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Title: A Teacher of the Violin and Other Stories
Author: J. H. Shorthouse
* A Project Gutenberg of Australia eBook *
eBook No.: 0606471.txt
Language: English
Date first posted: August 2006
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A Teacher of the Violin and Other Stories
J. H. Shorthouse



CONTENTS

An Apologue.
Ellie; A Story of a Boy And Girl.
A Teacher of the Violin.
The Baroness Helena Von Saarfeld.
The Marquis Jeanne Hyacinthe De St. Palaye.




AN APOLOGUE


There was a pause in the game. Spades were trumps, and the two Besique
Knaves were lying on the table side by side. The Professor held
sequence cards almost entirely, and it required careful play on the
part of his adversary to prevent his getting both the sequence and the
double besique. Therefore there was a pause in the game.

The King of Diamonds and the King of Clubs were lying side by side,
and began to talk. The King of Clubs was a stupid king. He always said
the same thing over again. No matter what excellent reasons you gave
him, nor how clearly you showed him what foolish remarks he made, he
always repeated the last words he had said. This was, no doubt, very
stupid; but it gave him a great advantage in argument.

The King of Diamonds, on the contrary, was very clever. His intellect
was of so rare a quality, and of so hard and fine a temper, and had
been so carefully and sharply cut and elaborated into crystals, that
it was enabled to pierce further into a millstone than that of any
other card--yes, even that of the cleverest of the Knaves, for the
intellect of these latter is always spoilt by a sort of worldly
cunning, and a too great reference to the gains and advantages of
present good.

'I tell you,' said the King of Clubs, in a loud and positive voice,
'that it is all chance. In an affair in which I was lately engaged,
and in which my suite were trumps, there were with me the two Aces, my
brother, the King of Clubs, my own consort, the two Tens, and one of
the Knaves. Now, I ask you, what could any skill effect against such a
force as this?'

As this was the ninth time the king had related this anecdote in
precisely the same words, the King of Diamonds began to feel the
conversation a bore, and if his perfect culture would have permitted
such a thing, he would have felt irritated, which, of course, he never
did. He therefore replied with extreme politeness, in a soft and
melodious voice--

'The force of your reasoning, my dear Clubs, and the interesting
anecdote you have just related, admit of no reply. I see clearly that
everything is the result of chance, and I also see, I think clearly,
that: chance forms itself under certain contingencies into a sort of
system by which unexpected results are obtained. Thus, I have often
noticed that when everything seemed clear before us, and the game our
own, in the most unexpected way everything is changed; instead of
lying peaceably on our own side of the table, we are transferred to
the enemy's camp. The play of one particular card appears to have
subverted the most formidable combinations, and conclusions which I
fancied certain dissolve into air.'

The King of Clubs did not understand a word of all this, but, as his
companion appeared to be agreeing with what he himself had stated, he
did not think it worth while to relate his anecdote over again, and
remained silent.

'I think it must be plain to every one,' continued the King of
Diamonds, still with extreme politeness, 'even to the most stupid,
that we are governed by a higher intellect than our own; that as the
cards fall from the pack, in what you so forcibly describe as chance
medley merely, they are immediately subjected to analysis and
arrangement, by which the utmost possible value is extracted from
these chance contingencies, and that not unfrequently the results
which chance itself seemed to predict are reversed. This analysis and
arrangement, and these results, we cards have learnt to call intellect
(or mind), and to attribute it to an order of beings superior to
ourselves, by whom our destinies are controlled. These truths are
taught in our Sunday schools, and will, I think, scarcely be denied.
But what I wish to call your attention to, is a more abstruse
conception which I myself have obtained with difficulty, but which
your more robust--that is the term, I think, you Liberals use--
intellect will, I doubt not, readily grasp. It has occurred to me that
even the fall of the cards is the result merely of more remote
contingencies, and is resolvable into laws and systems similar to
those to which they are afterwards subjected. I was led at first to
form this conception by an oracular voice which I once heard, whether
in trance or vision I cannot say. The words I heard were somewhat like
these:--

'"If we could sufficiently extend our insight we should see that every
apparently chance contingency is but the result of previous
combinations: that all existence is but the result of previous
existence, and that chance is lost in law. But side by side with this
truth exists another of more stupendous import, that, just as far as
this truth is recognised and perceived, just so far, step by step,
springs into existence a power by which law is abrogated, and the
apparent course of its iron necessity is changed. To these senseless
cards" (whom the voice here alluded to I fail to see)--"to these
senseless cards, doubtless, the game appears nothing but an
undeviating law of fate. We know that we possess a power by which the
fall of the cards is systematised and controlled. To a higher
intelligence than ours, doubtless, combinations which seem to us
inscrutable are as easily analysed and controlled. In proportion as
intellect advances we know this to be the case, and these two would
seem to run back side by side into the Infinite Law, and Intellect
which perceives Law, until we arrive at the final problem, whether Law
is the result of intellect, or intellect of Law." These were the
remarkable words I heard.'

I do not understand a word you have said,' replied the King of Clubs.
'I remember in an affair in which I was engaged--'

Here the King of Spades suddenly came down upon the table at his
brother monarch's side, and the game was played out.

When the game was over, and the other player was gone, the Professor's
little daughter came to the table, and began to play with the cards.

'Why does the Herr Councillor, who is so rich, come and play with you,
papa?' she said.

'We were boys together, and he likes to come and hear me talk; for
while he has been growing rich and great, I have been thinking, which
he has no time to do.'

The Professor would not have said this to any one else, but it was
only his little daughter, and there was no reason why he should not
say what was in his mind.

'Why did you not ask God to make you rich and great?' said the little
girl.

'I asked the All-father,' said the Professor, looking very kindly at
the child, 'to give me all that was good, and He has given me
everything, even a little girl.'

The child was taking all the royal cards in her hands and placing them
side by side upon the table, so that she made a pretty picture, bright
with colours and gay forms; but one card was wanting, so that the
royal dance-figure was not perfect, and one place was vacant.

A card was lying on the floor with its back uppermost.

'Pick me up that card, papa,' said the Professor's little daughter.
'It is a king.'

The Professor stooped down and picked up the card. It was a paltry
seven of hearts.

Now the father could not complete the picture for his child, for the
wise King of Diamonds had fallen by misadventure into the large pocket
of the rich councillor's embroidered coat, and was gone.



ELLIE; A STORY OF A BOY AND GIRL.

When I came home from Eton one vacation, I found a new inmate at
Abbot's Calvert: one whom at first I was very much surprised at, and
afterwards very much delighted with. This was a little girl, of about
fifteen, the daughter of a very distant cousin of my father's, who,
having lived a life of privation, partly, I believe, caused by errors
of his own, had died prematurely, without either choosing or being
able, I do not know which, to interest his noble relatives in his
behalf. When he died, and his little daughter was left alone and
helpless in the world, my mother had caused inquiries to be made about
her, which resulted in her being sent for into the country. The moment
she arrived at Abbot's Calvert it was plain that she was permanently
established there. It was impossible for any creature to be with her
for five minutes without loving her. My mother, who had no daughters
of her own, adopted her altogether as one; and the Marquis himself,
who rarely spoke to any one except my mother and his eldest son,
condescended to pet her. She was even then a remarkably graceful girl,
tall, and giving great promise of that extraordinary loveliness which
two years afterwards she possessed. It was not astonishing, then, that
I, a boy of seventeen, used to ladies' society and fond of it, fell
desperately in love (with the desperation of seventeen) with this
charming little creature; or, on the other hand, that she, transferred
from the narrow poverty of her father's life to a stately old mansion
with 'parks and ordered gardens great,' with ponies to ride, and boats
upon the river, with carriage drives, and picnics, was very happy, and
thought a good deal of her young companion, who, whenever he arrived,
took the greatest trouble and felt the greatest pleasure in pleasing
her. In spite of all these pleasures, it was rather dull most of the
year at Abbot's Calvert, for my mother did not take Ellie to London,
but left her nominally in the schoolroom, under the care of her
governess, a lady recommended by the single but invaluable
characteristic of never being in the way. It was not astonishing,
then, that in this new life of hers the girl was very happy, or that
she was very fond of 'Fred.'

'Fred' is very different now, so it is not conceited to say that I was
then a good specimen of an English lad, such as you may see scores of
in the public schools, with well cut features, and auburn hair, tall,
but not too tall, well built, active, holding my place in all games,
used to society, just bashful enough to be well mannered, and no more.
If I am to tell my story at all, I must be allowed to say thus much,
so that it may be understood.

I do not want it to be a long story, so it will be enough to say
things went on in this way for two years, till I left Eton finally in
June, and came down home for the vacation, looking forward to going up
to Cambridge to Trinity at the beginning of the term. I had not seen
Ellie for nearly six months, for I had not been in the country at
Easter, 'having spent the holidays in London. It was my brother Lord
Canham's first session in Parliament, and the family had been in
London longer than usual. When I got into the hail, then, and found
her there waiting for me, I scarcely knew her, such a perfectly lovely
creature had she grown. She was standing beneath the picture of the
last Abbot, with the sunlight falling on her coloured by the old
armorial bearings of the Abbey which still remain in the windows (for
the Calverts had been tenants of the old monks for centuries, and have
always preserved a kindly feeling towards their memory, as indeed was
not unreasonable, seeing that they had come in for by far the largest
part of their lands). She was tall, and very slightly formed, her
features and complexion perfectly faultless, her eyes large and
dreamy, what some people thought heavy and expressionless (though they
lighted up enough many times that I knew of), her hair of the palest
auburn, wavy all over and very abundant. I felt shy and bashful for a
moment, but, fortunately for myself, I crushed down this feeling and
kissed her, as I should have done a year ago.

That year's summer was a glorious one, day after day of lovely skies,
soft showers, warm quivering air, sultry 'all-golden' afternoons,
short wonderful nights, like dreams of day, full of perfume, of cool
zephyrs, of rustling voices in the trees. Parliament sat late, and the
house was almost deserted the most part of the time; we were not
without neighbours, and formed parties of pleasure every few days, but
these only served to point and intensify the zest with which Ellie and
I spent the intervening days alone. In the gardens, on the croquet-
lawn, on the river, riding or wandering in the lanes, galloping over
the grassy slopes of the Chase (I had taught Ellie to ride myself, and
she did my instruction the greatest credit), driving a miniature
basket phaeton into the neighbouring town to the Cathedral service and
to the shops, day after day of this delightful summer flew by
unheeded. I imagine, from the novels I have read, that it will be
thought by some people very wrong that we should have been left
together in this way, and that they will say that it is highly
improbable and absurd to suppose that my mother should have permitted
this intimacy to go on in so unchecked a way. All I can say is, that
these ideas never entered into any phase of society with which I was
acquainted; a perfect absence of any feeling of the kind, of any
approach to what I have seen described as a restless meddling
propensity to match-making, or to an equally restless fear of it,
characterised, or would have characterised, if any one had ever
thought of it, the people among whom I lived, and no one more so than
my mother. The Marquis and Marchioness were down for a few days in the
middle of summer, and Canham also for a week. I know that my father
spoke to Canham about us, but that he pooh-poohed the whole affair,
called Ellie a charming little thing, whom he had a great mind to fall
in love with himself, and that my father thought no more, or little
more about us. I do Canham the justice to say he never did interfere
with us, being wholly occupied with preparing a speech on the tenant-
right of Ireland, a subject about which he knew nothing and cared
less, only, as the family had large estates in that island, it was
thought well for him to make a speech, which, while not embarrassing
the Government, might rouse great enthusiasm in his favour among the
Irish: and this he found was quite sufficient to occupy him while at
Abbot's Calvert.

When I first came home in June Ellie had told me something which had
not affected us much at the time, when we had all the holidays before
us, but which, as time passed by, assumed a more formidable
appearance.

This was that my mother had decided that she should spend a year at
least at a ladies' school, of which great things had been told her, in
a little village in the northern counties, called Southam, which
boasted of a fine old minster or collegiate church, and aped in all
its arrangements a small cathedral city. Ellie did not object to this
arrangement. My father and mother were going to Italy at the end of
October, and the house would be very dull all the autumn. She looked
forward to this school life with expectation of amusement.

September arrived, and the day when Ellie was to leave was very near,
when my other, one morning at breakfast, expressed eat annoyance at
the illness of Allen, her favourite maid, who, she informed us, had en
selected as Ellie's escort.

'Who was to take Ellie now,' 'she said, she did not know?'

I struck in with the happy audacity of my age and class.

'It was absurd to talk in that way; who should take Ellie except
myself? I had never thought of anything else.'

My mother immediately acquiesced, with that outward indifference with
which she received most things, and with that unconscious and
undemonstrative but profound conviction, that everything that her
family did, or proposed to do, was right.

'Oh very well,' she said; 'if you think of doing so that will be very
nice; that will settle everything pleasantly. Ellie will be very
willing, no doubt.'

I looked across at Ellie; no one could have found fault with her eyes
for dulness at that moment.

'Yes, she was very willing.'

At this moment my father, who rarely took any notice of our
conversation, raised his eyes from his newspapers and letters, and
asked what we were talking of.

'Oh nothing,' my mother said, 'only Allen is so unwell that she cannot
take Ellie to school, and Fred very kindly says he will go with her.'

'Hum,' said my father.

As he went out of the breakfast-room he told me to follow him into the
library, and seating himself in his favourite chair, in the great
oriel window, he turned to me with the air of a man who is saying a
good thing--'I have not the least objection, of course, sir, to your
making a fool of yourself; you will do so with great success,
doubtless, many times during the next few years, but you will please
to remember that a man of your name ought not to make a fool of any
one else.'

I had not the faintest idea what to say, so I said--

'Certainly not, my Lord.'

I very seldom called my father 'My Lord,' perhaps because he very
seldom spoke to me; but this seemed to be one of those rare occasions
when it was dramatically consistent, at least, to do so.

I went back into the morning-room, which was also the music room,
where Ellie was practising at the grand piano. I half lay on a couch
watching her, a ray of sunlight piercing the drawn blinds and lighting
up her hair, and beyond a Choir of Angels by Sabbatini that hung over
the piano.

Both my brother and myself had, when quite little boys, been trained
by my mother, who was a very clever woman, to watch our own motives
and feelings, and to look events as they occurred in the face, and to
trace, as far as we could, the succession of cause and effect in them,
relatively to ourselves; not very much, however, with a view to
arranging our own future, but as a matter of pure philosophy. It was,
therefore, impossible for me to act in any circumstances perfectly
thoughtlessly or without reflection; but, as I lay watching Ellie, I
was conscious that I was acting, and should go on acting, under the
influence of a sort of instinct, which told me I was safe and right.
Looking back on those days now, with no possible motive for self-
deception, I believe I was right; I believe that, even had things
happened very differently to what, alas! they did, both Ellie and I
were safe.

When the morning came for us to set out, we were driven down to the
cathedral town, and travelled to Southam by express.

'Look here,' I said to the guard, as we got into the carriage, 'I will
give you a sovereign at Southam if no one gets in here beside
ourselves.'

No one attempted to get into that compartment between Bishopstone and
Southam. We had a delightful and comfortable ride, wrapped up in a
corner of the carriage like the babes in the wood, and the only fault
we found with the journey was that it was too short.

At Southam we were expected, and found a fly waiting to take us up to
the school. We passed the grand old minster, with its Norman towers,
sleeping in the evening sunshine, and reached the school, a pleasant
country house surrounded with gardens, and fields planted with rows of
beeches, in which the rooks were cawing.

Ellie was taken away upstairs, and the servant, telling me that some
ladies were at tea with her mistress, suggested that I should join
them. I had sent in my card 'Lord Frederick Staines Calvert,' on which
I had added, rather patronisingly, 'Miss Elinor Calvert, for Ellie had
no cards. I entered a large pleasant room, where several ladies and
one or two clergymen were at tea at a long table. I fancy they had
expected an older and more imposing person from my card, for they
seemed uncertain as to who I was, as I came in, and no one rose to
welcome me.

A pretty and clever looking young lady, whom I took to be the chief
manager in the school, held out her hand to me without rising as I
came up the room, and, as I bowed over it, showed me a chair which had
been placed next to her. At the top of the table was a severe looking
old lady, to whom I was introduced, evidently the mistress of the
school; and just opposite me was a little pleasant looking bright old
lady, who took the greatest interest in everything, and began to talk
to me at once.

'We expected a much older gentleman from your card, Lord Frederick,'
she said, looking very sharply at me; 'Miss Calvert cannot be your
sister?'

'It is all the same,' I said; 'we have been brought up together.'
Which was a fib.

'You are a very good brother,' she said, still looking at me very
hard; 'I know many who would think it a great "bore," as they call it,
to bring their sisters to school.'

Her eyes were so sharp and full of meaning that I could not help
wincing, and am not even sure that I did not blush, especially as the
clever looking young lady by me seemed amused.

At this moment the door opened, and Ellie was shown in. She had
changed her dress, and was looking fresh and beautiful. I had never
before been so conscious of her really extraordinary loveliness, nor
so proud of it, as when I saw the effect it produced on these people
as she came up the room.

Room was made for her by the austere old lady herself, whose face
softened and quite beamed with kindness as she turned to her.

'We were just saying, my dear,' she said, 'how good it was of your
brother--cousin, I believe he is, but he says it is all the same--to
bring you here. That was before we saw you; we do not wonder at all
now that he was glad to do so.'

'No,' said the little old lady; 'I was going to ask you, Lord
Frederick, what you travelled down together for; I have no need to ask
anything of the kind now.'

We sat some time at tea, and talked pleasantly. The pretty young lady
was very intelligent and amusing. Canham's tenant-right speech had
after all turned out a very good one, and one of the clergymen spoke
to me about it. They were all quiet intelligent people, and I enjoyed
myself. After tea we went into a drawing room, which opened into the
room where we were, and stood about, still talking. Ellie sat rather
apart upon an ottoman. I went to her, and, sitting down by her side,
said mischievously, alluding to the cosy way in which we had
travelled--'What did we travel down together for, Ellie?'

She was shy and sad now, and could scarcely smile. I sat some time by
her, talking of what we should do at Christmas, and how pleasant it
would be, and she cheered up a little to remind me of a sort of
interlude I had promised to write, and to insist on my not forgetting
some little playful hit, which we had concocted against one of the
family. I was conscious that we were the object of great interest to
the people in the room. The clever young lady told me afterwards in
that very room (ah me, on what a different day!) that they had all
taken it as a settled thing--a match desired by the family.

At last I rose to go away. Ellie came out with me to the door. She
hung about my neck for a moment--one, two kisses--and then a third,
and she was taken upstairs, and I drove away, under the beech-trees,
where the rooks were gone to rest, and by the great old towers of the
minster, upon which the moon was just risen, as I looked back.

I went down to Ryde, to Canham, who had his yacht there. We cruised
about the Channel for a few days, and took part in a regatta, and then
he took me round the east coast to Cromer, and I came up to Cambridge,
and entered at Trinity at the beginning of the term.

The excitement of yachting, and of the new life at Trinity (and
especially the boating, into which I entered with great zest, having
been in the first boat at Eton), put Ellie almost entirely out of my
head, so that for many days I scarcely thought of her at all.

The splendid summer of that year was prolonged into a superb, but
moist and unhealthy, autumn, with a luxuriant vegetation, caused by
the sultry and showery summer, and causing, in its turn, fever, and in
some places cholera. Cambridge was lovely during day after day of
golden misty sunlight on the gorgeous foliage of the 'Backs.' Of
course I had many friends already among the Eton men, and had plenty
of company, but I did not altogether forget Ellie, and had even begun
to work upon the interlude for Christmas, having found a man who had a
taste for such things. But for two or three days our boating coach had
been working us very hard, and I think that I had scarcely thought of
Ellie once, when one evening I came down from my rooms (which were on
the staircase which turns up opposite the Hall, looking into the
Neville Court), and stood on the steps, looking down into the great
quadrangle, a little before Hall. A cloudless blue sky was overhead,
the sun was just setting on the quaint buildings, the grass-plots, the
fountain--on that beautiful court, in short, on which, that he might
look once more from his death-bed, a late master made them draw up the
blinds of his sick-room. The evening was close and sultry, and the
court was very quiet, though the men were all standing about, waiting
for Hall. As I stood upon the steps, some one came across from the
porter's lodge with a paper in his hand. It was handed about among the
men, 'Lord Frederick Calvert,' and with a joke or two, was passed on
to me. I see as plainly as I shall ever see anything in life the scene
before me, as I stood with it, a moment, unopened in my hand, the old
buildings, the chapel, the blue sky, the grass, the fountain, the men
in their blue gowns standing about, the next moment it was rolled away
like a scroll altogether out of sight. 'Ellie is dying,' the message
from my mother said; 'come down to Southam at once. She says nothing
but "Fred."'

I got to the station a few minutes before the train started; I caught
the express at Huntingdon, and came on all night; I heard nothing but
Ellie's voice calling me by name. My father was well known on the
Great Northern, and they stopped the express for me at the nearest
station on that line to Southam, and I got a carriage and two horses,
and came on as fast as I could bribe the man to go. As we got near our
journey's end the dawn broke, and the sun, true to the character of
that year, rose upon a splendid autumn morning. The few birds that
were left sang gaily, the moist trees and grass and brambles were
covered with a thousand glittering drops, the blue sky was streaked
with varied colour, everything sang of new life, new hope, new beauty,
the resurrection from the night. Only in my heart I felt a chill
hatred of this beautiful nature, of this lovely, unsympathising
companion which mocks our grief; in my heart I felt, as I have felt
since at calmer and more solemn times, that this beauty of nature has
little in common with our deepest sorrows and our highest hopes.

The grand old minster towers, with their Norman tracery, were shining
in the slanting glory of the rising sun; the rooks were wheeling above
the beeches. We had come rather slowly the last few miles, but we
swept through the village and up the drive at a gallop. The house was
ghastly with the white blinds. The maid who opened the door was the
same who had waited upon us at tea that evening, and knew me at once
before I spoke. Ellie was gone. From the first moment the plague had
struck her down she had said but one word, at first continually, then
at longer and longer intervals, but always the same--'Fred.'

'Why did we travel down together, Ellie? Such a little way through
life.

In the far-off spaces of Eternity--.in the Light which no man can
approach unto--we shall know.




A TEACHER OF THE VIOLIN

Part 1

AUTOBIOGRAPHICAL

When, in the year 1787, I entered, at the age of nineteen, the
university of the kingly city of Wenigstaat, I was, no doubt, a very
foolish young man, but I am perfectly certain that I was not a fool. I
suffered not only from that necessary disease which from the very
nature of existence it is impossible for a young man to escape, the
regarding of life from his own standpoint, as a man on first coming
into a brilliantly lighted and crowded room must of necessity, for a
few moments, be conscious of the varied scene only as it strikes
himself; but I was also to some extent subject to that fatuity which
haunts some young men, the forming of opinions and the giving audible
expression to them. Notwithstanding all this, I was at the same time
conscious of such a crowd of ideas, actuated by such ideas, and
stirred to the depths of my being by the emotions and results which
these ideas wrought upon me, that looking back with the impartiality
which the lapse of thirty years gives even to the review of one's
self, I feel perfectly confident that I was not a fool. I shall, I
fear, have to describe at some length how I came to be what I was, but
I will be as short as I can. My history would be worth nothing in
itself, but it is interwoven closely with that of some others whose
personality seems to me well worthy of record.

I was the eldest son of the pastor of the little village of Waldreich
in the wooded mountains of Bavaria. Though my father had a large
family, and his cure was only a village one, he was not so poor as
most of his order, for he had a little private income derived from
houses in Bayreuth: my mother had also some little money of her own.
My father was a man of a singular patience and quietude of conduct. He
divided his time between cultivating his little garden and orchard,
and preparing his sermons with elaborate care. When, in after years, I
became possessed of many of these beautifully written discourses, I
was amazed at the patience, care, and scholarship expended upon these
addresses to a few peasants, most of whom fell asleep during the time
of hearing. I believe that my father's sole relaxation and indulgence
consisted in poring over an old folio Terence which he possessed, and
which, shielded amidst the mysteries of a dead language, he could read
in perfect security, without fear of scandalising his flock. Indeed it
is possible that they regarded it as a work of deep theology, and
perhaps they were right.

The little village of Waldreich lies immediately at the foot of the
wooded hills. We ascended from the garden and croft of the pastor's
house straight into the fir-woods and the oak-dingles that led up into
the mysterious and wild heights above--into the mists and cloud-
shadows--into a land of green mountain-woods rising against blue
skies--a land of mist and rain-showers, of the tints of rainbows
spanning the village, and of coloured prisms of light stealing down
crag and forest-dingle--a land of rushing streams and still, solemn,
dark lakes--a land of castles upon distant peaks and of the faint
smoke of charcoal-burners on the hillsides. Through all the varied
changes of the day in this romantic land, from the cheerful dawn, loud
with the song of birds and the lowing of cattle, to the solemn evening
stillness, I passed the first few years of my life. The scenes around
him penetrated into the boy's being and formed his nature. However, I
have no wish to become wearisome in describing all these influences
and these results minutely. There is one influence, however, which
must be dwelt upon if the story is to be told at all, for it was the
leading influence of my life--the influence of sound. From a very
little child I was profoundly impressed by the sounds of nature: the
rushing water, the rustling oaks, the sighing and moaning wind down
the mountain-valleys spoke to me with distinct utterance, and with a
sense of meaning and even of speech. These sounds were more even than
this: they became a passion, a fascination, a haunting presence, even
a dread.

I can give one instance of this. Below the village and parsonage
house, where we lived, was a beautiful meadow on the banks of the
swift winding river. This meadow was my greatest delight as a little
child. At the lower end was a mill, and a mill-pool and race; and
around the edges of the pool beds of flags had planted themselves for
ages, forming a thick phalanx of waving pointed leaves. Nothing could
exceed the fascination this sight had for me, not only when the yellow
flowers mingled with the green stately leaves, but at other times of
the year when I listened hour after hour to the whispering murmur
through the innumerable lances of the reeds. But to reach this meadow
it was necessary to pass a row of vast, lofty, straggling trees (I
suppose some species of poplar), and no words can describe the terror
which the same wind, which delighted me so much in the gentle murmur
of its reed-music, inspired me with when heard through these lofty
swaying branches. I often, even in those early days, wondered why the
music of the wind through the green rushes on the water's edge should
have thrilled me with cheerfulness and joy, while the same wind
wailing through the branches of the great trees high above my head
crushed me with an unspeakable horror and dread. Doubtless in this
latter was the sense of vastness and unapproachable height, infinite
as it seemed to a little child--the touch, even, of the infinite must
ever, it would seem, be appalling to man.

It was in this way and by these experimental methods that I began so
early to recognise the mysterious connection that exists between sound
and human feeling.

Down the long winding oak-dingles, between the high cliffs and the
wooded slopes of the hills, there came to me as a little child
whispers and murmurs of dreams and stories of which at that time I
knew nothing, and to which I could give in those early days no
intelligent voice or meaning. But, as I grew in years and listened to
the talk of nurse and peasant, and of village lads and children, and
heard from them the legends of elf-kings and maidens and wild hunters
of the forest, weird and fantastic indeed, yet still strangely
instinct with human wants and hopes, I began to connect such sympathy,
felt then, as it seemed, for the first time, with human life in all
its varied aspects, and stories of human loves and joys and terrors,
with these sounds of nature, the sweeping wind through wood.

I use these last words advisedly because, even in those earliest days,
it seemed to me that all sound that was of spiritual import was in
some hidden sense the product of the wind and of wood. There was a
wailing of the wind at night through the crevices of the high-pitched
roof and the panelled walls of the old parsonage that thrilled me as
with a message from on high, but this was still wind and wood. Butt
where the wind had no part, where it was not sound so much as noise,
in the clanging of metal upon metal, in the inarticulate screaming of
senseless creatures, the terror that I had felt in the wailing wood,--
that terror that had still something in it of the higher life and
hope,--was turned into the mere panic of despair.

I distinctly remember that I had these feelings as a child; but, since
those days, I have pleased myself in finding that the great Goethe
shared with me my dislike to the continuous barking of a dog.
'Annihilation,' he said one day, in conversation with the
Legationsrath Falk, 'is utterly out of the question; but the
possibility of being caught on the way by some more powerful, and yet
baser monas, and subordinated to it--that is unquestionably a very
serious consideration; and I, for my part, have never been able
entirely to divest myself of the fear of it. At this moment a dog was
heard repeatedly barking in the street. Goethe sprang hastily to the
window and called out to it: 'Take what form you will, vile larva, you
shall not subjugate me.' A gallant boast but an ineffectual one!
Noise, especially if continued on one note, deadens and destroys the
soul, the life of the mind within the brain. The constant reiteration
of one note will drive a man mad, just as the continual fall of a drop
of water upon the same spot of the head will cause madness and death.
You may prove this on the violin. Whereas if you laid your head down
in the meadow by the river on the long grass, there came to you in the
whispering wind something like the sea-murmurs that live within the
shell--tidings of a delicate life, news of a world beyond the thought
of those who merely haunt the palaces of earth.

These two, the murmur of the wind through grass and the whisper within
the shell, are perhaps the most delicate sounds that Nature can
produce: was it possible that I should find in art something more
perfect still? In this passion for sound, in which I lived as in a
paradise, it may be asked, Where did music find a place? The music
that I heard in my childhood was not of the best class; and perhaps
this might be the reason that musical sound rather than music seemed
to haunt those hours of childhood, for among the untutored sounds of
Nature there are, now and again, musical notes of surpassing beauty.
Among the railing sounds of the wind that haunted the high-pitched
roof above the boarded ceiling of our bedroom, there was one perfect
and regular note. It never varied, except in loudness according to the
force of the wind. This note, in its monotony, had an enthralling upon
my imagination. I had once associated certain thoughts with its
message: no doubt the continued association of ideas of recollected
imagery would explain the rest.

The wandering musicians that played in the court-yard on summer
evenings upon hautboys and fiddles no doubt reached me with a strange
message from afar, especially in the shrill high notes; and on Sunday,
in the village church, the organist thundered out fugues and
fantasias, but it was the final cadences only that touched me: somehow
the organ seemed wanting in that supreme searching power of wind and
wood.

But one day, it was a summer evening, there came into the court-yard
four zither players from the South. I say zither players, but their
instruments were more like the old Italian lutes for size and the
number of strings. They were regulated each at a certain interval,
including only the notes of the middle octaves.

They played a singular rapid music with little tune. It was like a
rippling maenad dance: apparently reckless and untrained, yet in
reality perfectly regulated in step and figure, every note true to its
corresponding note in the higher or lower octave, and now and again
all united in one sudden consonant harmony, by which the wild lawless
music vindicated its perception of unison and the moral perfection of
pure sound; but even in this there seemed to me nothing that spoke in
just the same voice as did the gentle whisper of that teaching wind
through grass and wood.

On the organ in the parish church, written in faded gold letters, were
the words from Luther's Bible: 'The wind bloweth where it will, and
thou hearest the sound of it well, so is every one that is of the
spirit born.'

When, as a child, I sat during long sermons the little grated seat of
the pastor's children, I pondered over these words, and for a long
time could find no reason or congruity in them. What had the wind
blowing where it listeth to do with the birth of the spirit? But on
one hot summer afternoon, when I had fallen asleep during my father's
discourse, I was suddenly aroused by the cessation of the preacher's
voice and by the murmuring fall of harmony, for the organist probably
had been asleep too, and was playing unconsciously such simple notes
as came first to hand. I say I awoke suddenly into life and sense, and
saw the rich mellow tints of the organ-wood, and these mystic letters
all lighted up with the gilding rays; and an inward consciousness came
like a flash of lightning from heaven into the child's mind that the
wandering, seeking wind through reed or organ-pipe or flute, or over
strings of violin or grassy hill, spoke to the spirit and to the
spirit-born, and to such only, with a sufficient and adequate voice.
This conception came to me like a message from above. It raised my
thoughts of Nature and harmonised her voices with the needs and
desires of my own soul. I pondered over it day and night; but before
long an event occurred which was in the end the means of leading me
beyond this half truth, and of more fully opening to me the gates of
the mystical city of sound, of which this organ-text had already given
me some fairy glimpses, and of revealing to me at last the true music
which is not only heard by the spirit-born but is born of the spirit
itself. My father went once every month on a kind of supernatural
mission, as it seemed to us children, to an unknown and dimly
conceived mansion or mountain-palace in the hills. That is, he was
chaplain to the old Grfin von Wetstein, and once a month he preached
before her on Sundays. Sometimes, on special occasions, an ornamental
or state-coach was sent for the pastor, who thus seemed rapt as in a
celestial chariot from his family and the ordinary village folk.

One surprising day, when the lad was between fourteen and fifteen, the
father said to him: 'Put on thy best clothes, for tomorrow thou shalt
go with me to the Grfin.'

It may well be imagined that there was not much sleep for the boy that
night.

It would take too long to tell of the wonders of that journey in the
state-coach, of the foolish, but perhaps natural pride of sitting
there above the common folk, and observing through the windows the
respect paid by all to the magnificent and symbolic vehicle, if not to
those who sat therein.

When we reached the schloss, which stood high up on the hills amid
woodland meadows and cow-pastures, then indeed the boy's expectation
and excitement grew too painful almost to be borne. He passed through
the gardens, with terraces and urns and statues, and the cascades of
water that came down from great ponds, formed in the summits of the
hills by building high stone walls and dams across the ravines. Later
on he was even presented to the Grfin, who, herself a wizened, faded
old woman, stood beneath the portraits of her ancestors, by a great
window in the gallery of the schloss, overlooking the valleys and the
champaign country beyond.

For some unknown reason this old woman, who scarcely spoke to any one
and seemed to take no interest in the present world, looking, as it
were, constantly out of the high windows into the driving cloudland,
as though she saw there all her past life and the figures of all those
who had alone made it dear to her, and who were themselves all gone
into the cloudland of the Infinite Unseen,--this old woman, not at the
first interview, but at the second or third, in the fresh mornings
over the early coffee, took a strange liking for the little village
lad. As this ill-assorted pair sat at the open window on the quiet
summer evenings, far above the distant woodland and the forest
meadows, face to face with the long streaks of solemn light along the
horizon, an almost imperceptible murmur, so soft and gentle was it,
passed up through the branches of the sycamore and chestnut trees and
of the lower growing pines, and, mingling with the distant Ranz des
Vaches, brought up as it seemed the life and struggles and sorrows of
the plain and of the people into the ears of this worn-out, old,
feeble aristocrat of the hills. She would say to the boy: 'And what do
you do, you children, in the winter nights, when you steal back in
your night-dresses to the great fire, and the father is reading
Terence? Tell it to me all again.'

Finally, she insisted upon my staying with her for weeks at a time,
and she bound herself to the pastor, by a written paper, to provide
for my future career. The boy led mostly a wild life, for his
interviews with his patroness took place at odd times and hours, but
he had some lessons from a resident cleric who superintended the
household, and had other teachers more than perhaps any one knew.

My father had often told his listening family of the great nobles who
would from time to time stay at the schloss, and how he would be
invited, being of a witty and conversational habit, derived probably
from his reading in Terence, to dine with them.

Some of these great noblemen I also saw at a distance in the garden or
elsewhere; but on one occasion a young Graf came to stay some days
with his great-aunt, having returned quite lately from the Italian
tour with his tutor. This tutor, an Italian, performed wonderfully, it
was said, on the violin. He was invited to play before the Grfin, and
the boy was admitted among the domestics of the schloss.

Then, on a sudden, was revealed to him the secret which had escaped
him so long, the consciousness of the existence of which had haunted
him in the wind-swept meadow and amid the awful, swaying branches of
the lofty trees.

I am not going to describe this playing. Attempts have been sometimes
made to describe violin-playing in words, but rarely, I think, with
much success. I shall only say that almost as soon as he began to play
what seemed to me then a singularly strange idea occurred to me. This
man, I thought, is not playing on his instrument: he is playing on my
brain. His violin is only as it were the bow, or rather, every note of
his violin vibrates with the according note of the brain-fibre. I do
not say that I put the thought exactly into these words; but these are
the words into which, at the present time, I put the recollection of
my thought. I need not point out how my ignorance erred in detail, how
the brain has no extended strings corresponding to the strings of a
violin; but I have since thought that there was more truth in this
wild idea of a child's ignorance than would at first appear, and it
seemed to lead the way to a second thought, which crossed my mind in
the transport of ecstasy produced by this, the first violin playing
worthy of the name, which I had ever heard.

I knew the secret now, both of the entrancing whisper of the wind-
music and also why, at a certain point, it had failed. The blind,
senseless wind, blowing merely where it listed, had aroused the human
spirit through the medium of grass and reed and rock and forest, and
called it through the fairy gate into cloud and dreamland; but when,
instead of the blind, senseless wind the instructed human spirit
itself touched the strings, music, born of cultured harmony, through
all the long scale of accordant sound, won for the listening, rapt,
ecstatic spirit an insight and an entrance into realms which the
outward eye had not seen, the secrets of which it is not lawful or
possible to utter to any save to the spirit-born.

'You seem absorbed in the music, my boy,' said this gentleman to me:
'do you play the violin, perchance?'

I said that I had played on no instrument save picking out harmonious
thirds on an old harpsichord at the parsonage house. My father was
perfectly an amateur: he loved music so much that he refused to play
himself, or to allow any one else to play in his hearing save those
who could play well: 'playing a little' was his dread.

The gentleman shut up his precious violin in its case and produced
another, on which he showed me the possibility of varying the note
through every shade of pitch by the position of the finger on the
vibrating string. It is impossible to describe the delight I felt when
I was able to feel out a chord of three notes.

'I am violating your father's instructions perhaps,' said the
gentleman, smiling; 'but every one must have a beginning. Nevertheless
he has much on his side. It has been said, rather cynically, "The
moment a man touches an instrument he ceases to be a musician."'

I did not understand this then, but I understood it well afterwards.

The gentleman left one of his less cherished instruments behind him,
with some simple exercises which he enjoined me to practise only, and
to attempt nothing else, but I blush to say that I did not follow his
advice. I played the chords he left me now and again, but I was
absorbed in the one idea that his playing had left with me--the
thought of the human spirit informing the senseless wind. I delighted
only in the fancy that I was a mere automaton, and that the pervading
spirit--the spirit that inspires man and breathes in Nature--was
playing through my spirit upon the obedient vibrating strings. In this
way I played fantasias of the most striking and original character,
and at the same time destroyed all my chances, or ran a serious risk
of doing so, of ever becoming a violinist.

Three quiet years passed in this manner, during which I lived almost
constantly at Geiselwind with the Grfin, who, in fact, treated me as
her own son. At the end of that time she informed me that she intended
to send me to the university of Wenigstaat. She chose this university
for me, she told me, because it was near, but above all because it was
not famous, but was, in fact, a mere appanage to a kingly city, and
was therefore less likely to pervert from the correct and decorous
habits in which they had been brought up, the ideas and habits of
young men. She would provide me with a sufficient income, and would
take care that my wardrobe and appointments were those of a gentleman,
a station which she wished me to occupy and to maintain without
disgrace.

The habits of society in the universities and elsewhere were very
different in those days from what they have since become. The old
society of the days before the revolution existed in its full
strength. French taste in costume and amusements was universal; and
the fashion of philosophic inquiry which was copied from the French
was a mere intellectual toy, and had no effect upon the practical
conclusions of those who amused themselves with it. The merits of
republican institutions and the inviolability of the rights of man
were discussed as abstract questions, without a thought that the
conclusions would ever be applied to modern life, or to the daily
relationships of nobles and peasants and townspeople. Before the
bursting of the torrent which was to sweep it out of existence, the
old world slumbered in a rainbow-tinted evening light of delicately
fancied culture and repose.

The habits and appearance of university students have changed more
completely than those of any other class. In the most advanced cities
even in those days they dressed completely in the French manner, in
embroidered suits and powdered hair, fluttering from toilette to
toilette, and caring little for lectures or professors. In the old
stately city of Wenigstaat, it may be easily understood, the ideas and
habits of the past existed with a peculiar unchangeableness.

I regretted leaving the life of hill and forest and dreamy phantasy in
which I had found so much to delight me, but the natural love of youth
for change and adventure consoled me. One great advantage I derived
from the choice the Grfin had made for me was, that I did not change
the character of my outward surroundings. I was nearly nineteen when I
left Geiselwind and arrived one evening in a postchaise at Wenigstaat.

The city lay in a wooded valley surrounded by hills covered to their
summits with woods of beech and oak and fir: through these woods
running streams and cascades forced their way now through the green
mountain meadows, now over rocky steeps and dingles: a soft blue sky
brooded over this green world of leaf and grass and song birds, and
sunlit showers swept over the woodland and deepened the verdure into
fresher green. In the centre of this plain, almost encircled by a
winding river, the city was built upon a hill which divided itself
into two summits, upon one of which stood the cathedral and upon the
other the King's palace. Between these summits the old town wound its
way up, past gates and towers and market-place and rathhaus and the
buildings of the university, with masses of old gabled houses of an
oppressive height and of immemorial antiquity, with huge overhanging
stories and tiers of rooms wandering on, apparently without plan or
guide, from house to house and street to street--a human hive of
intricate workmanship, of carpentry-work and stonework and brickwork,
all crowded together in the little space of the rising hill-street
above the rushing stream, a space small in itself but infinite in its
thronged stories of centuries of life--a vast grave, not only of
generations of the dead, themselves lying not far from the foundations
of their homes, but of buried hopes, of faded beauty, of beaten
courage and stricken faith and patience crushed and lost at last in
the unequal fight with fate. The dim cathedral, full of storied
windows of deep bloodstained glass and of colossal figures of mailed
heroes guarding emblazoned tombs, faced the King's palace, a massive
ivy-covered fortress relieved here and there with faades of carved
work of the later Renaissance.

The tired horses of my postchaise struggled up over the stone pavement
of this steep street amid the crowd of loiterers and traffickers and
gay pleasure-seekers that thronged it and drew up before the Three
Roses in the Peterstrasse, where a room had been provided for me. Here
I slept, and here I dined every day at an ordinary frequented by many
of the principal citizens, by some of the wealthier students, and by
some officials and courtiers, when it was not the turn of the latter
in waiting at the palace. This table was one at least of the centres
of life and interest in the little kingly city.

To a boy reared in a country parsonage and an old half-deserted manor-
house, all this, it may be conceived, was strange enough; but somehow
it did not seem to me wholly strange. I had been trained at the table
of the Grfin to the usages of polite life, and the whispering wind
and the solemn forests of my childhood had seemed to lift me above a
sense of embarrassment, as though the passing scenes before me were
but the shadows and visions of a dream. I looked down the long table
at the varied faces, at the talkers and showy ones, at the grave
citizens, at the quiet humorous students, who now and then said a few
words that turned the laugh against the talkers, at the courtiers
affecting some special knowledge of affairs of state about which the
King probably troubled himself little; and I remember that it all
seemed to me like turning the pages of a story-book, or like the
shifting scenes of a play, about which latter, though I had never seen
one, I had read and heard much.

On the second and third day I found myself seated by a little elderly
man, very elaborately dressed, with powdered hair and a beautifully
embroidered coat. I have always felt an attraction towards old men:
they are so polite, and their conversation, when they do talk, is
always worth listening to. Something of this feeling, perhaps, showed
itself in my manner. On the third day he said to me on rising from
dinner: 'I perceive, sir, that you are a stranger here; you seem to me
to be a quiet well-bred young man, and I shall be glad if I can be of
any use to you. You are doubtless come to the university, and are
evidently well connected. I am a professor--a professor of belles
lettres and music, and I have been tutor to the Crown Prince. I may
possibly be of some service to you: some of the great professors are
rather difficult of access.'

'I am the adopted son of the Grfin von Wetstein, sir,' I answered. 'I
have letters to several of the professors of the university, but I
find them much occupied in their duties, and not very easy of
approach.

'We will soon remedy all that,' he said, smiling. 'To what course of
study are you most inclined, and what is the future to which your
friends design you?'

I fear, sir,' I returned, 'that my future is very undefined. I am--as
you say you are a professor of music--very fond of the violin; but I
am a very poor performer, and I fear I shall never be a proficient.'

'I profess music,' said the old gentleman, with his quaint smile, 'but
do not teach it: I only talk about it. I will introduce you, however,
to a great teacher of the violin, and, indeed, if you would like it,
we can go to him now. This is about the time that we shall find him
disengaged.'

We went out together into the crowded market-place and turned to the
left hand, up a street of marvellous height, narrowness, and steepness
which led round the eastern end of the cathedral, and indeed nearly
concealed it from sight. At the top of this street, on the side
farthest from the cathedral, the vast west window of which could just
be seen over the gables, chimneys, and stork-nests of the opposite
houses, we stopped before the common door of one of the lofty old
houses, against the posts of which were attached several affiches or
notices of differing forms and material. Among these my companion
pointed out one larger and more imposing than the rest: 'Veitch,
teacher of the violin.'

'I ought to tell you,' said the old gentleman, 'that my daughter is
reader to the Princess, and that she comes to Herr Veitch for lessons
on the violin, that she may assist her Highness. If the Graf von
Wetstein should take lessons here also, he may possibly meet her.'

'I beg your pardon,' I said: 'I must correct an important mistake. I
am only the adopted son of the Grfin von Wetstein. I am not the Graf:
my name is Saale.'

The old gentleman seemed rather disappointed at this, but he rallied
sufficiently to say: 'You may nevertheless meet my daughter, Herr von
Saale.'

It sounded so pleasantly that I had not the hardihood to correct him
again.

I was accordingly introduced to every one in Wenigstaat as Herr von
Saale, and I may as well say, once for all, that I did not suffer for
this presumption as I deserved. Some weeks later on I received a
letter from the Grfin, in which she said: 'I have noticed that you
have been mentioned to me in letters as Otto von Saale. As I have
chosen to adopt you, and as Saale is the name of a river, and
therefore is to a certain extent territorial, I think perhaps that
this may not be amiss; and I flatter myself that I have sufficient
influence at the Imperial Court to procure for you a faculty which
will enable you to add the prefix von to your patronymic.'
Accordingly, some months afterwards, I did receive a most important
and wordy document; but I had by that time become so accustomed to my
aristocratic title that I thought little of it, though its possession,
no doubt, may have saved me from some serious consequences.

We have been standing too long on the staircase which led up to Herr
Veitch's room on the second floor of the great rambling house. The
room which the old gentleman led me into was one of great size,
occupying the entire depth of the house. It had long deep-latticed
windows at either end raised by several steps above the level of the
room: the window towards the front of the house looked down the steep
winding street; from the other I saw, over the roofs of the city,
piled in strange confusion beneath the high-pitched windows of the
upper town, a wide prospect of sky and river and valley, and the
distant blue mountains and forests of the Fichtelgebirge, where my
home had been.

The room was somewhat crowded with furniture, chiefly large old oaken
presses or cabinets apparently full of books, a harpsichord,
clavichord, and several violins. In the centre of this apartment, as
he rose to receive us, stood an elderly man, rather shabbily dressed,
with an absent expression in his face 'Herr Veitch,' said my guide,
'permit me to present to you Herr von Saale, a young gentleman of
distinguished family and connections, who has come to reside in our
university He is anxious to perfect himself in the violin, upon which
he is already no mean performer.'

I was amazed at the glibness with which this surprising old gentleman
discoursed upon that of which he knew so little.

The old violinist looked at me with a dazed and even melancholy
expression, his eyes seemed to me to say as clearly as words could
have spoken: 'Here is another frivolous impostor intruded upon me.'

'Is this one of my daughter's days?' said my friend, the old
gentleman.

'No; I expect her to-morrow about this time.'

'The Princess,' said my friend, 'is very shy: she dislikes taking
lessons from men, and prefers to gain her knowledge of music from my
daughter.'

The old master took up a violin that lay upon the table and handed it
to me. I played a simple lesson that had been left me by the Italian,
the only one that had taken my fancy, for it had in its few notes, as
it seemed to me, something of the pleading of the whispering wind.

The old man took the violin from me without a word: then he drew the
bow across the strings himself and played some bars, from, I imagine,
some old forgotten Italian master. As he played the solemn chords of
the sonata, in the magnetic resonance of its full smooth rich notes,
there was something that seemed to fill all space, to lead and draw
the nerves and brain, as over gorgeous sun-coloured pavements and
broad stately terraces, with alluring sound and speech.

He laid down the violin after he had played for a few minutes, and
went to the harpsichord, which stood near to the window looking down
into the street.

'You know something of music,' he said to me: 'do you understand this?

He struck a single clear note upon the harpsichord and turned towards
the window, a casement of which was open towards the crowded street.

'Down there,' he said,--'where I know not, but somewhere down
there,--is a heart and brain that beats with that beat, that vibrates
with the vibration of that note, that hears and recognises and is
consoled. To every note struck anywhere there is an accordant note in
some human brain, toiling, dying, suffering, here below.'

He looked at me, and I said: 'I have understood something of this
also.'

'This is why,' he went on, 'in music all hearts are revealed to us: we
sympathise with all hearts, not only with those near to us but with
those afar off. It is not strange that in the notes of the higher
octaves that speak of children and lark singing and heaven, you, who
are young, should hear of such things; but, in the sudden drop into
the solemn lower notes, why should you, who know nothing of such
feelings, see and feel with the old man who returns to the streets and
fields of his youth? He lives, his heart vibrates in such notes: his
life, his heart, his tears exist in them, and through them in you.
Just as one looks from a lofty precipitous height down into the
teeming streets of a great city, full of pigmy forms, so in the
majestic march of sound we get away from life and its littleness, and
see the whole of life spread out before us, and feel the pathos of it
with the pity of an archangel, as we could never have done in the
bustle of the streets there below.'

'You are cutting the ground from under my feet, my friend,' said the
old Professor, rather testily. 'It is your business to teach music,
mine to talk about it.'

The old master smiled at this sally, but he went on all the same. I
thought that he perceived in me a sympathetic listener.

'Have you never felt that in the shrill, clear, surging chords of the
higher notes you were climbing into a loftier existence, and do you
not feel that for the race itself something like this is also
possible? It will be in and through music that human thought will be
carried beyond the point it has hitherto reached.'

He paused a moment and then went on in a lower, less confident voice.
'This is my faith, and I shall die in it. There is one thing only
which saddens me. There are men, ay, great performers, real masters of
the bow--who know nothing of these things, who have no such faith.
There is none whom I would sooner regard as a devil than such a one.
Sometimes when I hear them they almost destroy the faith that is in
me--the faith in my art.'

'Pooh! pooh! my friend,' said the Professor. 'They are not so bad as
that! They have simply the divine gift of the perception of harmony--
the instinctive harmonic touch. They know not why or how.

They are not devils. Herr von Saale,' he went on, with, for him,
considerable earnestness, 'do not believe it. I fancy that you are in
danger of falling into the fatal error of supposing that you can play
on the violin in the same way that you can whistle an air, by the mere
force of the mental faculty. You cannot form a more mistaken notion.
The variation of the thirty-secondth of an inch in the sudden movement
of the finger on the string will cause the note to be out of tune; and
the man who puts his finger on the right spot at the right second of
time, though he may have no more mental instinct than a pig, will
produce in the utmost perfection the chords of the most angelic
composer.'

'I deny it!' cried the master, in a kind of fury, walking up and down
the long room, 'I deny it! There is true sympathy and cooperation in
the nerves and tissues of this faithful despised servant, the material
human frame, even to the finger-tips, with the informing, teaching
spirit. There is a tremor, a shading, a trill of meaning, given by the
spirit to the nerves and tissues that no instinctive touch of harmony
will ever give. The ancient Greeks (as you ought to know, Herr
Professor, for you speak of them often enough) had no music worthy of
the name, for they had no instruments; but had they had our
instruments they would have produced the most ravishing music, for the
spirit taught them what music was apart from outward sound, and they
talked as beautifully as you talk in your lecture-room of the divine
laws of motion and of number, and of the harmonies of sound and of the
mind.'

The Professor seemed rather taken aback by this onslaught, and turning
to me, said:

'Well, Herr von Saale, you had better come with me: I will show you
some of the sights of our kingly city. You shall come to Herr Veitch
to-morrow, when perhaps you will see my daughter.'

He seemed to me strangely willing that I should see his daughter.

He took me into the great cathedral and showed me the gigantic mailed
figures that guarded the tombs of the kings, talking very learnedly
upon heraldry, about which he seemed to know a great deal. The next
morning I went to Herr Veitch at the appointed time and found him
alone, playing over a set of old Italian sonatas. He seemed to have
been much put out by the Professor's remarks of the day before, and to
regard me with kindliness as having been apparently on the opposite
side; but when he came to talk to me I did not see much difference
between his advice and that of the Professor.

'The Professor is so far right,' he said, 'in that of all instruments
the violin needs the most careful study, the most practised fingering,
the most instinctive aptitude of ear and touch. It is all very well to
talk of expression, but expression with faulty execution is fatal on
the violin. It is true that some of the most entrancing players have
been self-taught amateurs, but they were such because they had musical
genius by birth, and it was therefore possible to them to be amateurs
and to be self-taught. In concerted music no amount of expression will
enable a performer to take his part or to be tolerated. What pleases
me in your playing is that you are able to produce smooth and sweet
notes: the scrapy, scratchy period with you has apparently been short.
What you want is greater certainty of touch and ear. This can only be
obtained by patient labour and study.'

I set to work to play lessons, and while we were thus engaged the door
opened and a young lady entered, accompanied by a tall and imposing
domestic in the royal livery. I did not need to be told that this was
the Professor's daughter, the Frulein Adelheid, the reader to the
Princess. She appeared to me on this, the first time that my eyes
rested upon her, a handsome, stately girl, with a steady fixed look,
and grave solemn eyes and mouth, which seldom changed their expression
or smiled. She was rather above the common height, with fair brown
hair and eyes, and was richly dressed in white, with a lace kerchief
across her shoulders, and a broad white hat with a crimson feather.
She seemed to me a true German girl, with earnest, steadfast truth and
feeling; but I did not fall in love with her at first sight.

'This is Otto von Saale, Frulein,' said the master, 'whom your father
introduced to me yesterday, and of whom he may have spoken to you. He
is very fond of music and the violin, and your father seemed much
taken with him. His forte is expression.'

The Frulein regarded me without embarrassment, with her steady brown
eyes. 'Do you play in concert, Herr von Saale?' she said.

'He is not quite equal to that yet,' said Herr Veitch. 'The prospect
of playing with you, will, I am confident, inspire him with resolve to
practise with the necessary patience.'

'That will be very well timed,' she said serenely, 'as we want to
perform a trio before the Princess.'

'He must work some time before he can do that,' observed Herr Veitch
decisively.

They set to work to play, and I confess that I felt indescribable
mortification in being unable to take a part. All my beautiful
fantasias and wind-music seemed at the moment nothing to the power of
joining in a concerted piece. The beauty of the playing, however, soon
soothed my ruffled vanity and banished every thought save that of
delight. The master and pupil were playing in perfect accord both in
feeling and sympathetic touch--the old man and the stately beautifully
dressed girl--it was a delicious banquet of sight and sound.

After they had played some time, Herr Veitch said, to my great
delight: 'Otto will play you a lesson of his which the whispering
woodlands of his mountains have taught him. You will like it.'

I took the bow with a tremor of delight and excitement. I played my
very best. I endeavoured only to listen to--to think only of the
woodland voices that had spoken to the child; and after a few moments
I seemed, indeed, once again to be a child beside the dance-like
waving rushes with their sunny dance-music, by the pool, or beneath
the solemn poplars with the weird and awful notes that sounded amid
their distant branches high above me in the sky. When I stopped I
fancied that the brown eyes looked at me with a softer and more kindly
gaze.

'He will do,' said the master; 'he will play the trio before the
Princess anon, if he will be good.'

For several days I was very good: I practised continually scales and
passages and shades of accent, both with the master and in my chamber
at the 'Three Roses,' where, had I not been in Germany, I should no
doubt have been thought a nuisance. I saw the Frulein Adelheid almost
every day, and was allowed once or twice to play in a simple piece. So
everything seemed to prosper, when one fatal day I broke waywardly
loose from this virtuous and regular course. It was after this manner
that it came about.

One morning in the late summer I woke up with a sudden surprising
sense of a crisp freshness, of a sudden strain of livelier colour shot
through sky and woodland, of a change beginning to work through masses
of brown foliage and cloudless summer sky. The touch was that of the
angel of decay: but the first signs of his coming were gentle and
gracious, with a sense even of life-giving in that new feeling of a
change. The first day of autumn had dawned. As I rose, intending to go
to the master, the city lay in a wonderful golden mist, through which
the old streets and gables and spires seemed strange to the sight,
with the romantic vision, almost, of a dream. An intense longing
possessed me for the woods and hills. It seemed to me as if a far-off
voice from the long past hours of childhood was calling me to the
distant rocks and forests: a faint, low voice, like that strange
whisper through the short grass, to hear which at all you must lay
your ear very close indeed to the ground: a note untuned, uncertain,
untrammelled, but with a strange alluring power, making itself felt
amid the smooth, cultured, artistic sounds to which I had given myself
up, and saying, as in the old harmonic thirds which as a child I had
delighted to pick out, 'Come back to me.' I was engaged to Herr
Veitch, but it was uncertain whether the Frulein would be able to
come. There was some talk that the Princess would make an excursion
with a guest of distinction into the mountains, and her reader might
possibly be required to accompany her. The Princess was understood to
be very shy, and to surround herself as much as possible with her
ladies and women.

The irresistible impulse was too strong for me. I sent a message to
Herr Veitch, and hastened out of the confining streets, past the
crumbling gates and towers, into the valley and the fields. I wandered
down the banks of the stream, by which the road ran, for some hours,
until the sun was high in the heavens, and every sound and leaf was
hushed in the noontide stillness and heat. Then crossing the river at
a ferry, where a little village and some mills stayed its current for
a time, I ascended a steep path into the wooded meadows, whence the
seductive voice seemed still to come. In a broad upland valley that
sloped downwards to the plain and to the river I came upon a wide open
meadow skirting the wild pathless wood. Here, at a corner of the
outstanding copse, I saw to my surprise a number of horses picketed
and apparently deserted by their grooms, and turning the corner of the
wood I saw in the centre of the meadow an unexpected and most
beautiful sight.

In the midst of the meadow, only, as it seemed, a few paces from me,
was a group of gentlemen in hunting costume, some with long curved
horns slung at their backs. Some servants and grooms were collected a
few paces behind them, but a little to the side nearest to me, close
to two men of distinguished appearance some paces in advance of the
rest, stood the most beautiful creature that I had ever seen. She was
dressed as a huntress of romance, in green trimmed with white, and a
hat fringed with white feathers, and a small silver bugle hung by her
side. But it was not her dress, or her figure, that gave her the
indescribable charm that made her so lovely: it was the bewitching
expression of her face. Her features might possibly have been
described as large, but this, as her complexion was of perfect
delicacy and freshness, only increased the subduing charm of the shy,
fleeting, coy expression about her eyes and mouth. Two ladies stood
close behind her, neither of whom was the Frulein, but I knew at once
that this could be none other than the Princess. No family of pure
German origin could have produced such a face: she sprang, doubtless,
as is becoming to a daughter of kings, from a mixed race.

A perfect stillness and hush, as of expectation, pervaded the scene:
even the well-trained horses made no movement as I passed by them. One
of the grooms caught a glimpse of me and made a slight sign: then,
just as the group had settled itself on my sight, a slight, scarcely
perceptible rustle was heard in the wood, and a stag of full age and
noble bearing came out into the meadow and stood at gaze, startled but
not alarmed. One of the gentlemen in front raised a short hunting-
piece, and the Princess, in a soft sweet undertone that penetrated all
the listening air and left an imperishable memory upon the heart,
exclaimed: 'Oh, do not kill it! How beautiful it is!'

A short, sharp crack, a puff of smoke, and the stag leaped suddenly
into the air and fell lifeless, shot between the eyes.

There was a sudden outbreak of exclamation and talk, a rush of the
hunters towards the fallen beast. Two or three of the gentlemen drew
around the Princess and her ladies, as if to protect her, and in the
excitement no one noticed me. I stood for a moment or two, my eyes
fixed on this changing, sensitive, inexpressibly beautiful face. Then
the beaters and foresters came out of the wood: some remained with the
fallen stag, and the rest of the party moved on farther up into the
forest followed by the grooms and horses. I returned at once, silent
and fancy-struck, to the city, and passed the rest of the day and the
entire night in a dream.

The next morning I made my best excuses to Herr Veitch, and tried to
settle to my work, but I found that this was impossible until I had
made a full confession. He took it very quietly and as a matter of
course: not so, however, did the Frulein, a day or two afterwards,
when he revealed the whole story to her. She looked at me strangely
with her great brown eyes as one who foresaw some great danger
awaiting me; and I wondered, in vain, from what quarter it would come.

I made great progress under her tuition. In playing with her in unison
I learned more in a few minutes than in any other way. The instinct of
fingering seemed to come naturally by her means, by her gentle
guidance, by her placid rule. Here again outward harmonies of nature
and of art corresponded in its contrast with the life of the spirit;
with the rapt, enthralling passion of love which had come upon me by
the vision in the forest, and with the calm sympathy which was growing
up in my heart with the Frulein, smooth, broad, tranquil, as the full
harmonious chords which she taught me to play. But with all this I
confess that the prevailing thought of my mind was that I should some
day, and that soon, take my part in this music before the lovely
Princess; that I should see again that indescribable, enchanting face.

'We are getting on,' said Herr Veitch: 'we shall be ready soon.'

'Let us have a rehearsal,' said Adelheid, with her grave, gentle
smile: 'let us have a rehearsal to-morrow in Das Vergnugen, in the
garden-valley of the palace.'

Below the palace, on the side farthest from the city, the wooded
valley formed a fairy garden of terraces and of streams flowing down
from the hills. In the bottom of the valley were buildings, somewhat
on a small scale, after the fashion of the French garden-palaces of
Trianon and Marly, and in these little houses some of the court-
officials had rooms. The Professor and his daughter occupied one of
the most charming suites of apartments opening upon a wide lawn
beneath the terraced garden leading up to the palace, broken up by
clipped hedges and rows of statues. I had never seen this garden of
romance until the afternoon of the rehearsal. In the excitement and
nervousness of the hour I was dimly conscious of a solemn blue sky
overhead, of the dark foliage of the dying summer rising on the steep
hillsides on every hand, of a still afternoon full of sombre tints and
sleeping sunlight, of the late-flowering china-roses and the tall
asters, of massive wreaths of clematis, of a sense of finished effort
and growth, and of a hush and pause before decay set in and brought
the end of life and of the year: the little stone palace with its
carved pilasters and wreaths of fruit and flowers, the weather-
stained, moss-tinted statues and urns,--of all this I was dimly
conscious as in a dream.

The Herr Professor was more than usually spruce in his apparel. I had
purchased, boylike, a new dress for the occasion. It was the period of
frizzled, powdered hair, and lace and embroidery. A man who wore plain
clothes and his hair au naturel was considered eccentric and of
doubtful character. We formed a group on the little in-closed grass-
plot outside the windows of the Professor's sitting-room, separated
from the great lawns by the low clipped hedges and the wreathed urns.
I noticed that the Frulein seemed anxious and almost expectant, and
was continually turning her head in the direction of the palace-
gardens. At last she said to her father: 'I fear that I have committed
a blunder. I begged to be excused from attending the Princess, and I
told her that I was going to practise with the master here, but I said
nothing of Otto, or that he would be here. It is quite possible that
the Princess may come down through the gardens to hear the master
play.'

The Professor shrugged his shoulders 'It is too late now,' he said,
'the sight of Otto will not kill her.'

'No,' said his daughter doubtfully; but she shook her head as though a
catastrophe was very imminent.

A tremor of excitement and of suppressed delight passed through my
frame. If the mere thought of the rehearsal had excited me, what must
I have felt at such a possibility as this?

We began to practise the trio with the violoncello and two violins.
The violin parts were very lively and quick; but the great charm of
the piece lay in some perfectly modulated chords of great beauty
distributed through the parts in a sustained, broad, searching tone on
the fourth string. Herr Veitch played the violoncello with consummate
skill. We had played the piece nearly through when Adelheid suddenly
ceased, and turned in the direction of the wider lawns to which was
access between the urns; and the next moment the same lovely creature
I had seen some days before, but now very differently dressed, came
through the opening in the low hedge, accompanied by a beautiful young
lady, evidently of high rank, whom I also recognised as one of the
ladies I had seen in the wood. The Princess looked for a moment
serenely at the group, who drew backward a step or two and bowed very
low; but the next moment, as her eyes fell upon me, she flushed
suddenly, and her face assumed an expression of embarrassment, and
even reproof.

'I did not understand that you had strangers here, Frulein,' she
said, and stopped.

'This, Royal Highness,' said Adelheid, bowing very low, 'is a young
gentleman, Otto von Saale, who is to play in the trio. It did not
occur to me to mention him to the Royal Highness.'

The Princess looked very disconcerted and mortified, but her
embarrassment only made the unique expression of her face more
exquisitely piquant and enchanting. I would willingly have risked
untold penalties to secure such a sight. The young lady who
accompanied her regarded me with an expression of loathing animosity
and contempt, as much as to say, 'What do you mean by using your
miserable existence to get us into this scrape?'

The Professor came to the rescue with great aplomb. Herr Veitch
evidently regarded the whole matter with lofty contempt.

'If the Royal Highness will deign to take a seat,' said the Professor,
'she may still hear the trio rehearsed. We will regard Otto as second
violin merely. One violin is much like another.'

'Oh, sit down, my Princess!' said the young lady coaxingly; 'I should
so like to hear the violins.'

The Princess hesitated, and looked still more enchantingly confused
and shy, but she sat down at last. It was reported that, as a boy, her
brother, the Crown Prince, had been mortally in dread of the
Professor. It is possible that his sister may have conceived something
of a similar feeling. In spite of my excitement I had the sense to
take the greatest pains. I kept my attention perfectly fixed upon my
playing, and the clear notes of the great chords came in perfectly
true and in time. When we had finished there was a short embarrassed
pause. Then Adelheid whispered to me, 'Play that lesson of yours of
the woodland breeze.'

Scarcely knowing what I did I began to play; but I had not finished
the opening bars before a slight change in the attitude of the
Princess attracted my eyes, and suddenly, as if by inspiration, I
conceived the fancy that I was playing to a creature of the forest and
of the wind. She was sitting slightly forward, her eyes fixed upon the
woodland slope before her, her slight, lithe figure and prominent
speaking features like no offspring of common clay, but innate in that
primeval god-sprung race of the golden hours, before the iron horny-
handed sons of men had filled the earth with toil and sorrow and
grime: the race from which had sprung the creatures that had filled
romance with elf-legends and stories of elf-kings and ladies and
beings of gentle and fairy birth; for, as the untrammelled wood-notes
that stole across the strings now sunk into a whisper, now swelled
into full rich chords and harmonies, I could almost fancy that I saw
this glorious creature, while the mystic notes lasted, grow into a
more serene and genial life, as though she breathed an air to which
she was native, and heard once again the wild notes of the hills and
of the winds in the sere antique forest-country that was hers by right
of royal ancient birth.

As I played the concluding notes the Princess rose and stood before us
once again, as I had seen her stand in the forest-meadow when she had
pleaded unavailingly, in those marvellous tones which would never pass
from my memory, for the beautiful stag. Then she bowed very
courteously to the others, and, taking no notice whatever of me, moved
away, attended by her companion.



Part 2

NARRATIVE

There is a gap in Otto von Saale's autobiography which it may be well
to fill up from other sources, as we shall by this means obtain a
knowledge of some incidents of which he could not possibly have been
cognisant.

Two or three days after the rehearsal in the palace-garden the
Princess was seated in her own room in the palace, accompanied only by
her reader. The relationship between the two was evidently, in
private, of the most intimate character.

The room was high in the palace, and a surpassing view lay before the
windows. Immediately in front, over a terrace or glacis planted with
sycamore-trees, the roofs and gables and chimneys of the old city lay
like a great snake, or rather like several great snakes, climbing the
ridges of its steep streets, and crowned with the spires and towers of
its cathedral and churches and rathhaus and university halls. Over and
beyond this stretched a vast extent of wooded valleys and hills, of
forest and mountain and glancing river, of distant blue stretches of
country indistinguishable and unknown, and in the remote distance
along the sky-line a faint range of snow-clad peaks. A vast expanse of
cloudland, strange and varied as the earth itself, and almost as
tangible and real, filled the upper regions of this landscape with
motion and life and varied form. It was evening, and the night-clouds
had piled themselves in threatening and lurid forms above the dark
wind-tossed forest-land. The white smoke-wreaths from the city curled
up before the cathedral towers, and the storks and kites in long
trailing flocks wended their way home from the distant fields. The
Princess sat, still and silent, looking out over the wide prospect,
with searching, questioning eyes, that seemed to penetrate beyond its
farthest bound.

I am still listening,' she said at last, 'to that violin lesson that
the young man--Otto von Saale, did you call him?--played the other
day. Is he considered to be a great performer? In its echoing repeats
I seemed to hear voices that I had never heard before, and yet which
seemed as though they were the voices of my kin, that told me whence I
came, and who I was, and what I might become.'

'He plays with surpassing feeling,' replied Adelheid, 'and with
delicacy of shading and of touch, most surprising as he is only a
novice at the violin. You may judge of this when you remember how
simple the piece was that he played--a few chords constantly
repeated--yet he made them, as you say, speak to the heart, a
different utterance for every chord. His forte is expression.'

'Is he in love with you?' said the Princess, with the calmest, most
unmoved manner and tone.

'No.'

'You are in love with him?'

'Yes, I love him, for he is in every way worthy to be loved. But it is
of little importance what I think of him. He is hopelessly,
desperately, passionately in love with you.'

'In love with me?' The Princess did not move, and not the faintest
shade of deeper colour flushed her cheek; but the faint, shy, kindly
smile deepened, and the questioning eyes softened to an expression
which was certainly that of supreme, amused beneficence--possibly of
something else. 'In love with me! When did he ever see me before?'

'He saw you some days ago in the forest: the day that the Prince von
Schngau shot the stag.'

The Princess sat quite still, looking out upon the southern sky, which
was all aglow with a red reflected light. Long dark lines of cloud,
like bars of some Titanic prison-house, drew themselves out across the
sky; and the masses of cloud, tinged with a sudden glow of crimson,
formed a wild contrast with the faint blue of the dying sky, and the
green of the waving woodlands below. The deepening glow spread higher
over the whole heaven, till the world below became suffused with its
sober brilliance, and tower and gable and the climbing ridges of the
street and the white smoke-wreaths shone in the mellow light. The
distant stretch of country flushed with this mystic light, which
certainly was not of earth, seemed instinct with a quivering life--the
life of forest and farm-people--the life of hidden townships too
distant to be discerned--of rivers bordered with wharves and
shipping--the life of a kingdom of earth--and, in her mountain eyrie,
with set, wistful eyes, over the regions of her father's rule, the
Princess sat at gaze, a creature slight, shy, delicate, yet born of
eagle-race.

Her companion waited for some words, but they did not come: then she
spoke herself.

'He was born among the forests of the Fichtelgebirge and has listened
to the spirits of the wood and mountain from a child; that is why he
plays so well.'

'Yes,' said the Princess, 'that is why, in his playing, I heard a talk
that I had long wished to hear--a speech which seemed familiar and yet
which I had never heard here--the speech of a people from which my
race is sprung. And you say that he is in love with me?'

'Yes,' said Adelheid, somewhat sadly; 'at this moment he would give
worlds to see you again.'

'Oh, he shall see me again!' said the Princess, with her quaint, shy
smile: 'he shall see me again; he shall play before the King. More
than that,--he shall marry you!'

The King was a strikingly handsome, tall, distinguished man, of
between fifty and sixty years of age. His father had died when he was
a boy, and he had been brought up by his mother as regent of the
kingdom. She was a very clever woman, and surrounded her son with the
most able men she could attract to her court. She trained him in the
most exalted ideas of his position and responsibility, and when she
died, after having with much difficulty found a wife whom she
considered to be suitable for him, she left him, at the age of five
and twenty, profoundly impressed with the conviction that something
wonderful was expected of him in every action and word. As he was a
man of very moderate capacities, though perfectly good-natured and
conscientious, this impression might possibly have placed him in very
painful predicaments; but the King very wisely fell back early in life
on the obvious alternative of doing absolutely nothing and saying very
little. It may surprise some persons to be told how wonderfully the
country prospered under this imposing, but silent and inactive
monarch. He had been as a boy impressed with the misery of some
classes of his people, and he had been known as a young man to absent
himself from court for days together, and to wander, attended only by
one companion, among the poor and struggling classes; and the only
occasions on which he spoke at the privy-council were when he
advocated the passing of some measure which his plain common sense
told him would be beneficial to his people. He was therefore immensely
popular, and was thought, even by many of his familiar courtiers, to
be a man of remarkable ability. He had a habit of repeating the last
words of any one who spoke to him with an air by which he seemed to
appropriate all the wisdom which might be contained in them to
himself. 'I have been attending the privy-council, sire.' 'Ah! you
have been attending the privy-council, yes.' And it really was
difficult not to fancy that you had been listening to a long and
exhaustive treatise upon privy-councils generally and their influence
on the government of states; so perfect was the manner of the King.

'Sire,' said the Princess to her father, the same evening on which she
had had the talk with Adelheid, 'I wish you to hear a young performer
on the violin, Otto von Saale, who is a pupil of Herr Veitch. I heard
him once by accident in Das Vergnugen. I wish him,' continued the
Princess, with serene candour, after a slight pause, I wish him to
marry the Frulein.'

'Yes?' said the King, 'you wish him to marry the Frulein? I have
observed, on more than one occasion, that efforts of this character
may be abortive.'

The King paused, as though on the point of saying more, but apparently
doubting whether he could safely venture upon further assertion, he
remained silent. After a pause he went on: 'You consider this young
man to be a promising performer?'

'His forte,' replied the Princess, 'as the Frulein says, is
expression. His playing has a strange fascination for me.'

'Ah!' replied the King, 'his forte is expression. Good! When do you
wish me to hear this young man?' he continued after a pause.

'I thought we might have a chamber-concert of music after supper, on
one of the evenings that the Prince von Schongau is here. Herr Veitch
and the Frulein will play.'

Except on occasions of great state the King and his family supped in
private, a second table being provided for the courtiers. A strict
etiquette was observed in the palace, similar to, and founded upon,
that of Versailles.

On the evening upon which the Princess had finally decided, a somewhat
larger company than usual assembled in the great salle. The doors were
thrown open shortly after supper, and the chamberlain with his white
wand announced, after the manner of the French Court: 'Gentlemen! The
King!'

The great salle was floored with marble, and surrounded with marble
pillars on every side. A thousand lights flickered on the countless
jewels that decked the assembly. Great vases of flowers filled the
corners, and graced the tables of the room.

The King came forward with long accustomed composure to the seat
provided for him, near to a harpsichord in the centre of the salle: a
step behind him followed the Princess. She was en pleine toilette,
sparkling with jewels, and if Otto von Saale had had any worlds to
give, he might almost have been pardoned had he given them for such a
sight; for a creature more delicately beautiful--so absolutely set
apart and pure from aught that is frivolous and vain, and yet so
winning in the unconscious piquancy of her loveliness--he would
scarcely find elsewhere. She was followed by several ladies, and three
or four gentlemen, preceded by a prince of a royal house, who had
formed part of the King's supper-party, brought up the rear of the
procession.

The King sat in his chair a little in advance of the rest: on either
side of him were seated the Princess and the Crown Prince, and the
ladies and gentlemen who had had the honour of supping with the royal
party were seated behind them. Herr Veitch played the violoncello, and
the Professor was prepared to accompany on the harpsichord.

The attitude and expression of the King were delightful to watch. He
sat back in his chair, his fingers meeting before his chest, a faint
smile of serene beneficence on his beautifully-cut features--a
gracious, presiding power of another and a loftier sphere.

One or two pieces were played first, then came a trio of Corelli's, in
which the harpsichord took no part.

Did it sound in the Princess's ear alone, or did there run through all
the wealth of pure harmonies a strange new quality of tone? Wild,
glancing, in tune yet untuned and untunable, like the silver thread of
the brooklet through the grass, or the single changeless woodnote of
the breeze wailing through the organ-harmonies of the midnight mass in
a mountain-chapel. It spoke to the Princess's heart, as she sat some
little space backward from her father's chair, her delicate steadfast
face fixed upon the scene before her, which, doubtless, she did not
see. It seemed to speak of an alluring lawlessness, of that life of
unconventional freedom, of that lofty rule and dominion over their own
fate and circumstance, of that free gratification of every instinct
and faculty, which has such an attraction to the highly-born. It
seemed to call her with a resistless power back into a pristine life
of freedom which was hers by right of ancient ancestral birth, a world
of freedom and love and unquestioned prerogative which belonged to the
nobles of the golden age. Almost she was persuaded by the searching
power of its magic note to believe that all things belonged to the
lite of earth's children--the favourites of life, those delicately
nurtured and born to the purple of the world's prismatic rays. Should
she listen to this siren chord it might even happen to her to lose
that stainless insight which its wild tone had itself evoked; but, in
the perfection of a concerted piece, its wild uniqueness was kept, by
grace of finished art, invariably true to the dominant concord of pure
harmony, an existence and creation as it were in harmonious sound, of
which it formed a part. To the Princess as she listened to the
vibrating strings it seemed that, with a vision beyond her years, so
potent in suggestion is music, she looked into another world, as one
looks down from a lofty precipitous height into the teeming streets of
a great city, and the pigmy crowds are instinct with a strange
interest--a world of human suffering and doubt and terror, of love
unrequited, of righteousness unrecognised, of toil and sorrow and
despair unrelieved, until, in the thronged theatres and market-places,
where life stands waiting its abiding doom--the times and seasons of
the world's harvest being fully ripe--the riddle of righteousness and
of wrong is answered, and in the sad gray dawn of the eternal day the
dividing sickle is put in.

There was a pause in the wave of sound, and the Princess was dimly
conscious that Otto von Saale was playing alone. So magnetic was the
searching tone that there seemed nothing in the wide universe save
herself and his strange impalpable personality that approached her in
mystic sound; but happily beyond and above its sorcery was once more
felt the sense of restraining, abiding, cultured harmony--the full,
true, settled chords, and the according regular law and sequence of
time and pitch.

Then she knew that all were standing up, and she rose in her seat
beside the King. A peculiar lustre of gracious courtesy shone in the
monarch's attitude and manner.

'Herr Veitch,' he was saying, 'we thank you: the Princess thanks you.
Herr von Saale, the Princess thanks you. I perceive--' here his
Majesty paused for a moment to give importance to what was to come, 'I
perceive, sir, that your forte is expression.'

The most wearied cynic must have felt a glow of genuine pleasure as
the King said these words, so contagious was the regal, benevolent
satisfaction that the exigencies of the occasion had been fitly met.

Otto bowed low before the King, then he turned to salute the Princess;
but, as he looked up, his eyes met her marvellous eyes and were fixed
by a magic spell, so intense, searching, personal and yet abstracted
was the look they met. His entire being was caught up and rapt into
hers in an ecstasy of ravishment. Had the gaze lasted another second
he must have fainted away.



Part 3

AUTOBIOGRAPHICAL

I did not go to Herr Veitch until some days after the concert at the
palace. Indeed, I did not care to go. I felt as though I had broken
with all continent and decorous life, and was entering upon a
delirious course of adventure such as I had read of in some fatal
romance of ill-repute, whose course was unnatural and ghastly even in
its delights, and whose end was tragic and disastrous. I was appalled
even at the splendour of my dream.

But when I did muster courage to go to the master, I was astonished to
find that nothing seemed to have happened at all.

Herr Veitch did not even appear to have noticed my absence. He was in
a very propitious humour, and complimented me very much on my playing
at the palace.

'I never knew you,' he said, 'play with so much certainty and
correctness. There is always in your playing a certain originality
which might become, as I have often told you, a great snare, indeed
fatal in its results. So long, however, as you play as conscientiously
as you did the other night, though there will always be a singularity
in your style to which some might object, yet you will stand, to my
mind, among the great performers on the violin.'

I had never heard the old man utter such praise before.

Nor did I at first notice anything in the manner of the Frulein
towards me which would show that she was conscious of the necessity
for any change. But there soon came a change, which was entirely of my
own bringing about. I neglected the master and the violin. I hardened
my heart against the Frulein, and especially avoided the hours when I
thought she would be with Herr Veitch. Her wistful eyes had no effect
upon me, so foolish and delirious had I become.

One day Herr Veitch said to me, 'Yesterday the Frulein brought us
great news. The Princess is betrothed to the Prince von Schongau, who
has been staying so long at the palace. He was present, you remember,
on the evening of the concert.'

I was conscious that my face wore a contemptuous, unbelieving sneer.
In my madness I thought to myself that I knew much better than to
believe such foolish gossip.

At last Herr Veitch took me seriously to task. 'Something has happened
to you,' he said. 'You are bewitched, some evil eye has fascinated
you. You are no longer the same sensible pleasant lad that you were.
The Frulein notices it also. She says she does not know what is come
over you. I tell her that all young men are fools.'

I did not deign to answer the good old man, but left him with my nose
in the air. Indeed, I seemed to tread on air. I thought of nothing but
palace-gardens and Hyrcanian woods full of terrible delights and
secret pleasures. I believed myself to be altogether separate from my
fellows, and to be reserved for some supreme exceptional fate. I am
not willing to dwell longer than I can help upon this period, the
remembrance of which is most distasteful to me. I shall have to
describe at some length the supreme and crowning act of folly, and
this must suffice the reader.

But in simple honesty, and to relieve my own conscience by public
confession, I must relate one incident, so fatuous and unworthy was
it, so nobly and graciously forgiven and condoned. I had not been to
Herr Veitch for many days; but one morning an unconquerable impulse
forced me to visit him. I believe that I was impelled, with all my
assumed scepticism, to seek more tidings of the Prince von Schongau
and his reported espousals. I had quite lost count of the Frulein's
mornings, and, indeed, I am ashamed to say, that I had ceased to think
of her. I was therefore somewhat chagrined when, on entering the room,
I found myself in her presence, as well as in that of Herr Veitch. My
manner must have been singularly constrained and boorish, and I could
see that the master regarded me with disapproval, not to say contempt.
In spite of my affected indifference, I could see that Adleheid was
watching me with wistful and pitiful eyes. Some evil demon made my
heart harder and more scornful than ever; and I conceived the most
hateful and injurious thoughts against one whose sweetness and
devotion ought, on the contrary, to have filled me with affectionate
devotion. I played badly, and this only increased my spiteful and
angry mood. So violent did my passion and an evil conscience at last
make me, that I threw down my violin in a fit of ungovernable temper
and rushed out of the room. I wandered restlessly about the streets
for some time, in a kind of frenzy against mankind in general, my mind
filled with the image of the Princess, and with a sense of intolerable
wrong that my exceptional fortune was not recognised by all the
world,--so confident was I in my infatuation. At last it suddenly
occurred to me to go to the theatre, where the Frulein had said the
royal family were expected to be present. Lost in the crowded and
enthusiastic audience, which would doubtless fill the place--the
report of the betrothal being spread throughout the city--I might see
the Princess and indulge a secret sense of my exclusive fate.

When I entered the theatre at the bottom of the Peterstrasse, however,
I found a rumour already current that the King was not well and could
not be present, and that the Princess refused to come without him.
Whether the strange Crown Prince would visit the theatre alone, no one
seemed to pretend to know.

I shall remember that evening as long as I live. The little old-
fashioned theatre, as I know now it must have been, so different from
the great theatres I have since seen at Dresden and Berlin, seemed to
me, then, to be the most gorgeous of pleasure-places, blazing with
lights and crowded with what was to me a gay and brilliant throng of
superbly dressed and ornamented people. I found a vacant place in the
pit near the orchestra. When I entered the curtain had not risen, but
the orchestra were playing. The band consisted mostly of violins, and
would, no doubt, be considered poor and thin at the present day, but
such music has, to my mind, a subtle, delicate tone which is missed
now. I did not know what the overture was, and curiously enough I have
never heard it again: probably it was some local composition; but
there is sounding in my ears, as I write, the simple, thrilling air,
the recurring chords. The music ceased and the curtain rose.

Up to this time the royal box opposite the stage had remained empty,
and the audience had manifested a restless impatience which paid no
attention to anything, either in the orchestra or upon the stage; but
the actors had hardly begun their parts when the attention, which was
now being attracted towards them, was suddenly diverted in another
direction, and a young distinguished-looking man entered the royal
box. His breast was a mass of stars and orders, and the rest of his
apparel was covered with embroidery and lace; but his tall, slight
figure, and the careless self-respect of his manner, enabled him to
support so much finery with success. He came down without pause to the
front of the box and remained standing, while the actors, dropping
their parts, sang a verse of the National Folk-song, accompanied by
the audience and supported by the band. The Prince bowed once
slightly, then stood quite still, facing the enthusiastic house. From
his point of view, doubtless, he saw a waving sea of faces,
tumultuous, indistinguishable, indistinct; but in my eyes, and to my
thought, as I stood lost in the tossing, excitable crowd about me,
there was no one in the whole theatre but myself and him. As I looked
at him a wild antagonism, an insane confidence and desire to pit
myself against him, took possession of me. My folly even went so far
as to picture to my mind a lovely, broken-hearted creature, bound to a
betrothal odious to her, stretching out her hand towards another fate.
The Prince had sat down in his box, slightly wearied in his daily
round of life, not expecting very much entertainment from the play;
more pleased, perhaps, at the gay scene the crowded theatre itself
presented to his eyes, perfectly unaware, certainly, of the ferocious
glances one of the audience in a remote corner was directing towards
his unconscious person.

I spent the ensuing night and day in a fever of passionate excitement;
but on the next afternoon an event occurred which reduced every other
consideration to worthlessness, and exaggerated the delirium from
which I suffered to the highest pitch. On my return to the 'Three
Roses' from attending a lecture of the university--for I did attend
lectures sometimes--I found a royal footman waiting for me with a note
from the Princess. The world seemed to swim before my eyes as I took
the billet from the man. It had been given him by the Princess
herself, he said, who had charged him to deliver it to no one but
myself.

I opened the billet and read: 'The Princess Cynthia will be in Das
Vergngen, on the terrace above the cascades, this evening at eleven
o'clock. She wishes to see Herr von Saale there without fail.

Even in the state of exaltation in which I had lived for some days, I
could scarcely believe my senses. Yet there could be no possible doubt
that the message was a genuine one. The billet was distinguished from
ordinary letters by its paper, and was closed with a massive seal
bearing the royal arms.

To this moment it is a mystery to me how I passed the intervening
hours from the time the man left me till eleven o'clock. I know that
at the time the thought of this necessity overwhelmed me with despair.
I have some misty recollection of wandering down the valley by the
river, of gibbering passing forms which with intolerable intrusion
seemed to force themselves between me and the only conceivable event
towards which all human history had been tending since the world
began.

The garden of Das Vergnugen was defended against intrusion by natural
boundaries, very slightly assisted by art. The valley on the palace-
side was impregnable, and the steep, rocky, wooded slopes on the
farther side of the river were so inclosed at the top as to render
intrusion difficult or impossible. The right of entre was given me
through my connection with the Professor and the Frulein, and I had
no difficulty in obtaining it on this momentous night.

Mysterious shadows, dark and vast under the pale moonlight, the great
trees and banks of leaves, rose in strange distinct outline on every
side, as I made my way through the lawns and garden-walks. The
nightingales were singing all around me: the festoons of roses, robbed
of all colour by the pallid light, hung like the ruined garlands of a
dead festival, and sheets of clematis fell like cascades from the tall
hedges and forest trees, and filled the air with a stifling perfume
that presaged decay. Every now and again a strange whispering music
stole through the valley and along the wooded slopes, the echo of
wind-harps and harmonica-wires concealed among the terraces and
groves. As the night advanced and the moon sank lower in the sky, the
starlight grew more intense, with a clear distinct light, in which the
sharp dark outlines of the shadows stood out in weird contrast with
the beauty which, even in the moment of startled terror, the heart
felt to be around. The wayward music that strayed through the leaves,
and the fine clear notes of the nightingales, that harmonised with the
cold silver light in which valley and river and stone terrace lay in
mystic unreality, seemed like a fatal spell to enslave my spirit, a
ghost-melody, a pale, beckoning hand to entice me on. And it was not
only that these sights and sounds of a pallid and even terrifying
beauty lured me on, but my infatuation was so perfect that I traversed
the lawns and terraces in the full expectation of finding at the
trysting-place the most lovely, the most unique of creatures, a
creature born to be the possession and the delight of her own race and
kind, and of such only, to whom it would seem presumption and treason
for any other even to look. Long years afterwards, writing in the cool
blood of middle life, the remembrance of this folly makes me shiver
with an intolerable shame; but at the moment, so potent was the wizard
spell that untamed, unquestioning youth and the wild, romantic wood-
teaching, and the autumnal music of the winds, and the well-spring of
fresh hope and love and trust, bursting out like a clear fountain amid
the flowering grass and woodland singers, had cast about my path that,
as I passed the terraces and the arcades of roses and clematis, I
believed confidently that in another moment I should have the
Princess, blushing, shy, palpitating, in my arms.

I turned a terraced corner bordered with statues and urns, and shaded
with tall yew and holly hedges that grew high up in the woods. I came
upon a broad and long terrace, shining in the clear light. On the left
hand, far above me, from the mountain summit a single broad cascade
fell, like a wall of flashing molten silver, sudden and straight into
a deep pool, from which by several outlets, formed by the piers of the
terrace-bridge upon which I stepped, it fell again, in four or five
cascades of far greater depth, into the valley beneath.

The moon, which was setting a little behind me, cast a full and strong
light upon the broad terrace--a light as bright as day. As I turned
the corner my heart almost ceased to beat, for I saw, not a dozen
yards from me, the Princess herself coming forward to meet me, as it
seemed with outstretched hands. The bright light revealed in perfect
distinctness the soft, gracious outline of her slight figure and the
shy expression of her face. I made a step forward, my heart leaping to
my mouth, when suddenly it sank again with a sickening chill, for
behind the Princess, only a few steps apart, was the strange Crown
Prince, and close to him stood another figure, which I also recognised
at once.

The Princess came forward with her faint, bewitching smile.

'You are here, Herr von Saale,' she said: 'I knew you would not fail.
We are an awkward number for a moonlight stroll, and I wanted a
companion for the Frulein.'

A sickening sense of self-recognised, self-detected folly--folly too
gross and palpable, it might be feared, to escape even the detection
of others--crushed me to the earth.

What would have happened, what inconceivably fatal folly I might have
committed, I cannot tell--a mad whirl of insane thought rushed through
my mind; but the Princess kept her steady eyes fixed full upon mine.
'Herr von Saale,' they said, as plainly as, ay, plainer than, words
could speak,--'Otto von Saale, I believe in you. You have taught me
something that I never knew before. You have taught me what I am, and
you have shown me what I may become. You yourself surely will not
fail.'

The steady, speaking eyes, calm in the pale white light--the intense,
overmastering power and thought--drew me out of myself, as at the
evening concert at the palace; but now, thanks to the purpose and
command that spoke in them, with a fortifying help and strength. The
boyish nature, fascinated and uplifted even in the depths of its folly
and shame, rose--thanks to her--in some sense equal to the pressing
need. Surely she must be right. Behind Otto von Saale, the fool, there
must be another Otto von Saale who would not fail.

Something of what was passing in my mind rose, I suppose, into my
eyes, for the expression of the Princess's face changed, and an
inexpressibly beautiful look came into her eyes, amid the quaint
reserve which her rank and disposition gave to her habitual look. It
seemed to speak, with a start of grateful joy at the sudden gift, of
certain abiding faith--faith in herself and in me--faith in the full,
pure notes of life's music, which they who are born of the spirit, in
the turmoil of the world's passion and desire, alone can hear.

The Princess turned away very quietly towards the Crown Prince. 'You
remember Herr von Saale the other evening?' she said; and his Royal
Highness bowed.

They moved together towards the other end of the terrace, and I
approached Adelheid.

It may be thought that I must have found some difficulty and confusion
in speaking to her; but, strange as it may appear, it was not so. It
seemed to me as though the demon of vanity and folly had been
completely exorcised, as though the courage and faith that shone upon
me from the Princess's eyes had blotted out and effaced the miserable,
infatuated past as though it had never been. It is given to some
natures, at some propitious moments at the turning-points of life, by
a happy acquiescence in right doing to obliterate the evil past. The
intolerable sense of disgrace and shame had, as it were, stung the
lower, vain reptile-self through its vital cord, and it lay dead and
withered in the way. The flattering mask was torn from its features,
and nothing was left but a shudder at the memory of a creature so
contemptible and vile.

I told Adelheid that I did not know how to excuse my conduct of the
last few days, that some demon seemed to have possessed me, that Herr
Veitch had said truly that this was the case, and that I had been
fascinated--by some evil eye, I was about to say; but I stopped
suddenly, remembering that the eyes that had fascinated me had been
those of the Princess, those eyes that had restored me to the dominion
of the higher self. Escaping from this pitfall as best I could, I
promised that I would return to my practising, and this brought us to
the end of the terrace, where was a flight of stone steps that led
down into the valley. Here the Princess turned to us and said that she
wished to show the Prince the cascades from the steps, some little way
down: they would return to us immediately on the terrace. They went
down the steps and we turned back along the terrace-walk.

The moon by this time had set, and a countless host of stars lit the
arched sky above us; and over the leafy walls on every side, darkened
and deepened in shade, a delicate, faint, clear light seemed to
chasten and subdue the heart--the starlight of the soul. There was no
sound but that of the rush of water, for the nightingales and the
wind-harps were too far below. There seemed to arise around us, and to
enwrap us in its emboldening folds, a protecting mist and garment of
solemn, faded light and measured sound. Enshrouded in this mystic veil
fear and embarrassment were taken away, and in clear, true vision we
saw each other for the first time.

'You have taught me the violin,' I said; 'but there is another
instrument, the strings of which vibrate to even higher tones: will
you teach these strings also to vibrate in unison to your touch? It
has been neglected, and is out of tune: it wants the leading of a
master-hand.'

'I fear the instrument is accustomed to another hand,' Adelheid said.

'A violin,' I said, 'is played on by many a one, and they fail; but it
is not cast aside. At last he comes for whom it was predestined long
ago, while the wood was growing in the tree, while the mellowing
sunshine and the wind were forming it--were teaching it secrets that
would fit it to teach mankind in sound. He to whom it was predestined
comes. He takes it in his hand, and we know that once, at least, in
this life, supreme music has been heard. Will you try this instrument
of mine? It may, perchance, be worth the trying, for it is a human
heart.'

'I will try it,' she said.

There is not much more to tell. He that is happy has no history; and
the life that is in tune with the melodies of heaven, in tune because
it is guided by a purer life, inspired by a loftier impulse than its
own, cannot fail of being happy. In the sustained and perfect
harmonies that result from the concord of full, pure, true notes,
there is rest and peace for the wearied and troubled brain; and the
harmonies of life, that absorb and hush the discords of the world, are
heard only in the private walks and daily seclusions in which love and
Christian purity delight. Both harmonies came to me through a teacher
of the violin.

And the Princess?

One summer afternoon in the year 1806 a gay city lay smiling in the
afternoon sun. It lay in a fair plain watered by shining streams, and
surrounded in the blue distance by wooded hills. The newly-built
esplanades stretched away into the meadows, and from among the avenues
of linden-trees the birds were singing merrily. But a fatal spell
seemed to hang over this lovely scene, and the city might have been a
city of the dead. Not a chance figure could be seen in its streets and
boulevards: the windows of its houses were all fastened, and the
blinds and jalousies drawn down and closed.

And more than this: every few moments a deathly terror tore the
serene, calm air, and, alighting like a shrieking fiend, crashed into
house and grove. The Prussian army was in full retreat across the
fords of the river lower down, and the city was being bombarded by a
battery of the French.

The blinds in the long streets were all drawn and the shutters closed;
but there was one house in which not a blind was down nor a window
closed. This was the palace, which stood in the centre of the city,
looking upon the Grand Platz, and surrounded by chestnut and sycamore
trees. The King was with the army on the distant Thuringian slopes;
but it was known through all the city that the Queen was still in the
palace and had refused to leave; and in the hearts of the citizens,
wherever a few met together, or in the homes where they spoke of this,
despair and anguish were soothed into gratitude and trust.

But gradually as the evening drew on matters became worse. The
terrible cannonade, it is true, ceased; but a party of French
chasseurs, followed by infantry, occupied the market-place, and the
work of plunder was systematically begun. The crash of doors burst in
and the shrieks of the inhabitants were heard on every side. At seven
o'clock in the summer evening houses were in flames in front of the
palace, and the light was so intense that people could read
handwriting, both in the palace-court and in the market-place.

Then, suddenly, a most wonderful thing occurred. The great iron gates
of the court-yard, which had remained closed, were thrown open, and a
state carriage, gorgeously caparisoned and drawn by six white horses,
accompanied by servants in full liveries, issued forth in the evening
light, amid the added glare of the flaming houses. It passed on its
stately way through the crowded, agitated Platz, the lawless soldiers
standing back astonished and abashed, till it reached the great hotel
of the 'Three Kings,' where a marshal of France, a brother-in-law of
the Emperor, had taken up his quarters for the night an hour before.
It did not remain long; but in a few moments it was known throughout
the city that the Queen's intercession had prevailed, that orders had
been given to extinguish the conflagration, and that the pillage would
immediately cease.

The people, young and old, swarmed into the streets. From by-lane and
causeway and boulevard, rich and poor, without distinction, child and
old man and grandam, crowded around the stately carriage with the
white horses, wherein sat a beautiful woman of middle age, serene and
stately, but very pale with long watching and with grief. Sobs, and
words of blessing, and cries of love and joy, resounded on every side;
but amid that countless throng there was no heart so full of a strange
pride and gratitude to God as was that of an unknown stranger, by
chance in the city, standing unnoticed in the dark shadows of the
palace groves. I knew her--had known her longer than they all; for it
was the Princess Cynthia of the old, unforgotten, boyish days.



THE BARONESS HELENA VON SAARFELD.

Travelling in Germany on one occasion, I passed the evening at a small
inn among some mountains with a middle-aged man whom I soon discovered
to have been an actor. In the course of the evening he told me the
outlines of the following story, together with much interesting detail
relating to an actor's life. I have endeavoured to work into the story
what I could recollect of his observations, but not being able to take
notes at the time, and having little intimate knowledge of German
life, I have lost much of the local colouring and graphic detail which
interested me so much at the time. This short introduction will
suffice.

In a considerable town in Germany (said the actor) there have been for
several generations a succession of dukes who have patronised the
German theatre and devoted the principal part of their revenue to its
support. In this city I was born. My grandfather had been an actor of
some repute, whose acting in some of his principal characters Schiller
is said greatly to have admired. His son, however, did not follow in
his father's art, but degenerated, as most would call it, into a
stage-carpenter and inferior scene-painter. He was, however, a man of
considerable reading, and of a certain humour, which mostly took the
form of bitter sarcasm and dislike of the theatrical profession. From
my birth he formed a determination to bring me up as a printer, for
besides that his fondness for reading naturally caused him to admire
the art by which books are produced, he believed that education would
make gigantic steps within a few years, and that in consequence
printers would never want for occupation. In this expectation, at any
rate in one respect, he was mistaken.

Upon the production of a new piece which the reigning Duke had himself
written, the juvenile actor who was to have taken a boy's part
sickened and died, and the company did not at the moment possess any
child who was fitted to take his place. My father was requested, or
rather commanded, to allow me to learn the few words attached to the
part. He was extremely averse to the proposal, but was compelled to
consent, the matter appearing so trifling. The play was very
successful. The applause was unanimous, and indeed was so enthusiastic
that, not satisfied with lauding the talent of the noble author and
with praising the intelligence of the chief actors who had so readily
grasped the intentions of genius, it had some encomiums left for the
child actor, and discovered a profound meaning in the few words the
Duke had put into my mouth, which it asserted I had clearly and
intelligently rendered. The Duke, pleased at finding himself so much
cleverer than even he had ever suspected, joined in the applause. He
never failed to testify his approbation at the way in which I piped
out the very ordinary words of my single line, and finally, when the
play was withdrawn for a time, he sent an order to my father to repair
one summer afternoon to the ducal Schloss which overlooked the town. I
have since sometimes thought that it was curious that this play, so
full of genius and of humour, was not re-acted even on this partial
stage oftener than it was, and that, in all the theatres of Germany
where I have played my part, I never once saw it performed, nor even
so much as heard it mentioned; so difficult of recognition is merit in
my profession.

The ducal Schloss rose directly above the tall houses of the superior
quarter of the town, the backs of which looked out upon forest trees
which had been planted, and had grown to great size, upon the steep
mountain slope upon which the Schloss was built. My father, taking me
by the hand, led me up the winding road, defended at the angles by
neglected towers, which led to the castle gardens. On the way he never
ceased to impress upon me the misery of an actor's life.

'The poorest handicraft,' he said, 'by which a man can earn his crust
of bread in quiet is preferable to this gaudy imposture which fools
think so attractive. In other trades a man is very often his own
master, in this he has so many that he does not even know which to
obey. In other trades a man has some inducement to do his best, in
this to excel is in most cases to starve. The moment an actor ceases
to assist the self-love of his fellow-actor, or to minister to the
worst passions of his auditors, he is hated or despised. He works
harder than the simplest journeyman for poorer pay, he is exposed to
greater risk of accident, and the necessities of his part require such
a delicacy of organisation that the least accident ruins it.' The
great trunks of the trees were throwing a fitful shadow over the steep
walks as my father, still holding me by the hand, poured these
dolorous opinions into my ears, and we reached the long terraces of
the ducal gardens.

We were passed on from one gorgeous domestic to another until at last
we found ourselves before the chasseur, a magnificent man of gigantic
height, but with an expression of face perfectly gentle and beautiful.
I had often noticed this man in the theatre, and had always thought
that he would be admirably fitted to represent St. Christopher, a
picture of whom hung in my mother's room. He surveyed us courteously
and kindly, and informed us that the Duke was taking his wine with a
friend on one of the terraces on the farther side of the hill. Thither
he led us, and we found the Duke seated at a small table in front of a
stone alcove ornamented with theatrical carvings in bas-relief. The
view on this side avoided the smoke of the town and commanded a
magnificent prospect of wood and plain crossed by water, and
intersected by low ranges of hills. The afternoon sun was gilding the
tree-tops and the roofs and turrets of the Schloss behind us.

The gigantic chasseur introduced us to the Duke, who sat at his wine,
together with a gentleman of lofty and kindly expression, whom I never
saw before or since. On the table were wine and dried fruits. I
remember the scene as though it had occurred only yesterday.

'Ah, my good Hans,' said the Duke--he prided himself on his accurate
acquaintance with every one attached to the theatre, and my father's
name was Karl--'ah, my good Hans, I have sent for you because I have
taken an interest in this little fellow, and I wish to make his
fortune. I will take his future into my hands and overlook his
education in his noble profession of player.'

My father looked very uncomfortable.

'Pardon, your highness!' he said, 'I do not design him for a player. I
wish him to be a printer.'

The Duke raised his hand with a magnificent gesture as of a man who
waives all discussion.

'My good fellow,' he said, 'that is all past. This boy has developed a
talent for the highest of all possible professions. He has shown
himself unconsciously appreciative of genius, and able to express it.
His future is mine.'

My father looked very downcast, and the gentleman who sat by the Duke,
with a kindliness of demeanour which has endeared him to me for ever,
said--

'But this good man seems to have decided views about his own son.'

'My dear Ernest,' said the Duke, 'on every other subject I am most
willing to listen to, and to follow, your excellent advice, but on
this one topic I think you will admit that I have some right to be
heard. We have here,' he continued, leaning back in his chair, and
waving his two hands before him, so that the fingers crossed and
interlaced each other, as his discourse went on, with a continuous
movement which fascinated my eyes, 'we have here the commencement of
an actor's life. We look forward into the future and we see the
possibility of an existence than which nothing more attractive
presents itself to the cultured mind. What to other men is luxury is
the actor's everyday life. His ordinary business is to make himself
familiar with the highest efforts of the intellect of his day, but
this even is not all; every movement of his life is given to the same
fascinating pursuit; whenever he walks the street he is adding to his
store; the most trifling incident--a passing beggar, a city crowd--
presents to him invaluable hints; his very dreams assist him; he lives
in a constant drama of enthralling interest; the greater stage without
is reflected on the lesser stage of the theatre; his own petty
individuality is the glass in which the universal intellect and
consciousness mirrors itself. It is given to him of all men to collect
in his puny grasp all the fine threads of human existence, and to
present them evening after evening for the delight, the instruction,
and the elevation of his fellow-men. We have before us an individual,
small, it is true, and at present undeveloped, before whom this future
lies assured. Shall we hesitate for a moment? This worthy man, looking
at things in a miserable detail, sees nothing but some few
inconveniences which beset this, as every other, walk in life. It is
fortunate that his child's future is not at his control.'

My father said nothing more; but as he was shown off the final terrace
by the least gorgeous of the domestics, he muttered to himself so low
that I could only just hear him, 'We shall see what the mother will
say.'

But--when we reached our house, which was a lofty gabled dwelling in
the poorer part of the town, but which had belonged to my grandfather
and to his father before him, and had once been a residence of
importance; when we climbed to the upper story and found ourselves in
the large kitchen and dwelling-room which commanded views both ways,
into the street and to the ramparts at the back--he got no help from
his wife.

My mother did not like reading, and even thought in her secret mind,
though she did not say it aloud, that her husband would be much better
occupied in working for his family than in puzzling his brains over
the pages of Kant. She had, therefore, no great admiration for the
great printers of the day, nor was Johann Gutenberg likely to replace
St. Christopher over her bedside. She knew nothing of the vast stride
that education was about to make, nor of the consequent wealth that
awaited the printer's craft, but she did know the theatre and she knew
the Duke. That the Duke had promised to make her son's fortune was not
denied; surely there was little left to desire. It was decided that
night that I should be an actor.

'My son,' said my father, some time afterwards, as he took me to the
lodgings of an actor who had promised to teach me to repeat some
famous parts, 'my son, I have not been able to train thee to the
occupation which I should have desired. I pray God to assist thee in
that which fate has selected. I have one piece of advice which I will
give thee now, though I hope I shall be able to repeat it often. Never
aspire to excellence; select the secondary parts, and any fine strokes
of acting which you may acquire throw into these parts. In this way
you will escape the vindictive jealousy of your fellows; but if
unavoidably you should attract such ill-feeling, leave the theatre at
once, travel is much as possible, act on as many boards as you can.
You will achieve in this way the character of a useful player who is
never in the way. In this way, and in this only, you probably will
never want bread; more than this I cannot hope for.'

I shall not weary you by relating the story of my education as an
actor; it will suffice to say that I found neither my father's
estimate of the profession, nor that of the Duke, to be precisely
correct. If on the one hand I have found littleness and jealousy to
exist among players, on the other I have seen numberless acts of
unpretending and self-denying kindness. It must be remembered fiat the
actor's life is a most exciting and wearing one, and most certain to
affect the nerves and make a man irritable and suspicious. His
reputation and his means of existence are dependent upon the voice of
popular applause--an applause which may be affected by the slightest
misunderstanding or error. It is no wonder, therefore, that he is apt
to take alarm at trifles, or to resent with too much quickness what
seems to be a slight or an unfairness. With regard to the Duke's ideal
view of the profession, I did not find this even altogether without
foundation in fact. I found, amidst all its trivialities and
vexations, the player's training to give an insight into human life in
all its forms, and to encourage the study and observation of the
varieties of city existence more than perhaps any other training does.
I studied the works of the great dramatists and novelists with
attention, not only for my own parts, but that I might understand the
parts of others. I followed my father's advice throughout my life. I
confined myself systematically to secondary parts, but I watched
carefully the acting of the great players, and endeavoured to lead up
to their best effects, and to respond to the emotions they sought to
awaken. By this means I became a great favourite among the best
players, for it is surprising what an assistance the responsive action
of a fellow-actor is in obtaining an effect, while on the other hand
it is very unlikely that the attention of the audience should be
diverted from the principal actor by what tends indeed to increase the
impression he makes. Several of the greatest actors then in Germany
often refused parts unless I played the secondary character. I was not
particular. I would take any part, however unimportant, provided my
salary was not reduced in consequence, and I endeavoured to throw all
my knowledge and training into any part I undertook. By this means I
became a great favourite with authors, who, if they are worth
anything, endeavour to distribute their genius equally among their
characters, and whom nothing irritates so much as to see everything
sacrificed to promote the applause and vainglory of a single
performer. I grew up, much to the surprise of all who knew me, a very
handsome young man; and I generally took the parts of lovers, when
these were not of the first importance, such, for instance, as the
part of Romeo, which, true to the rule I had adopted, I never
attempted. In this way I had visited most of the cities of Germany,
and was well known in all of them, when, at the request of one of the
chief actors of the day, who studied the parts of the great tragedies
which he undertook with the most conscientious care, I accepted an
engagement at the theatre of one of the great cities of the empire, to
which he had also engaged himself for a considerable time.

The theatre was a large one, and the company numerous and varied. I
might occupy you for a long time with divers descriptions of character
and with the relation of many curious and moving incidents, but I do
not wish to make this a long story, and I will therefore confine
myself to the chief events.

The German stage, as you are aware, is different from your own in
England, in that it does not present such marked contrasts. There is a
great gulf, as I understand, between your highest actors and your
pantomime players; but this is not the case in Germany. As far as I
can understand, we have nothing resembling your pure pantomime, and
what we have which resembles it is introduced in interludes and after-
pieces, and is taken part in, to a considerable extent, by the same
actors who perform in the more serious pieces. There was, for
instance, in the theatre to which I was attached, an old actor named
Apel, who would take the part of grave-digger in Hamlet, and the same
evening, in the after-piece, act the part of what you call the clown.
This part on any stage is the one most liable to accidents, and this
man, in the course of a long professional career, had met with
several, in falling through trap-doors open through the carelessness
of carpenters, or stumbling over unforeseen obstacles. These accidents
had seriously affected his physical system, and he was rapidly
becoming a helpless cripple. He had one child, a daughter, who danced,
for a German, with remarkable grace and agility, and sang with a rich
and touching voice. Of all the avocations which necessity has forced
the unhappy daughters of man to adopt--

'The narrow avenue of daily toil.

For daily bread,'

that of a pantomime dancer, who has a song, is the hardest. I have
stood upon the stage by such a girl as this, and marked the panting
exhaustion with which she completed her dance, and the stupendous
effort with which she commenced her song. Even without the exertion of
the dance, I know of few things more touching than to see a girl
labouring conscientiously through a long, and possibly an unattractive
song, before a wearied and unsympathising audience who reck nothing of
the labour, the pains, and the care which the performance involves.
The girl of whom I speak, whose name was Liese, had her share, and
perhaps more than her share, in this hard lot. She was a fine German
girl of no particular talent, but perfectly trained; she came of a
family of actors, and displayed a kindliness of disposition and a
devotion which were truly German. As her father's incapacity
increased, her exertions redoubled. While they both were able to take
their full part, the income of the pair was comparatively ample; but
as he was obliged to relinquish part after part of his accustomed
performance, she redoubled her exertions, and took every trifling part
which was in kindliness offered her by the management. I acted with
her in innumerable parts of light comedy as lover and sweetheart, as
brother and sister, as betrayer and victim, and, in turn, as jilted
and deceived. I have never been able to this day to decide whether I
was really in love with her or not, but I rather think my feelings
were those of a devoted and affectionate brother, and I am certain of
this, that no man ever reverenced a woman more than I did this girl.
At last the old man's paralysis became so confirmed that he could
scarcely stand; he had to be carried to the side scenes, and went
through hours of agony when his short part was over.

One afternoon, about this time, after rehearsal, at which neither
father nor daughter had been present, and whose fines for non-
attendance I paid, a proceeding which, as I was known to be so
intimate, passed as a mere matter of arrangement between ourselves, I
went, at the request of the manager, to inquire whether either would
be present at the evening performance.

Herr Apel had been obliged to leave his former lodgings owing to the
reduction of his earnings, and I had not far to go to the dreary,
shabby street near the theatre, where he occupied two rooms on the
first floor. Liese received me in one of the lower rooms, and I
noticed a strange expression in her face which I had never seen
before.

'We could not come to the rehearsal,' she said; 'we have been rubbing
him all day, and he has been in such pain! I do not think that even he
can possibly play to-night. We have our fines ready.'

'There is no question of fines,' I said, 'with you. You do not think
so badly of Herr Wilhelmj as that, I hope.'

She looked at me curiously, but made no remark. After a pause she
said--

'I sometimes think that nursing him and seeing him suffer affects me
too. I feel at times a strange numbness and pain stealing over me.
What would become of us if I became like him!'

'You must not think of such things,' I said; 'you have plenty of
friends who will help you in every way. Let us go up to him.'

We went together upstairs into a little room where the old clown lay.
He had the expression of an idiot, and seemed absolutely crippled and
helpless; but I was not surprised at this, for I had seen him even
worse before, and known him act the same evening with much of his old
genius and fire. It was a most extraordinary fact that this man,
helpless and idiotic to the last inch of the side scenes, regained,
the moment the footlights flashed in his face and he saw the crowded
theatre before him, all his strength, recollection, and humour, and
went through his part apparently without an effort, only to collapse
the moment he tottered behind the scenes.

He was whining and moaning as I sat down beside him on the sofa.

'No one pays any attention, no one takes any care of me,' he said; 'I
am a poor old man. I have entertained people in my day--thousands and
thousands; no one does anything for me. My daughter, even, does
nothing; she might do much, but she does nothing; she is only thinking
of herself and her own gains.'

She stood leaning on the end of the couch, looking me full in the face
with a sad, but not unhappy, look in her eyes. I could return her
glance freely. The old man's state was so evident, it did not
embarrass any one whatever he said. She leaned over her father.

'Shall you play to-night, papa?' she said: we used many French words
in the theatre.

A contortion of pain passed over the old man.

It was a curious thing, but as I half rose, involuntarily, to help, I
saw the same spasm of pain pass over the daughter's form, and she
seemed bent down for a moment by it; then she stood upright, and
looked at me with a wistful, earnest, inquiring gaze.

It is just possible--at this hour I do not think that I should--but
still it is just possible that I might have asked what she had in her
thoughts, when the door opened, and a female servant announced--

'The Count von Roseneau.'

I rose in my seat as a very handsome young man, of some two and twenty
years of age, came into the room. He was well known to us all as a
constant frequenter of the green-room, as you call it in England. He
spoke kindly to the old man, who seemed to brighten at his presence,
nodded to me, but took little notice of Liese. I know not what
prompted me, but I stood for a moment silent, comparing myself with
him. He was handsome, though of a more boyish style of beauty than
mine; he was noble, though said not to be rich. He was far from
clever, and of very moderate education. I was handsomer than he,
trained in every art that makes the possessor attractive--elocution,
gesture, demeanour; my mind stored by the intelligent familiarity with
the highest efforts of human genius; yet it never occurred to me to
put myself for a moment into competition with him. After a few
ordinary phrases, I took my leave.

From this day it seemed to me that Liese was more distant and reserved
with me; she seemed, too, to act with indifference and even
carelessly, and to be often distraite and forgetful. Her father grew
worse and worse. He crept through his part, the mere shadow of his
former self. At last the manager informed his daughter that it was
impossible to allow him to appear any longer upon the stage.

'We will give him a benefit,' he said, 'in a week or two, at which all
the strength of the theatre will assist. He shall be brought on in a
chair, and shall sing his popular song. That must be the finale.'

In about a month's time the benefit took place. The theatre was
crowded, everything being done to make the entertainment attractive.
Several actors came from distant cities to take part in the
performance, for the old clown was one of the best-known men in the
profession, and was associated with pleasant recollections in the
memory of most players. Two favourite pieces were given with great
applause, and in the interval Herr Apel was brought in in a chair,
which was placed in front of the footlights, and sang his song.

To the last moment, and even as he was carried across the stage, he
seemed almost insensible of what was passing, but once in front of the
lights, and of the great theatre rising tier over tier before him,
every one upon his feet, with waving of handkerchiefs and fans, and a
tumult of applause and of encouraging cries, he raised himself in the
chair, his ace assumed the old inimitable comic expression, and amid
the delighted excitement of the vast crowd, he gave his song with as
much power and wit as he had ever done in the course of his long
career. Nor was this all, for the song being over, and the last two
verses given twice, in response to the repeated encore, the long
applause having a little subsided, the old man rose, and, without
help, tottered forwards towards the lights, and amid the breathless
silence of the house, and with a simple dignity which contrasted
touchingly with his feebleness and his grotesque dress, spoke a few
words of natural regret, of farewell, and of gratitude for the favours
of a lifetime. He even, in the concluding sentence, turned slightly to
the stage, which was crowded, and included his fellow-actors in the
expression of kindly reminiscence and thanks. The excitement was
intense. Men wept like children, not only in the theatre but on the
stage; many women fainted, and it was some time before the curtain
could rise again for the second piece. Herr Apel was taken home in a
comatose state, and scarcely moved or spoke again during the remainder
of his life.

Two days after this performance, as I was leaving the theatre after
the morning rehearsal, I was accosted by a tall chasseur, who reminded
me instantly of my old friend, St. Christopher, in the ducal court.

'Sir,' he said, with great deference, 'the Baroness Helena von
Saarfeld wishes to speak with you in her carriage, which is close by.'

I followed the man to a handsome carriage which was standing a few
doors from the stage entrance, a little way down the street. There, as
I stood bareheaded at the open door, I saw for the first time the most
beautiful woman, without exception, that I have ever seen.

Helena von Saarfeld was the only child of the late Baron, who was
enormously wealthy and possessed of vast ancestral estates. He was a
man of great intellect and of superior attainments, and he undertook
the entire education of his only child and heiress. Helena was taught
everything that a man would know, and her father discussed all social
and religious questions with her. He held very singular opinions upon
social problems, and in religion he was much attached to the mystical
doctrines of the Count Von Zinzendorff. At a very early period he had
contracted his daughter in marriage to the young Count von Roseneau,
to whose father he had been much attached; but as the boy grew up,
having been deprived early, by death, of his father's care, the Baron
became dissatisfied with the young man, and it was well known that at
his death, which had taken place about two years before I saw his
daughter, he had left a codicil to his will entirely exonerating her
from any obligation to the young Count, and leaving her future destiny
in her own hands, expressing every confidence in her judgment and
discretion. All these facts were known to me as I approached the
carriage.

The Baroness was at this time between two and three and twenty, in the
full possession of her youth. She was of a perfect height, with brown
hair, lighter than her eyes, and beautifully cut features; her mouth
was perhaps rather large, but this only increased the wonderful effect
of her smile, which was the most bewitching ever seen. She spoke with
animation, and her smile was so constant that the most wonderful thing
about it was that its charm never flagged. This was the woman who was
presented to my gaze as I stood in the sunshine bareheaded by the
carriage-door.

'I have wished to speak to you, Herr Richter,' she said, throwing a
world of fascination into her face and manner is she spoke; 'will you
oblige me by driving a short distance with me in the carriage? I will
not take you far out of town.'

I entered the carriage, and the coachman having orders to drive
slowly, we passed through the crowded streets.

'I was at the theatre the other night,' the Baroness said, 'and I was
extremely touched, as, indeed, we all were, at the sight of that poor
old man; though I do not know that I should call him poor who all
through his life has contributed to the gaiety and innocent enjoyment
of the world, and could at his last breath speak words so touching and
so noble as he did. May I ask of you, Herr Richter, what will become
of him--I am so ignorant of these things--and whether it were possible
for one like I am to help him in any way?'

'I shall be very glad, Madame la Baronne,' I said, 'to undertake to
apply any help you may be most kindly disposed to afford. I am very
intimate with Herr Apel, and can easily find ways of doing so; and I
fear, from what I know of his circumstances, that any aid will be most
welcome.'

'That was what I feared,' she said; 'and it seems to me so sad that
such should be the end of a life of toil like his!'

I saw at once that the Baroness was saying these last words by way of
introduction to something else, and I did not reply. Probably she
noticed this, for she said without the slightest hesitation--

'He has a daughter, I believe.'

'He has,' I replied.

'She is a very clever actress, I am told.'

'She is a very conscientious, hard-working artiste,' I replied, 'and
has, for a German, remarkable grace, and she sings charmingly.'

'And she is a very good girl.'

'She is one of the best girls I ever knew. She is devoted to her
father, and, I fear, is injuring herself by her exertions to make up
the deficiency which is involved in his failing health. She is a
thoroughly true and excellent girl.'

The Baroness looked at me for a moment before she replied; then she
said--

'You speak, Herr Richter, as I was given to expect. Frulein Apel is
fortunate in having so true a friend.'

There was a pause. I knew something was coming, but I did not know
what. Then she said, still without the slightest hesitation--

'The life of an actress is a difficult and exposed one, Herr Richter?'

'It is, Madame la Baronne; but like all other ideas, this one has been
exaggerated. A girl in this, as in other walks, has ample means of
protection, and I have never heard that Frulein Apel has even needed
such.'

She looked at me again for a moment. I began to think that she was the
most lovely creature that ever walked the earth.

'But gentlemen and nobles court their acquaintance a good deal, do
they not? This must be a great temptation in their sphere of life.'

'Some gentlemen frequent the greenroom,' I replied, 'and are fond of
talking to the actresses. In some theatres it is forbidden.'

'Has Frulein Apel any friends of this kind?' said the Baroness; and
now for the first time I detected a slight hesitation in her manner;
but it was so trifling that no one but an actor would, I think, have
perceived it. 'The Count von Roseneau, for instance.'

'The Count is a frequenter of the theatre,' I said, 'and I have seen
him speaking to Liese--to Frulein Apel--in fact, I have met him at
her house.'

The Baroness was looking straight before her now. She said without
hesitation, but still seriously--

'I fear that any acquaintance between them will not be for good.'

There was a pause. I scarcely knew what to say. It was the Baroness
who broke it.

'I will not take you farther out of your way,' she said. 'I do not ask
you to understand me, or not to misinterpret anything that I have
said, for it is notorious that Herr Richter can do nothing but what
the noblest gentleman might think. I hope I may see you again.'

It is impossible to describe the superb courtesy with which she said
this. The carriage was stopped, and I alighted, and made my adieux.

As I walked back into the city, pondering over this strange interview,
I made up my mind decisively that, in spite of any obstacle and
misunderstanding, the Baroness was deeply attached to the Count von
Roseneau. You will have an opportunity of judging for yourself whether
this was the fact or not, but I ask you to remember that this was the
impression upon my mind, because it probably influenced my after
conduct in an important crisis.

After this, matters went on for some time much as usual. The Baroness
sent me several sums of money, which I tried to appropriate to the
wants of Herr Apel and his daughter, but I found more difficulty in
doing this than I expected. Liese showed a shyness and reserve towards
me which I had never seen before. Once or twice I thought I noticed
the same wistful glance that I had noticed before, but there was no
reason why I should inquire into her thoughts, and I did not do so. I
adopted the simple plan of placing the money in comparatively small
sums in the old man's hand, and I have reason to know that he
immediately gave them to his daughter. Matters went on in this way for
some time.

At last one evening there was a second piece at the theatre which
somewhat resembled the first part of you pantomimes. There was a kind
of love-story running through it, but broken in upon by every kind of
absurdity. We had played Hamlet for the first piece, considerably cut
down, in which I took the part of Horatio. The actor who played Hamlet
said courteously to me amid the applause that closed the play--

'Half of this, Richter, belongs to you,' and insisted on taking me by
the arm as he went before the curtain.

I played the lover in the second piece. I had noticed during the
evening that the manner of Liese was unusually excited; she spoke
much, and to every one; she was unusually friendly with me, and when
the piece came on she took every opportunity of clinging to me, and
playing her part in the most lively and charming way. I never saw her
look more attractive. Towards the end of the piece, when the climax of
absurdity was nearly reached, there was a scene in which the King, the
Lord Chancellor in his robes, and the two lovers meet in conclave to
consult partly over state affairs, and partly over the fate of the two
latter. Towards the end of the consultation, apparently as a relief to
more serious business, it occurs to the Chancellor to sing a song and
dance a hornpipe. After performing his part to admiration, and
careering round the stage several times, he disappeared through the
side scenes, and the King, inspired apparently by his example, waved
his ball and sceptre, advanced to the footlights, and, singing his
song, also danced round the stage, his robes greatly encumbering him,
and, finishing up with a pirouette, which under the circumstances was
highly creditable, also vanished from the scene. It then came to my
turn, and leaving the side of Liese, by whom I had stood hitherto, I
also sang two verses of a popular melody, and finished by a dance; as
I came back, amid applause, Liese regarded me with a glance full of
kindliness and congratulation, and glided forward to the footlights
with the most graceful motion, to sing her song. I did not leave the
stage, but stood watching her. She wore the dress of a Swiss country
girl, and I some picturesque lover's costume. I noticed an unusual
stillness in the crowded theatre, and fancied something uncommon in
the rich tones of her voice. She was encored, and repeated the last
verse; then she commenced her dance, coming round the stage three
times. Each time that she passed me she made a graceful motion of her
hand, to which I replied by kissing the tips of my fingers in an
attitude of extreme devotion, which indeed was little exaggeration of
what I really felt. After the third time she came forward to the
footlights, and made her pirouette higher than usual, amid a thunder
of applause. Then she fell, flat and motionless, upon the boards.

I had her in my arms in a moment. There was a rush of actors upon the
stage, and the curtain fell with a crashing sound. We could hear the
excitement and confusion amid the audience without. The manager went
before the curtain in response to repeated calls, and said that an
unfortunate accident had happened to Mademoiselle Liese. Except as far
as she was concerned the piece would go on. He begged the forbearance
of the audience for a few minutes.

Meanwhile I had carried Liese to a couch. She was quite conscious and
spoke, but she could not move a limb. She never moved again.

Amid the crowd around her, some one at last forced his way. I turned
and recognised Von Roseneau.

'Richter,' he said, 'my carriage is close at hand; we will take her
home.'

His manner was so wild and excited that I turned and looked at him. He
was not in his evening dress, but appeared dressed for a journey.

'You do not generally have your carriage here, Count,' I said.

'No,' he replied distractedly; 'but for this accursed accident she
would have been mine to-night.'

I looked at him for a moment.

'The paralysis is, then, only half to blame, Count von Roseneau,' I
said.

We saw no more of the Count, and learnt that he had left the city. It
appeared that he was deeply in debt, and, though he evidently had
considerable sums of money at his control, that his person was not
safe from arrest. The family estates had been heavily encumbered even
in his father's time, though had he lived he would probably have
succeeded in freeing them from debt. The Count had deposited a sum of
money with an agent to be applied to the support of Herr Apel. Some
days afterwards the agent called upon me and informed me that this sum
was still at our disposal. I declined to receive it.

It seemed that, uncertain of my feelings towards her, haunted by a
terrible dread of approaching paralysis, and overwhelmed with the
charge and burden of her father's state, Liese had yielded to the
proposals of the Count, which promised ease and luxury to them all. If
I could have made up my mind sooner, had I spoken to her more openly
and freely, and endeavoured to win her confidence, it might have been
different. Poor Liese!

I will tell you what we must do, Liese,' I said as cheerfully as I
could two days after the accident, as I was sitting by her bed. She
had recovered so far as to be able to move one arm a little. 'I will
tell you what we must do. You must marry me. We will then live all
together and take care of the old man as long as he lives. Then when
you have rested a long time and got quite well, we shall be as happy
as the day is long.'

And so--I am telling a long story--we settled it. The Baroness came to
see Liese several times. We were married in her room by a priest--most
of us actors profess to be Catholics--and the Baroness was present at
the ceremony. We moved to an old house in a better part of the town,
where we had a large room with a long low window at either end
commanding cheerful views, the one into a market place, the other over
the distant country with mills and a stream. Here Liese lay in a
clean, white bed, with the old man seated beside her; he became much
quieter and gentler after he had given up acting; and in the same room
we had our meals, and lived. We were rather straitened for money, for
now that I was bound to the city and theatre by my wife's state, some
little advantage was taken, and I was told the theatre could not
afford so high a salary. It is the way of the world. Indeed we should
have been very poorly off, more than once, but for the Baroness, who
sent me money openly from time to time. I took it without hesitation.
One day she came to see us when I was at home, and remarked how
comfortable we were in our large room, and the cheerful picturesque
view at the back, like a landscape by an old master, and how happy the
old man seemed. When she went down to her carriage, and I was handing
her in, she said, looking straight before her, and with a kind of
strange scorn in her voice--

'There is some difference, Herr Richter, between a noble of the empire
and you!'

We went on in this way for more than a year. I was content enough;
indeed, I should have been a wretch to have been impatient, for I knew
it could not last very long. The doctors went on giving us hopes and
expectations, but I knew better. I could see that the malady was
gradually stealing over Liese's faculties and consuming her life. She
had lost the use of both arms, and would lie for hours without the
least sign of life, and she took nothing but a little broth. The old
man died first: he went away very peacefully in his chair in the
evening sunlight, saying that it was time to dress. Some two months
after his death, I was sitting by Liese in the afternoon, learning my
part. It was autumn, and the room was full of a soft light; opposite
to the bed was an old clock, upon the dial of which was an accidental
mark. I had noticed that if I left when the minute hand reached this
mark, I could reach the theatre easily without hurry. I sat watching
the hand slowly approaching the spot. The room was perfectly still,
nothing but the loud ticking of the clock being heard. The hand was
within three minutes of the mark when Liese, who had lain motionless
and unconscious for hours, suddenly stirred. I turned towards her in
surprise; she looked up full in my face and smiled, and at the same
moment she raised her right arm, which had never moved since the fatal
night, and held out her hand to me. I grasped it in mine, and the next
moment she was gone.

I acted that night as usual, for the public must not be disappointed.
But I took a holiday soon after, and went a tour through the
mountains. Not that I wish you to suppose that I was overwhelmed with
grief; on the contrary, now that I have no temptation that way, I am
ashamed to remember that I felt a sense of relief. Were the temptation
to occur again, no doubt I should feel the same.

When I returned from my little tour I found myself courted. Now that I
was free to go where I liked, the management suddenly found that I was
very useful, and offered me a considerable increase of salary to
remain. Indeed, I was so flattered and courted that I became somewhat
vain and light-headed. I dressed finely, and went much into society,
for I was invited to some of the best houses in the city as an
agreeable and entertaining guest. I saw the Baroness frequently, and
was always invited to her garden--parties, which she received at a
small but beautiful chteau, a mile or two from the city, by the
stream which flowed before poor Liese's room. Indeed, I was quite at
home at the chteau, and the servants treated me almost as an inmate.

At the conclusion of one of these parties, about two years after
Liese's death, the Baroness took an opportunity, as she passed, to say
to me--

'I am going to-morrow to spend a few days at Saarfeld, which I think
you have never seen. It is a strange, old, romantic place among the
Bavarian Alps, and I think would please you. I wish you would arrange
to come over and stay a night or two. I shall be quite alone, as I go
on business of the estate.'

I promised to go.

As the travelling chaise wound up from the valleys by long and gradual
ascents, and the beauties of the mountain forests revealed themselves
one by one, I seemed to be entering an enchanted land of romance and
witchery. Light mists hovered below the lofty summits, and over the
thick foliage of the oaks and beech-trees. They were illumined with
prismatic colours by the slanting sunbeams which shot in strange and
mystic rays through mountain crag and forest glade, throwing up
portions in wild relief and depressing others into distant shade. The
huts of hunters and woodmen, and the wreaths of smoke from the
charcoal burners, were the only signs of life in this wild land of
forest and hill. The lofty woods of black pine climbing the higher
summits shut in the view on every side.

At last I reached the chteau, which stood high up in the forest,
commanding an extensive and surprising view.

It was indeed a strange, wild old place of immense size, with long
rows of turrets and windows, and massive towers of vast antiquity. We
entered a court-yard, surrounded by lofty walls, so completely covered
with ivy that the windows could scarcely be seen. It seemed as though
the real and living world were entirely shut out and lost sight of.
The whole place, however, was in perfect repair, and was richly
furnished. The staff of servants was ample. The majordomo, who always
accompanied his mistress, welcomed me with great kindness. The
Baroness, he said, was at that moment engaged with the steward; if I
would take some slight refreshment after my journey, she would receive
me presently in the grand salon. I was shown into a dining-room, where
a slight repast was awaiting me.

The rooms were hung with portraits of the old barons of Saarfeld, with
tapestry of strange device, and with still stranger pictures of the
old German and Italian masters, and were furnished with cabinets and
sideboards, evidently of extreme antiquity. The sense of glamour and
of mystery increased upon me at every step; I seemed to be acting in a
wild and improbable piece.

When I had taken what refreshment I wanted, I asked to be shown my
room that I might arrange my dress before seeking the Baroness. I had
scarcely finished before the major-domo again appeared, and informed
me that his mistress was waiting for me in the grand salon. I found
this to be a magnificent apartment, with a long row of lofty windows
in deep recesses overlooking the wild forest. Tall portraits of more
than life-size hung upon the walls, and a massive stone chimney-piece,
the height of the room, and carved with innumerable devices, fronted
the windows. The polished oak floor would have been dangerous to walk
on, but an actor is always equal to such feats.

The Baroness was standing in the centre of the vast room, which was
clear of furniture. I seemed to see her at last in her full
perfection, as though such a lovely creature required such a setting
as this before she could be fully and perfectly seen. She was easy and
composed, and began to speak at once.

'I wish to tell you, my dear friend,' she said, why I have asked you
to come here, because it is only fair to you that you should know it
at once.'

She paused for a moment, and I could only look at her in silent
admiration. I had not the remotest idea what she was going to say, but
it seemed to me more and more that I was acting a strange and
unnatural part.

'You are aware, my dear friend,' she repeated, 'that my father had
some thought of marrying me, had he lived, to the Count von Roseneau,
but long before his death he saw in that unhappy young man what made
him change his intention. He spoke to me often with great freedom on
this as on every other subject; it was the wonderful privilege which I
enjoyed with such a father. He spoke to me much of the relationship
between man and wife, of the peculiar duties and trials of each, and
of the necessity of long and careful thought and of seeking for the
best guidance in such a matter. He impressed upon me the value of
eternal principles rather than of accidental forms; and though he
insisted continually on the necessary observance of outward forms and
decencies, yet he pointed out to me that circumstances might arise
where all the necessary principles and qualities which alone give
forms any value could exist, though some of the form itself might
appear wanting. Finally, in the most solemn manner he assured me, and
confirmed it in his will, that he was perfectly satisfied to leave the
matter in my hands, convinced that I should follow out the great
principles upon which his life had been based, and show myself worthy
of the confidence and education he had bestowed upon me. I believe
that I am about to act in a manner that would meet his full approval.
I believe that those circumstances have actually arrived which he
foresaw, and that I have found the man whom he would welcome as a son.
I offer you my hand.'

She pronounced these words, even to the last, without any hurry of
manner or the slightest sign of excitement beyond the charming
animation with which she always spoke. You will naturally suppose that
their effect upon me was overwhelming, but if so you are mistaken. It
has been a matter of profound astonishment to me, in every succeeding
moment of my life, that I acted as I did. Afterwards, of course,
reasons appeared which justified, and even approved in the highest
degree, my conduct; but that, at the instant, when in another moment I
might have had this glorious creature in my arms, I should have
remained unmoved, has never ceased to fill me with astonishment. I can
only account for it by one wild and seemingly improbable supposition.
You will not believe it, but I am firmly convinced that during the
whole interview I thought that I was on the stage, I thought that I
had a part given me, and that I spoke words which I had already
carefully conned. I am the more convinced that this was the case
because I made no longer pause than would have been proper could you
conceive such a scene to be enacted upon the stage.

'Baroness,' I said, and I see the words now before me as plainly as if
I read them from a play-book, 'Baroness, it cannot be necessary to say
that the offer you have made overwhelms me to the earth. I do not use
such phrases as gratitude, and favour, and condescension; words at any
time are unequal to the task of expression, and to use them now would
only be an insult to your heart and mine. But I should be utterly
unworthy of the amazing regard which you have shown to me, and of the
undeserved approbation with which your own goodness has led you to
regard me, were I to hesitate fir a moment to urge you to reflect
before you commit yourself to such a step. You have yourself allowed
that your father insisted on the necessity of submission to the forms
and decencies of outward life. Think or a moment of the consequences
to yourself of such a step as you now, with the sublime
unconsciousness of the highest natures, propose to me. You have
created out of your own nobleness an image which you call by my name,
but you will find the reality an idol and a delusion, and you will
find the world's verdict, on the whole, to be right. I entreat you to
pause.'

'Herr Richter,' she said, looking me full in the face, and no language
can express the beauty of her confiding glance, 'every word you say
only confirms my choice. I offer you my hand.'

This second trial was very hard.

'My conscience is not at rest,' I said. 'I entreat you to reflect.'

A very slight shade passed over the beautiful face, and a look of
something like incredulity came into the wonderful eyes.

'You refuse my offer?' she said.

'I entreat you to weigh well what I have said.

'I might well say, Herr Richter,' she said, 'that there is some
difference between you and other men.'

There was a pause. The interview became embarrassing. I turned
slightly towards the window, and it occurred to me to walk into the
embrasure and look out. When I turned round, after a minute or two, I
found that the Baroness had taken advantage of my action and had left
the room.

I went out into the park. The moment I was alone a host of reasons
rushed into my mind, all of them insisting with one voice on the
propriety of the course I had, as it were involuntarily, taken. I was
firmly convinced that whether she knew it or not the Baroness was
attached with all the tenacity of her girlhood's recollections to the
Count von Roseneau. Supposing this to be the case, I could well see
that the position, when novelty had played its part, of the player-
husband would not be a dignified or enviable one. I knew, none better,
the effect of the overpowering sympathies of rank and class, and of
the revulsion which inevitably follows action, which is the result of
excited feeling. I knew the ultimate irresistible power of the world's
verdict. Of course some demon might have suggested that I should take
the temporary wealth of delight which was offered to me, and, when the
inevitable catastrophe came, go my quiet way unharmed, but I should
hope that there are few men who would desire a temporary pleasure at
so stupendous a cost.

I wandered in the park and forest for a couple of hours. Then I came
back to the chteau. I was uncertain what to do, but I did not like to
leave without seeing the Baroness again. I went to my room. Here I
found one of the valets arranging my toilette for the evening. I had
not been in the room many minutes before the majordomo entered. His
manner was even more urbane and polite than in the morning.

The Baroness, he said, earnestly hoped that I would favour her with my
company at dinner; the meal would be served in less than an hour.

The man's manner was so marked that I could not help looking at him.
Was it possible that the household could have any idea of what had
taken place?

I found the Baroness in an antechamber which opened upon one of the
lesser dining-rooms. There were several servants standing about
between the two rooms, but she seemed utterly indifferent to their
presence. Her manner was perfectly unembarrassed, and she came forward
to greet me, holding out her beautiful hand.

'My dear friend,' see said, 'I feared you had left Saarfeld in
displeasure. I hope you will not deprive me of what I value so highly.
I have quite recovered from the little natural vexation I felt at your
refusal of my offer. I will not offend again. Let us go to dinner.'

'On one condition, Baroness,' I said, as I gave her my arm, 'that you
are not too fascinating. I might take you at your word.'

'Your chance is gone by, sir,' she said, with a delightful moue. 'The
ivory gates are closed.'

I still felt as though I were performing in a play. I never exerted
myself to please as I did that night. When the evening was over, I
said, 'I fear I shall not see you in the morning. I must be at the
theatre to-morrow night.'

'I shall not stay here many days,' said the Baroness. 'You must call
on me the moment I return, my friend.'

I raised the hand she gave me, and kissed the tips of her fingers, but
I did not press her hand. When a man is walking in slippery places he
is wary of his steps.

I visited the Baroness immediately on her return, and found her as
friendly and unembarrassed as ever. The months glided by with great
quietude. The theatre was under good management; it was prosperous,
and the best actors frequently visited it. It was one of those halcyon
periods which visit all theatres at times. My popularity increased,
and I could have demanded almost any salary. I was invited to other
cities, but these visits I made very sparingly. What, however, might
perhaps have been expected occurred, and caused me great annoyance. A
report spread through the city that I was about to be married to the
Baroness. It was universally believed.

'Have you heard the news?' men said one to another. 'The beautiful
Helena von Saarfeld, for whom princes were not high enough, or
cultured, or religious enough, who was almost too good to walk the
earth, is going to marry Richter the player! What do you think of
that?'

'Have you heard the news, Herr Richter?' said the Baroness one
afternoon as I entered her drawing-room.

'Yes,' I said. 'It has annoyed me beyond expression. Who could have
originated such a report?'

'Oh,' she said, with a bewitching under-glance of her eyes, 'such
things cannot be hidden. It is not my fault that it is not true.'

'That is all very well, my pretty friend,' I thought to myself, 'while
the Count is away and out of mind, but what will happen should he
return?'

I was congratulated on all hands, and could only deny that there was a
word of truth in the report.

'It is most annoying to me,' I said. 'I shall have to give up visiting
the Baroness.' My friend would not hear of this, however, and seemed
to take every opportunity of appearing with me in public. This had
very much the desired effect, for when people saw we had nothing to
conceal, they grew wearied of talking about us, and the matter pretty
much dropped.

One evening as I was dressing in the theatre I received a note from
the Baroness, asking me to come to her chteau the next day at one
o'clock, without fail. I was true to the time, and found her in a
little morning-room where she transacted business. She seemed excited
beyond her wont.

'My dear friend,' she said, 'I have sent for you because I want your
advice and protection. I have good reason to know that I am safer in
your care than I am in my own. There was a man here yesterday, a kind
of Jew lawyer, who made an excuse to see me, though his business might
well have been settled with the agent. When he had said what he had to
say, however, he became very mysterious, and said that he had lately
seen the Count von Roseneau, and that he had something to communicate
which it very much concerned me to hear. His face wore a low, cunning
expression as he said this, which disgusted me, and I told him that I
had nothing to say on such subjects to him, and that if he had
anything to communicate it must come through my agent. He told me he
could tell it to no one but myself. I thought immediately of you; and
told him that if he liked to call here to-morrow at this time I would
ask a gentleman, a very intimate friend, to be present, and then he
could say what he wished. He hesitated at this, but I turned my back
upon him, and left the room.'

'Do you know any evil of the man?' I asked.

'I know nothing of such people,' she said scornfully. 'I know no more
evil of him than I do of a toad, but I shudder at both.'

The man was speedily announced. He was evidently of the lowest type of
his profession, and had a mean and hang-dog look. I do not know
whether he knew me or not, but he took little notice of any but the
Baroness.

He began his tale at once.

He had lived in Berlin, where the Count von Roseneau was, and had been
engaged in some inferior business connected with the mortgage on the
Count's estates.

'The Count's affairs,' he said, 'were getting more and more involved;
he was deeply in debt, was very short of money, and indeed had been
more than once under arrest. The mortgages were foreclosed on all his
estates, and the estates themselves offered for sale, when one day,
going over some deeds in the office of the lawyer who was engaged in
managing what little remained to do on his behalf, I discovered a most
important memorandum, signed by the Count himself. It is not necessary
to explain before the Baroness,' he continued, turning to me, 'the
exact nature of the complicated business, but you will understand that
the paper had been given in lieu of deeds which never seem afterwards
to have been executed, and was the sole evidence which decided the
possession of the estates, or, at least, of the most considerable one.
It had been inclosed by mistake in a parcel of copies that had been
returned to the Count. I found him alone, and placed the paper in his
hands. It was some time before he understood its character, but when
at last he was convinced that its possession restored him to wealth
and honour, a singular expression came into his face.

'"This is a nice homily, my good fellow," he said, "on you men of
business, with all your chicanery of deeds, and evidences, and papers,
and signing, and counter-signing, and all the rest of the devil's
game. What do you want for this paper? You did not bring it for
nothing, I presume."

'"Well", I said, "a thousand marks would not seem too much for such a
service."

'"A thousand marks," said the Count, rising, "is all I have in the
world; nevertheless I will give it for this paper."

"I should think so," I said. "A thousand marks are not much for
estates and wealth."

'The Count went to his secrtaire, took out a rouleau of gold, and
handed it to me.

Then he sat down again, and looked at the paper steadily for some
time.

'"Neat," he said to himself more than to me: "pretty, very pretty, but
not my style; never was the Von Roseneau style, that I ever heard."

'Then he bowed me politely out of the room. What happened I heard from
his valet. As soon as I had left the Count sat down at the secrtaire,
wrote some lines in an envelope, fastened up the paper in it, directed
it, and called the servant.

'"You will take this to the address," he said, "and give it to the
principal. If he is out, wait for him, though it be all day. You will
give it into no hands but his. Tell me when it is done."

'The Count is now,' continued the Jew, 'in absolute penury. He has
applied for a commission in the Bavarian Infantry, which he is certain
to receive. The miserable pay will be all he will have to live on. He
has business in this city which requires his presence. I expect him
here, for a few hours, in a day or two.'

The Baroness rose from her chair, and I could see that she was pale.

'You will settle with this--this gentleman,' she said to me, and left
the room.

'Well,' I said to the man. 'You want something for the communication,
I suppose?'

I saw that he did not know who I was, for his manner was deferential,
as to a gentleman of rank.

He said he left it to the Baroness.

I gave him a heap of notes, as I knew it would be the Baroness's wish,
and he left well satisfied.

I went into the drawing-room to the Baroness.

She was standing in the window, looking at the gorgeous flowers that
were heaped together in profusion--a soft and pensive light in her
eyes. She was evidently thinking of the Count, and of their early
days.

Her attitude and expression were so lovely that I stopped
involuntarily to gaze. She looked up, and saw, I suppose, something in
my look which she had not seen before, for she flushed all over, and
said, with a softened, pleased expression, which was bewitching to
see--

'You are a strange man, Richter; I know you love me.'

'Yes, I love you, Baroness,' I said, 'better than I love myself.'

'That is nothing,' she said, flushing again. 'Do you think I did not
know that? Do you think I should have acted as I have done had I not
doubted whether in all Germany, nay, in Europe itself, there could be
found a man so good as you!'

'Let us hope, Baroness, for the sake of Europe, there may be a few.'

'Well,' she said, sitting down, 'I want you to do something for me. A
very little thing this time. I want you to find out when the Count
comes, to go to him, and to get him to come over to Saarfeld to me.'

'What are you going to say to him?' I said.

She looked up suddenly, as in anger, but the next instant a touching
look of humility came over her face, and she said--

'I am going to make him the same offer that I did to you, sir!'

I shook my head. 'Do you know so little of your own people--of your
own order--as that,' I said. 'He will refuse.'

'I am not only a noble,' she said, almost pitifully, 'I am a woman
too.'

There was a pause. Then she said, 'Why do you say that he will
refuse?'

'He has the distinguishing vice of his order,' I said, 'insolent,
selfish pride. It is notorious that he took great umbrage at what he
considered interference in his affairs by your father and yourself,
and at the blame which the breaking off of the match implied. He will
think that you make him the offer now out of pity. H is pride of race
will rebel, and he will refuse a future, however splendid, marked by
favours received and restrained by gratitude, and, he may even think,
by compulsion. I have a better plan. I will seek him out; and it I
find that he does not refuse to talk with me, and I do not see why he
should, I will let him understand that you are kindly disposed towards
him. I will recall his early days, and I will endeavour to make him
believe that he is performing a chivalrous action, and forgiving
injuries, and is conferring rather than receiving a favour. I hope to
succeed. You said to me this morning that you were safer in my keeping
than in your own. Trust to me now, though God knows I only do it to
please you I am not responsible for the result.'

'No,' said the Baroness, getting up from her seat. 'I am a woman, and
I will go my own way. I will have him at Saarfeld, where we were so
happy as children. I will tell him all myself.'

'She trusts to her charms,' I said as I left the house. 'It cannot be
wondered at. Come what may, I will not marry her. The world shall
never say that this divine creature married Richter the player.'

Some few days afterwards I learnt that the Count had arrived. In the
interval I had urged the Baroness to dispense with my advocacy
altogether, and simply to send a message; but this she refused to do.
I had nothing left but to do my best.

I called at the hotel at which the Count was staying, and sent in my
name. I was immediately shown up to a private room.

'I see you are surprised to see me, Count von Roseneau,' I said, 'but
I am not come to revive any reminiscences of the past. I simply bring
you a message from the Baroness Helena, who asked me to tell you that
she wished to see you at Saarfeld.'

'If I showed any wonder, Herr Richter,' said the Count, 'it was simply
that I was surprised that you should condescend to call upon me. As
you have mentioned the Baroness, I am glad of the opportunity of
saying that I am convinced that she can have no truer friend than
yourself.'

'The Baroness,' I said, 'is of the opinion that I might become the
best means of telling you that she still cherishes the recollections
of her early childhood. If I might venture to say anything, I would
say that we do not war against women, and that though doubtless many
things may have happened founded upon exaggerated reports, yet the
Count von Roseneau will not cherish such paltry recollections in such
a moment as this.'

'The Baroness,' said the Count, 'has chosen well, though I fancy I can
see that she has acted against the advice of her best friend. I will
go to Saarfeld at any moment she may appoint, and anything that is
within my power, and which is consistent with the honour of my family,
I will do; the more willingly because by doing so I know I shall
oblige you.'

This was all very well, and I did not see what else I could say. There
was a polished coldness about the Count's manner which seemed to imply
that the Baroness and he moved in a charmed circle within which it was
intrusion for any one to venture. I had delivered my message, to the
words of which the Baroness had almost limited me, and I rose to take
my leave; but I was not prepared for what ensued.

The Count followed me to the door.

'Herr Richter,' he said, speaking in a very different tone from that
which he had hitherto used, 'I wish to say something else. I wish, if
I can possibly say it, to say something which will cause you to think
less hardly of me with regard to one who is dead; which will offer you
some thanks, though thanks from such a source must be utterly
worthless--for--but there are no words which can express what I mean--
if you do not see it, there is no help.'

I stood looking at him across the threshold for a moment.

'In the matter of which you speak, Count von Roseneau, if I understand
you, and I think I do, I also was to blame. It is not for me to judge
another. If you owe me thanks for anything that is past, let me
entreat you to weigh well every word you say at Saarfeld.'

'I promise you,' said the Count.

With regard to the interview at Saarfeld, I only know what the
Baroness told me. I believe that she told me every word that fell from
the Count, but her own words and manner I had to collect as best I
could. It was evident that she adopted a very different method from
that which she had done toward myself. She received the Count
indifferently, and put off the important moment as long as possible.
No doubt she brought to play the whole fascination of her manner and
person, but she selected the great salon as the scene of her final
effort. In what way she introduced the subject I do not know, but she
told me that she was standing in one of the embrasures of the windows
when the Count replied--

'Helena, I am unworthy of you, but I am grateful all the same. I
cannot allow you to sacrifice yourself simply out of pity to me. I am
a ruined man--ruined in purse and reputation. The auguries which
influenced your opinion of me when we were younger are fulfilled--more
than fulfilled. What would the world say if, when the fear alone of
possible consequences rendered your union with me unsuitable; I were
to avail myself of such a union when all these dreary predictions have
been verified? Let the world say what it will, the Von Roseneaus are
proud; that which was denied me because I was unworthy I cannot accept
because I am poor. Besides, I cannot forget one who is dead.'

The Baroness was standing against the embrasure of the window which
was lined with tapestry. She was evidently anxious to retain her
perfect composure, but as the Count continued speaking with a manly
openness of purpose, her calmness was sorely tried. The last words
came to her help. She grew composed instantly, and her face darkened
with displeasure.

'You should take lessons from the stage, Count,' she said, somewhat
bitterly. 'The actor declines a supreme favour with better grace than
you.'

The Count said nothing; he was probably not displeased at the loss of
temper which would bring the interview to a close.

'Then you refuse my offer?' she said at last.

'I cannot accept.'

'Mine is a strange fate, Count von Roseneau,' she said. 'In this hall,
beneath the portraits of my ancestors, I have, in violation of all the
customs of my sex, offered my hand to two men, one an actor and one a
noble, and have been rejected by both.'

'The actor, madam,' said the Count, stepping back, 'you may well
regret; the noble is not worth a thought.'

The Baroness did not bear her second disappointment so well as the
first. She looked sad, though the smile lost nothing of its sweetness,
nor her manner of its vivacity. She had a wistful look in her eyes
sometimes when they met mine, which, it might be thought, must have
made my resolution hard to keep. If you like you may call my
determination a selfish fancy which my vanity alone enabled me to
maintain. The Baroness spoke a great deal of the Count, and talked to
me much of her early days, and of the confusions and ill-feeling when
the young Count's conduct first began to arouse the fears of her
father.

'I get very old and prosy, my friend,' she said--she grew lovelier
every day--'and I fatigue you with this talk; but I have no friend
but you to whom I can speak of these things.' She devoted herself to
charity and good works; she visited the hospitals, and her carriage
was to be seen in the worst purlieus of the city.

One day she told me she had received an invitation to travel in Italy
with some cousins of her mother's, the head of the party being a
superb old gentleman whom I had often met, and who reminded me of Don
Quixote. This old gentleman had at first been very cold and haughty,
but after some time his manner changed suddenly, the cause of which
alteration the Baroness explained to me.

'The old gentleman,' she said, 'took me to task very severely upon the
danger of my intercourse with you, and gave himself much trouble in
repeating at great length the most wise maxims. I let him run on till
he was quite out of breath, and then I said: "My dear cousin, all that
you have said is quite true, and shows your deep knowledge of the
world. There has been the greatest danger of what you dread taking
place. I offered my hand to Herr Richter years ago, and any time
within the last five years, excepting one short week, I would have
married him if he would have had me." I saw that the old Baron was
very polite the next time you met.'

The Baroness wanted me to accompany her to Italy, and offered to
settle a large sum of money on me absolutely, so that I might give up
my profession.

'No, Baroness,' I said, 'let us go on as we have begun. We have had a
fair friendship, for which I do not say how much I thank you, and
which no breath of calumny has ever stained; do not let us spoil it at
last.'

So we parted, but only for a time.

When the party had left for Italy I felt less tied to the city, and
accepted engagements elsewhere. I acted in Berlin, and so far departed
from my rule as to take one or two principal parts with more success
than I had expected. This was chiefly owing to the fact that in
Germany the new reading of any part is welcomed with enthusiasm, and a
host of critics immediately discover numberless excellences in it,
chiefly to show off their own cleverness. Many of these gentlemen were
kind enough to point out many beauties in my acting of which I was
entirely unconscious. This led to my receiving invitations to other
cities, which I accepted. In the course of my wanderings I arrived at
a city on the French frontier, where I accepted an engagement for
several nights to play Max Piccolomini. In the midst of this
engagement the war between Germany and France suddenly broke out, and
before we were aware we found ourselves involved in the marches and
counter-marches of armies. The theatre was closed and the company
dispersed. I attempted to return into Saxony, but the advancing armies
so blocked the roads that I was compelled to turn back. The French
were advancing with equal rapidity, and I found myself shut in between
the opposing troops. The campaign was so complicated that what was the
rear one day became the advanced guard the next. The utmost confusion
seemed to prevail.

At last I found myself in a little suburb of some large town devoted
to Lusthauses and gardens of pleasure; pretty little cottages appeared
on every side surrounded by gardens and grass-plots dotted with
alcoves and sheltered by lofty trees. The French made a sudden
advance, and held the adjoining slope, but did not come into the
suburb. A small detachment of German Uhlans had halted in the village,
and were watching the French.

I was standing in the door of one of the cottages with the officer of
the little troop, when the chasseur of the Baroness, whom I knew so
well, rode up. I sprang forward to meet him, and learnt that a
skirmish had taken place outside the town, and that the wounded men
were being brought from the front in charge of an ambulance corps to
which the Baroness had attached herself.

A few minutes afterwards the corps arrived, bringing with them several
wounded men. I shall never forget the look of glad surprise in the
face of the Baroness when she saw me. It is the most cherished
recollection of my life.

'You come, as always, in the right time, my friend,' she said. 'In a
few minutes we shall be in the thick of the battle. Whenever I want
help and protection, you appear. How did you learn that I was here?'

'I did not know you were in Germany, Baroness,' I said. ' It is the
will of God that we should meet; something is going to happen which
concerns us both.'

She wore the ambulance dress, with the white cross upon her arm, and
looked more lovely than ever.

We had not stood above five minutes before we heard firing to the
right and left; and the Uhlans mounted and rode off, advising us to
retire into the cottages with the wounded. It was too late, they said,
for the ambulance corps to retire further into the rear.

Having deposited the wounded as best we could, the Baroness and I went
into an upper room which looked out to the side over a small grass-
plot flanked by a low wall and a plantation of willows. The firing
came nearer and nearer, and all along the slope on our left we could
see the French lines and the artillery officers riding up and down. We
did not know what was going on.

Suddenly a roar like hell itself shook the earth from end to end; the
cannon balls came crashing through the branches of the trees, and a
hail of lead swept off the leaves, tore up the grass in faint lines,
and shook the wall of the cottage with their dull thud. We could see a
strange commotion among the plantations on our right, and the next
moment a form which we both knew too well vaulted over the low wall
and came across the grass. A second after him other officers leaped
the wall, and without waiting to see if their men followed, hurried
across the lawn, and up the slope. They had no need to pause. The next
moment the Bavarian infantry, the men falling at every step, cleared
the fence, and in spite of the torrent of fire which seemed to burn
the earth before it, crossed the garden, and ascended in almost
unbroken line the hill beyond, half concealed by the shattered trees.
Other regiments followed, equally steady, and equally exposed to the
never-ceasing storm, and in about eight minutes the firing lulled; the
French had fallen back.

We went out of the cottage. Never in the wildest stage effect could
such a transformation be beheld as this village scene presented. Eight
minutes ago, smiling in the sunshine, peaceful, bright with flowers,
and green grass and trees--now shattered, mangled, trodden down, the
houses in ruins and in flames, the trees broken and leafless, the
ground strewn with the dying and the dead. The ambulance was already
at work, but the Baroness did not stop.

'Let us go to the front, my dear friend,' she said.

I knew what she meant. The chasseur, who kept close to his mistress,
followed us, and we went forward up the slope, picking our way among
the fallen men, and now and then stopping while the Baroness gave some
poor fellow a drink of water, and assured him that the ambulance corps
would be up immediately. As we ascended the slope and looked back for
a moment, we could see that the village and the whole line of country
was occupied by the main body of the German troops--a magnificent
sight.

At last, near the top of the slope, we met two Bavarians who were
carrying an officer between them. The Baroness knelt down, and,
without hesitation, the men laid their burden before her, in her arms.

'We do not think he is dead, lady,' said one of them, the tears
streaming down his face. 'He moved once as we came along.'

He lay perfectly still, to all appearance lifeless, his eyes closed.

'Speak to him,' I said; 'perchance he may hear you.'

'Von Roseneau,' cried the Baroness, in a tone I never wish to hear
again, 'Von Roseneau, will you marry me now?'

The despairing tremor of her voice seemed to recall the departed
spirit already wandering in other lands. The dying man opened his
eyes, a brilliant smile lighted his face, his gaze met that of the
Baroness, and he held out his hand, but he could not speak The next
moment he fell back dead within her arms.

'And what became of the Baroness?' I asked, for the actor paused.

'She became a canoness, and devoted herself entirely to the mystical
religion of the Count von Zinzendorff.'




THE MARQUIS JEANNE HYACINTHE DE ST. PALAYE.



Part 1

In one of the mountainous districts of the south of France, which in
the last century were covered with forests, the highway ran up through
the rocky valley by the side of a roaring torrent. On the right hand
and on the left the massive foliage descended to the banks, and filled
up the small and intervening ravines with a bosky shade. Here and
there a lofty crag broke out from the sea of green leaves, and now and
then the pointed roofs of a chteau or the spire of a village church
witnessed to the existence of man, and gave an interest and a charm to
the beautiful scene.

It was a day in the late autumn of the year 1760. The departing smile
of nature, which in another hour would be lost in death, was upon
every tree and leaf. The loveliest tints and shades, so delicate that
at the moment of their perfection they trembled into nothingness,
rested upon the woodlands on every side. A soft wind whispered through
the rustling leaves laden with mellow odours and with the pleasing
sadness that comes with the falling leaf. The latest flowers of the
year with unconscious resignation wasted, as it might seem, tints
which would not have disgraced the warmest hues of summer upon heaps
of withered leaves, and dry moss, and rotting wood. The loveliest hour
of the year was the last.

The highway crossed an ancient bridge of great height with a cunningly
pointed arch. Just beyond the bridge a smaller path turned up on the
left hand as you ascended the valley. It wound its way up the wooded
valleys as though with no definite end, yet it was smooth and well
kept, more so, indeed, than the highway itself, and doubtless led to
some chteau, the orders of whose lord the peasantry kept the road in
good repair. Let us follow this road on an evening at the end of
October the year we have already mentioned, for we shall meet with a
pretty sight.

Some distance up the road on the left was a small cottage, built to
mark and protect the path to a natural terrace formed, as far as art
had had a hand in the proceeding, by some former lord of the domain to
command a view of the neighbouring mountains and country. Several of
these terraces existed in the wood. At the point where the path
entered the private road to the chteau the wood receded on every
side, and left a wide glade or savannah across which the sunshine lay
in broad and flickering rays. Down this path there came a boy and
girl, for they were little more, though their dress and the rank of
life they held gave an appearance of maturity greater than their
years. The lady was of supreme beauty even for a heroine of romance,
and was dressed with a magnificence which at any other period of the
world would have been fantastic in a wood. She was clinging to the arm
of a handsome boy of some two and twenty years of age, whose dress, by
its scarf and some other slight peculiarities, marked the officer of
those days. His face was very handsome, and the expression on the
whole was good, but there was something about the eyes and the curve
of the lips which spoke of violent passions as yet unsubdued.

The girl came down the path clinging to his arm, her lovely face
upraised to him, and the dark and reckless expression of his face was
soothed and chastened into a look of intense fondness as he looked
down upon it. Rarely could a lovely autumn afternoon receive its
finishing touch from the passing of so lovely a pair.

The valley was perfectly solitary; not a single sound was heard, nor
living creature seemed astir. It was as if Nature understood, and held
her breath to further the purposes of their lonely walk. Only for a
moment however. At the instant they left the path and entered upon the
grassy verge that bordered the way to the chteau, they both started,
and the girl gazed before her with an expression of wild alarm, while
the young man's face grew darker, and a fierce and cruel look came
into his eyes. But what they saw would seem at first sight to give
little cause for such emotion. A few yards before them, walking
leisurely across the grass from the direction of the road, appeared a
gentleman of some twenty-eight or thirty years of age, of whom at
first sight there could be no question that he was one of the most
distinguished and handsomest men of his day. He was carefully dressed
in a style which only men of exceptional figure can wear without
extravagance, but which in their case seems only fitting and right. He
wore a small walking sword, so hung as not to interfere in the least
with the contour of his form, with which his dress also evidently
harmonised. His features were faultlessly cut, and the expression,
though weary and perhaps almost insolent, bore slight marks of
dissipation, and the glance of his eyes was serene and even kindly. He
saw the pair before him and instantly stopped. It is probable that the
incident was equally embarrassing on both sides, but the visible
effect was very different. The two young people stood utterly silent
and aghast. The lady was evidently frightened and distressed, while
her companion seemed prepared to strike the intruder to the earth. On
the other hand the Marquis, for such was his rank, showed no signs of
embarrassment.

'Pardon, Mademoiselle,' he said; 'I perceive that I have committed a
gaucherie. Growing tired of the hunt, I returned to the chteau, and
hearing from the servants that Mademoiselle had gone down into the
forest to visit her old nurse at the cottage by the terrace, I thought
how pleasant it would be to go to meet her and accompany her home. I
had even presumed to think,' he continued, smiling, and as he spoke he
turned to the young man with a gesture of perfect courtesy--' I even
presumed to think that my presence might be some small protection to
Mademoiselle in the wilds of the forest. I was unaware, of course,
that she was guarded with such loyal and efficient care.' He paused
for a moment, and then continued with greater dignity and kindliness
of expression, 'I need not add, Mademoiselle, as a gentleman whose
name hitherto, I believe, has been free from taint--I need not add
that Mademoiselle need fear no embarrassment in the future from this
chance encounter.'

It was perhaps strange, but it seemed that the politeness and even
friendliness of the Marquis, so far from soothing, irritated the young
man. He remained silent, but kept his black and angry glance fixed
upon the other.

But the girl seemed differently affected. She hesitated for a moment,
and then took a step forward, speaking with her clasped hands before
her, with a winning and beseeching gesture.

'You see before you, Monsieur le Marquis,' she said, 'two as miserable
young creatures as, I hope, exist upon the earth. Let me present to
you Monsieur le Chevalier de Grissolles, of the regiment of Flanders--'

The gentlemen bowed.

'--Who has known me all my life,' continued the girl, speaking
rapidly; 'who has loved me--whom I love. We meet today for the last
time. We should not have told you--I should not have mentioned this to
you--because I know--we know--that it is useless to contend against
what is fixed for us--what is decreed. We meet to-day for the last
time; the fleeting moments are run-fling past--ah! how quickly--in
another moment they will be gone.'

Here the emotion that overpowered her choked her utterance. She
stopped, and to prevent herself from falling, she clung to the
Chevalier's arm.

The Marquis looked at her in silence, and his face became perfectly
beautiful with its expression of pity. A marble statue, indeed, might
almost have been expected to show emotion at the sight of such beauty
in such distress. There was a pause. Then the Marquis spoke.

'I am most honoured,' he said, 'to be permitted to make the
acquaintance of Monsieur le Chevalier, whose name, if I mistake not,
is already, though that of so young an officer, mentioned with
distinction in the despatches of Monsieur de Brogue. For what you have
said to me, Mademoiselle--and what you have condescended to confide
to me has torn my spirit--I fear I can offer you but little
consolation. Your good sense has already assured you that these things
are settled for us. They are inevitable. And in the present case there
are circumstances which make it absolutely essential to the interests
of Monsieur le Comte, your father, that these espousals, at any rate,
should take place at once. Even were I'--here he turned to the
Chevalier with a smile--' even were I to pick a quarrel with your
friend, and, a few seconds sooner than in the natural course of events
it probably would, allow his sword to pass through my heart, I fear
the result would be simply to substitute another in my place--another
who, I, with perhaps a natural vanity, may fancy, would not place
matters in a happier light. But let us not look at things too
gloomily. You say that this is your last hour of happiness; that is
not necessary. It is true that the espousals must take place at once.
The interests of your father require this. But there is no need that
Mademoiselle's feelings should not be consulted with regard to the
final consummation of the nuptials. These need not be hurried.
Monsieur le Chevalier may have other opportunities of making his
adieux. And I hope that my influence, which, in after years, may be
greater than it is at present, will enable me to further any views he
may have with regard to higher commands in the service of his
majesty.'

The words were those of ordinary compliment, yet the manner of the
Marquis was so winning that, had it been possible, it would have
affected even the Chevalier himself; but if a highwayman is
threatening your life it is not much consolation that he offers to
return you a franc piece.

The Chevalier remained cold and gloomy.

The Marquis looked at him for a moment; then he continued, addressing
himself to the girl--'But I am intruding myself on Mademoiselle. I
will continue my walk to the terrace; the afternoon is delightfully
fine. As you are aware, Monsieur le Comte is hunting in the valleys to
the west. All the piqueurs are withdrawn to that side of the forest. I
should hope that Mademoiselle will not again be interrupted in her
walk.'

Then without another word he courteously saluted the young people, and
continued his walk up the path. He never turned his head, indeed he
would have allowed himself to be broken on the wheel rather than have
done anything of the kind, but the others were not so reticent;
several times they stopped and looked back at the Marquis as he paused
every now and then as if to admire the beauties of the scene. At last
he reached the corner of the cottage and disappeared from their view.

The beauties of the scene, however, did not entirely occupy the mind
of the Marquis. At the most enchanting point, where opening valley and
stream and mountain and distant tower burst upon his view, he paused
and murmured to himself, 'Some men, now, might have made mischief out
of this. Let us wait and see.'



Part 2

The Chteau de Frontnac was built upon a natural terrace half way up
the slope of the forest, with the craggy ravines clothed with foliage
surrounding it on every side. It consisted of two courts, the oldest
of which had been built in the earliest days of French domestic
architecture, when the detached buildings of the medival castle were
first brought together into a compact block. In accordance with the
singular notion of those days that the south and west were unhealthy
aspects, the principal rooms of this portion of the chteau faced the
north and east. They consisted of vast halls and saloons succeeding
each other with apparently purposeless extension, and above them a
suite of bed-chambers of solemn and funereal aspect. These saloons and
bed-chambers had been left unaltered for centuries, and the furniture
must have been antique in the reign of Henri Quatre. The other court
had been built much more recently, and, in accordance with more modern
notions, the chief apartments faced the south and west. From its
windows terraced gardens descended into the ravine, and spread
themselves along the side of the hill. The architecture had probably,
when first the court had been added to the chteau, contrasted
unpleasantly with the sombre pile beyond; but the lapse of centuries
with their softening hand had blended the whole into a unity of form
and colour, and adventurous plants creeping silently over the carved
stonework of the straggling fronts wrought a soft veil of nature's
handiwork over the artificial efforts of man.

The saloons in this part of the chteau were furnished more or less in
the modern taste with cabinets of ebony and ivory of the days of Louis
Quatorze, and buhl-work of the eighteenth century; but as the modern
articles were added sparingly, the effect on the whole was quiet and
pleasing. The De Frontnacs, while enjoying the more convenient
portion of their abode, prided themselves upon the antique apartments,
and kept them in scrupulous repair. In these vast and mysterious halls
all the solemn meetings and ceremonies of the family had place. Here
when death had touched his own, the De Frontnacs lay in state; here
the infant heir was baptized; here the important compacts of marriage
were signed; here the feast of Noel was held. It is true that for the
last century or so these ideas had been growing weaker, and the usages
of modern life and the fascinations of the capital had broken in upon
these ancient habits, and weakened the attachments and associations
from which they sprang; but the De Frontnacs were a fierce and
haughty race, and never entirely lost the characteristics of their
forefathers. Now and again, at some distaste of court life, or some
fancied slight on the part of the monarch, they would retire to their
forest home, and resume for a time at least the life and habits of a
nobler and a prouder day.

In the largest of these old saloons, the day after the meeting in the
forest, the whole household of the chteau was assembled. At a long
table were seated several gentlemen well known in Paris as among the
highest of the noblesse de robe, and rolls of parchment and masses of
writing, with great seals hanging from their corners, covered the
table. The walls of the saloon were hung with portraits of several
epochs of art, including the works of artists then alive; for it was a
peculiarity of the De Frontnacs that, venerating as they did the
antique portion of their chteau, they invariably hung the portraits
of the family as they were painted in these old and faded rooms,
reserving for the modern apartments the landscapes and fancy pictures
which from time to time they purchased.

When the moment had arrived at which the contracts were to be signed,
there was a movement in the room, and Mademoiselle de Frontnac,
accompanied by her mother, entered and advanced towards the table. She
was perfectly collected, and bowed to the Marquis with an
unembarrassed grace. No one ignorant of the circumstances of the case
would have supposed that anything approaching to a tragedy was being
enacted in that room.

The Marquis signed more than one document, and as he stepped back from
the table he ran his eyes carelessly over the room, with which he was
unacquainted. Fronting him, above a massive sideboard with the full
light of the opposite window upon it, was the portrait of a young man
in the cuirass of an officer of cavalry of a previous century, whose
eyes were fixed upon the Marquis with a stern and threatening glance.
It seemed that, stepping from the canvas, there confronted him, as a
few hours before he had met him in the forest, the Chevalier de
Grissolles, whom he had found with Mademoiselle de Frontnac.

Nothing probably could have made the Marquis start, but he gazed upon
the portrait with interest not unmixed with surprise, and as soon as
Mademoiselle had retired, which she did when her signatures had been
obtained, he turned to the Count with a courteous gesture.

'These apartments, Count,' he said, 'are certainly as fine as anything
of the kind in Europe. I have seldom, indeed, seen anything that can
be compared to them. And doubtless the portraits upon the walls are of
exceptional interest. By your leave, I will glance round them;' and,
accompanied by the Count, he passed through several of the rooms,
listening attentively to the descriptions and anecdotes which the
different portraits required and suggested. There was somewhat of
sameness perhaps in the story, for the French nobility had little
scope of action other than the battle-field, and the collection lacked
the pleasing variety of an English portrait-gallery, where the variety
of costumes, here a soldier, there a divine, now a lawyer or judge,
and then a courtier, charms the eye and excites the fancy. The Marquis
came back perhaps all the sooner to the great saloon.

The saloon was empty, and the lawyers and rolls of parchment were
gone. The Marquis went straight to the portrait which had attracted
his attention, and stood facing it without saying a word; the Count,
after glancing carelessly round the room, followed his guest's
example.

The vast hall was perfectly empty. The tables had been pushed aside
into the windows, and the superb figure of the Marquis, standing upon
the polished floor, would have been of itself sufficient to furnish
the scene, but in proportion as the interest which the portrait had
excited was manifested in the attitude of the Marquis, so much the
more the figure on the wall seemed to gather life and intensity, and
to answer look for look with its living opposite.

'That painting,' said the Count, after a moment's pause, 'is the
portrait of a cadet of my family, or rather, I should say, of a female
branch of it, a Chevalier de Grissolles. He was a youth of great
promise, a favourite and aide-de-camp of the Prince de Cond; and he
fell at Jarnac by his master's side. Enough of him,' and the Count's
manner changed as he glanced round the chamber, and advanced
confidentially to the Marquis. 'Enough of him; but I am not sorry your
attention has been directed towards his portrait, because it enables
me to introduce, with somewhat less embarrassment, a subject to which
I have hitherto shrunk from alluding. I am sorry to say,' continued
the Count, with an uneasy smile, 'that the chevalier whose portrait
you see before you was not the last of his race. There have been
others who have borne the name, and there is one now. He is a lad in
the regiment of Flanders, and was brought up in my family.
Unfortunately he was allowed to attend Mademoiselle de Frontnac in
her recreations, and a boy and girl attachment was formed between
them, from which harmless child's play no one foreboded any evil. The
young fool is constantly breaking away from his regiment, in which he
is a great favourite, and is hanging about my daughter; and from what
Madame la Comtesse tells me--I--I hardly like to say it, it is so
absurd!--she is positively attached to him, seriously and devotedly
attached. Positively I cannot sleep sometimes; this stupid affair has
given me so much annoyance.'

It did not increase the good humour of the Count, who was already in a
sufficiently bad temper, to notice, as he could not help doing, that
the Marquis did not seem in the least surprised at the information he
had received, and what was still more irritating, that he seemed to
regard it with perfect indifference. He appeared, in fact, to be much
more interested in studying the portrait before him, probably admiring
it as a work of art.

'My dear Count,' he said at length, 'I am really sorry that you should
allow yourself to be so much annoyed over what seems to me to be a
mere trifle. This marriage-contract, so honourable to me, is now
signed; at the present moment les messieurs de robe are engaged, I
doubt not, in arranging those pecuniary matters which you explained to
me were of so much importance: why, then, should we trouble ourselves?
As to this little pastorale which it seems is being enacted as a sort
of interlude to the more serious business of the stage, it is what I
imagine invariably takes place. What would become of the poets and
romancists otherwise? We must think of our own youth, Count, and not
be too hard upon the young people. Positively I feel quite old when I
think of those delightful days--that spring-time of existence, those
first loves,' and the Marquis closed his eyes and sighed deeply,
apparently from his heart.

The Count took a turn or two in the saloon, but it did not seem to
soothe his temper.

'This is all very well,' he said sharply, 'and very witty; in delicate
badinage we all know no one can equal Monsieur de St. Palaye, but I
assure you this is no laughing matter. This affair has grown beyond a
joke. When my daughter has the honour--an honour, I am well aware, far
higher than any she had a right to expect--of signing herself
Madeleine, Marquise de St. Palaye, it will not be my place, of course,
to say a word. Then her honour will be in her husband's keeping--her
honour and his. But while she remains in my house she is my daughter,
and in my care, and I tell you plainly that this matter is past a
joke.'

A fleeting expression of extreme ennui passed over the Marquis's face,
and he evidently suppressed an inclination to yawn. Then with more
bonhomie than he had previously shown he put his hand on his
companion's arm.

'Well, my dear Count,' he said smilingly, 'I will do anything you
wish--anything, that is, short of unpleasantly hurrying the nuptials--
that I cannot do. It would be--in fact, it would be such wretched
taste--tears!--a scene!--a--an esclandre in general, my dear Count!'

Then linking his arm in that of the Count, he led him, still sulky and
grumbling, out of the saloon, and into the modern court of the
chteau; and the long lines of ancestors on the walls followed them as
they passed with angry and vindictive looks, as though enraged that
they could not descend from their places and join again in the turmoil
of life.



Part 3

The second morning after the contract had been signed, the Marquis was
seated in his dressing-room, about an hour before djeuner, reading,
apparently with great entertainment, though not for the first time, Le
Taureau Blanc of Monsieur de Voltaire. While he was thus agreeably
occupied the door was violently thrown open, and the Count, heated and
excited, burst into the room.

'Marquis,' he said, utterly regardless of any who might hear, 'let me
beg of you to get to horse at once and come with me. I have positive
information that my daughter is at this moment giving an interview to
that young scoundrel on one of the terraces in the wood. While we
speak they may be planning an elopement--nay, even carrying it into
effect. Let me beg of you to come at once.

The Marquis laid down his book, crossed one knee over the other, and
leaning back on his chair looked the Count in the face steadily for a
second or two, as who should say, 'This man will be too much for me; I
shall have to press forward the nuptials, I see, in self-defence.'
Then he sighed deeply and rose from his seat.

'Very well, my dear Count,' he said, 'I will be as quick as possible.
Pierre, see that they bring some horses round; come into my closet
yourself, and send Charles and Alphonse and all the men here at once.
I will make haste, my dear Count, indeed I will.'

Whether the Marquis did make haste as he said, or whether the number
of valets impeded each other, it is certain that it was a long time
before he descended to the court of the chteau, where he found the
Count pacing up and down, fuming and cursing his delay. They got to
horse as soon as possible, and rode down the forest road, but the
Marquis reined his horse in so often, and made such inappropriate
remarks upon the beauty of the morning and of the view, that the Count
could bear it no longer.

'Monsieur le Marquis,' he said, 'I am sorry I have disturbed you so
much; I am very anxious to press forward, but I will not hurry you, I
will ride forward at once.'

'Pray do not delay a moment on my account,' said the other; 'I shall
rejoin you anon.'

The Count put spurs to his horse, and, followed by his servants, was
lost to sight behind the windings of the path.

The moment he disappeared the Marquis drew his rein, and turning to
his valet, said in a tone perfectly different from that which he had
hitherto used--

'On the north terrace, do you say?'

'Yes, Monsieur le Marquis,' replied the man, with a smile; 'on the
north terrace to the left: not on the old terrace, as the Count is
wrongly advised. They have been there a long time; I should think they
must be about parting.'

The Marquis turned his horse, and, followed by his men, retraced his
steps until they reached a scarcely perceptible path which, now on
their right hand, found its way down into the road. Here he
dismounted, and taking his riding-whip with him in place of a cane,
began leisurely to ascend the path. When he had gone a yard or two,
however, he turned to the valet and said--'Wait here with the horses,
and should Monsieur le Comte return, say to him that I have taken the
opportunity of the fine morning to enjoy one of the numerous views on
his delightful estate. Say that to him, neither more nor less.'

When the Marquis reached the head of the path he found himself at the
end of a long and grassy terrace, from which the path was screened by
thick bushes. Standing for a moment so concealed, he became conscious
of the presence of the two young lovers whom he had met some few days
ago in the forest. Again he could see the face of the young girl, and
again he was moved by the sight. He waited till they had reached the
other end of the terrace, and then came forward, so as not to startle
them by his sudden appearance. They met half way.

'I am sorry once again,' said the Marquis, speaking simply and without
affectation, 'to intercept Mademoiselle, especially as this time I
have no excuse, but have acted with prepense. Monsieur le Comte, your
father, is ridden out in hot haste and temper upon some mischievous
information he has received concerning Mademoiselle and Monsieur le
Chevalier. I did what I could to delay him, and finally left him,
having better information, it appears, than he had. But he will be
here anon. I was compelled to leave my horses in the road below, and
when he returns from his fruitless quest he will doubtless follow me
here. Monsieur le Chevalier will doubtless see the propriety of
avoiding an unpleasant meeting.'

'I have to thank you, Monsieur le Marquis,' said the young man, whose
manner seemed compounded of an intense dislike and a sense that
politeness was due to one who, under singular circumstances, had
behaved in a more friendly manner than could have been looked for; 'I
have to thank you for previous courtesy, and for, I have no doubt,
much consideration to-day. I will not linger any more.'

He took the girl in his arms and imprinted a kiss upon her lips,
which, under the circumstances, was perhaps scarcely courteous; then,
gloomily bowing to the Marquis, he plunged into the thickest of the
wood and disappeared.

The Marquis took no notice of the warmth of his leave-taking, but
having his riding-whip and hat in one hand, he offered the other arm
to the girl, saying--

'If Mademoiselle will honour me by taking a turn upon the terrace
before her father's arrival I shall esteem it a favour, as it will
give me the opportunity of saying a single word.'

The girl took his arm willingly, and as she did so she said, with a
winning and confiding gesture--'Monsieur le Marquis, I think you are
the best and kindest of men.'

'I wish to put before Mademoiselle,' said the Marquis, speaking
gently, but very gravely, 'one or two considerations; and I could wish
that it were possible for her to regard it as the advice of an
absolutely impartial friend. The first is one of which I hesitate to
speak, because it seems to cast a slur, in some manner, upon the
character of Monsieur le Chevalier. But man is very weak, especially
when exposed to such temptation as, fortunately for him, rarely in
this world crosses his path. These shady groves and grassy banks are
the places where the deceitful god delights to work his mischief--a
mischief which is never repaired. I know, of course, that there are
many who speak of these things lightly, and who even view these
flowery but dangerous paths with approbation; but I cannot think that
Mademoiselle would tread them without violating the biensance which
alone makes life tolerable, or tainting the purity of those lustrous
ranks of which she will be the brightest star. I pass at once to
another thought which it is not impossible Monsieur le Chevalier has
already suggested.' He paused, as the tremor of the girl's hand upon
his arm showed that he was not speaking in vain. 'I mean,' he
continued, 'the project of seeking in another land that happiness
which I fear appears to Mademoiselle to be denied her in this. Could I
see any permanent prospect of happiness in such a course I would not
shrink, Quixotic as it might seem, from advising you to adopt it. But
there appear to me insuperable objections to such a course. I do not
see how it is possible for Mademoiselle so to elude the affectionate
solicitude of her family as to obtain more than a couple of hours'
start.

Couriers on swift horses would be sent to the Intendants of the
provinces, to the postmasters on the great roads, and to the officers
on the frontiers. After experiencing toil and hardships, which it is
pitiful to think of, Mademoiselle would probably be overtaken before
she reached the frontier. But supposing that such was not the case;
supposing that she succeeded, by the skill of Monsieur le Chevalier
and the swiftness of his horses, in reaching a foreign land, the
Chevalier is a sworn servant of the King of France. He would be
arrested in any court and city of Europe; he would be brought back to
France, and the Bastile, or some inferior prison, would be his home
for life. When I add to this the hardships of life in a foreign land,
of the rupture of family ties, of hatred and animosity where there
should be nothing but serenity, of the failure of family schemes and
hopes, and of the tie which binds persons of our rank all over the
world to discountenance actions which are regarded as subversive of
family order, and even life--I cannot, I say, when I think of such
certain hardship, of such possible disgrace and misery--I cannot
advise Mademoiselle to adopt such a course. The certainty that she
would soon be separated from her friend seems to me to decide the
matter.'

The Marquis paused; but as the girl made no reply, he continued--

'For myself, I say nothing; it is my misfortune that I have been
introduced to Mademoiselle under circumstances which render it
impossible that I should make that impression which it would have been
the ambition of my life to achieve; but this, perhaps, I may say, that
should Mademoiselle decide to let matters take their course, and as
far as circumstances will permit, to repose in me her confidence, it
would indeed seem a fatality no less strange than sad should she prove
the first who, in the long course of centuries, had reason to regret
that they placed confidence in the word of a St. Palaye.'

It seemed that something in the words of the Marquis, strange as they
may appear to some people, or something in his manner as he spoke
them, did not affect the girl unpleasantly, for she was in the act of
saying, what indeed she had said before, but now with one slight but
important modification--'Marquis, you are the best and kindest of
men,'--when her father, heated with riding and with anger, burst
through the trees at the end of the terrace, and overlooking in his
fury what was before his eyes, exclaimed--'Well, Marquis, I told you
how it would be: I cannot find them! This wretched girl 'he stopped
suddenly, open-mouthed, as straight before him, apparently on the most
friendly terms, the girl hanging confidingly upon her companion's arm,
stood the Marquis, and she of whom he was in such desperate chase. It
was impossible for either to conceal a smile.

'My dear Count,' said the Marquis, 'I am sorry you have had so much
unnecessary trouble. The truth is that after you left me it occurred
to me that, in the little domestic scene you were anticipating, I
should play an insignificant, not to say a somewhat ridiculous figure.
Warm as is the interest which I must naturally feel in everything that
concerns Mademoiselle, I think that these family matters are always
best managed by the family itself. I therefore turned aside to enjoy
perhaps the most beautiful of the many beautiful views to be found on
this estate, and to my delight I found Mademoiselle engaged in a
precisely similar occupation. It augurs well.

I am sure, for our future happiness, that at this early period our
tastes are found to be so similar.'

The Count saw that he was being laughed at, and indeed it may as well
be confessed at once that the Marquis erred in the manner in which he
treated the Count. This, however, should be remembered in extenuation,
that nothing could be more intolerable to him than the part of jealous
husband and lover which the Count appeared determined to force him to
play. It was not in human nature but that he should take a little
quiet revenge.

'But did you see nothing of the Chevalier?' blundered out the Count.

'Really, my dear Count, I have not had time, had I possessed the
power, to challenge my adversary to mortal combat, to run him through
the heart, to cut him up into small bits, and to bury him beneath the
sod. Besides, you will observe that the grass all around is perfectly
undisturbed. I assure you solemnly,' continued the Marquis, apparently
with the greatest earnestness, 'that the Chevalier does not lie
murdered beneath my feet.'

The words were spoken in Jest, but they were recalled to memory
afterwards by more than one.

The Count turned sulkily away, and his daughter and the Marquis
followed him back to the chteau.



Part 4

A few days after these events the Count removed his family to Paris,
travelling in several large carriages, and accompanied by numerous
servants on horseback. The Marquis accompanied them, and, by what
might appear a curious coincidence, on the very morning upon which
they set out on their journey the Chevalier received, at the little
auberge on the farther side of the forest, where he lodged, an
imperative order to join his regiment without delay. Furious at the
success of what he conceived to be the interference of the Marquis and
the Count, he obeyed the order, resolved to return to Paris at the
earliest opportunity.

The winter passed in Paris as winters in great cities usually do. The
Chevalier stole up from the frontier more than once, and at court
balls, at the theatre, and at the private assemblies he succeeded in
seeing Mademoiselle de Frontnac more often than he perhaps had
expected, but though his opportunities exceeded his hopes, the result
was not proportionally favourable. Whether Mademoiselle had succumbed
to the paternal influence, or whether the Marquis had succeeded in
substituting his own attractions for those of the Chevalier, it was
evident that her manner became colder and more reserved at each
interview.

The winter at last was over, and one evening in summer, after a royal
concert at Versailles, when the king's violins had performed such
delicate and yet pathetic music of Monsieur Rousseau's that the court
was ravished by it, the Chevalier met his mistress by appointment in
one of the pavilions of the orangery. He had secret means of obtaining
admission to the precincts of the palaces which were well understood
by the courtiers of those days.

Mademoiselle de Frontnac was perfectly pale as she came into the
pavilion, and she seemed to walk with difficulty; she stopped
immediately when within the door, and spoke at once, as though she
were repeating a lesson.

'Do not come any nearer, Monsieur le Chevalier,' she said; 'I am the
wife of another.'

He stopped, therefore, where he was, on the other side of the small
pavilion, and across the summer evening light that mingled with the
shimmer of the candelabras, he saw her for the last time.

Neither spoke for a moment or two, and then she said, still as though
conning a part--

'I have promised, Monsieur le Chevalier de Grissolles, to be the wife
of the Marquis de St. Palaye, and I will keep my word.'

'You are not speaking your own words, Madeleine,' he said eagerly;
'let your own heart speak!' and coming forward across the pavilion, he
was on the point of taking her hand.

Then the door by which she had entered opened again, and the Count de
Frontnac, with a quiet and firm step, glided in, and stood by his
daughter's side.

At this sight, which revealed to him, as it seemed, the faithlessness
of his mistress, and the plot which was woven around him on every
side, the Chevalier lost his self-control.

'I was aware, Monsieur le Comte,' he burst forth, 'that in this pays
du diable the privileges of parents were numerous and inalienable, but
till this moment I did not know that eavesdropping was one of them.'

The Count made no reply, except by raising his hat; and his daughter,
bowing with a mechanical grace that was pitiful to see, said--'I wish
you farewell, Monsieur le Chevalier.'

'Madeleine,' said the young man, 'I wish you farewell for ever; and I
pray God, with what sincerity will be known when we stand, each of us,
before His judgment bar, that you may not bitterly regret your words
this night.'

Then, perfectly pale, but more composed than before he had spoken, he
too raised his hat courteously, and left the room.

That evening there were enacted within a stone's throw of each other
two very different scenes.

When the Marquis de St. Palaye returned to his hotel he was told that
the family lawyer, Monsieur Cacotte, was waiting to see him, having at
the first possible moment brought him some deeds which Monsieur le
Marquis was very anxious should be completed.

The Marquis would see him at once, and after a few minutes' delay, he
entered the room, in which the lawyer was seated at a table which was
covered with parchments. The room was one in which the Marquis usually
sat when the festivities of the day, whether at home or abroad, were
over; it was richly furnished as a library, and upon the wide hearth
there burned a fire of wood, though it was summer. Greeting the lawyer
with great friendliness of manner, St. Palaye threw himself somewhat
wearily into a chair, and gazed at the blazing wood-ashes.

A servant entered the room with wine.

'I am sorry, Monsieur le Marquis,' said the lawyer, 'to come to you at
so unseasonable an hour; but your instructions were so precise that
the moment this first will was ready it should be brought to you to
sign, that I did not dare to wait till the morrow.'

'You did quite right, Monsieur Cacotte,' said the Marquis. 'No one can
tell what may happen before the morrow.'

'I have indeed,' continued the lawyer, 'prepared both wills, so that
Monsieur can satisfy himself that they are both exactly alike. The one
will be signed immediately after the marriage; the other at once. They
both contain the same clauses, and especially the one upon which
Monsieur le Marquis so much insisted: "That the sum of fifty thousand
louis d'or, charged upon the unsettled estates in Poitou and Auvergne,
should be paid within three months of the death of the testator to
Monsieur le Chevalier de Grissolles, for a purpose which he will
appreciate and understand." Those, I think, were the words Monsieur
wished to have used.'

'They seem quite correct,' said the Marquis.

'I am sorry,' continued the lawyer, 'that this extra expense, which
seems to me unnecessary, should be entailed.'

'In that,' said the Marquis politely, 'you only show, Monsieur
Cacotte, that care and interest in the good of the family which you
have always manifested both in the time of my father and of myself. My
father, the late Marquis de St. Palaye, always expressed to me the
obligation under which he conceived himself to be in this respect, and
this obligation is, of course, much increased in my case.'

'The obligation, Monsieur le Marquis,' said the lawyer, 'if such there
be, has been too liberally repaid both by your father and yourself.'

'To tell the truth, Monsieur Cacotte,' said the Marquis, leaning back
in his chair, with his feet stretched out towards the fire, and
speaking with an appearance of being perfectly at home with his
companion, and desirous of confiding in him--'to tell the truth, I
am, even in this age of science and encyclopaedias, somewhat
superstitious, and I have a presentiment--the St. Palayes often had
it--that I have not long to live. Do not suppose that I shrink from
this prospect, though it is a singular statement for a man to make who
is about to marry, and to marry such a bride as mine! Yet I do not
mind confiding to you, Monsieur Cacotte, that I am somewhat wearied of
life. The world grows very old, and it does not seem to mend.'

'Monsieur le Marquis has been too long unmarried,' said the lawyer. 'I
am not surprised that he should be wearied of the enjoyments which he
has had the opportunity of tasting to such repletion. He will speak
differently when he has a lovely woman by his side, and knows the
felicity of wife and child.'

'Ah, Monsieur Cacotte!' said the Marquis, smiling, 'you speak, as they
all do, of felicity. There is such a thing, believe me, as the
intolerable weariness of a too constant felicity. When I hear even of
the joy of the future, and of the bliss of heaven, it seems to me
sometimes that the most blissful heaven is to cease to exist.--Let me
sign the deed.'

A servant was called in as a witness, and the Marquis signed the first
will. Then he said to Monsieur Cacotte--

'The marriage will take place in six weeks in Auvergne; I hope that
Monsieur Cacotte will honour the ceremony with his presence. I can
assure you from my own experience that you will have nothing to
complain of in the hospitality of Monsieur le Comte.'

The Chevalier returned to his lodging about the same time that the
Marquis entered his hotel. His valet awaited him that he might change
his dress as usual before going into the town to spend the remainder
of the evening. The man perceived at once that his master was excited
and unhappy. He was an Italian by birth, and had accompanied the
Chevalier in his campaigns, and in his secret visits to the Chateau de
Frontnac. He saw that the crisis had arrived.

'Does Monsieur go down into Auvergne this autumn?' he said.

'We go down once more,' said the Chevalier gloomily. He had divested
himself of his court dress, and was taking from his valet a suit of
dark clothes somewhat resembling a hunting suit. 'Yes, we go down once
more: this cursed marriage will take place a month hence.'

'Monsieur takes this marriage too much to heart,' said the Italian,--
and as he spoke he handed the coat, which his master put on, 'it may
never take place. A month hence in the country they will begin to
hunt--to hunt the boar. No doubt the party at the chteau will divert
themselves in this way while the nuptial ceremonies are arranged. It
is a dangerous sport. Many accidents take place, many unfortunate
shots--quite unintentional. Monsieur le Chevalier is a finished
sportsman. He has a steady hand and a sure eye. C'est un fait
accompli.'

The Chevalier started: in the large glass before him he saw a terrible
figure dressed as for the chase, but pale as a corpse, and trembling
in every limb as with the palsy. He shuddered and turned away.



Part 5

The piqueurs sent up word to the chteau that a magnificent boar had
been lodged in a copse at the foot of the forest road. An answer was
sent down accordingly that the Marquis would drive him early in the
morning, and that he should be turned if possible towards the chteau.

In the morning, therefore, very early, the whole household was astir.
The ladies were mounted, and, divided into parties, cantered down the
road and along the forest paths to those points where, according to
the advice of their several attendant cavaliers, the hunt would most
likely be seen to advantage. The Marquis, it was said, had been down
at a still earlier hour to rouse the boar. Every now and then a
distant horn sounding over the waving autumn forest told that the
sport had commenced.

The ladies were gay and delighted, and those of the gentlemen who,
like Monsieur Cacotte, were not much accustomed to country life and
scenes, shared their enjoyment to the full. And indeed it seemed a
morning out of fairyland. From every branch and spray upon which the
leaves, tinted with a thousand colours, were trembling already to
their fall, hung sparkling festoons of fairy lace, the mysterious
gossamer web which in a single night wreathes a whole forest with a
magic covering which the first hour of sunlight as soon destroys.
Yellows, browns, and purples formed the background of this dazzling
network of fairy silver which crossed in all directions the forest
rides.

But though the morning was so lovely the ladies grew tired of riding
up and down waiting for the hunt. The horns became fainter and more
distant, and it became evident that the chase had drifted to the
eastward.

'Why do you stay here, Monsieur de Circassonne?' said Mademoiselle de
Frontnac, smiling, to a young man, almost a boy, who had with the
utmost devotion remained by the side of herself and a very pretty
girl, her companion. 'Why do you stay here? You are not wont to desert
the chase. What can have happened to the Marquis and the rest?'

The boy looked somewhat sheepish, and replied to the latter part of
the question only.

'I fancy that the boar has broken out, in spite of the piqueurs, and
that the Marquis has failed to turn him. They have probably lost him
in the forest.'

'But is not that very dangerous?' said the pretty girl. 'If they do
not know where the boar is, he may burst out upon us at any moment.'

The boy looked at her as though much pleased.

'That is quite true,' he said. 'It was one reason why I stayed.'

Monsieur de Circassonne was not far wrong in his opinion. This is what
had happened.

When the Marquis arrived at the cover, very soon after sunrise, he
found that the boar, ungraciously refusing to wait his opponent's
convenience, had broken cover, and wounding one of the piqueurs, who
attempted to turn him, had gone down the valley. He was described as
an unusually fine animal, and the dogs were upon his track.

The course which the boar had taken lay through the thick of the
forest. It was rugged and uneven, and he could only be pursued on
foot. After some distance had been traversed, the scent was suddenly
crossed by a large sow, who, as frequently happened, apparently with
the express purpose of diverting the pursuit from her companion,
crossed immediately in front of the dogs and went crashing down
through the coppice to the right. Most of the hounds followed her, and
the piqueurs, with few exceptions, followed the dogs. The Marquis,
however, succeeded in calling off some of the oldest hounds, and,
accompanied by two or three piqueurs, followed the original chase.
Some distance farther on, however, the boar had taken to the water,
and the scent was lost. At the same time the horns sounding in the
valley to the right showed that the deserters had come up with their
quarry, and distracted the attention of both piqueurs and dogs. The
former were of opinion that the boar had simply crossed the river, and
taking the dogs across they made a cast on the opposite bank, where
the dogs ran backwards and forwards baying disconsolately. The
Marquis, however, believing that the boar had followed the course of
the stream for at least some distance, kept on the left bank, and
forcing his way round one or two craggy points, found at last the spot
where the boar, apparently but a few moments before, had scrambled up
the bank. He sounded his horn, but either from the baying of the dogs,
or the noise and excitement in the valley below, he was disregarded,
and pushing aside the branches before him, the Marquis found himself
at the foot of a ravine down which a mountain torrent was rushing to
join the river below. The bed of the ravine was composed of turf
overstrewn with craggy rock, and on either side rugged cliffs, out of
the fissures of which lofty oaks and chestnuts had grown for
centuries, towered up towards the sky.

The Marquis waited for a moment, but hearing no reply to his horn, he
entered the ravine alone.

As he did so, the strange shapes which the hanging roots and branches
of the trees assumed might seem to beckon and warn him back; but, on
the other land, a thousand happy and pleasing objects spoke of life
and joy. The sun shone brilliantly through the trembling leaves, birds
of many colours flitted from spray to spray, butterflies and bright
insects crossed the fretted work of light and shade. The chase was
evidently before him--why should he turn back?

Some fifty yards up the valley the rocks retreated on either side,
leaving a wide and open grassy space, down which the torrent was
rushing, and over which fragments of basaltic rock, split from the
wooded cliffs above, were strewn. At the summit of this grassy slope,
standing beneath a bare escarpment of basalt, the Marquis saw the
boar.

Its sides and legs were stained with mud and soil, but the chase had
been very short, and the animal seemed to have turned to bay more out
of curiosity and interest than from terror or exhaustion. It stood
sniffing the air and panting with excitement, its hair bristling with
anger, its white and polished tusks shining in the sun.

When the Marquis saw this superb creature standing above him on the
turf, a glow of healthy and genuine pleasure passed over his face. He
swung his horn round far out of reach behind his back, and drew his
long and jewelled knife. The boar and he would try this issue alone.

For some seconds they stood facing each other. Then the posture of the
Marquis changed inexplicably. He rose to his full height, his gaze was
fixed as if by fascination upon a long range of low rocks above him to
the left, and an expression of surprise, which did not amount to
anxiety even, came into his face. Then he dropped his knife, threw his
arms up suddenly over his head, and falling backwards, rolled once
over and lay motionless upon the uneven turf in an uneasy posture, his
head lower than the limbs. A puff of white smoke rose from the rocks
above, and the reverberating echo of a hunting piece struck the rocks
and went on sounding alternately from side to side down the valley.

The boar, startled at the shot, and still more, probably, by the
sudden fall of his adversary, crept into the thicket, and, while a man
might count sixty, an awful silence fell upon hill, and rock, and
wood. The myriad happy creatures that filled the air with murmur and
with life became invisible and silent, and even the rushing torrent
ceased to sound.

Then a terrible figure, habited in the costume of the chase, but
trembling in every limb as with a palsy, rose from behind the rocks
upon the left. With tottering and uneven steps, it staggered down the
grassy slope, and stood beside the fallen man. The Marquis opened his
eyes, and when he saw this figure he tried to raise himself from the
uneasy posture in which he had fallen. When he found it was
impossible, a smile of indescribably serene courtesy formed itself
gradually upon his face.

'Ah, Chevalier,' he said, speaking slowly and at intervals, 'that was
scarcely fair! Make my regrets to the Marquise. Monsieur Cacotte--will
speak to you--about--my--will.'

Then, the smile fading from the lips, his head fell back into the
uneasy posture in which it had lain, and the Marquis Jeanne Hyacinthe
de St. Palaye rested in peace upon the bloodstained grass.



THE END



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