it's these panhandling bums! One of 'em just stopped me outside the building and asked if I could spare a dime! A young fellow no older than you are, tryin' to panhandle from an old man like me! He ought to be ashamed of himself! I told him so, too. I said: 'If you was any good you'd work for it!'"

"Yeah?" said Ed, with mild interest.

"Yeah," said John. "They ought to keep those fellows away from here. They hang round this neighbourhood like flies at a molasses barrel. They got no right to bother the kind of people we got here."

There was just a faint trace of mollification in his voice as he spoke of "the kind of people we got here". One felt that on this side reverence lay. "The kind of people we got here" were, at all odds, to be protected and preserved.

"That's the only reason they hang round this place," the old man went on. "They know they can play on the sympathy of the people in this building. Only the other night I saw one of 'em panhandle Mrs. Jack for a dollar. A big fellow, as well and strong as you are! I'd a good notion to tell her not to give him anything! If he wanted work, he could go and get him a job the same as you and me! It's got so if ain't safe for a woman in the house to take the dog round the block. Some greasy bum will be after her before she gets back. If I was the management I'd put a stop to it. A house like this can't afford it. The kind of people we got here don't have to stand for it!"

Having made these pronouncements, so full of outraged propriety and his desire to protect "the kind of people we got here" from further invasions of their trusting sanctity by these cadging frauds, old John, somewhat appeased, went in at the service entrance of the south wing, and in a few minutes he was at his post in the service elevator, ready for the night's work.

John Enborg had been born in Brooklyn more than sixty years before, the son of a Norwegian seaman and an Irish serving-girl. In spite of this mixed parentage, one would have said without hesitation that he was "old stock" American--New England Yankee, most likely. Even his physical structure had taken on those national characteristics which are perhaps the result, partly of weather and geography, partly of tempo, speech, and local custom--a special pattern of the nerves and vital energies wrought out upon the whole framework of flesh and bone, so that, from whatever complex sources they are derived, they are recognised instantly and unmistakably as "American".

In all these ways old John was "American". He had the dry neck--the lean, sinewy, furrowed neck that is engraved so harshly with so much weather. He had the dry face, too, seamed and squeezed of its moisture; the dry mouth, not brutal, certainly, but a little tight and stiff and woodenly inflexible; and the slightly outcropping lower jaw, as if the jarring conflicts in the life around him had hardened the very formations of the bone into this shape of unyielding tenacity. He was not much above the average height, but his whole body had the same stringy leanness of his neck and face, and this made him seem taller. The old man's hands were large and bony, corded with heavy veins, as if he had done much work with them. Even his voice and manner of talking were distinctively "American". His speech was spare, dry, nasal, and semi-articulate. It could have passed with most people as the speech of a Vermonter, although it did not have any pronounced twang. What one noticed about it especially was its Yankee economy and tartness, which seemed to indicate a chronic state of sour temper. But he was very far from being an ill-natured old man, though at times he did appear to be. It was just his way. He had a dry humour and really loved the rough and ready exchange of banter that went on among the younger elevator men around him, but he concealed his softer side behind a mask of shortness and sarcastic denial.

This was evident now as Herbert Anderson came in. Herbert was the night operator of the passenger elevator in the south entrance. He was a chunky, good-natured fellow of twenty-four or five, with two pink, mottled, absurdly fresh spots on his plump cheeks. He had lively and good-humoured eyes, and a mass of crinkly brownish hair of which one felt he was rather proud. He was John's special favourite in the whole building, although one might not have gathered this from the exchange that now took place between them.

"Well, what do you say, Pop?" cried Herbert as he entered the service elevator and poked the old man playfully in the ribs. "You haven't seen anything of two blondes yet, have you?"

The faint, dry grin about John Enborg's mouth deepened a little almost to a stubborn line, as he swung the door to and pulled the lever.

"Ah-h," he said sourly, almost in disgust, "I don't know what you're talkin' about!"

The car descended and stopped, and he pulled the door open at the basement floor.

"Sure you do!" Herbert flung back vigorously as he walked over to the line of lockers, peeled off his coat, and began to take off his collar and tie. "You know those two blondes I been tellin' you about, doncha, Pop?" By this time he was peeling the shirt off his muscular shoulders, then he supported himself with one hand against the locker while he stooped to take off his shoe.

"Ah-h," said the old man, sour as before, "you're always tellin' me about something. I don't even pay no attention to it. It goes in one ear and out the other."

"Oh yeah?" said Herbert with a rising, ironical inflection. He bent to unlace his other shoe.

"Yeah," said John dryly.

From the beginning the old man's tone had been touched with this note of dry disgust, yet somehow he gave the impression that he was secretly amused by Herbert's chatter. For one thing, he made no move to depart. Instead, he had propped himself against the side of the open elevator door, and, his old arms folded loosely into the sleeves of the worn grey alpaca coat which was his "uniform", he was waiting there with the stubborn little grin round his mouth as if he was enjoying the debate and was willing to prolong it indefinitely.

"So that's the kind of guy you are?" said Herbert, stepping out of his neatly-pressed trousers and arranging them carefully on one of the hangers which he had taken from the locker. He hung the coat over the trousers and buttoned it. "Here I go and get you all fixed up and you run out on me. O.K., Pop." His voice was now shaded with resignation. "I thought you was a real guy, but if you're goin' to walk out on a party after I've gone to all the trouble, I'll have to look for somebody else."

"Oh yeah?" said old John.

"Yeah," said Herbert in the accent proper to this type of repartee. "I had you all doped out for a live number, but I see I picked a dead one."

John let this pass without comment. Herbert stood for a moment in his socks and underwear, stiffening his shoulders, twisting, stretching, bending his arms upwards with tense muscular effort, and ending by scratching his head.

"Where's old Organisin' Hank?" Herbert said presently. "Seen him to-night?"

"Who?" said John, looking at him with a somewhat bewildered expression.

"Henry. He wasn't at the door when I come in, and he ain't down here. He's gonna be late."

"Oh!" The word was small but it carried a heavy accent of disapproval. "Say!" The old man waved a gnarled hand stiffly in a downward gesture of dismissal. "That guy's a pain in the neck!" He spoke the words with the dry precision old men have when they try to "keep up with" a younger man by talking unaccustomed slang. "A pain in the neck!" he repeated. "No, I ain't seen him to-night."

"Oh, Hank's all right when you get to know him," said Herbert cheerfully. "You know how a guy is when he gets all burned up about somethin'--he gets too serious about it--he thinks everybody else in the world ought to be like he is. But he's O.K. He's not a bad guy when you get him talkin' about somethin' else."

"Yeah!" cried John suddenly and excitedly, not in agreement, but by way of introduction to something he had just remembered. "You know what he says to me the other day? 'I wonder what all the rich mugs in this house would do,' he says, 'if they had to get down and do a hard day's work for a livin' once in a while.' That's what he says to me! 'And these old bitches'--yeah!" cried John, nodding his head angrily--"'these old bitches,' he says, 'that I got to help in and out of cars all night long, and can't walk up a flight of stairs by themselves--what if they had to get down on their hands and knees and scrub floors like your mother and my mother did?' That's the way he goes on all the time!" cried John indignantly--"and him a-gettin' his livin' from the people in this house, and takin' tips from them--and then talkin' about them like he does!--Nah-h!" John muttered to himself and rapped his fingers on the wall. "I don't like that way of talkin'! If he feels that way, let him get out! I don't like that fellow."

"Oh," said Herbert easily and indifferently, "Hank's not a bad guy, Pop. He don't mean half of it. He's just a grouch."

By this time, with the speed and deftness born of long experience, he was putting on the starched shirt-front which was a part of his uniform on duty, and buttoning the studs. Stooping and squinting in the small mirror that was hung absurdly low on the wall, he said half-absently:

"So you're goin' to run out on me and the two blondes? You can't take it, hunh?"

"Ah-h," said old John with a return to his surly dryness, "you don't know what you're talkin' about. I had more girls in my day than you ever thought of."

"Yeah?" said Herbert.

"Yeah," said John. "I had blondes and brunettes and every other kind."

"Never had any red-heads, did you, Pop?" said Herbert, grinning. "Yeah, I had red-heads, too," said John sourly. "More than you had, anyway."

"Just a rounder, hunh?" said Herbert. "Just an old petticoat-chaser."

"Nah-h, I ain't no rounder or no petticoat-chaser. Hm!" John grunted contemptuously. "I've been a married man for forty years. I got grown-up children older'n you are!"

"Why, you old two-timer!" Herbert exclaimed, and turned on him with mock indignation. "Braggin' to me about your blondes and red-heads, and then boastin' that you're a family man! Why, you----"

"Nah-h," said John, "I never done no such thing. I wasn't talkin' about now--but then! That's when I had 'em--forty years ago."

"Who?" said Herbert innocently. "Your wife and children?"

"Ah-h," said John disgustedly, "get along with you. You ain't goin' to get my goat. I've forgot more about life than you ever heard of, so don't think you're goin' to make a monkey out of me with your smart talk."

"Well, you're makin' a big mistake this time, Pop," said Herbert with an accent of regret. He had drawn on the neat grey trousers of his uniform, adjusted his broad white stock, and now, half squatting before the mirror, he was carefully adjusting the coat about his well-set shoulders. "Wait till you see 'em--these two blondes. I picked one of 'em out just for you."

"Well, you needn't pick out any for me," said John sourly. "I got no time for such foolishness."

At this point Henry, 'the night doorman, came hurriedly in from the stairway and began rattling the key in his locker door.

"What do you say, pal?" Herbert turned to him and cried boisterously. "I leave it to you. Here I get Pop all dated up with a couple of hot blondes and he runs out on me. Is that treatin' a guy right or not?"

Henry did not answer. His face was hard and white and narrow, his eyes had the look and colour of blue agate, and he never smiled. He took off his coat and hung it in the locker.

"Where were you?" he said.

Herbert looked at him, startled.

"Where was I when?" he said.

"Last night."

"That was my night off," said Herbert.

"It wasn't our night off," said Henry. "We had a meetin'. They was askin' about you." He turned and directed his cold eyes towards the old man. "And you, too," he said in a hard tone. "You didn't show up either."

Old John's face had frozen. He had shifted his position and begun to drum nervously and impatiently with his old fingers upon the side of the elevator. This quick, annoyed tapping betrayed his tension, but his eyes were flinty as he returned Henry's look, and there was no mistaking his dislike of the doorman. Theirs was, in fact, the mutual hostility that is instinctive to two opposite types of personality.

"Oh yeah?" John said in a hard voice.

Henry answered briefly: "Yeah." And then, holding his cold look levelled like a pointed pistol, he said: "You come to the union meetin's like everybody else, see? Or you'll get bounced out. You may be an old man, but that goes for you like it does for all the rest."

"Is that so?" said John sarcastically.

"Yeah, that's so." His tone was flat and final.

"Jesus!" Herbert's face was red with crestfallen embarrassment, and he stammered out an excuse. "I forgot all about it--honest I did! I was just goin'----"

"Well, you're not supposed to forget," said Henry harshly, and he looked at Herbert with an accusing eye.

"I--I'm all up on my dues," said Herbert feebly.

"That ain't the question. We ain't talkin' about dues." For the first time there was indignant passion in the hard voice as he went on earnestly: "Where the hell do you suppose we'd be if everybody ran out on us every time we hold a meetin'? What's the use of anything if we ain't goin' to stick together?"

He was silent now, looking almost sullenly at Herbert, whose red face had the hang-dog air of a guilty schoolboy. But when Henry spoke again his tone was gentler and more casual, and somehow it suggested that underneath his hard exterior he had a genuine affection for his errant comrade.

"I guess it's O.K. this time," he said quietly. "I told the guys you had a cold and I'd get you there next time."

He said nothing more, and began swiftly to take off his clothes.

Herbert looked flustered but relieved. For a moment he seemed about to speak, but changed his mind. He stooped and took a final appraising look at himself in the small mirror, and then, walking quickly towards the elevator with a return of his former buoyancy, he said:

"Well, Pop, O.K.--let's go!" He took his place in the car and went on with a simulation of regret: "Too bad you're goin' to miss out on the blondes, Pop. But maybe you'll change your mind when you get a look at 'em."

"No, I won't change my mind, neither," said John with sour implacability as he slammed the door. "About them or about you."

Herbert looked at the old man and laughed, the pink spots in his cheeks flushed with good humour, his lively eyes dancing.

"So that's the kind of guy you think I am?" he said, and gently poked the old fellow in the ribs with his closed fist. "So you don't believe me, hunh?"

"Ah-h, I wouldn't believe you on a stack of bibles," said John grouchily. He pushed the lever forwards and the elevator started up. "You're a lot of talk--that's what you are. I don't listen to anything you say:" He stopped the elevator and opened the heavy door.

"So that's the kind of friend you are?" said Herbert, stepping out into the corridor. Full of himself, full of delight with his own humour, he winked at two pretty, rosy-cheeked Irish maids who were waiting to go up, and, jerking his thumb towards the old man, he said: "What are you goin' to do with a guy like this, anyway? I go and get him all dated up with a blonde and he won't believe me when I tell him so. He calls me a big wind."

"Yeah, that's what he is," said the old man grimly to the smiling girls. "He's a lot of wind. He's always talkin' about his girls and I bet he never had a girl in his life. If he saw a blonde he'd run like a rabbit."

"Just a pal!" said Herbert with mock bitterness, appealing to the maids. "O.K., then, Pop. Have it your own way. But when those blondes get here, tell 'em to wait till I come back. You hear?"

"Well, you'd better not be bringin' any of 'em round here," said John. He shook his white, head doggedly and his whole manner was belligerent, but it was evident that he was enjoying himself hugely. "I don't want any of 'em comin' in this building--blondes or brunettes or red-heads or any of 'em," he muttered. "If they do, you won't find 'em when you come back. I'll tell 'em to get out. I'll handle 'em for you, all right."

"He's a friend of mine!" said Herbert bitterly to the two girls, and jerked his thumb towards the old man again. He started to walk away.

"I don't believe you, anyhow," John called after his retreating figure. "You ain't got no blondes. You never did have...You're a momma's boy!" he cried triumphantly as an afterthought, as if he had now hit upon the happiest inspiration of the evening. "That's what you are!"

Herbert paused at the door leading into the main corridor and looked back menacingly at the old man, but the look was belied by the sparkle in his eyes.

"Oh yeah?" he shouted.

He stood and glared fiercely at the old fellow for a moment, then winked at the two girls, passed through the door, and pressed the button of the passenger elevator, whose operator he was to relieve for the night.

"That fellow's just a lot of talk," said John sourly as the maids stepped into the service car and he closed the door. "Always gassin' about the blondes he's goin' to bring round--but I ain't never seen none of 'em. Nah-h!" he muttered scornfully, almost to himself as the car started up. "He lives with his mother up in the Bronx, and he'd be scared stiff if a girl ever looked at him."

"Still, Herbert ought to have a girl," one of the maids said in a practical tone of voice. "Herbert's a nice boy, John."

"Oh, he's all right, I guess," the old man muttered grudgingly. "And a nice-looking boy, too," the other maid now said.

"Oh, he'll do," said John; and then abruptly: "What are you folks doin' to-night, anyway? There's a whole lot of packages waitin' to come up."

"Mrs. Jack is having a big party," one of the girls said. "And, John, will you bring everything up as soon as you can? There may be something there that we need right away."

"Well," he said in that half-belligerent, half-unwilling tone that was an inverted attribute of his real good nature. "I'll do the best I can. Seems like all of them are givin' their big parties to-night," he grumbled. "It goes on sometimes here till two or three o'clock in the morning. You'd think all some people had to do was give parties all the time. It'd take a whole regiment of men just to carry up the packages. Yeah!" he muttered to himself. "And what d'you get? If you ever got so much as a word of thanks----"

"Oh, John," one of the girls now said reproachfully, "you know Mrs. Jack is not like that! You know yourself----"

"Oh, she's all right, I reckon," said John, unwillingly as before, yet his tone had softened imperceptibly. "If all of them was like her," he began--but then the memory of the panhandler came back to him, and he went on angrily: "She's too kind-hearted for her own good! Them panhandling bums--they swarm round her like flies every time she leaves the building. I saw one the other night get a dollar out of her before she'd gone twenty feet. She's crazy to put up with it. I'm goin' to tell her so, too, when I see her!"

The old man's face was flushed with outrage at the memory. He had opened the door on the service landing, and now, as the girls stepped out, he muttered to himself again:

"The kind of people we got here oughtn't to have to put up with it...Well, then, I'll see," he said concedingly, as one of the maids unlocked the service door and went in. "I'll get the stuff up to you."

For a second or two after the inner door had closed behind the maids, the old man stood there looking at it--just a dull, blank sheet of painted metal with the apartment number on it--and his glance, had anyone seen it, would somehow have conveyed an impression of affectionate regard. Then he closed the elevator door and started down.

Henry, the doorman, was just coming up the basement stairway as the old man reached the ground floor. Uniformed, ready for his night's work, he passed the service elevator without speaking. John called to him.

"If they try to deliver any packages out front," he said, "you send 'em round here."

Henry turned and looked at the old man unsmilingly, and said curtly: "What?"

"I say," repeated John, raising his voice a trifle shrilly, for the man's habitual air of sullen harshness angered him, "if they try to make any deliveries out front, send 'em back to the service entrance."

Henry continued to look at him without speaking, and the old man added:

"The Jacks are givin' a party to-night. They asked me to get everything up in a hurry. If there are any more deliveries, send 'em back here."

"Why?" said Henry in his flat, expressionless voice, still staring at him.

The question, with its insolent suggestion of defied authority--someone's authority, his own, the management's, or the authority of "the kind of people we got here"--infuriated the old man. A wave of anger, hot and choking, welled up in him, and before he could control himself he rasped out:

"Because that's where they ought to come--that's why! Haven't you been workin' around places of this kind long enough to know how to do? Don't you know the kind of people we got here don't want every Tom, Dick, and Harry with a package to deliver runnin' up in the front elevator all the time, mixin' in with all the people in the house?"

"Why?" said Henry with deliberate insolence. "Why don't they?"

"Because," old John shouted, his face now crimson, "if you ain't got sense enough to know that much, you ought to quit and get a job diggin' ditches somewhere! You're bein' paid to know it! That's part of your job as doorman in a house like this! If you ain't got sense enough by now to do what you're supposed to do, you'd better quit--that's why!--and give your job to somebody who knows what it's all about!"

Henry just looked at him with eyes that were as hard and emotionless as two chunks of agate. Then:

"Listen," he said in a toneless voice. "You know what's goin' to happen to you if you don't watch out? You're gettin' old, Pop, and you'd better watch your step. You're goin' to be caught in the street some day worryin' about what's goin' to happen to the people in this place if they have to ride up in the same elevator with a delivery boy. You're goin' to worry about them gettin' contaminated because they got to ride up in the same car with some guy that carries a package. And you know what's goin' to happen, to you, Pop? I'll tell you what's goin' to happen. You'll be worryin' about it so much that you ain't goin' to notice where you're goin'. And you're goin' to get hit, see?"

The voice was so unyielding in its toneless savagery that for a moment--just for a moment--the old man felt himself trembling all over. And the voice went on:

"You're goin' to get hit, Pop. And it ain't goin' to be by nothin' small or cheap. It ain't goin' to be by no Ford truck or by no taxi-cab. You're goin' to get hit by somethin' big and shiny that cost a lot of dough. You'll get hit by at least a Rolls Royce. And I hope it belongs to one of the people in this house. You'll die like any other worm, but I want you to push off knowin' that it was done expensive--by a big Rolls Royce--by one of the people in this house. I just want you to be happy, Pop."

Old John's face was purple. The veins in his forehead stood out like corded ropes. He tried to speak, but no words came. At length, all else having failed him, he managed to choke out the one retort which, in all its infinitely variable modulations, always served perfectly to convey his emotions.

"Oh yeah!" he snarled dryly, and this time the words were loaded with implacable and unforgiving hate.

"Yeah!" said Henry tonelessly, and walked off.

14. Zero Hour

Mrs. Jack came from her room a little after eight o'clock and walked along the broad hallway that traversed her big apartment from front to rear. Her guests had been invited for half-past eight, but long experience in these matters told her that the party would not be going at full swing until after nine. As she walked along the corridor at a brisk and rapid little step she felt a tense excitement, not unpleasurable, even though it was now sharpened by the tincture of an apprehensive doubt.

Would all be ready? Had she forgotten anything? Had the girls followed her instructions? Or had they slipped up somewhere? Would something now be lacking?

A wrinkled line appeared between her eyes, and unconsciously she began to slip the old ring on and off her finger with a quick movement of her small hand. It was the gesture of an alert and highly able person who had come to have an instinctive mistrust of other people less gifted than herself. There was impatience and some scorn in it, a scorn not born of arrogance or any lack of warm humanity, but one that was inclined to say a trifle sharply: "Yes, yes, I know! I understand all that. There's no need telling me that kind of thing. Let's get to the point. What can you do? What have you done? Can I depend on you to do everything that's necessary?" So, as she walked briskly down the hall, thoughts too sharp and quick for definition were darting across the surface of her mind like flicks of light upon a pool.

"I wonder if the girls remembered to do everything I told them," she was thinking. "Oh, Lord! If only Nora hasn't started drinking again!--And Janie! She's good as gold, of course, but God, she is a fool!--And Cookie! Well, she can cook, but after that she doesn't know April from July. And if you try to tell her anything she gets flustered and begins to gargle German at you. Then it's worse than if you'd never spoken to her at all.--As for May--well, all you can do is to hope and pray." The line between her troubled eyes deepened, and the ring slipped on and off her finger more rapidly than ever. "You'd think they'd realise how well off they are, and what a good life they lead here! You'd think they'd try to show it!" she thought indignantly. But almost instantly she was touched with a feeling of tender commiseration, and her mind veered back into its more usual channel: "Oh, well, poor things! I suppose they do the best they can. All you can do is to reconcile yourself to it--and realise that the only way you can get anything done right is to do it yourself."

By this time she had reached the entrance to the living-room and was looking quickly about, assuring herself by a moment's swift inspection that everything was in its proper place. Her examination pleased her. The worried expression about her eyes began to disappear. She slipped the ring back on her hand and let it stay there, and her face began to take on the satisfied look of a child when it regards in silence some object of its love and self-creation and finds it good.

The big room was ready for the party. It was just quietly the way she always liked to have it. The room was so nobly proportioned as to be almost regal, and yet it was so subtly toned by the labour of her faultless taste that whatever forbidding coldness its essential grandeur may have had was utterly subdued. To a stranger this living-room would have seemed not only homelike in its comfortable simplicity, but even, on closer inspection, a trifle shabby. Almost everything in it was somewhat worn. The coverings of some of the chairs and couches had become in places threadbare. The carpet that covered the floor with its pattern of old, faded green showed long use without apology. An antique gate-legged table sagged a little under the weight of its pleasant shaded lamp and its stacks of books and magazines. Upon the mantel, a creamy slab of marble, itself a little stained and worn, was spread a green and faded strip of Chinese silk, and on top of it was a lovely little figure in green jade, its carved fingers lifted in a Chinese attitude of compassionating mercy. Over the mantel hung a portrait of herself in her young loveliness at twenty, which a painter now dead and famous had made long ago.

On three sides of the room, bookshelves extended a third of the way up the walls, and they were crowded with friendly volumes whose backs bore the markings of warm human hands. Obviously they had been read and read again. The stiff sets of tooled and costly bindings that often ornament the libraries of the rich with unread awe were lacking here. Nor was there any evidence of the greedy and revolting mania of the professional collector. If there were first editions on these utilitarian shelves, they were here because their owner had bought them when they were published, and bought them to be read.

The crackling pine logs on the great marble hearth cast their radiance warmly on the covers of these worn books, and Mrs. Jack had a sense of peace and comfort as she looked at the rich and homely compact of their colours. She saw her favourite novels and histories, plays, poems, and biographies, and the great books of decoration and design, of painting, drawing, and architecture, which she had assembled in a crowded lifetime of work, travel, and living. Indeed, all these objects, these chairs and tables, these jades and silks, all the drawings and paintings, as well as the books, had been brought together at different times and places and fused into a miracle of harmony by the instinctive touch of this woman's hand. It is no wonder, therefore, that her face softened and took on an added glow of loveliness as she looked at her fine room. The like of it, as she well knew, could nowhere else be found.

"Ah, here it is," she thought. "It is living like a part of me. And God! How beautiful it is!" she thought. "How warm--how true! It's not like a rented place--not just another room in an apartment. No"--she glanced down the spacious width of the long hall--"if it weren't for the elevator there, you'd think it was some grand old house.' I don't know--but--" a little furrow, this time of reflectiveness and effort, came between her eyes as she tried to shape her meaning--"there's something sort of grand--and simple--about it all."

And indeed there was. The amount of simplicity that could be purchased even in, those times for a yearly rental of fifteen thousand dollars was quite considerable. As if this very thought had found an echo in her mind, she went on:

"I mean when you compare it with some of these places that you see nowadays--some of the God-awful places where all those rich people live. There's simply no comparison! I don't care how rich they are, there's--there's just something here that money cannot buy."

As her mind phrased the accusing words about "the God-awful places where all those rich people live," her nostrils twitched and her face took on an expression of sharp scorn. For Mrs. Jack had always been contemptuous of wealth. Though she was the wife of a rich man and had not known for years the economic necessity of work, yet it was one of her unshakable convictions that she and her family could not possibly be described as "rich". "Oh, not really," she would say. "Not the way people are who really are." And she would look for confirmation, not at the hundred and thirty million people there impossibly below her in the world's hard groove, but at the fabulous ten thousand who were above her on the moneyed heights, and who, by the comparison, were "really rich".

Besides, she was "a worker". She had always been "a worker". One look at the strength, the grace, the swiftness of those small, sure hands were enough to tell the story of their owner's life, which had always been a life of work. From that accomplishment stemmed deep pride and the fundamental integrity of her soul. She had needed the benefit of no man's purse, the succour of no man's shielding strength. "Is not my help within me?" Well, hers was. She had made her own way. She had supported herself. She had created beautiful and enduring things. She had never known the meaning of laziness. Therefore it is no wonder that she never thought of herself as being "rich". She was a worker; she had worked.

But now, satisfied with her inspection of the big room, she turned quickly to investigate other things. The living room gave on the dining-room through glass doors, which were closed and curtained filmily. Mrs. Jack moved towards them and threw them open. Then she stopped short, and one hand flew to her bosom. She gasped out an involuntary little "Oh!" of wonder and delight. It was too beautiful! It was quite too beautiful! But it was just the way she expected it to look--the way it looked for all of her parties. None the less, every time she saw it, it was like a grand and new discovery.

Everything had been arranged to perfection. The great dining table glowed faultlessly, like a single sheet of walnut light. In its centre, on a doily of thick lace, stood a large and handsome bowl blossoming with a fragrant harvest of cut flowers. At the four corners, in orderly array, there were big stacks of Dresden plates and gleaming rows of old and heavy English silver, knives and forks and spoons. The ancient Italian chairs had been drawn away and placed against the walls. This was to be a buffet supper. The guests could come and help themselves according to their taste, and on that noble table was everything to tempt even the most jaded palate.

Upon an enormous silver trencher at one end there was a mighty roast of beef, crisply browned all over. It had just been "begun on" at one side, for a few slices had been carved away to leave the sound, rare body of the roast open to the inspection of anyone who might be attracted by its juicy succulence. At the opposite end, upon another enormous trencher, and similarly carved, was a whole Virginia Ham, sugar-cured and baked and stuck all over with pungent cloves. In between and all round was a staggering variety of mouth-watering delicacies. There were great bowls of mixed green salads, and others of chicken salad, crab meat, and the pink, milky firmness of lobster claws, removed whole and perfect from their shells. There were platters containing golden slabs of smoked salmon, the most rare and delicate that money could buy. There were dishes piled with caviar, both black and red, and countless others loaded with hors d'oeuvres--with mushrooms, herring, anchovies, sardines, and small, toothsome artichokes, with pickled onions and with pickled beets, with sliced tomatoes and with devilled eggs, with walnuts, almonds, and pecans, with olives and with celery. In short, there was almost everything that anyone could desire.

It was a gargantuan banquet. It was like some great vision of a feast that has been made immortal in legendry. Few "rich" people would have dared venture on a "supper" such as this of Mrs. Jack's, and in this fear of venturing they would have been justified. Only Mrs. Jack could do a thing like this; only she could do it right. And that is why her parties were famous, and why everyone who had been invited always came. For, strange to tell, there was nowhere on that lavish board a suggestion of disorder or excess. That table was a miracle of planning and of right design. Just as no one could look at it and possibly want anything to be added, so could no one here have felt that there was a single thing too much.

And everywhere in that great dining-room, with its simplicity and strength, there was evident this same faultless taste, this same style that never seemed to be contrived, that was so casual and so gracious and so right. At one side the great buffet glittered with an array of flasks, decanters, bottle, syphons, and tall glasses, thin as shells. Elsewhere, two lovely Colonial cupboards stood like Graces with their splendid wares of china and of porcelain, of cut-glass and of silver, of grand old plates and cups and saucers, tureens and bowls, jars and pitchers.

After a quick, satisfied appraisal of everything, Mrs. Jack walked rapidly across the room and through the swinging door that led to the pantry and the kitchen and the servants' quarters. As she approached, she could hear the laughter and excited voices of the maids, broken by the gutturally mixed phrases of the cook. She burst upon a scene of busy order and of readiness. The big, tiled kitchen was as clean and spotless as a hospital laboratory. The great range with its marvellous hood, itself as large as those one sees in a big restaurant, looked as if it had been freshly scrubbed and oiled and polished. The vast company of copper cooking vessels--the skillets and kettles, the pots and pans of every size and shape, from those just large enough to hold an egg to those so huge it seemed that one might cook in them the rations of a regiment--had been scoured and rubbed until Mrs. Jack cloud see her face in them. The big table in the centre of the room was white enough to have served in a surgeon's office, and the shelves, drawers, cupboards, and bins looked as if they had just been gone over with sandpaper. Above the voices of the girls brooded the curiously quiet, intent, dynamic hum of the mammoth electric refrigerator, which in its white splendour was like a jewel.

"Oh, this!" thought Mrs. Jack. "This is quite the most perfect thing of all! This is the best room in the house! I love the others--but is there anything in the world so grand and beautiful as a fine kitchen? And how Cookie keeps the place! If I could only paint it! But no--it would take a Breughel to do it! There's no one nowadays to do it justice----"

"Oh, Cookie!" Now she spoke the words aloud. "What a lovely cake!"

Cook looked up from the great layer cake on the table to which she had been adding the last prayerful tracery of frosted icing, and a faint smile illuminated the gaunt, blunt surface of her Germanic face.

"You like him, yes?" said Cook. "You think he is nice?"

"Oh, Cook!" cried Mrs. Jack in a tone of such childlike earnestness that Cook smiled this time a little more broadly than before. "It is the most beautiful--the most wonderful!--" She turned away with a comical shrug of despair as if words failed her.

Cook laughed gutturally with satisfaction, and Nora, smiling, said:

"Yes, Mrs. Jack, that it is! It's just what I was after tellin' her meself."

Mrs. Jack glanced swiftly at Nora and saw with relief that she was clean and plain and sober. Thank heaven she had pulled herself together! She hadn't taken another drink since morning--that was easy to see. Drink worked on her like poison, and you could tell the moment that she'd had a single one.

Janie and May, passing back and forth between the kitchen and the maid's sitting-room in their trim, crisp uniforms and with their smiling pink faces, were really awfully pretty. Everything had turned out perfectly, better than she could possibly have expected. Nothing had been forgotten. Everything was in readiness. It ought to be a glorious party.

At this moment the buzzer sounded sharply. Mrs. Jack looked startled and said quickly:

"The door-bell rang, Janie." Then, almost to herself: "Now who do you suppose--?"

"Yes'm," said Janie, coming to the door of the maids' sitting-room. "I'll go, Mrs. Jack."

"Yes, you'd better, Janie. I wonder who--" she cast a puzzled look up at the clock on the wall, and then at the little shell of platinum on her wrist. "It's only eight-fifteen! I can't think any of them would be this early. Oh!"--as illumination came--"I think, perhaps, it's Mr. Logan. If it is, Janie, show him in. I'll be right out."

"Yes, Mrs. Jack," said Janie, and departed.

And Mrs. Jack, after another quick look about the kitchen, another smile of thanks and approbation for Cookie and her arts, followed her.

It was Mr. Logan. Mrs. Jack encountered him in the entrance hall where he had just paused to set down two enormous black suitcases, each of which, from the bulging look of them, carried enough weight to strain strong muscles. Mr. Logan's own appearance confirmed this impression. He had seized the biceps of one muscular arm with the fingers of his other hand, and with a rueful look upon his face was engaged in flexing the aching member up and down. As Mrs. Jack approached he turned, a thickset, rather burly-looking young man of about thirty, with bushy eyebrows of a reddish cast, a round and heavy face smudged ruddily with the shaven grain of his beard, a low, corrugated forehead, and a bald head gleaming with perspiration, which he proceeded to mop with his handkerchief.

"Gosh!" said Mr. Piggy Logan, for by this affectionate title was he known to his more intimate acquaintance. "Gosh!"--the expletive came out again, somewhat windy with relief. At the same time he released his aching arm and offered his hostess a muscular and stubby hand, covered thickly on the back up to the very fingernails with large freckles.

"You must be simply dead!" cried Mrs. Jack. "Why didn't you let me know you had so much to carry? I'd have sent a chauffeur. He could have handled everything for you."

"Oh, it's quite all right," said Piggy Logan. "I always manage everything myself. You see, I carry all of it right here--my whole equipment." He indicated the two ponderous cases. "That's it," he said, "everything I use--the whole show. So naturally," he smiled at her quickly and quite boyishly, "I don't like to take any chances. It's all I've got. If anything went wrong--well, I'd just rather do it myself and then I know where I am."

"I know," said Mrs. Jack, nodding her head with quick understanding. "You simply can't depend on others. If anything went wrong--and after all the years you must have put in making them! People who've seen it say it's simply marvellous," she went on. "Everyone is so thrilled to know you're going to be here. We've heard so much about it--really all you hear around New York these days is----"

"Now--" said Mr. Logan abruptly, in a manner that was still courteous but that indicated he was no longer paying any attention to her. He had become all business, and now he walked over to the entrance of the living-room and was looking all about with thoughtful speculation. "I suppose it's going to be in here, isn't it?" he said.

"Yes--that is, if you like it here. If you prefer, we'll use another room, but this is the largest one we have."

"No, thank you," crisply, absently. "This is quite all right. This will do very nicely...Hm!" meditatively, as he pressed his full lower lip between two freckled fingers. "Best place, I should think, would be over there," he indicated the opposite wall, "facing the door here, the people all round on the other three sides...Hm! Yes...Just about the centre there, I should think, posters on the bookshelves...We can clear all this stuff away, of course," he make a quick but expansive gesture with his hand which seemed to dispose of a large part of the furnishings. "Yes! That ought to do it very well!...Now, if you don't mind," he turned to her rather peremptorily and said: "I'll have to change to costume. If you have a room----"

"Oh, yes," she answered quickly, "here, just down the hall, the first room on the right. But won't you have a drink and something to eat before you start? You must be terribly----"

"No, thank you," said Mr. Logan crisply. "It's very nice of you," he smiled swiftly under his bushy brows, "but I never take anything before a performance. Now"--he crouched, gripped the handles of the big cases, and heaved mightly--"if you'll just--excuse me," he grunted.

"Is there anything we can do?" Mrs. Jack asked helpfully.

"No--thank you--nothing," Mr. Logan somewhat gruntingly replied, and began to stagger down the hall with his tremendous freight. "I can--get along--quite nicely--thank you," he grunted as he staggered through the door of the room to which she had directed him; and then, more faintly: "Nothing--at all."

She heard the two ponderous bags hit the floor with a leaden thump, and then Mr. Logan's long, expiring "Whush!" of exhausted relief.

For a moment after the young man's lurching departure, his hostess continued to look after him with a somewhat dazed expression, touched faintly with alarm. His businesslike dispatch and the nonchalance with which he had suggested widespread alterations in her beloved room filled her with vague apprehension. But--she shook her head and reassured herself with sharp decision--it was bound to be all right. She had heard so many people speak of him: he was really all the rage this year, everyone was talking of his show, there had been write-ups of him everywhere. He was the darling of all the smart society crowd--all those "rich" Long Island and Park Avenue people. Here the lady's nostrils curved again in a faint dilation of patronising scorn; nevertheless, she could not help feeling a pleasant sense of triumph that she had landed him.

Yes, Mr. Piggy Logan was the rage that year. He was the creator of a puppet circus of wire dolls, and the applause with which this curious entertainment had been greeted was astonishing. Not to be able to discuss him and his little dolls intelligently was, in smart circles, akin to never having heard of Jean Cocteau or Surrealism; it was like being completely at a loss when such names as Picasso and Brancusi and Utrillo and Gertrude Stein were mentioned. Mr. Piggy Logan and his art were spoken of with the same animated reverence that the knowing used when they spoke of one of these.

And, like all of these, Mr. Piggy Logan and his art demanded their own vocabulary. To speak of them correctly one must know a language whose subtle nuances were becoming more highly specialised month by month, as each succeeding critic outdid his predecessor and delved deeper into the bewildering complexities, the infinite shadings and associations, of Mr. Piggy Logan and his circus of wire dolls.

True, at the beginning there had been those among the cognoscenti--those happy pioneers who had got in at the very start of Mr. Piggy Logan's vogue--who had characterised his performance as "frightfully amusing". But that was old stuff, and anyone who now dared to qualify Mr. Logan's art with such a paltry adjective as "amusing" was instantly dismissed as a person of no cultural importance. Mr. Logan's circus had ceased to be "amusing" when one of the more sophisticated columnists of the daily press discovered that "not since the early Chaplin has the art of tragic humour through the use of pantomime reached such a faultless elevation."

After this, the procession formed on the right, and each newcomer paid his tribute with a new and more glittering coin. The articles in the daily press were followed by others in all the smarter publications, with eulogistic essays on Mr. Logan and pictures of his little dolls. Then the dramatic critics joined the chorus, and held up the offerings of the current stage to a withering fire of comparative criticism. The leading tragedians of the theatre were instructed to pay special attention to Mr. Logan's clown before they next essayed the role of Hamlet.

The solemn discussions broke out everywhere. Two eminent critics engaged in a verbal duel of such adeptive subtlety that in the end it was said there were not more than seven people in the civilised world who could understand the final passages at arms. The central issue of this battle was to establish whether Mr. Piggy Logan, in his development, had been influenced more by the geometric cubism of the early Picasso or by the geometric abstractions of Brancusi. Both schools of thought had their impassioned followers, but it was finally conceded that the Picassos had somewhat the better of it.

One word from Mr. Logan himself might have settled the controversy, but that word was never spoken. Indeed, he said very little about the hubbub he had caused. As more than one critic significantly pointed out, he had "the essential simplicity of the great artist--an almost childlike naïveté of speech and gesture that pierces straight to the heart of reality." Even his life, his previous history, resisted investigations of the biographers with the impenetrability of the same baffling simplicity. Or, as another critic clearly phrased it: "As in the life of almost all great men of art, there is little in Logan's early years to indicate his future achievement. Like almost all supremely great men, he developed slowly--and, it might almost be said, unheeded--up to the time when he burst suddenly, like a blazing light, upon the public consciousness."

However that may be, Mr. Piggy Logan's fame was certainly blazing now, and an entire literature in the higher aesthetics had been created about him and his puppets. Critical reputations had been made or ruined by them. The last criterion of fashionable knowingness that year was an expert familiarity with Mr. Logan and his dolls. If one lacked this knowledge, he was lower than the dust. If one had it, his connoisseurship in the arts was definitely established and his eligibility for any society of the higher sensibilities was instantly confirmed.

To a future world--inhabited, no doubt, by a less acute and understanding race of men--all this may seem a trifle strange. If so, that will be because the world of the future will have forgotten what it was like to live in 1929.

In that sweet year of grace one could admit with utter nonchalance that the late John Milton bored him and was a large "stuffed shirt". "Stuffed shirts", indeed, were numerous in the findings of the critical gentry of the time. The chemises of such inflated personalities as Goethe, Ibsen, Byron, Tolstoy, Whitman, Dickens, and Balzac had been ruthlessly investigated by some of the most fearless intellects of the day and found to be largely filled with straw wadding. Almost everything and everybody was in the process of being debunked--except the debunkers and Mr. Piggy Logan and his dolls.

Life had recently become too short for many things that people had once found time for. Life was simply too short for the perusal of any book longer than two hundred pages. As for War and Peace--no doubt all "they" said of it was true--but as for oneself--well, one had tried, and really it was quite too--too--oh, well, life simply was too short. So life that year was far too short to be bothered by Tolstoy, Whitman, Dreiser, or Dean Swift. But life was not too short that year to be passionately concerned with Mr. Piggy Logan and his circus of wire dolls.

The highest intelligences of the time--the very subtlest of the chosen few--were bored by many things. They tilled the waste land, and erosion had grown fashionable. They were bored with love, and they were bored with hate. They were bored with men who worked, and with men who loafed. They were bored with people who created something, and with people who created nothing. They were bored with marriage, and with single blessedness. They were bored with chastity, and they were bored with adultery. They were bored with going abroad, and they were bored with staying at home. They were bored with the great poets of the world, whose great poems they had never read. They were bored with hunger in the streets, with the men who were killed, with the children who starved, and with the injustice, cruelty, and oppression all round them; and they were bored with justice, freedom, and man's right to live. They were bored with living, they were bored with dying, but--they were not bored that year with Mr. Piggy Logan and his circus of wire dolls.

And the Cause of all this tumult? The generating Force behind this mighty sensation in the world of Art? As one of the critics so aptly said: "It is a great deal more than just a new talent that has started just another 'movement': it is rather a whole new universe of creation, a whirling planet which in its fiery revolutions may be expected to throw off its own sidereal systems." All right; It, then--the colossal Genius which had started all this--what was It doing now?

It was now enjoying the privacy of one of the lovely rooms in Mrs. Jack's apartment, and, as if It were utterly unaware of the huge disturbance It had made in the great world, It was calmly, quietly, modestly, prosaically, and matter-of-factly occupied in peeling off Its own trousers and pulling on a pair of canvas pants.

While this momentous happening was taking place, events were moving smoothly to their consummation in other quarters of the house. The swinging door between the dining-room and the kitchen domain kept slatting back and forth as the maids passed in and out to make the final preparations for the feast. Janie came through the dining-room bearing a great silver tray filled with bottles, decanters, a bowl of ice, and tall, lovely glasses. As she set the tray down upon a table in the living-room, the shell-thin glasses chimed together musically, and there was a pleasant jink of bottles and the cold, clean rattle of cracked ice.

Then the girl came over towards the hearth, removed the big brass screen, and knelt before the dancing flames. As she jabbed at the logs with a long brass poker and a pair of tongs there was a shower of fiery sparks, and the fire blazed and crackled with new life. For just a moment she stayed there on her knees in a gesture of sweet maiden grace. The fire cast its radiance across her glowing face, and Mrs. Jack looked at her with a softened glance, thinking how sweet and clean and pretty she was. Then the maid arose and put the screen back in its place.

Mrs. Jack was arranging anew a vase of long-stemmed roses on a small table in the hall and glancing briefly at herself in the mirror above, turned and walked briskly and happily down the broad, deep-carpeted hallway towards her own room. Her husband was just coming from his room. He was fully dressed for the evening. She looked him over with an expert eye, and saw how well his clothes fit him and how he wore them as if they had grown on him.

His manner, in contrast to hers, was calm and sophisticated, wise and knowing. One knew just to look at him that he took excellent care of himself. Here was a man, one felt, who, if he was experienced in the pleasures of the flesh, knew how far to go, and beyond what point lay chaos, shipwreck, and the reef. His wife, taking all this in with a swift and comprehensive glance that missed nothing, despite her air of half-bewildered innocence, was amazed to see how much he knew, and a little troubled to think that he knew even more, perhaps, than she could see or fathom.

"Oh, hello," he said, in a tone of suave courtesy as he bent and kissed her lightly on one cheek.

For just the flick of an instant she was conscious of a feeling of distaste, but then she remembered what a perfect husband he had been, how thoughtful, how good, how devoted, and how, no matter what the unfathomed implications of his eyes might be, he had said nothing--and for all that anyone could prove, had seen nothing. "He's a sweet person," she was thinking as she responded brightly to his greeting:

"Oh, hello, darling. You're all ready, aren't you?...Listen"--she spoke rapidly--"will you look out for the bell and take care of anyone who comes? Mr. Logan is changing his costume in the guest room--won't you look out for him if he needs anything? And see if Edith's ready. And when the guests begin to come you can send the women to her room to take off their wraps--oh, just tell Nora--she'll attend to it! And you'll take care of the men yourself--won't you, dear? You can show them back to your room. I'll be out in a few minutes. If only everything!"--she began in a worried tone, slipping the ring quickly from her finger and slipping it back again. "I do hope everything's all right!"

"But isn't it?" he said blandly. "Haven't you looked?"

"Oh, everything looks perfect!" she cried. "It's really just too beautiful! The girls have behaved wonderfully--only"--the little furrow of nervous tension came between her eyes--"do keep an eye on them, won't you, Fritz? You know how they are if somebody's not round. Something's so likely to go wrong. So please do watch them, won't you, dear? And look out for Mr. Logan. I do hope--" she paused with a look of worried abstraction in her eyes.

"You do hope what?" he said pointedly, with just the suggestion of an ironic grin round the corners of his mouth.

"I do hope he won't"--she began in a troubled tone, then went on rapidly--"He said something about--about clearing away some of the things in the living-room for his show." She looked at him rather helplessly; then, catching the irony of his faint grin, she coloured quickly and laughed richly. "God! I don't know what he's going to do. He brought enough stuff with him to sink a battleship!...Still, I suppose it's going to be all right. Everyone's been after him, you know. Everyone's thrilled at the chance of seeing him. Oh, I'm sure it'll be all right. Don't you think so--hah?"

She looked earnestly at him with an expression of such droll, beseeching inquiry that, unmasked for a moment, he laughed abruptly as he turned away, saying:

"Oh, I suppose so, Esther. I'll look after it."

Mrs. Jack went on down the hall, pausing just perceptibly as she passed her daughter's door. She could hear the girl's voice, clear, cool, and young, humming the jaunty strains of a popular tune:

"You're the cream in my coffee--you're the salt in my stew-w----"

A little smile of love and tenderness suffused the woman's face as she continued down the hall and entered the next door, which was her own room.

It was a very simple, lovely room, hauntingly chaste, almost needlessly austere. In the centre of one wall stood her narrow little wooden bed, so small and plain and old that it seemed it might almost have served as the bed of a medieval nun, as perhaps it had. Beside it stood the little table with its few books, a telephone, a glass and a silver pitcher, and in a silver frame a photograph of a girl in her early twenties--Mrs. Jack's daughter, Alma.

Beside the door as one entered there was an enormous old wooden wardrobe, which she had brought from Italy. This contained all her beautiful dresses and her wonderful collection of winglike little shoes, all of them made by hand to fit her perfect little feet. On the opposite wall, facing the door, between two high windows, stood her writing-desk. Between the bed and the windows there was a small drawing-table. It was a single board of white, perfect wood, and on it, arranged with faultless precision, were a dozen sharpened pencils, a few feathery brushes, some crisp sheets of tracing paper on which geometric designs were legible, a pot of paste, a ruler, and a little jar of golden paint. Exactly above this table, hanging from the wall in all the clean beauty of their strength and accuracy, were a triangle and a square.

At the foot of the bed there was a chaise-longue covered with a flowered pattern of old faded silk. There were a few simple drawings, on the walls, and a single painting of a strange, exotic flower. It was such a flower as never was, a dream flower which Mrs. Jack had painted long ago.

Along the wall opposite the bed stood two old chests. One of them, a product of the Pennsylvania Dutch, was carved and coloured in quaint and cheerful patterns, and this contained old silks and laces and the noble Indian saris which she often loved to wear. The other was an old chest of drawers, with a few silver toilet articles and a square mirror on its top.

Mrs. Jack crossed the room and stood before the mirror looking at herself. First she bent forward a little and stared at her face long and earnestly with an expression of childlike innocence. Then she began to turn about, regarding herself from first one angle, then another. She put her hand up to her temple and smoothed her brow. Obviously she found herself good, for her eyes now took on an expression of rapt complacency. There was open vanity in her look as she brooded with smouldering fascination on the thick bracelet around her arm--a rich and sombre chain of ancient India, studded with dull and curious gems. She lifted her chin and looked at her neck,, tracing out with her finger-tips the design of an old necklace which she wore. She surveyed her smooth arms, her bare back, her gleaming shoulders, and the outlines of her breasts and figure, touching, patting, and half-unconsciously arranging with practiced touches the folds of her simple, splendid gown.

She lifted her arm again and with hand extended, the other hand upon her hip, she turned about once more in her orbit of self-worship. Slowly she turned, still rapt in contemplation of her loveliness, then she gasped suddenly with surprise and fright, and uttered a little scream. Her hand flew to her throat in a gesture of alarm as she realised that she was not alone and, looking up, saw her daughter standing there.

The girl, young, slender, faultless, cold, and lovely, had entered through the bathroom that connected the two rooms, and was standing in the door, having paused there, frozen to immobility as she caught her mother in the act. The mother's face went blood-red. For a long moment the two women looked at each other, the mother utterly confused and crimson with her guilt, the daughter cold and appraising with the irony of sophisticated mirth. Then something quick and instant passed between them in their glance.

Like one who has been discovered and who knows that there is nothing more to say, the mother suddenly threw back her head and laughed, a rich, full-throated, woman's yell of free acknowledgement, unknown to the race of man.

"Well, Mother, was it good?" said the girl, now grinning faintly. She walked over and kissed her.

Again the mother was shaken with her hysteria of helpless laughter. Then both of them, freed from the necessity of argument by that all-taking moment, were calm again.

Thus was enacted the whole tremendous comedy of womankind. No words were needed. There was nothing left to say. All had been said there in that voiceless instant of complete and utter understanding, of mutual recognition and conspiracy. The whole universe of sex had been nakedly revealed for just the flick of a second in all its guile and its overwhelming humour. And the great city roared on unwittingly round that secret cell, and no man in its many millions was any the wiser about this primal force more strong than cities and as old as earth.

15. The Party at Jack's

Now the guests were beginning to arrive. The electric thring of the door-bell broke sharply and persistently on accustomed quietness. People were coming in and filling the place with the ease and familiarity of old friends. In the hallway and in the rooms at the front there arose now a confused medley of many voices--the rippling laughter and quick, excited tones of the women mingled with the deeper, more vibrant sonorities of the men. It was a mixture smooth as oil, which fused and mounted steadily. With every sharp ringing of the bell, with every opening and closing of the door, there were new voices and new laughter, a babel of new greetings, new gaiety, and new welcomes.

The whole place--all the rooms front to back--was now thrown open to the party. In the hall, in the bedrooms, in the great living-room, and in the dining-room, people were moving in and out, circulating everywhere in beautiful and spontaneous patterns. Women were coming up to Mrs. Jack and embracing her with the affectionate tenderness of old friendship. Men, drawn together in solemn discussion or in the jesting interplay of wit, were going in and out of Mr. Jack's room.

Mrs. Jack, her eyes sparkling with joy, was moving about everywhere, greeting people and stopping to talk to everyone. Her whole manner had a quality of surprised delight, as of a person who feels that wonders will never cease. Although she had invited all these people, she seemed, as she spoke to each in turn, as if she was taken aback by the happiness of an unexpected and unhoped-for encounter with an old friend whom she had not seen for a long time. Her voice, as she talked, grew a trifle higher with its excitement, even at times a little shrill, and her face glowed with pleasure. And her guests smiled at her as people smile at a happy and excited child.

Many were moving about now with glasses in their hands. Some were leaning against walls talking to each other. Distinguished-looking men were propped with their elbows on the mantel in the casual earnestness of debate. Beautiful women with satiny backs were moving through the crowd with velvet undulance. The young people were gathered together in little parties of their own, drawn to one another by the magic of their youth. Everywhere people were laughing and chattering, bending to fill glasses with frosty drinks, or moving around the loaded temptations of the dining-table and the great buffet with that "choosy" look, somewhat perturbed and doubtful, which said plainly that they would like to taste it all but knew they couldn't. And the smiling maids were there to do their bidding, and to urge them to have just a little more. All in all, it was a wonderful scene of white and black and gold and power and wealth and loveliness and food and drink.

Mrs. Jack glanced happily through the crowded rooms. It was, she knew, a notable assemblage of the best, the highest, and the fairest the city had to offer. And others were arriving all the time. At this moment, in fact, Miss Lily Mandell came in, and the tall, smouldering beauty swung away along the hall to dispose of her wraps. She was followed almost at once by Mr. Lawrence Hirsch, the banker. He casually gave his coat and hat to one of the maids, and, groomed and faultless, schooled in power, be bowed greetings through the throng towards his hostess. He shook hands with her and kissed her lightly on one cheek, saying with that cool irony that was a portion of the city style:

"You haven't looked so lovely, darling, since the days when we used to dance the can-can together."

Then, polished and imperturbable, he turned away--a striking figure. His abundant hair was prematurely white, and, strangely, it gave to his clear and clean-shaven face a look of almost youthful maturity. His features, a little worn but assured, were vested in unconscious arrogance with the huge authorities of wealth. He moved, this weary, able son of man, among the crowd and took his place, assuming, without knowing he assumed, his full authorities.

Lily Mandell now returned to the big room and made her way languidly towards Mrs. Jack. This heiress of Midas wealth was tall and dark, with a shock of black hair. Her face, with its heavy-lidded eyes, was full of pride and sleepy eloquence. She was a stunning woman, and everything about her was a little startling. The dress she wore was a magnificent gown fashioned from a single piece of dull golden cloth, and had been so designed to display her charms that her tall, voluptuous figure seemed literally to have been poured into it. It made her a miracle of statuesque beauty, and as she swayed along with sleepy undulance, the eyes of all the men were turned upon her. She bent over the smaller figure of her hostess, kissed her, and, in a rich, yolky voice full of genuine affection, said:

"Darling, how are you?"

By now, Herbert, the elevator boy, was being kept so busy bringing up new arrivals that one group hardly had time to finish with its greetings before the door would open and a new group would come in. There was Roderick Hale, the distinguished lawyer. Then Miss Roberta Heilprinn arrived with Mr. Samuel Fetzer. These two were old friends of Mrs. Jack's "in the theatre", and her manner towards them, while not more cordial or affectionate than that towards her other guests, was a shade more direct and casual. It was as if one of those masks--not of pretending but of formal custom--which life imposes upon so many human relations had here keen sloughed off. She said simply: "Oh, hello, Bertie. Hello, Sam." The shade indefinable told everything: they were "show people"--she and they had "worked together".

There were a good many show people. Two young actors from the Community Guild Theatre escorted the Misses Hattie Warren and Bessie Lane, both of them grey-haired spinsters who were directors of the theatre. And, in addition to the more gifted and distinguished people, there were a number of the lesser fry, too. There was a young girl who was understudy to a dancer at one of the repertory theatres, and another woman who was the seamstress and wardrobe mistress there, and still another who had once been Mrs. Jack's assistant in her own work. For, as success and fame had come to Mrs. Jack, she had not forgotten her old friends. Though she was now a celebrity herself, she had thus escaped the banal and stereotyped existence that so many celebrities achieve. She loved life too well to cut herself off from the common run of warm humanity. In her own youth she had known sorrow, insecurity, hardship, heartbreak, and disillusion, and she had never forgotten it. Nor had she forgotten any of the people her life had ever touched. She had a rare talent for loyal and abiding friendships, and most of the people who were here to-night, even the most famous ones, were friends who she had known for many years, some of them since childhood.

Among the guests who now came streaming in was a mild, sad-faced woman named Margaret Ettinger. She was married to a profligate husband and had brought him with her. And he, John Ettinger, had brought along a buxom young woman who was his current mistress. This trio provided the most bizarre and unpleasantly disturbing touch to an otherwise distinguished gathering.

The guests were still arriving as fast as the elevator could bring them up. Stephen Hook came in with his sister, Mary, and greeted his hostess by holding out to her a frail, limp hand. At the same time he turned half away from her with an air of exaggerated boredom and indifference, an almost weary disdain, as he murmured:

"Oh, hello, Esther...Look"--he half-turned towards her again, almost as if this were an afterthought--"I brought you this." He handed her a book and turned away again. "I thought it was rather interesting," he said in a bored tone. "You might like to look at it."

What he had given her was a magnificent volume of Peter Breughel's drawings--a volume that she knew well, and the cost of which had frightened even her. She looked quickly at the flyleaf and saw that in his fine hand he had written primly: "For Esther--from Stephen Hook". And suddenly she remembered that she had mentioned to him casually, a week or two before, her interest in this book, and she understood now that this act, which in a characteristic way he was trying to conceal under a mask of laboured indifference, had come swift and shining as a beam of light out of the depths of the man's fine and generous spirit. Her face burned crimson, something choked her in the throat, and her eyes grew hot with tears.

"Oh, Steve!" she gasped. "This is simply the most beautiful--the most wonderful----"

He seemed fairly to shrink away from her. His white, flabby face took on an expression of disdainful boredom that was so exaggerated it would have seemed comical if it had not been for the look of naked pleading in his hazel eyes. It was the look of a proud, noble, strangely twisted and tormented man--the look almost of a frightened child, who, even while it shrank away from the companionship and security it so desperately needed and wanted, was also pleading pitifully: "For God's sake, help me if you can! I am afraid!"

She saw that look in his eyes as he turned pompously away from her, and it went through her like a knife. In a flash of stabbing pity she felt the wonder, the strangeness, and the miracle of living.

"Oh, you poor tormented creature," she was thinking. "What is wrong with you? What are you afraid of? What's eating on you anyway?...What a strange man he is!" she thought more tranquilly. "And how fine and good and high!"

At this moment, as if reading her own thoughts, her daughter, Alma, came to the rescue. Cool, poised, lovely, the girl came across the room, moved up to Hook, and said casually:

"Oh, hello, Steve. Can I get you a drink?"

The question was a godsend. He was extremely fond of the girl. He liked her polished style, her elegance, her friendly yet perfectly impenetrable manner. It gave him just the foil, the kind of protection, that he so desperately needed. He answered her at once.

"What you have to say quite fascinates me," he murmured in a bored tone and moved over to the mantel, where he leaned as spectator and turned his face three-quarters away from the room, as if the sight of so many appallingly dull people was more than he could endure.

The elaborately mannered indirection of his answer was completely characteristic of Stephen Hook, and provided a key to his literary style. He was the author of a great many stories, which he sold to magazines to support himself and his mother, and also of several very fine books. The books had established his considerable and deserved reputation, but they had had almost no sale. As he himself had ironically pointed out, almost everyone, apparently, had read his books and no one had bought them. In these books, just as in his social manner, he tried to mask his shyness and timidity by an air of weary disdain and by the intricate artifice and circumlocution of an elaborately mannered style.

Mrs. Jack, after staring rather helplessly at Hook, turned to his sister, a jolly-faced spinster with twinkling eyes and an infectious laugh who shared her brother's charm but lacked his tormented spirit, and whispered:

"What's wrong with Steve to-night? He looks as if he's been seeing ghosts."

"No--just another monster," Mary Hook replied, and laughed. "He had a pimple on his nose last week and he stared at it so much in the mirror that he became convinced it was a tumour. Mother was almost crazy. He locked himself in his room and refused to come out or talk to anyone for days and days. Four days ago he sent her a note leaving minute instructions for his funeral and burial--he has a horror of being cremated. Three days ago he came out in his pyjamas and said good-bye to all of us. He said his life was overall was ended. To-night he thought better of it and decided to dress and come to your party."

Mary Hook laughed again good-naturedly and, with a humorous shrug and a shake of her head, moved away into the crowd. And Mrs. Jack, still with a rather troubled look on her face, turned to talk to old Jake Abramson, who had been holding her hand and gently stroking it during the last part of this puzzled interlude.

The mark of the fleshpots was plain upon Jake Abramson. He was old, subtle, sensual, weary, and he had the face of a vulture. Curiously enough, it was also a strangely attractive face. It had so much patience in it, and a kind of wise cynicism, and a weary humour. There was something paternal and understanding about him. He looked like an immensely old and tired ambassador of life who had lived so long, and seen so much, and been so many places, that even his evening clothes were as habitual as his breath and hung on him with a weary and accustomed grace as if he had been born in them.

He had taken off his top-coat and his silk hat and given them to the maid, and then had come wearily into the room towards Mrs. Jack. He was evidently very fond of her. While she had been talking to Mary Hook he had remained silent and had brooded above her like a benevolent vulture. He smiled beneath his great nose and kept his eyes intently on her face; then he took her small hand in his weary old clasp and began to stroke her smooth arm. It was a gesture frankly old and sensual, jaded, and yet strangely fatherly and gentle. It was the gesture of a man who had known and possessed many pretty women and who still knew how to admire and appreciate them, but whose stronger passions had now passed over into a paternal benevolence.

And in the same way he now spoke to her.

"You're looking nice!" he said. "You're looking pretty!" He kept smiling vulturesquely at her and stroking her arm. "Just like a rose she is!" the old man said, and never took his weary eyes from her face.

"Oh, Jake!" she cried excitedly and in a surprised tone, as if she had not known before that he was there. "How nice of you to come! I didn't know you were back. I thought you were still in Europe."

"I've been and went," he declared humorously.

"You're looking awfully well, Jake," she said. "The trip did you lots of good. You've lost weight. You took the cure at Carlsbad, didn't you?"

"I didn't take the cure," the old man solemnly declared, "I took the die-ett." Deliberately he mispronounced the word.

Instantly Mrs. Jack's face was suffused with crimson and her shoulders began to shake hysterically. She turned to Roberta Heilprinn, seized her helplessly by the arm, and clung to her, shrieking faintly:

"God! Did you hear him? He's been on a diet! I bet it almost killed him! The way he loves to eat!"

Miss Heilprinn chuckled fruitily and her oil-smooth features widened in such a large grin that her eyes contracted to closed slits.

"I've been die-etting ever since I went away," said Jake. "I was sick when I went away--and I came back on an English boat," the old man said with a melancholy and significant leer that drew a scream of laughter from the two women.

"Oh, Jake!" cried Mrs. Jack hilariously. "How you must have suffered! I know what you used to think of English food!"

"I think the same as I always did," the old man said with resigned sadness--"only ten times more!"

She shrieked again, then gasped out, "Brussels sprouts?"

"They still got 'em," said old Jake solemnly. "They still got the same ones they had ten years ago. I saw Brussels sprouts this last trip that ought to be in the British Museum...And they still got that good fish," he went on with a suggestive leer.

Roberta Heilprinn, her bland features grinning like a Buddha, gurgled: "The Dead Sea fruit?"

"No," said old Jake sadly, "not the Dead Sea fruit--that ain't dead enough. They got boiled flannel now," he said, "and that good sauce!...You remember that good sauce they used to make?" He leered at Mrs. Jack with an air of such insinuation that she was again set off in a fit of shuddering hysteria:

"You mean that awful...tasteless...pasty...goo...about the colour of a dead lemon?"

"You got it," the old man nodded his wise and tired old head in weary agreement. "You got it...That's it...They still make it...So I've been die-etting all the way back!" For the first time his tired old voice showed a trace of animation. "Carlsbad wasn't in it compared to the die-etting I had to do on the English boat!" He paused, then with a glint of cynic humour in his weary eyes, he said: "It was fit for nothing but a bunch of goys!"

This reference to unchosen tribes, with its evocation of humorous contempt, now snapped a connection between these three people, and suddenly one saw them in a new way. The old man was smiling thinly, with a cynical intelligence, and the two women were shaken utterly by a paroxysm of understanding mirth. One saw now that they really were together, able, ancient, immensely knowing, and outside the world, regardant, tribal, communitied in derision and contempt for the unhallowed, unsuspecting tribes of lesser men who were not party to their knowing, who were not folded to their seal. It passed--the instant showing of their ancient sign. The women just smiled now, quietly: they were citizens of the world again.

"But Jake! You poor fellow!" Mrs. Jack said sympathetically. "You must have hated it!" Then she cried suddenly and enthusiastically as she remembered: "Isn't Carlsbad just too beautiful?...Did you know that Bert and I were there one time?" As she uttered these words she slipped her hand affectionately through the arm of her friend, Roberta, then went on vigorously, with a jolly laugh and a merry face: "Didn't I ever tell you about that time, Jake?...Really, it was the most wonderful experience!...But God!" she laughed almost explosively--"Will you ever forget the first three or four days, Bert?" She appealed to her smiling friend. "Do you remember how hungry we got? How we thought we couldn't possibly hold out? Wasn't it dreadful?" she said, and then went on with a serious and rather puzzled air as she tried to explain it: "But then--I don't know--it's funny--but somehow you get used to it, don't you, Bert? The first few days are pretty awful, but after that you don't seem to mind. I guess you get too weak, or something...I know Bert and I stayed in bed three weeks--and really it wasn't bad after the first few days." She laughed suddenly, richly. "We used to try to torture each other by making up enormous menus of the most delicious food we knew. We had it all planned out to go to a swell restaurant the moment our cure was over and order the biggest meal we could think of!...Well!" she laughed--"would you believe it?--the day the cure was finished and the doctor told us it would be all right for us to get up and eat--I know we both lay there for hours thinking of all the things we were going to have. It was simply wonderful!" she said, laughing and making a fine little movement with her finger and her thumb to indicate great delicacy, her voice squeaking like a child's and her eyes wrinkling up to dancing points. "In all your life you never heard of such delicious food as Bert and I were going to devour! We resolved to do everything in the greatest style!...Well, at last we got up and dressed. And God!" she cried. "We were so weak we could hardly stand up, but we wore the prettiest clothes we had, and we had chartered a Rolls Royce for the occasion and a chauffeur in livery! In all your days," she cried with her eyes twinkling, "you've never seen such swank! We got into the car and were driven away like a couple of queens. We told the man to drive us to the swellest, most expensive restaurant he knew. He took us to a beautiful place outside of town. It looked like a chateau!" She beamed rosily round her. "And when they saw us coming they must have thought we were royalty from the way they acted. The flunkies were lined up, bowing and scraping, for half a block. Oh, it was thrilling! Everything we'd gone through and endured in taking the cure seemed worth it...Well!" she looked round her and the breath left her body audibly in a sigh of complete frustration--"would you believe it?--when we got in there and tried to eat we could hardly swallow a bite! We had looked forward to it so long--we had planned it all so carefully--and all we could eat was a soft-boiled egg--and we couldn't even finish that! It filled us up right to here--" she put a small hand level with her chin. "It was so tragic that we almost wept!...Isn't it a strange thing? I guess it must be that your stomach shrinks up while you're on the diet. You lie there day after day and think of the enormous meal you are going to devour just as soon as you get up--and then when you try it you're not even able to finish a soft-boiled egg!"

As she finished, Mrs. Jack shrugged her shoulders and lifted her hands questioningly, with such a comical look on her face that everybody round her laughed. Even weary and jaded old Jake Abramson, who had really paid no attention to what she was saying but had just been regarding her with his fixed smile during the whole course of her animated dialogue, now smiled a little more warmly as he turned away to speak to other friends.

Miss Heilprinn and Mrs. Jack, left standing together in the centre of the big room, offered an instructive comparison in the capacities of their sex. Each woman was perfectly cast in her own role. Each had found the perfect adaptive means by which she could utilise her full talents with the least waste and friction.

Miss Heilprinn looked the very distinguished woman that she was. Hers was the talent of the administrator, the ability to get things done, and one knew at a glance that in the rough and tumble of practical affairs this bland lady was more than a match for any man. She suggested oil--smooth oil, oil of tremendous driving power and generating force.

Along Broadway she had reigned for years as the governing brain of a celebrated art theatre, and her business acuity had wrung homage even from her enemies. It had been her function to promote, to direct, to control, and in the tenuous and uncertain speculations of the theatre to take care not to be fleeced by the wolves of Broadway. The brilliance of her success, the power of her will, and the superior quality of her metal were written plain upon her. It took no very experienced observer to see that in the unequal contest between Miss Heilprinn and the wolves of Broadway it had been the wolves who had been worsted.

In that savage and unremitting warfare, which arouses such bitter passions and undying hatreds that eyes become jaundiced and lips so twisted that they are never afterwards able to do anything but writhe like yellowed scars on haggard faces, had Miss Heilprinn's face grown hard? Had her mouth contracted to a grim line? Had her jaw out-jutted like a granite crag? Were the marks of the wars visible anywhere upon her? Not at all. The more murderous the fight, the blander her face. The more treacherous the intrigues in which Broadway's life involved her, the more mellow became the fruity lilt of her good-humoured chuckle. She had actually thriven on it. Indeed, as one of her colleagues said: "Roberta never seems so happy and so unconsciously herself as when she is playing about in a nest of rattlesnakes."

So, now, as she stood there talking to Mrs. Jack, she presented a very handsome and striking appearance. Her grey hair was combed in a pompadour, and her suave and splendid gown gave the finishing touch to her general air of imperturbable assurance. Her face was almost impossibly bland, but it was a blandness without hypocrisy. Nevertheless, one saw that her twinkling eyes, which narrowed into such jolly slits when she smiled, were sharp as flint and missed nothing.

In a curious way, Mrs. Jack was a more complex person than her smooth companion. She was essentially not less shrewd, not less accomplished, not less subtle, and not less determined to secure her own ends in this hard world, but her strategy had been different.

Most people thought her "such a romantic person". As her friends said, she was "so beautiful", she was "such a child", she was "so good". Yes, she was all these things. For she had early learned the advantages of possessing a rosy, jolly little face and a manner of slightly bewildered surprise and naive innocence. When she smiled doubtfully yet good-naturedly at her friends, it was as if to say: "Now I know you're laughing at me, aren't you? I don't know what it is. I don't know what I've done or said now. Of course I'm not clever the way you are--all of you are so frightfully smart--but anyway I have a good time, and I like you all."

To many people that was the essential Mrs. Jack. Only a few knew that there was a great deal more to her than met the eye. The bland lady who now stood talking to her was one of these. Miss Roberta Heilprinn missed no artifice of that almost unconsciously deceptive innocence. And perhaps that is why, when Mrs. Jack finished her anecdote and looked at old Jake Abramson so comically and questioningly, Miss Heilprinn's eye twinkled a little brighter, her Buddhistic smile became a little smoother, and her yolky chuckle grew a trifle more infectious. Perhaps that is also why, with a sudden impulse of understanding and genuine affection, Miss Heilprinn bent and kissed the glowing little cheek.

And the object of this caress, although she never changed her expression of surprised and delighted innocence, knew full well all that was going on in the other woman's mind. For just a moment, almost imperceptibly, the eyes of the two women, stripped bare of all concealing artifice, met each other. And in that moment there was matter for Olympian laughter.

While Mrs. Jack welcomed her friends and beamed with happiness, one part of her mind remained aloof and preoccupied. For someone was still absent, and she kept thinking of him.

"I wonder where he is," she thought. "Why doesn't he come? I hope he hasn't been drinking." She looked quickly over the brilliant gathering with a troubled eye and thought impatiently: "If only he liked parties more! If only he enjoyed meeting people--going out in the evening! Oh, well--he's the way he is. It's no use trying to change him. I wouldn't have him any different."

And then he arrived.

"Here he is!" she thought excitedly, looking at him with instant relief. "And he's all right!"

George Webber had, in fact, taken two or three stiff drinks before he left his rooms, in preparation for the ordeal. The raw odour of cheap gin hung on his breath, his eyes were slightly bright and wild, and his manner was quick and a trifle more feverish than was his wont. Just the same he was, as Esther had phrased it to herself, "all right".

"If only people--my friends--everyone I know--didn't affect him so," she thought. "Why is it, I wonder. Last night when he telephoned me he talked so strange! Nothing he said made any sense! What could have been wrong with him? Oh, well--it doesn't matter now. He's here. I love him!"

Her face warmed and softened, her pulse beat quicker, and she went to meet him.

"Oh, hello, darling," she said fondly. "I'm so glad you're here at last. I was beginning to be afraid you were going to fail me after all."

He greeted her half fondly and half truculently, with a mixture of diffidence and pugnacity, of arrogance and humility, of pride, of hope, of love, of suspicion, of eagerness, of doubt.

He had not wanted to come to the party at all. From the moment she had first invited him he had brought forward a barrage of objections. They had argued it back and forth for days, but at last she had won and had exacted his promise. But as the time approached he felt himself hesitating again, and last night he had paced the floor for hours in an agony of self-recrimination and indecision. At last, around one o'clock, he had seized the telephone with desperate resolve and, after waking the whole household before he got her, he had told her that he was not coming. Once more he repeated all his reasons. He only half-understood them himself, but they had to do with the incompatibility of her world and his world, and his belief, which was as much a matter of instinctive feeling as of conscious thought, that he must keep his independence of the world she belonged to if he was to do his work. He grew almost desperate as he tried to explain it to her, because he couldn't seem to make her understand what he was driving at. In the end she became a little desperate, too. First she was annoyed, and told him for God's sake to stop being such a fool. Then she became hurt and angry and reminded him of his promise.

"We've been over all of this a dozen times!" she said shrilly, and there was also a tearful note in her voice. "You promised, George--you know you did! And now everything's arranged. It's too late to change it now. You can't let me down like this!"

This appeal was too much for him. He knew, of course, that the party had not been planned for him and that no arrangements would be upset if he failed to appear. No one but Esther would even be aware of his absence. But he had given his promise to come, however reluctantly, and he saw that the only issue he had succeeded in raising in her mind was the simple one of whether he would keep his word. So once more, and finally, he had yielded. And now he was here, full of confusion, and wishing with all his heart that he was anywhere else.

"I'm sure you're going to have a good time," Esther was saying to him eagerly. "You'll see--" and she squeezed his hand. "There are lots of people I want you to meet. But you must be hungry. Better get yourself something to eat first. You'll find plenty of things you like. I planned them especially for you. Go in the dining-room and help yourself. I'll have to stay here a little while to welcome all these people."

After she left him to greet some new arrivals, George stood there awkwardly for a moment with a scowl on his face and glanced about the room at the dazzling assemblage. In that attitude he cut a rather grotesque figure. The low brow with its frame of short black hair, the burning eyes, the small, packed features, the long arms dangling to the knees, and the curved paws gave him an appearance more simian than usual, and the image was accentuated by his not-too-well-fitting dinner jacket. People looked at him and stared, then turned away indifferently and resumed their conversations.

"So!" he thought with somewhat truculent self-consciousness--"These are her fine friends! I might have known it!" he muttered to himself, without knowing at all what it was he might have known. The poise, assurance, and sophistication of all these sleek faces made him fancy a slight where none was offered or intended. "I'll show them!" he growled absurdly beneath his breath, not having the faintest idea what he meant by that.

With this, he turned upon his heel and threaded his way through the brilliant throng towards the dining-room.

"I mean!...You know!..."

At the sound of the words, eager, rapid, uttered in a rather hoarse yet strangely seductive tone of voice, Mrs. Jack smiled at the group to whom she had been talking. "There's Amy!" she said.

Then, as she turned and saw the elflike head with its unbelievable harvest of ebony curls, the snub nose and the little freckles, and the lovely face so radiant with an almost boyish quality of animation and enthusiasm, she thought:

"Isn't she beautiful! And--and--there is something so sweet, so--so good about her!"

Even as her mind framed its spontaneous tribute to the girlish apparition with the elflike head, Mrs. Jack knew that it was not true. No; Amy Carleton was many things, but no one could call her good. In fact, if she was not "a notorious woman", the reason was that she had surpassed the ultimate limits of notoriety, even for New York. Everybody knew her, and knew all about her, yet what the truth was, or what the true image of that lovely counterfeit of youth and joy, no one could say.

Chronology? Well, for birth she had had the golden spoon. She had been born to enfabled wealth. Hers had been the childhood of a dollar princess, kept, costly, cabined, pruned, confined. A daughter of "Society", her girlhood had been spent in rich schools and in travel, in Europe, Southampton, New York, and Palm Beach. By eighteen she was "out"--a famous beauty. By nineteen she was married. And by twenty she was divorced, her name tainted. It had been a sensational case which fairly reeked. Even at that time her conduct had been so scandalous that her husband had had no difficulty in winning a decree.

Since that time, seven years before, her career had defied the measurements of chronology. Although she was now only in her middle twenties, her life seemed to go back through aeons of iniquity. Thus one might remember one of the innumerable scandals that had been connected with her name, and then check oneself suddenly with a feeling of stunned disbelief. "Oh, no! It can't be! That happened only three short years ago, and since then she's--why she's--" And one would stare in stupefaction at that elflike head, that snub nose, that boyishly eager face, like one who realised that he was looking at the dread Medusa, or at some enchantress of Circean cunning whose life was older than the ages and whose heart was old as hell.

It baffled time, it turned reality to phantasmal shapes. One could behold her as she was to-night, here in New York, this freckled, laughing image of happy innocence--and before ten days had made their round one might come upon her again in the corruptest gatherings of Paris, drugged fathoms deep in opium, foul-bodied and filth-bespattered, cloying in the embraces of a gutter rat, so deeply rooted in the cesspool that it seemed she must have been bred on sewage and had never known any other life.

Since her first marriage and divorce, she had been married twice again. The second marriage had lasted only twenty hours, and had been annulled. The third had ended when her husband shot himself.

And before and after that, and in between, and in and out, and during it and later on, and now and then, and here and there, and at home and abroad, and on the seven seas, and across the length and breadth of the five continents, and yesterday and to-morrow and for ever--could it be said of her that she had been promiscuous? No, that could not be said of her. For she had been as free as air, and one does not qualify the general atmosphere with such a paltry adjective as "promiscuous". She had just slept with everybody--with white, black, yellow, pink, green, or purple--but she had never been promiscuous.

It was, in romantic letters, a period that celebrated the lady who was lost, the lovely creature in the green hat who was "never let off anything". Her story was a familiar one: she was the ill-starred heroine of fate, a martyr to calamitous mischance, whose ruin had been brought about through tragic circumstances which she could not control, and for which she was not responsible.

Amy Carleton had her apologists who tried to cast her in this role. The stories told about her "start upon the downward path" were numerous. One touching version dated the beginning of the end from the time when, an innocent and fun-loving girl of eighteen, she had, in a moment of daring, lighted a cigarette at a dinner party in Southampton, attended by a large number of eminent dowagers. The girl's downfall, according to this tale, had been brought about by this thoughtless and harmless little act. From that moment on--so the story went--the verdict of the dowagers was "thumbs down" on Amy. The evil tongues began to wag, scandal began to grow, her reputation was torn to shreds. Then, in desperation, the unhappy child did go astray: she took to drink, from drink to lovers, from lovers to opium, from opium to--everything.

All this, of course, was just romantic nonsense. She was the victim of a tragic doom indeed, but she herself had fashioned it. With her the fault, as with dear Brutus, lay not in her stars, but in herself. For, having been endowed with so many rare and precious things that most men lack--wealth, beauty, charm, intelligence, and vital energy--she lacked the will, the toughness, to resist. So, having almost all, but lacking this, she was the slave to her advantages. Her wealth had set a premium on every whim, and no one had ever taught her to say no.

In this she was the child of her own time. Her life expressed itself in terms of speed, sensational change, and violent movement, in a feverish tempo that never drew from its own energies exhaustion or surcease, but mounted constantly to insane excess. She had been everywhere and "seen everything"--in the way one might see things from the windows of an express train travelling eighty miles an hour. And, having quickly exhausted the conventional kaleidoscope of things to be seen, she had long since turned to an investigation of things more bizarre and sinister and hidden. Here, too, her wealth and powerful connections opened doors to her which were closed to other people.

So, now, she possessed an intimate and extensive acquaintance among the most sophisticated and decadent groups in "Society", in all the great cities of the world. And her cult of the unusual had led to an exploration of the most shadowy border lines of life. She had an acquaintanceship among the underworld of New York, London, Paris, and Berlin which the police might have envied. And even with the police her wealth had secured for her dangerous privileges. In some way, known only to persons who control great power, financial or political, she had obtained a police card and was privileged to a reckless licence in the operation of her low-slung racing car. Although she was near-sighted, she drove it at murderous speed through the seething highways of Manhattan, and as it flashed by she always got the courtesy of a police salute. All this in spite of the fact that she had demolished one car and killed a young man who had been driving with her, and in spite of the further fact that the police knew her as one who had been present at a drinking party at which one of the chieftains of the underworld had been slain.

It seemed, therefore, that her wealth and power and feverish energy could get her anything she wanted in any country of the world. People had once said: "What on earth is Amy going to do next!" But now they said: "What on earth is there left for her to do?" If life is to be expressed solely in terms of velocity and sensation, it seemed there was nothing left for her to do. Nothing but more speed, more change, more violence, more sensation--until the end. And the end? The end could only be destruction, and the mark of destruction was already apparent upon her. It was written in her eyes--in her tormented, splintered, and exploded vision. She had tried everything in life--except living. And she could never try that now because she had so long ago, and so irrevocably, lost the way. So there was nothing left for her to do except to die.

"If only"--people would think regretfully, as Mrs. Jack now thought as she looked at that elfin head--"oh, if only things had turned out differently for her!"--and then would seek back desperately through the labyrinthine scheme to find the clue to her disorder, saying: "Here--or here--or here--it happened here, you see!--If Only--!"

If only men were so much clay, as they are blood, bone, marrow, passion, feeling! If they only were!

"I mean!...You know!..." With these words, so indicative of her undefined enthusiasm and inchoate thought, Amy jerked the cigarette away from her lips, laughed hoarsely and eagerly, and turned to her companions as if fairly burning with a desire to communicate to them something that filled her with exuberant elation. "I mean!" she cried again--"when you compare it with the stuff they're doing nowadays!--I mean!--there's simply no comparison!" Laughing jubilantly, as if the thought behind these splintered phrases must be perfectly clear to everyone, she drew furiously upon her cigarette again and jerked it from her lips.

The group of, young people of which Amy was the radiant centre, and which included not only the young Japanese who was her current lover but also the young Jew who had been his most recent predecessor, had moved over towards the portrait of Mrs. Jack above the mantel, and were looking up at it. The portrait deserved the praise that was now being heaped upon it. It was one of the best examples of Henry Mallows' early work.

"When you look at it and think how long ago that was!"--cried Amy jubilantly, gesturing towards the picture with rapid thrusts of her cigarette--"and how beautiful she was then!--and how beautiful she is now!" she cried exultantly, laughed hoarsely, then cast her grey-green eyes round her in a glance of feverish exasperation--"I mean!"--she cried again, and drew impatiently on her cigarette--"there's simply no comparison!" Then, realising that she had not said what she had wanted to say, she went on: "Oh, I mean!"--she said in a tone almost of desperation and tossed her cigarette angrily away into the blazing fire--"the whole thing's obvious!" she muttered, leaving everyone more bewildered than before. With a sudden and impulsive movement she turned towards Stephen Hook, who was still leaning with his elbow on one corner of the mantel, and demanded: "How long has it been, Steve?...I mean!--it's been twenty years ago, hasn't it?"

"Oh, quite all of that," Hook answered in his cold, bored voice. In his agitation and embarrassment he moved still farther away until he almost had his back turned upon the group. "It's been nearer thirty, I should think," he tossed back over his shoulder, and then with an air of casual indifference he gave the date. "I should think it was done in nineteen-one or two--wasn't it, Esther?" he said, turning to Mrs. Jack, who had now approached the group. "Around nineteen-one, wasn't it?"

"What's that?" said Mrs. Jack, and then went on immediately, "Oh, the picture! No, Steve. It was done in nineteen"--she checked herself so swiftly that it was not apparent to anyone but Hook--"in nineteen-six." She saw just the trace of a smile upon his pale, bored face and gave him a quick, warning little look, but he just murmured:

"Oh...I had forgotten it was as late as that."

As a matter of fact, he knew the exact date, even to the month and day, when it had been finished. And, still musing on the vagaries of the sex, he thought: "Why will they be so stupid! She must understand that to anyone who knows the least thing about Mallows' life the date is as familiar as the fourth of July!"

"Of course," Mrs. Jack was saying rapidly, "I was just a child when it was made. I couldn't have been more than eighteen at the time--if I was that."

"Which would make you not more than forty-one now," thought Hook cynically--"if you are that! Well, my dear, you were twenty when he painted you--and you had been married for more than two years...Why do they do it!" he thought impatiently, and with a feeling of sharp annoyance. He looked at her and caught a quick expression--startled, almost pleading--in her eyes. He followed her glance, and saw the awkward figure of George Webber standing ill at ease in the doorway leading from the dining-room. "Ah! It's this boy!" he thought. "She's told him then that--" and, suddenly, remembering her pleading look, he was touched with pity. Aloud, however, he merely murmured indifferently:

"Oh, yes, you couldn't have been very old."

"And God!" exclaimed Mrs. Jack, "but I was beautiful!"

She spoke the words with such innocent delight that they lost any trace of objectionable vanity they might have had, and people smiled at her affectionately. Amy Carleton, with a hasty little laugh, said impulsively:

"Oh, Esther! Honestly, you're the most...1 But I mean!"--she cried impatiently, with a toss of her dark head, as if answering some invisible antagonist--"she is!"

"In all your days," said Mrs. Jack, her face suffused with laughter, "you never saw the like of me! I was just like peaches and cream. I'd have knocked your eye out!"

"But, darling! You do now!" cried Amy. "What I mean to say is--darling, you're the most...! Isn't she, Steve?" She laughed uncertainly, turning to Hook with feverish eagerness.

And he, seeing the ruin, the loss, the desperation in her splintered eves, was sick with horror and with pity. He looked at her disdainfully, with weary, lidded eyes, said: "What?" quite freezingly, and then turned away, saying with an accent of boredom: "Oh."

Beside him was the smiling face of Mrs. Jack, and, above, the portrait of the lovely girl that she had been. And the anguish and the mystery of time stabbed through him.

"My God, here she is!" he thought. "Still featured like a child, still beautiful, still loving someone--a boy!--almost as lovely now as she was then when Mallows was a boy!"

1901! Ah, Time! The figures reeled in a drunken dance and he rubbed his hand before his eyes. In 1901! How many centuries ago was that? How many lives and deaths and floods, how many million days and nights of love, of hate, of anguish and of fear, of guilt, of hope, of disillusion and defeat here in the geologic aeons of this monstrous catacomb, this riddled isle!--In 1901! Good God! It was the very Prehistoric Age of Man! Why, all that had happened several million years ago! Since then so much had begun and ended and been forgotten--so many untold lives of truth, of youth, of old age, so much blood and sweat and agony had gone below the bridge--why, he himself had lived through at least a hundred lives of it. Yes, he had lived and died through so many births and deaths and dark oblivions of it, had striven, fought, and hoped, and been destroyed through so many centuries of it, that even memory had failed--the sense of time had been wiped out--and all of it now seemed to have happened in a timeless dream. 1901! Looked at from here and now, it was a kind of Grand Canyon of the human nerves and bones and blood and brain and flesh and words and thought, all timeless now, all congealed, all solidified in an unchanging stratum there impossibly below, mixed into a general geologic layer with all the bonnets, bustles, and old songs, the straw hats and the derbies, the clatter of forgotten hooves, the thunder of forgotten wheels upon forgotten cobbles--all merged together now with the skeletons of lost ideas in a single stratum of the sunken world--while she----

--She! Why, surely she had been a part of it with him!

She had turned to speak to another group, and he could hear her saying:

"Oh yes, I knew Jack Reed. He used to come to Mabel Dodge's place. We were great friends...That was when Alfred Stieglitz had started his salon----"

Ah, all these names! Had he not been with these as well? Or, was it but another shape, a seeming, in this phantasmal shadow-show of time? Had he not been beside her at the launching of the ship? Had they not been captives together among Thracian faces? Had he not lighted tapers to the tent when she had come to charm remission from the lord of Macedon?--All these were ghosts--save she! And she--devouring child of time--had of this whole huge company of ghosts alone remained immortal and herself, had shed off the chrysalis of all these her former selves as if each life that she had lived was nothing but an outworn garment, and now stood here--here! Good God!--upon the burnt-out candle-end of time--with her jolly face of noon, as if she had just heard of this brave new world on Saturday--and would see if all of it was really true to-morrow!

Mrs. Jack had turned back once more at the sound of Amy's voice and had bent forward to listen to the girl's disjointed exclamations as if, by giving more concentrated attention, she could make sense of what the girl was trying to say.

"I mean!...You know!...But Esther! Darling, you're the most...! It's the most...! I mean, when I look at both of you, I simply can't"--cried Amy with hoarse elation, her lovely face all sunning over with light--"Oh, what I mean to say is"--she cried, then shook her head strongly, tossed another cigarette away impatiently, and cried with the expiration of a long sigh--"Gosh!"

Poor child! Poor child! Hook turned pompously away to hide the naked anguish in his eyes. So soon to grow, to go, to be consumed and die like all of us! She was, he felt, like him, too prone to live her life upon the single instant, never saving out anything as a prudent remnant for the hour of peril or the day of ruin--too prone to use it all, to give it all, burning herself out like last night's moths upon a cluster of hard light!

Poor child! Poor child! So quick and short and temporal, both you and I, thought Hook--the children of a younger kind! While these! He looked about him at the sensual volutes of strong nostrils curved with scornful mirth. These others of this ancient chemistry--unmothed, re-born, and venturesome, yet wisely mindful of the flame--these others shall endure! Ah, Time!

Poor child!

16. A Moment of Decision

George Webber had helped himself generously to the sumptuous feast so temptingly laid out in the dining-room, and now, his hunger sated, he had been standing for a few minutes in the doorway surveying the brilliant scene in the great living-room. He was trying to make up his mind whether to plunge boldly in and find somebody to talk to, or whether to put off the ordeal a little longer by lingering over the food. He thought with regret that there were still a few dishes that he had not even tasted. He had already eaten so much, however, that he knew he could not make a convincing show of taking more, so there seemed to be nothing for it but to screw up his courage and make the best of the situation.

He had just reached this conclusion, with a feeling of "Now you're in for it!"--when he caught a glimpse of Stephen Hook, whom he knew and liked, and with a great sense of relief he started towards him. Hook was leaning on the mantel, talking with a handsome woman. He saw George coming and extended his soft, plump hand sideways, saying casually:

"Oh. How are you?...Look." His tone, as always when he did something that was prompted by the generous and sensitive warmth of his spirit, was deliberately indifferent and masked with an air of heavy boredom. "Have you a telephone? I was trying to get you the other day. Can't you come and have lunch with me some time?"

As a matter of fact, this idea had never occurred to him until that moment. Webber knew that he had thought of it in an instant reflex of sympathy to put him at his ease, to make him feel less desperately shipwrecked in these glittering, sophisticated tides, to give him something "to hold on to". Ever since he had first met Hook and had seen his desperate shyness and the naked terror in his eyes, he had understood the kind of man he was. He had never been deceived by the show of aloof weariness or the elaborately mannered speech. Beneath these disguises he had felt the integrity, the generosity, the nobility, the aspiration in the man's tortured soul. So, now, with profound gratitude, he reached out and shook his hand, feeling as he did so like a bewildered swimmer seizing on the one thing that could sustain him in these disturbing and unfathomed currents which were edged somehow with menace. He stammered out a hasty greeting, said he would be delighted to go to lunch with him some time--any time--any time at all; and he took a place beside Ho