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Title: The Napoleon of Notting Hill
Author: G. K. Chesterton
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Language: English
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The Napoleon of Notting Hill

by

G. K. Chesterton


TO HILAIRE BELLOC

For every tiny town or place
God made the stars especially;
Babies look up with owlish face
And see them tangled in a tree;
You saw a moon from Sussex Downs,
A Sussex moon, untravelled still,
I saw a moon that was the town's,
The largest lamp on Campden Hill.
Yea; Heaven is everywhere at home
The big blue cap that always fits,
And so it is (be calm; they come
To goal at last, my wandering wits),
So is it with the heroic thing;
This shall not end for the world's end
And though the sullen engines swing,
Be you not much afraid, my friend.
This did not end by Nelson's urn
Where an immortal England sits--
Nor where your tall young men in turn
Drank death like wine at Austerlitz.
And when the pedants bade us mark
What cold mechanic happenings
Must come; our souls said in the dark,
"Belike; but there are likelier things."
Likelier across these flats afar
These sulky levels smooth and free
The drums shall crash a waltz of war
And Death shall dance with Liberty;
Likelier the barricades shall blare
Slaughter below and smoke above,
And death and hate and hell declare
That men have found a thing to love.
Far from your sunny uplands set
I saw the dream; the streets I trod
The lit straight streets shot out and met
The starry streets that point to God.
This legend of an epic hour
A child I dreamed, and dream it still,
Under the great grey water-tower
That strikes the stars on Campden Hill

G. K. C.

BOOK I

CHAPTER I INTRODUCTORY REMARKS ON THE ART OF PROPHECY

THE human race, to which so many of my readers belong, has been playing at children's games from the beginning, and will probably do it till the end, which is a nuisance for the few people who grow up. And one of the games to which it is most attached is called, "Keep to-morrow dark," and which is also named (by the rustics in Shropshire, I have no doubt) "Cheat the Prophet." The players listen very carefully and respectfully to all that the clever men have to say about what is to happen in the next generation. The players then wait until all the clever men are dead, and bury them nicely. They then go and do something else. That is all. For a race of simple tastes, however, it is great fun.

For human beings, being children, have the childish wilfulness and the childish secrecy. And they never have from the beginning of the world done what the wise men have seen to be inevitable. They stoned the false prophets, it is said; but they could have stoned true prophets with a greater and juster enjoyment. Individually, men may present a more or less rational appearance, eating, sleeping, and scheming. But humanity as a whole is changeful, mystical, fickle, delightful. Men are men, but Man is a woman.

But in the beginning of the twentieth century the game of Cheat the Prophet was made far more difficult than it had ever been before. The reason was, that there were so many prophets and so many prophecies, that it was difficult to elude all their ingenuities. When a man did something free and frantic and entirely his own, a horrible thought struck him afterwards; it might have been predicted. Whenever a duke climbed a lamp-post, when a dean got drunk, he could not be really happy, he could not be certain that he was not fulfilling some prophecy. In the beginning of the twentieth century you could not see the ground for clever men. They were so common that a stupid man was quite exceptional, and when they found him, they followed him in crowds down the street and treasured him up and gave him some high post in the State. And all these clever men were at work giving accounts of what would happen in the next age, all quite clear, all quite keen-sighted and ruthless, and all quite different. And it seemed that the good old game of hoodwinking your ancestors could not really be managed this time, because the ancestors neglected meat and sleep and practical politics, so that they might meditate day and night on what their descendants would be likely to do.

But the way the prophets of the twentieth century went to work was this. They took something or other that was certainly going on in their time, and then said that it would go on more and more until something extraordinary happened. And very often they added that in some odd place that extraordinary thing had happened, and that it showed the signs of the times.

Thus, for instance, there were Mr. H. G. Wells and others, who thought that science would take charge of the future; and just as the motor-car was quicker than the coach, so some lovely thing would be quicker than the motorcar; and so on for ever. And there arose from their ashes Dr. Quilp, who said that a man could be sent on his machine so fast round the world that he could keep up a long chatty conversation in some old-world village by saying a word of a sentence each time he came round. And it was said that the experiment had been tried on an apoplectic old major, who was sent round the world so fast that there seemed to be (to the inhabitants of some other star) a continuous band round the earth of white whiskers, red complexion and tweeds...a thing like the ring of Saturn.

Then there was the opposite school. There was Mr. Edward Carpenter, who thought we should in a very short time return to Nature, and live simply and slowly as the animals do. And Edward Carpenter was followed by James Pickie, D.D. (of Pocahontas College), who said that men were immensely improved by grazing, or taking their food slowly and continuously, alter the manner of cows. And he said that he had, with the most encouraging results, turned city men out on all fours in a field covered with veal cutlets. Then Tolstoy and the Humanitarians said that the world was growing more merciful, and therefore no one would ever desire to kill. And Mr. Mick not only became a vegetarian, but at length declared vegetarianism doomed ("shedding," as he called it finely, "the green blood of the silent animals"), and predicted that men in a better age would live on nothing but salt. And then came the pamphlet from Oregon (where the thing was tried), the pamphlet called "Why should Salt suffer?" and there was more trouble.

And on the other hand, some people were predicting that the lines of kinship would become narrower and sterner. There was Mr. Cecil Rhodes, who thought that the one thing of the future was the British Empire, and that there would be a gulf between those who were of the Empire and those who were not, between the Chinaman in Hong-Kong and the Chinaman outside, between the Spaniard on the Rock of Gibraltar and the Spaniard off it, similar to the gulf between man and the lower animals. And in the same way his impetuous friend, Dr. Zoppi ("the Paul of Anglo-Saxonism"), carried it yet further, and held that, as a result of this view, cannibalism should be held to mean eating a member of the Empire, not eating one of the subject peoples, who should, he said, be killed without needless pain. His horror at the idea of eating a man in British Guiana showed how they misunderstood his stoicism who thought him devoid of feeling. He was, however, in a hard position; as it was said that he had attempted the experiment, and, living in London, had to subsist entirely on Italian organ-grinders. And his end was terrible, for just when he had begun, Sir Paul Swiller read his great paper at the Royal Society, proving that the savages were not only quite right in eating their enemies, but right on moral and hygienic grounds, since it was true that the qualities of the enemy, when eaten, passed into the eater. The notion that the nature of an Italian organ-man was irrevocably growing and burgeoning inside him was almost more than the kindly old professor could bear.

There was Mr. Benjamin Kidd, who said that the growing note of our race would be the care for and knowledge of the future. His idea was developed more powerfully by William Borker, who wrote that passage which every schoolboy knows by heart, about men in future ages weeping by the graves of their descendants, and tourists being shown over the scene of the historic battle which was to take place some centuries afterwards.

And Mr. Stead, too, was prominent, who thought that England would in the twentieth century be united to America; and his young lieutenant, Graham Podge, who included the states of France, Germany, and Russia in the American Union, the State of Russia being abbreviated to Ra.

There was Mr. Sidney Webb, also, who said that the future would see a continuously increasing order and neatness in the life of the people, and his poor friend Fipps, who went mad and ran about the country with an axe, hacking branches off the trees whenever there were not the same number on both sides.

All these clever men were prophesying with every variety of ingenuity what would happen soon, and they all did it in the same way, by taking something they saw 'going strong,' as the saying is, and carrying it as far as ever their imagination could stretch. This, they said, was the true and simple way of anticipating the future. "Just as," said Dr. Pellkins, in a fine passage, "...just as when we see a pig in a litter larger than the other pigs, we know that by an unalterable law of the Inscrutable it will some day be larger than an elephant, just as we know, when we see weeds and dandelions growing more and more thickly in a garden, that they must, in spite of all our efforts, grow taller than the chimney-pots and swallow the house from sight, so we know and reverently acknowledge, that when any power in human politics has shown for any period of time any considerable activity, it will go on until it reaches to the sky."

And it did certainly appear that the prophets had put the people (engaged in the old game of Cheat the Prophet) in a quite unprecedented difficulty. It seemed really hard to do anything without fulfilling some of their prophecies.

But there was, nevertheless, in the eyes of labourers in the streets, of peasants in the fields, of sailors and children, and especially women, a strange look that kept the wise men in a perfect fever of doubt. They could not fathom the motionless mirth in their eyes. They still had something up their sleeve; they were still playing the game of Cheat the Prophet.

Then the wise men grew like wild things, and swayed hither and thither, crying, "What can it be? What can it be? What will London be like a century hence? Is there anything we have not thought of? Houses upside down...more hygienic, perhaps? Men walking on hands...make feet flexible, don't you know? Moon... motor-cars... no heads..." And so they swayed and wondered until they died and were buried nicely.

Then the people went and did what they liked. Let me no longer conceal the painful truth. The people had cheated the prophets of the twentieth century. When the curtain goes up on this story, eighty years after the present date, London is almost exactly like what it is now.

CHAPTER II THE MAN IN GREEN

VERY few words are needed to explain why London, a hundred years hence, will be very like it is now, or rather, since I must slip into a prophetic past, why London, when my story opens, was very like it was in those enviable days when I was still alive.

The reason can be stated in one sentence. The people had absolutely lost faith in revolutions. All revolutions are doctrinal...such as the French one, or the one that introduced Christianity. For it stands to common sense that you cannot upset all existing things, customs, and compromises, unless you believe in something outside them, something positive and divine. Now, England, during this century, lost all belief in this. It believed in a thing called Evolution. And it said, "All theoretic changes have ended in blood and ennui. If we change, we must change slowly and safely, as the animals do. Nature's revolutions are the only successful ones. There has been no conservative reaction in favour of tails."

And some things did change. Things that were not much thought of dropped out of sight. Things that had not often happened did not happen at all. Thus, for instance, the actual physical force ruling the country, the soldiers and police, grew smaller and smaller, and at last vanished almost to a point. The people combined could have swept the few policemen away in ten minutes: they did not, because they did not believe it would do them the least good. They had lost faith in revolutions.

Democracy was dead; for no one minded the governing class governing. England was now practically a despotism, but not an hereditary one. Some one in the official class was made King. No one cared how; no one cared who. He was merely an universal secretary.

In this manner it happened that everything in London was very quiet. That vague and somewhat depressed reliance upon things happening as they have always happened, which is with all Londoners a mood, had become an assumed condition. There was really no reason for any man doing anything but the thing he had done the day before.

There was therefore no reason whatever why the three young men who had always walked up to their Government office together should not walk up to it together on this particular wintry and cloudy morning. Everything in that age had become mechanical, and Government clerks especially. All those clerks assembled regularly at their posts. Three of those clerks always walked into town together. All the neighbourhood knew them: two of them were tall and one short. And on this particular morning the short clerk was only a few seconds late to join the other two as they passed his gate: he could have overtaken them in three strides; he could have called after them easily. But he did not.

For some reason that will never be understood until all souls are judged (if they are ever judged; the idea was at this time classed with fetish worship) he did not join his two companions, but walked steadily behind them. The day was dull, their dress was dull, everything was dull; but in some odd impulse he walked through street after street, through district after district, looking at the backs of the two men, who would have swung round at the sound of his voice. Now, there is a law written in the darkest of the Books of Life, and it is this: If you look at a thing nine hundred and ninety-nine times, you are perfectly safe; if you look at it the thousandth time, you are in frightful danger of seeing it for the first time.

So the short Government official looked at the coat-tails of the tall Government officials, and through street after street, and round corner after corner, saw only coat-tails, coat-tails, and again coat-tails...when, he did not in the least know why, something happened to his eyes.

Two black dragons were walking backwards in front of him. Two black dragons were looking at him with evil eyes. The dragons were walking backwards it was true, but they kept their eyes fixed on him none the less. The eyes which he saw were, in truth, only the two buttons at the back of a frock-coat: perhaps some traditional memory of their meaningless character gave this half-witted prominence to their gaze. The slit between the tails was the nose-line of the monster: whenever the tails flapped in the winter wind the dragons licked their lips. It was only a momentary fancy, but the small clerk found it imbedded in his soul ever afterwards. He never could again think of men in frock-coats except as dragons walking backwards. He explained afterwards, quite tactfully and nicely, to his two official friends, that while feeling an inexpressible regard for each of them he could not seriously regard the face of either of them as anything but a kind of tail. It was, he admitted, a handsome tail...a tail elevated in the air. But if, he said, any true friend of theirs wished to see their faces, to look into the eyes of their soul, that friend must be allowed to walk reverently round behind them, so as to see them from the rear. There he would see the two black dragons with the blind eyes.

But when first the two black dragons sprang out of the fog upon the small clerk, they had merely the effect of all miracles...they changed the universe. He discovered the fact that all romantics know...that adventures happen on dull days, and not on sunny ones. When the chord of monotony is stretched most tight, then it breaks with a sound like song. He had scarcely noticed the weather before, but with the four dead eyes glaring at him he looked round and realized the strange dead day.

The morning was wintry and dim, not misty, but darkened with that shadow of cloud or snow which steeps everything in a green or copper twilight. The light there is on such a day seems not so much to come from the clear heavens as to be a phosphorescence clinging to the shapes themselves. The load of heaven and the clouds is like a load of waters, and the men move like fishes, feeling that they are on the floor of a sea. Everything in a London street completes the fantasy; the carriages and cabs themselves resemble deep-sea creatures with eyes of flame. He had been startled at first to meet two dragons. Now he found he was among deep-sea dragons possessing the deep sea.

The two young men in front were like the small young man himself, well-dressed. The lines of their frock-coats and silk hats had that luxuriant severity which makes the modern fop, hideous as he is, a favourite exercise of the modern draughtsman; that element which Mr. Max Beerbohm has admirably expressed in speaking of "certain congruities of dark cloth and the rigid perfection of linen."

They walked with the gait of an affected snail, and they spoke at the longest intervals, dropping a sentence at about every sixth lamp-post.

They crawled on past the lamp-posts; their mien was so immovable that a fanciful description might almost say, that the lamp-posts crawled past the men, as in a dream. Then the small man suddenly ran after them and said:

"I want to get my hair cut. I say, do you know a little shop anywhere where they cut your hair properly? I keep on having my hair cut, but it keeps on growing again."

One of the tall men looked at him with the air of a pained naturalist.

"Why, here is a little place," cried the small man, with a sort of imbecile cheerfulness, as the bright bulging window of a fashionable toilet-saloon glowed abruptly out of the foggy twilight. "Do you know, I often find hairdressers when I walk about London. I'll lunch with you at Cicconani's. You know, I'm awfully fond of hairdressers' shops. They're miles better than those nasty butchers'." And he disappeared into the doorway.

The man called James continued to gaze after him, a monocle screwed into his eye.

"What the devil do you make of that fellow?" he asked his companion, a pale young man with a high nose.

The pale young man reflected conscientiously for some minutes, and then said:

"Had a knock on his head when he was a kid, I should think."

"No, I don't think it's that," replied the Honourable James Barker. "I've sometimes fancied he was a sort of artist, Lambert."

"Bosh!" cried Mr. Lambert, briefly.

"I admit I can't make him out," resumed Barker, abstractedly; "he never opens his mouth without saying something so indescribably half-witted that to call him a fool seems the very feeblest attempt at characterization. But there's another thing about him that's rather funny. Do you know that he has the one collection of Japanese lacquer in Europe? Have you ever seen his books? All Greek poets and mediaeval French and that sort of thing. Have you ever been in his rooms? It's like being inside an amethyst. And he moves about in all that and talks like...like a turnip."

"Well, damn all books. Your blue books as well," said the ingenuous Mr. Lambert, with a friendly simplicity. "You ought to understand such things. What do you make of him?"

"He's beyond me," returned Barker. "But if you asked me for my opinion, I should say he was a man with a taste for nonsense, as they call it...artistic fooling, and all that kind of thing. And I seriously believe that he has talked nonsense so much that he has half bewildered his own mind and doesn't know the difference between sanity and insanity. He has gone round the mental world, so to speak, and found the place where the East and the West are one, and extreme idiocy is as good as sense. But I can't explain these psychological games."

"You can't explain them to me," replied Mr. Wilfrid Lambert, with candour.

As they passed up the long streets towards their restaurant the copper twilight cleared slowly to a pale yellow, and by the time they reached it they stood discernible in a tolerable winter daylight. The Honourable James Barker, one of the most powerful officials in the English Government (by this time a rigidly official one), was a lean and elegant young man, with a blank handsome face and bleak blue eyes. He had a great amount of intellectual capacity, of that peculiar kind which raises a man from throne to throne and lets him die loaded with honours without having either amused or enlightened the mind of a single man. Wilfrid Lambert, the youth with the nose which appeared to impoverish the rest of his face, had also contributed little to the enlargement of the human spirit, but he had the honourable excuse of being a fool.

Lambert would have been called a silly man; Barker, with all his cleverness, might have been called a stupid man. But mere silliness and stupidity sank into insignificance in the presence of the awful and mysterious treasures of foolishness apparently stored up in the small figure that stood waiting for them outside Cicconani's. The little man, whose name was Auberon Quin, had an appearance compounded of a baby and an owl. His round head, round eyes, seemed to have been designed by nature playfully with a pair of compasses. His flat dark hair and preposterously long frock-coat gave him something of the look of a child's "Noah." When he entered a room of strangers, they mistook him for a small boy, and wanted to take him on their knees, until he spoke, when they perceived that a boy would have been more intelligent.

"I have been waiting quite a long time," said Quin, mildly. "It's awfully funny I should see you coming up the street at last."

"Why?" asked Lambert, staring. "You told us to come here yourself."

"My mother used to tell people to come to places," said the sage.

They were about to turn into the restaurant with a resigned air, when their eyes were caught by something in the street. The weather, though cold and blank, was now quite clear, and across the dull brown of the wood pavement and between the dull grey terraces was moving something not to be seen for miles around...not to be seen perhaps at that time in England...a man dressed in bright colours. A small crowd hung on the man's heels.

He was a tall stately man, clad in a military uniform of brilliant green, splashed with great silver facings. From the shoulder swung a short green furred cloak, somewhat like that of a Hussar, the lining of which gleamed every now and then with a kind of tawny crimson. His breast glittered with medals; round his neck was the red ribbon and star of some foreign order; and a long straight sword, with a blazing hilt, trailed and clattered along the pavement. At this time the pacific and utilitarian development of Europe had relegated all such customs to the Museums. The only remaining force, the small but well-organized police, were attired in a sombre and hygienic manner. But even those who remembered the last Life Guards and Lancers who disappeared in 1912 must have known at a glance that this was not, and never had been, an English uniform; and this conviction would have been heightened by the yellow aquiline face, like Dante carved in bronze, which rose, crowned with white hair, out of the green military collar, a keen and distinguished, but not an English face.

The magnificence with which the green-clad gentleman walked down the centre of the road would be something difficult to express in human language. For it was an ingrained simplicity and arrogance, something in the mere carriage of the head and body, which made ordinary moderns in the street stare after him; but it had comparatively little to do with actual conscious gestures or expression. In the matter of these merely temporary movements, the man appeared to be rather worried and inquisitive, but he was inquisitive with the inquisitiveness of a despot and worried as with the responsibilities of a god. The men who lounged and wondered behind him followed partly with an astonishment at his brilliant uniform, that is to say, partly because of that instinct which makes us all follow one who looks like a madman, but far more because of that instinct which makes all men follow (and worship) any one who chooses to behave like a king. He had to so sublime an extent that great quality of royalty...an almost imbecile unconsciousness of everybody, that people went after him as they do after kings...to see what would be the first thing or person he would take notice of. And all the time, as we have said, in spite of his quiet splendour, there was an air about him as if he were looking for somebody; an expression of inquiry.

Suddenly that expression of inquiry vanished, none could tell why, and was replaced by an expression of contentment. Amid the rapt attention of the mob of idlers, the magnificent green gentleman deflected himself from his direct course down the centre of the road and walked to one side of it. He came to a halt opposite to a large poster of Colman's Mustard erected on a wooden hoarding. His spectators almost held their breath.

He took from a small pocket in his uniform a little penknife; with this he made a slash at the stretched paper. Completing the rest of the operation with his fingers, he tore off a strip or rag of paper, yellow in colour and wholly irregular in outline. Then for the first time the great being addressed his adoring onlookers:

"Can any one," he said, with a pleasing foreign accent, "lend me a pin?"

Mr. Lambert, who happened to be nearest, and who carried innumerable pins for the purpose of attaching innumerable buttonholes, lent him one, which was received with extravagant but dignified bows, and hyperboles of thanks.

The gentleman in green, then, with every appearance of being gratified, and even puffed up, pinned the piece of yellow paper to the green silk and silver-lace adornments of his breast. Then he turned his eyes round again, searching and unsatisfied.

"Anything else I can do, sir?" asked Lambert, with the absurd politeness of the Englishman when once embarrassed.

"Red," said the stranger, vaguely, "red."

"I beg your pardon?"

"I beg yours also, Senor," said the stranger, bowing. "I was wondering whether any of you had any red about you."

"Any red about us?...well, really...no, I don't think I have...I used to carry a red bandanna once, but..."

"Barker," asked Auberon Quin, suddenly, "where's your red cockatoo? Where's your red cockatoo?"

"What do you mean?" asked Barker, desperately. "What cockatoo? You've never seen me with any cockatoo."

"I know," said Auberon, vaguely mollified. "Where's it been all the time?"

Barker swung round, not without resentment.

"I am sorry, sir," he said, shortly but civilly, "none of us seem to have anything red to lend you. But why, if one may ask..."

"I thank you, Senor, it is nothing. I can, since there is nothing else, fulfil my own requirements."

And standing for a second of thought with the penknife in his hand, he stabbed his left palm. The blood fell with so full a stream that it struck the stones without dripping. The foreigner pulled out his handkerchief and tore a piece from it with his teeth. The rag was immediately soaked in scarlet.

"Since you are so generous, Senor," he said, "another pin, perhaps."

Lambert held one out, with eyes protruding like a frog's.

The red linen was pinned beside the yellow paper, and the foreigner took off his hat.

"I have to thank you all, gentlemen," he said; and wrapping the remainder of the handkerchief round his bleeding hand, he resumed his walk with an overwhelming stateliness.

While all the rest paused, in some disorder, little Mr. Auberon Quin ran after the stranger and stopped him, with hat in hand. Considerably to everybody's astonishment, he addressed him in the purest Spanish:

"Senor," he said in that language, "pardon a hospitality, perhaps indiscreet, towards one who appears to be a distinguished, but a solitary guest in London. Will you do me and my friends, with whom you have held some conversation, the honour of lunching with us at the adjoining restaurant?"

The man in the green uniform had turned a fiery colour of pleasure at the mere sound of his own language, and he accepted the invitation with that profusion of bows which so often shows, in the case of the Southern races, the falsehood of the notion that ceremony has nothing to do with feeling.

"Senor," he said, "your language is my own; but all my love for my people shall not lead me to deny to yours the possession of so chivalrous an entertainer. Let me say that the tongue is Spanish but the heart English." And he passed with the rest into Cicconani's.

"Now, perhaps," said Barker, over the fish and sherry, intensely polite, but burning with curiosity, "perhaps it would be rude of me to ask why you did that?"

"Did what, Senor?" asked the guest, who spoke English quite well, though in a manner indefinably American.

"Well," said the Englishman, in some confusion, "I mean tore a strip off a hoarding and... er... cut yourself... and..."

"To tell you that, Senor," answered the other, with a certain sad pride, "involves merely telling you who I am. I am Juan del Fuego, President of Nicaragua."

The manner with which the President of Nicaragua leant back and drank his sherry showed that to him this explanation covered all the facts observed and a great deal more. Barker's brow, however, was still a little clouded.

"And the yellow paper," he began, with anxious friendliness, "and the red rag..."

"The yellow paper and the red rag," said Fuego, with indescribable grandeur, "are the colours of Nicaragua."

"But Nicaragua..." began Barker, with great hesitation, "Nicaragua is no longer a..."

"Nicaragua has been conquered like Athens. Nicaragua has been annexed like Jerusalem," cried the old man, with amazing fire. "The Yankee and the German and the brute powers of modernity have trampled it with the hoofs of oxen. But Nicaragua is not dead. Nicaragua is an idea."

Auberon Quin suggested timidly, "A brilliant idea."

"Yes," said the foreigner, snatching at the word. "You are right, generous Englishman. An idea brilliant, a burning thought. Senor, you asked me why, in my desire to see the colours of my country, I snatched at paper and blood. Can you not understand the ancient sanctity of colours? The Church has her symbolic colours. And think of what colours mean to us...think of the position of one like myself, who can see nothing but those two colours, nothing but the red and the yellow. To me all shapes are equal, all common and noble things are in a democracy of combination. Wherever there is a field of marigolds and the red cloak of an old woman, there is Nicaragua. Wherever there is a field of poppies and a yellow patch of sand, there is Nicaragua, Wherever there is a lemon and a red sunset, there is my country. Wherever I see a red pillar-box and a yellow sunset, there my heart beats. Blood and a splash of mustard can be my heraldry. If there be yellow mud and red mud in the same ditch, it is better to me than white stars."

"And if," said Quin, with equal enthusiasm, "there should happen to be yellow wine and red wine at the same lunch, you could not confine yourself to sherry. Let me order some Burgundy, and complete, as it were, a sort of Nicaraguan heraldry in your inside."

Barker was fiddling with his knife, and was evidently making up his mind to say something, with the intense nervousness of the amiable Englishman.

"I am to understand, then," he said at last, with a cough, "that you, ahem, were the President of Nicaragua when it made its...er...one must, of course, agree...its quite heroic resistance to...er..."

The ex-President of Nicaragua waved his hand.

"You need not hesitate in speaking to me," he said. "I am quite fully aware that the whole tendency of the world of to-day is against Nicaragua and against me. I shall not consider it any diminution of your evident courtesy if you say what you think of the misfortunes that have laid my republic in ruins."

Barker looked immeasurably relieved and gratified.

"You are most generous, President," he said, with some hesitation over the title, "and I will take advantage of your generosity to express the doubts which, I must confess, we moderns have about such things as...er...the Nicaraguan independence."

"So your sympathies are," said Del Fuego, quite calmly, "with the big nation which..."

"Pardon me, pardon me, President," said Barker, warmly; "my sympathies are with no nation. You misunderstand, I think, the modern intellect. We do not disapprove of the fire and extravagance of such commonwealths as yours only to become more extravagant on a larger scale. We do not condemn Nicaragua because we think Britain ought to be more Nicaraguan. We do not discourage small nationalities because we wish large nationalities to have all their smallness, all their uniformity of outlook, all their exaggeration of spirit. If I differ with the greatest respect from your Nicaraguan enthusiasm, it is not because a nation or ten nations were against you; it is because civilization was against you. We moderns believe in a great cosmopolitan civilization, one which shall include all the talents of all the absorbed peoples..."

"The Senor will forgive me," said the President. "May I ask the Senor how, under ordinary circumstances, he catches a wild horse?"

"I never catch a wild horse," replied Barker, with dignity.

"Precisely," said the other; "and there ends your absorption of the talents. That is what I complain of your cosmopolitanism. When you say you want all peoples to unite, you really mean that you want all peoples to unite to learn the tricks of your people. If the Bedouin Arab does not know how to read, some English missionary or schoolmaster must be sent to teach him to read, but no one ever says, 'This schoolmaster does not know how to ride on a camel; let us pay a Bedouin to teach him.' You say your civilization will include all talents. Will it? Do you really mean to say that at the moment when the Esquimaux has learnt to vote for a County Council, you will have learnt to spear a walrus? I recur to the example I gave. In Nicaragua we had a way of catching wild horses...by lassoing the fore-feet-which was supposed to be the best in South America. If you are going to include all the talents, go and do it. If not, permit me to say, what I have always said, that something went from the world when Nicaragua was civilized."

"Something, perhaps," replied Barker, "but that something a mere barbarian dexterity. I do not know that I could chip flints as well as a primeval man, but I know that civilization can make these knives which are better, and I trust to civilization."

"You have good authority," answered the Nicaraguan. "Many clever men like you have trusted to civilization. Many clever Babylonians, many clever Egyptians, many clever men at the end of Rome. Can you tell me, in a world that is flagrant with the failures of civilization, what there is particularly immortal about yours?"

"I think you do not quite understand, President, what ours is," answered Barker. "You judge it rather as if England was still a poor and pugnacious island; you have been long out of Europe. Many things have happened."

"And what," asked the other, "would you call the summary of those things?"

"The summary of those things," answered Barker, with great animation, "is that we are rid of the superstitions, and in becoming so we have not merely become rid of the superstitions which have been most frequently and most enthusiastically so described. The superstition of big nationalities is bad, but the superstition of small nationalities is worse. The superstition of reverencing our own country is bad, but the superstition of reverencing other people's countries is worse. It is so everywhere, and in a hundred ways. The superstition of monarchy is bad, and the superstition of aristocracy is bad, but the superstition of democracy is the worst of all."

The old gentleman opened his eyes with some surprise.

"Are you, then," he said, "no longer a democracy in England?"

Barker laughed.

"The situation invites paradox," he said. "We are, in a sense, the purest democracy. We have become a despotism. Have you not noticed how continually in history democracy becomes despotism? People call it the decay of democracy. It is simply its fulfilment. Why take the trouble to number and register and enfranchise all the innumerable John Robinsons, when you can take one John Robinson with the same intellect or lack of intellect as all the rest, and have done with it? The old idealistic republicans used to found democracy on the idea that all men were equally intelligent. Believe me, the sane and enduring democracy is founded on the fact that all men are equally idiotic. Why should we not choose out of them one as much as another? All that we want for Government is a man not criminal and insane, who can rapidly look over some petitions and sign some proclamations. To think what time was wasted in arguing about the House of Lords, Tories saying it ought to be preserved because it was clever, and Radicals saying it ought to be destroyed because it was stupid, and all the time no one saw that it was right because it was stupid, because that chance mob of ordinary men thrown there by accident of blood, were a great democratic protest against the Lower House, against the eternal insolence of the aristocracy of talents. We have established now in England, the thing towards which all systems have dimly groped, the dull popular despotism without illusions. We want one man at the head of our State, not because he is brilliant or virtuous, but because he is one man and not a chattering crowd. To avoid the possible chance of hereditary diseases or such things, we have abandoned hereditary monarchy. The King of England is chosen like a juryman upon an official rotation list. Beyond that the whole system is quietly despotic, and we have not found it raise a murmur."

"Do you really mean," asked the President, incredulously, "that you choose any ordinary man that comes to hand and make him despot...that you trust to the chance of some alphabetical list..."

"And why not?" cried Barker. "Did not half the historical nations trust to the chance of the eldest sons of eldest sons, and did not half of them get on tolerably well? To have a perfect system is impossible; to have a system is indispensable. All hereditary monarchies were a matter of luck: so are alphabetical monarchies. Can you find a deep philosophical meaning in the difference between the Stuarts and the Hanoverians? Believe me, I will undertake to find a deep philosophical meaning in the contrast between the dark tragedy of the A's, and the solid success of the B's."

"And you risk it?" asked the other. "Though the man may be a tyrant or a cynic or a criminal?"

"We risk it," answered Barker, with a perfect placidity. "Suppose he is a tyrant...he is still a check on a hundred tyrants. Suppose he is a cynic, it is to his interest to govern well. Suppose he is a criminal...by removing poverty and substituting power, we put a check on his criminality. In short, by substituting despotism we have put a total check on one criminal and a partial check on all the rest."

The Nicaraguan old gentleman leaned over with a queer expression in his eyes.

"My church, sir," he said, "has taught me to respect faith. I do not wish to speak with any disrespect of yours, however fantastic. But do you really mean that you will trust to the ordinary man, the man who may happen to come next, as a good despot?"

"I do," said Barker, simply. "He may not be a good man. But he will be a good despot. For when he comes to a mere business routine of government he will endeavour to do ordinary justice. Do we not assume the same thing in a jury?"

The old President smiled.

"I don't know," he said, "that I have any particular objection in detail to your excellent scheme of Government. My only objection is a quite personal one. It is, that if I were asked whether I would belong to it, I should ask first of all, if I was not permitted, as an alternative, to be a toad in a ditch. That is all. You cannot argue with the choice of the soul."

"Of the soul," said Barker, knitting his brows, "I cannot pretend to say anything, but speaking in the interests of the public..."

Mr. Auberon Quin rose suddenly to his feet.

"If you'll excuse me, gentlemen," he said, "I will step out for a moment into the air."

"I'm so sorry, Auberon," said Lambert, good-naturedly; "do you feel bad?"

"Not bad exactly," said Auberon, with self-restraint; "rather good, if anything. Strangely and richly good. The fact is I want to reflect a little on those beautiful words that have just been uttered. 'Speaking,' yes, that was the phrase, 'speaking in the interests of the public.' One cannot get the honey from such things without being alone for a little."

"Is he really off his chump, do you think?" asked Lambert.

The old President looked after him with queerly vigilant eyes.

"He is a man, I think," he said, "who cares for nothing but a joke. He is a dangerous man."

Lambert laughed in the act of lifting some macaroni to his mouth.

"Dangerous!" he said. "You don't know little Quin, sir!"

"Every man is dangerous," said the old man, without moving, "who cares only for one thing. I was once dangerous myself."

And with a pleasant smile he finished his coffee and rose, bowing profoundly, passed out into the fog, which had again grown dense and sombre. Three days afterwards they heard that he had died quietly in lodgings in Soho.

... .

Drowned somewhere else in the dark sea of fog was a little figure shaking and quaking, with what might at first sight have seemed terror or ague; but which was really that strange malady, a lonely laughter. He was repeating over and over to himself with a rich accent "But speaking in the interests of the public...."

CHAPTER III THE HILL OF HUMOUR

"IN a little square garden of yellow roses, beside the sea," said Auberon Quin, "there was a Nonconformist minister who had never been to Wimbledon. His family did not understand his sorrow or the strange look in his eyes. But one day they repented their neglect, for they heard that a body had been found on the shore, battered, but wearing patent leather boots. As it happened, it turned out not to be the minister at all. But in the dead man's pocket there was a return ticket to Maidstone."

There was a short pause as Quin and his friends Barker and Lambert went swinging on through the slushy grass of Kensington Gardens. Then Auberon resumed.

"That story," he said reverently, "is the test of humour."

They walked on further and faster, wading through higher grass as they began to climb a slope.

"I perceive," continued Auberon, "that you have passed the test, and consider the anecdote excruciatingly funny; since you say nothing. Only coarse humour is received with pot-house applause. The great anecdote is received in silence, like a benediction. You felt pretty benedicted, didn't you, Barker?"

"I saw the point," said Barker, somewhat loftily.

"Do you know," said Quin, with a sort of idiot gaiety, "I have lots of stories as good as that. Listen to this one."

And he slightly cleared his throat.

"Dr. Polycarp was, as you all know, an unusually sallow bimetallist. 'There,' people of wide experience would say, 'there goes the sallowest bimetallist in Cheshire.' Once this was said so that he overheard it: it was said by an actuary, under a sunset of mauve and grey. Polycarp turned upon him. 'Sallow!' he cried fiercely, 'sallow! Quis tulerit Gracchos de seditione querentes.' It was said that no actuary ever made game of Dr. Polycarp again."

Barker nodded with a simple sagacity. Lambert only grunted.

"Here is another," continued the insatiable Quin. "In a hollow of the grey-green hills of rainy Ireland, lived an old, old woman, whose uncle was always Cambridge at the Boat Race. But in her grey-green hollows, she knew nothing of this: she didn't know that there was a Boat Race. Also she did not know that she had an uncle. She had heard of nobody at all, except of George the First, of whom she had heard (I know not why), and in whose historical memory she put her simple trust. And by and by, in God's good time, it was discovered that this uncle of hers was not really her uncle, and they came and told her so. She smiled through her tears, and said only, 'Virtue is its own reward.'"

Again there was a silence, and then Lambert said:

"It seems a bit mysterious."

"Mysterious!" cried the other. "The true humour is mysterious. Do you not realize the chief incident of the nineteenth and twentieth centuries?"

"And what's that?" asked Lambert, shortly.

"It is very simple," replied the other. "Hitherto it was the ruin of a joke that people did not see it. Now it is the sublime victory of a joke that people do not see it. Humour, my friends, is the one sanctity remaining to mankind. It is the one thing you are thoroughly afraid of. Look at that tree."

His interlocutors looked vaguely towards a beech that leant out towards them from the ridge of the hill.

"If," said Mr. Quin, "I were to say that you did not see the great truths of science exhibited by that tree, though they stared any man of intellect in the face, what would you think or say? You would merely regard me as a pedant with some unimportant theory about vegetable cells. If I were to say that you did not see in that tree the vile mismanagement of local politics, you would dismiss me as a Socialist crank with some particular fad about public parks. If I were to say that you were guilty of the supreme blasphemy of looking at that tree and not seeing in it a new religion, a special revelation of God, you would simply say I was a mystic, and think no more about me. But if...and he lifted a pontifical hand...if I say that you cannot see the humour of that tree, and that I see the humour of it...my God! you will roll about at my feet."

He paused a moment, and then resumed.

"Yes; a sense of humour, a weird and delicate sense of humour, is the new religion of mankind! It is towards that men will strain themselves with the asceticism of saints. Exercises, spiritual exercises, will be set in it. It will be asked, 'Can you see the humour of this iron railing?' or 'Can you see the humour of this field of corn? Can you see the humour of the stars? Can you see the humour of the sunsets?' How often I have laughed myself to sleep over a violet sunset."

"Quite so," said Mr. Barker, with an intelligent embarrassment.

"Let me tell you another story. How often it happens that the M.P.'s for Essex are less punctual than one would suppose. The least punctual Essex M.P., perhaps, was James Wilson, who said, in the very act of plucking a poppy..."

Lambert suddenly faced round and struck his stick into the ground in a defiant attitude.

"Auberon," he said, "chuck it. I won't stand it. It's all bosh."

Both men stared at him, for there was something very explosive about the words, as if they had been corked up painfully for a long time.

"You have," began Quin, "no..."

"I don't care a curse," said Lambert, violently, "whether I have 'a delicate sense of humour' or not. I won't stand it. It's all a confounded fraud. There's no joke in those infernal tales at all. You know there isn't as well as I do."

"Well," replied Quin, slowly, "it is true that I, with my rather gradual mental processes, did not see any joke in them. But the finer sense of Barker perceived it."

Barker turned a fierce red, but continued to stare at the horizon.

"You ass," said Lambert; "why can't you be like other people? Why can't you say something really funny, or hold your tongue? The man who sits on his hat in a pantomime is a long sight funnier than you are."

Quin regarded him steadily. They had reached the top of the ridge and the wind struck their faces.

"Lambert," said Auberon, "you are a great and good man, though I'm hanged if you look it. You are more. You are a great revolutionist or deliverer of the world, and I look forward to seeing you carved in marble between Luther and Danton, if possible in your present attitude, the hat slightly on one side. I said as I came up the hill that the new humour was the last of the religions. You have made it the last of the superstitions. But let me give you a very serious warning. Be careful how you ask me to do anything outre, to imitate the man in the pantomime, and to sit on my hat. Because I am a man whose soul has been emptied of all pleasures but folly. And for twopence I'd do it."

"Do it then," said Lambert, swinging his stick impatiently. "It would be funnier than the bosh you and Barker talk."

Quin, standing on the top of the hill, stretched his hand out towards the main avenue of Kensington Gardens.

"Two hundred yards away," he said, "are all your fashionable acquaintances with nothing on earth to do but to stare at each other and at us. We are standing upon an elevation under the open sky, a peak as it were of fantasy, a Sinai of humour. We are in a great pulpit or platform, lit up with sunlight, and half London can see us. Be careful how you suggest things to me. For there is in me a madness which goes beyond martyrdom, the madness of an utterly idle man."

"I don't know what you are talking about," said Lambert, contemptuously. "I only know I'd rather you stood on your silly head, than talked so much."

"Auberon! for goodness' sake..." cried Barker, springing forward; but he was too late. Faces from, all the benches and avenues were turned in their direction. Groups stopped and small crowds collected; and the sharp sunlight picked out the whole scene in blue, green and black, like a picture in a child's toy-book. And on the top of the small hill Mr. Auberon Quin stood with considerable athletic neatness upon his head, and waved his patent-leather boots in the air.

"For God's sake, Quin, get up, and don't be an idiot," cried Barker, wringing his hands; "we shall have the whole town here."

"Yes, get up, get up, man," said Lambert, amused and annoyed. "I was only fooling; get up."

Auberon did so with a bound, and flinging his hat higher than the trees, proceeded to hop about on one leg with a serious expression. Barker stamped wildly.

"Oh, let's get home, Barker, and leave him," said Lambert; "some of your proper and correct police will look after him. Here they come!"

Two grave-looking men in quiet uniforms came up the hill towards them. One held a paper in his hand.

"There he is, officer," said Lambert, cheerfully; "we ain't responsible for him."

The officer looked at the capering Mr. Quin with a quiet eye.

"We have not come, gentlemen," he said, "about what I think you are alluding to. We have come from head-quarters to announce the selection of His Majesty the King. It is the rule, inherited from the old regime, that the news should be brought to the new Sovereign immediately, wherever he is; so we have followed you across Kensington Gardens."

Barker's eyes were blazing in his pale face. He was consumed with ambition throughout his life. With a certain dull magnanimity of the intellect he had really believed in the chance method of selecting despots. But this sudden suggestion, that the selection might have fallen upon him, unnerved him with pleasure.

"Which of us," he began, and the respectful official interrupted him.

"Not you, sir, I am sorry to say. If I may be permitted to say so, we know your services to the Government, and should be very thankful if it were. The choice has fallen..."

"God bless my soul!" said Lambert, jumping back two paces. "Not me. Don't say I'm autocrat of all the Russias."

"No, sir," said the officer, with a slight cough and a glance towards Auberon, who was at that moment putting his head between his legs and making a noise like a cow; "the gentleman whom we have to congratulate seems at the moment...er...er...occupied."

"Not Quin!" shrieked Barker, rushing up to him; "it can't be. Auberon, for God's sake pull yourself together. You've been made King!"

With his head still upside down between his legs, Mr. Quin answered modestly:

"I am not worthy. I cannot reasonably claim to equal the great men who have previously swayed the sceptre of Britain. Perhaps the only peculiarity that I can claim is that I am probably the first monarch that ever spoke out his soul to the people of England with his head and body in this position. This may in some sense give me, to quote a poem that I wrote in my youth:

"A nobler office on the earth Than valour, power of brain, or birth Could give the warrior kings of old. The intellect clarified by this posture..."

Lambert and Barker made a kind of rush at him.

"Don't you understand?" cried Lambert. "It's not a joke. They've really made you King. By gosh! they must have rum taste."

"The great Bishops of the Middle Ages," said Quin, kicking his legs in the air, as he was dragged, up more or less upside down, "were in the habit of refusing the honour of election three times and then accepting it. A mere matter of detail separates me from those great men. I will accept the post three times and refuse it afterwards. Oh! I will toil for you, my faithful people! You shall have a banquet of humour."

By this time he had been landed the right way up, and the two men were still trying in vain to impress him with the gravity of the situation.

"Did you not tell me, Wilfrid Lambert," he said, "that I should be of more public value if I adopted a more popular form of humour? And when should a popular form of humour be more firmly riveted upon me than now, when I have become the darling of a whole people? Officer," he continued, addressing the startled messenger, "are there no ceremonies to celebrate my entry into the city?"

"Ceremonies," began the official, with embarrassment, "have been more or less neglected for some little time, and..."

Auberon Quin began gradually to take off his coat.

"All ceremony," he said, "consists in the reversal of the obvious. Thus men, when they wish to be priests or judges, dress up like women. Kindly help me on with this coat." And he held it out.

"But, your Majesty," said the officer, after a moment's bewilderment and manipulation, "you're putting it on with the tails in front."

"The reversal of the obvious," said the King, calmly, "is as near as we can come to ritual with our imperfect apparatus. Lead on."

The rest of that afternoon and evening was to Barker and Lambert a nightmare, which they could not properly realize or recall. The King, with his coat on the wrong way, went towards the streets that were awaiting him, and the old Kensington Palace which was the Royal residence. As he passed small groups of men, the groups turned into crowds, and gave forth sounds which seemed strange in welcoming an autocrat. Barker walked behind, his brain reeling, and, as the crowds grew thicker and thicker, the sounds became more and more unusual. And when he had reached the great market-place opposite the church, Barker knew that he had reached it, though he was roods behind, because a cry went up such as had never before greeted any of the kings of the earth.

BOOK II

CHAPTER I THE CHARTER OF THE CITIES

LAMBERT was standing bewildered outside the door of the King's apartments amid the scurry of astonishment and ridicule. He was just passing out into the street, in a dazed manner, when James Barker dashed by him.

"Where are you going?" he asked.

"To stop all this foolery, of course," replied Barker; and he disappeared into the room.

He entered it headlong, slamming the door, and slapping his incomparable silk hat on the table. His mouth opened, but before he could speak, the King said:

"Your hat, if you please."

Fidgeting with his fingers, and scarcely knowing what he was doing, the young politician held it out.

The King placed it on his own chair, and sat on it.

"A quaint old custom," he explained, smiling above the ruins. "When the King receives the representatives of the House of Barker, the hat of the latter is immediately destroyed in this manner. It represents the absolute finality of the act of homage expressed in the removal of it. It declares that never until that hat shall once more appear upon your head (a contingency which I firmly believe to be remote) shall the House of Barker rebel against the Crown of England."

Barker stood with clenched fist, and shaking lip.

"Your jokes," he began, "and my property..." and then exploded with an oath, and stopped again.

"Continue, continue," said the King, waving his hands.

"What does it all mean?" cried the other with a gesture of passionate rationality. "Are you mad?"

"Not in the least," replied the King, pleasantly. "Madmen are always serious; they go mad from lack of humour. You are looking serious yourself, James."

"Why can't you keep it to your own private life?" expostulated the other. "You've got plenty of money, and plenty of houses now to play the fool in, but in the interests of the public..."

"Epigrammatic," said the King, shaking his finger sadly at him. "None of your daring scintillations here. As to why I don't do it in private, I rather fail to understand your question. The answer is of comparative limpidity. I don't do it in private, because it is funnier to do it in public. You appear to think that it would be amusing to be dignified in the banquet hall and in the street, and at my own fireside (I could procure a fireside) to keep the company in a roar. But that is what every one does. Every one is grave in public, and funny in private. My sense of humour suggests the reversal of this; it suggests that one should be funny in public, and solemn in private. I desire to make the State functions, parliaments, coronations, and so on, one roaring old-fashioned pantomime. But, on the other hand, I shut myself up alone in a small store-room for two hours a day, where I am so dignified that I come out quite ill."

By this time Barker was walking up and down the room, his frock-coat flapping like the black wings of a bird.

"Well, you will ruin the country, that's all," he said shortly.

"It seems to me," said Auberon, "that the tradition of ten centuries is being broken, and the House of Barker is rebelling against the Crown of England. It would be with regret (for I admire your appearance) that I should be obliged forcibly to decorate your head with the remains of this hat, but..."

"What I can't understand," said Barker, flinging up his fingers with a feverish American movement, "is why you don't care about anything else but your games."

The King stopped sharply in the act of lifting the silken remnants, dropped them, and walked up to Barker, looking at him steadily.

"I made a kind of vow," he said, "that I would not talk seriously, which always means answering silly questions. But the strong man will always be gentle with politicians.

"'The shape my scornful looks deride Required a God to form;' if I may so theologically express myself. And for some reason I cannot in the least understand, I feel impelled to answer that question of yours, and to answer it as if there were really such a thing in the world as a serious subject. You ask me why I don't care for anything else. Can you tell me, in the name of all the gods you don't believe in, why I should care for anything else?"

"Don't you realize common public necessities?" cried Barker. "Is it possible that a man of your intelligence does not know that it is every one's interest..."

"Don't you believe in Zoroaster? Is it possible that you neglect Mumbo-Jumbo?" returned the King, with startling animation. "Does a man of your intelligence come to me with these damned early Victorian ethics? If, on studying my features and manner, you detect any particular resemblance to the Prince Consort, I assure you you are mistaken. Did Herbert Spencer ever convince you...did he ever convince anybody...did he ever for one mad moment convince himself...that it must be to the interest of the individual to feel a public spirit? Do you believe that, if you rule your department badly, you stand any more chance, or one half of the chance, of being guillotined, than an angler stands, of being pulled into the river by a strong pike? Herbert Spencer refrained from theft for the same reason that he refrained from wearing feathers in his hair, because he was an English gentleman with different tastes. I am an English gentleman with different tastes. He liked philosophy. I like art. He liked writing ten books on the nature of human society. I like to see the Lord Chamberlain walking in front of me with a piece of paper pinned to his coat-tails. It is my humour. Are you answered? At any rate, I have said my last serious word today, and my last serious word I trust for the remainder of my life in this Paradise of Fools. The remainder of my conversation with you today, which I trust will be long and stimulating, I propose to conduct in a new language of my own by means of rapid and symbolic movements of the left leg." And he began to pirouette slowly round the room with a preoccupied expression.

Barker ran round the room after him, bombarding him with demands and entreaties. But he received no response except in the new language. He came out banging the door again, and sick like a man coming on shore. As he strode along the streets he found himself suddenly opposite Cicconani's restaurant, and for some reason there rose up before him the green fantastic figure of the Spanish General, standing, as he had seen him last, at the door with the words on his lips, "You cannot argue with the choice of the soul."

The King came out from his dancing with the air of a man of business legitimately tired. He put on an overcoat, lit a cigar, and went out into the purple night.

"I will go," he said, "and mingle with the people."

He passed swiftly up a street in the neighbourhood of Notting Hill, when suddenly he felt a hard object driven into his waistcoat. He paused, put up a single eye-glass, and beheld a boy with a wooden sword and a paper cocked hat, wearing that expression of awed satisfaction with which a child contemplates his work when he has hit some one very hard. The King gazed thoughtfully for some time at his assailant, and slowly took a note-book from his breast-pocket.

"I have a few notes," he said, "for my dying speech;" and he turned over the leaves. "Dying speech for political assassination; ditto, if by former friend...h'm, h'm. Dying speech for death at hands of injured husband (repentant). Dying speech for same (cynical). I am not quite sure which meets the present..."

"I'm the King of the Castle," said the boy, truculently, and very pleased with nothing in particular.

The King was a kind-hearted man, and very fond of children, like all people who are fond of the ridiculous.

"Infant," he said. "I'm glad you are so stalwart a defender of your old inviolate Notting Hill. Look up nightly to that peak, my child, where it lifts itself among the stars so ancient, so lonely, so unutterably Notting. So long as you are ready to die for the sacred mountain, even if it were ringed with all the armies of Bayswater..."

The King stopped suddenly, and his eyes shone.

"Perhaps," he said, "perhaps the noblest of all my conceptions. A revival of the arrogance of the old mediaeval cities applied to our glorious suburbs. Clapham with a city guard. Wimbledon with a city wall. Surbiton tolling a bell to raise its citizens. West Hampstead going into battle with its own banner. It shall be done. I, the King, have said it." And, hastily presenting the boy with half-a-crown, remarking, "For the war-chest of Notting Hill," he ran violently home at such a rate of speed that crowds followed him for miles. On reaching his study, he ordered a cup of coffee, and plunged into profound meditation upon the project. At length he called his favourite Equerry, Captain Bowler, for whom he had a deep affection, founded principally upon the shape of his whiskers.

"Bowler," he said, "isn't there some society of historical research, or something of which I am an honorary member?"

"Yes, sir," said Captain Bowler, rubbing his nose, "you are a member of 'The Encouragers of Egyptian Renaissance,' and 'The Teutonic Tombs Club,' and 'The Society for the Recovery of London Antiquities,' and..."

"That is admirable," said the King. "The London Antiquities does my trick. Go to the Society for the Recovery of London Antiquities and speak to their secretary, and their sub-secretary, and their president, and their vice-president, saying, 'The King of England is proud, but the honorary member of the Society for the Recovery of London Antiquities is prouder than kings. I should like to tell you of certain discoveries I have made touching the neglected traditions of the London boroughs. The revelations may cause some excitement, stirring burning memories and touching old wounds in Shepherd's Bush and Bayswater, in Pimlico and South Kensington. The King hesitates, but the honorary member is firm. I approach you invoking the vows of my initiation, the Sacred Seven Cats, the Poker of Perfection, and the Ordeal of the Indescribable Instant (forgive me if I mix you up with the Clan-na-Gael or some other club I belong to), and ask you to permit me to read a paper at your next meeting on the 'Wars of the London Boroughs.' Say all this to the Society, Bowler. Remember it very carefully, for it is most important, and I have forgotten it altogether, and send me another cup of coffee and some of the cigars that we keep for vulgar and successful people. I am going to write my paper."

The Society for the Recovery of London Antiquities met a month after in a corrugated iron hall on the outskirts of one of the southern suburbs of London. A large number of people had collected there under the coarse and flaring gas-jets when the King arrived, perspiring and genial. On taking off his great-coat, he was perceived to be in evening dress, wearing the Garter. His appearance at the small table, adorned only with a glass of water, was received with respectful cheering.

The chairman (Mr. Huggins) said that he was sure that they had all been pleased to listen to such distinguished lecturers as they had heard for some time past (hear, hear). Mr. Burton (hear, hear), Mr. Cambridge, Professor King (loud and continued cheers), our old friend Peter Jessop, Sir William White (loud laughter), and other eminent men, had done honour to their little venture (cheers). But there were other circumstances which lent a certain unique quality to the present occasion (hear, hear). So far as his recollection went, and in connection with the Society for the Recovery of London Antiquities it went very far (loud cheers), he did not remember that any of their lecturers had borne the title of King. He would therefore call upon King Auberon briefly to address the meeting.

The King began by saying that this speech might be regarded as the first declaration of his new policy for the nation. "At this supreme hour of my life I feel that to no one but the members of the Society for the Recovery of London Antiquities can I open my heart (cheers). If the world turns upon my policy, and the storms of popular hostility begin to rise (no, no), I feel that it is here, with my brave Recoverers around me, that I can best meet them, sword in hand" (loud cheers).

His Majesty then went on to explain that, now old age was creeping upon him, he proposed to devote his remaining strength to bringing about a keener sense of local patriotism in the various municipalities of London. How few of them knew the legends of their own boroughs! How many there were who had never heard of the true origin of the Wink of Wandsworth! What a large proportion of the younger generation in Chelsea neglected to perform the old Chelsea Chuff! Pimlico no longer pumped the Pimlies. Battersea had forgotten the name of Blick.

There was a short silence, and then a voice said "Shame."

The King continued: "Being called, however unworthily, to this high estate, I have resolved that, so far as possible, this neglect shall cease. I desire no military glory. I lay claim to no constitutional equality with Justinian or Alfred. If I can go down to history as the man who saved from extinction a few old English customs, if our descendants can say it was through this man, humble as he was, that the Ten Turnips are still eaten in Fulham, and the Putney parish councillor still shaves one half of his head I shall look my great fathers reverently but not fearfully in the face when I go down to the last house of Kings."

The King paused, visibly affected, but collecting himself, resumed once more.

"I trust that to very few of you, at least, I need dwell on the sublime origins of these legends. The very names of your boroughs bear witness to them. So long as Hammersmith is called Hammersmith, its people will live in the shadow of that primal hero, the Blacksmith, who led the democracy of the Broadway into battle till he drove the chivalry of Kensington before him and overthrew them at that place which in honour of the best blood of the defeated aristocracy is still called Kensington Gore. Men of Hammersmith will not fail to remember that the very name of Kensington originated from the lips of their hero. For at the great banquet of reconciliation held after the war, when the disdainful oligarchs declined to join in the songs of the men of the Broadway (which are to this day of a rude and popular character), the great Republican leader, with his rough humour, said the words which are written in gold upon his monument, 'Little birds that can sing and won't sing, must be made to sing.' So that the Eastern Knights were called Cansings or Kensings ever afterwards. But you also have great memories, O men of Kensington! You showed that you could sing, and sing great war-songs. Even after the dark day of Kensington Gore, history will not forget those three Knights who guarded your disordered retreat from Hyde Park (so called from your hiding there), those three Knights after whom Knightsbridge is named. Nor will it forget the day of your re-emergence, purged in the fire of calamity, cleansed of your oligarchic corruptions, when, sword in hand, you drove the Empire of Hammersmith back mile by mile, swept it past its own Broadway, and broke it at last in a battle so long and bloody that the birds of prey have left their name upon it. Men have called it, with austere irony, the Ravenscourt. I shall not, I trust, wound the patriotism of Bayswater, or the lonelier pride of Brompton, or that of any other historic township, by taking these two special examples. I select them, not because they are more glorious than the rest, but partly from personal association (I am myself descended from one of the three heroes of Knightsbridge), and partly from the consciousness that I am an amateur antiquarian and cannot presume to deal with times and places more remote and more mysterious. It is not for me to settle the question between two such men as Professor Hugg and Sir William Whisky as to whether Notting Hill means Nutting Hill (in allusion to the rich woods which no longer cover it), or whether it is a corruption of Nothing-ill, referring to its reputation among the ancients as an Earthly Paradise. When a Podkins and a Jossy confess themselves doubtful about the boundaries of West Kensington (said to have been traced in the blood of Oxen), I need not be ashamed to confess a similar doubt. I will ask you to excuse me from further history, and to assist me with your encouragement in dealing with the problem which faces us to-day. Is this ancient spirit of the London townships to die out? Are our omnibus conductorsF and policemen to lose altogether that light which we see so often in their eyes, the dreamy light of

"'Old unhappy far-off things And battles long ago'

"to quote the words of a little-known poet who was a friend of my youth? I have resolved, as I have said, so far as possible, to preserve the eyes of policemen and omnibus conductors in their present dreamy state. For what is a state without dreams? And the remedy I propose is as follows:

"To-morrow morning at twenty-five minutes past ten, if Heaven spares my life, I purpose to issue a Proclamation. It has been the work of my life and is about half finished. With the assistance of a whisky and soda, I shall conclude the other half to-night, and my people will receive it to-morrow. All these boroughs where you were born, and hope to lay your bones, shall be reinstated in their ancient magnificence...Hammersmith, Kensington, Bayswater, Chelsea, Battersea, Clapham, Balham, and a hundred others. Each shall immediately build a city wall with gates to be closed at sunset. Each shall have a city guard, armed to the teeth. Each shall have a banner, a coat-of-arms, and, if convenient, a gathering cry. I will not enter into the details now, my heart is too full. They will be found in the proclamation itself. You will all, however, be subject to enrolment in the local city guards, to be summoned together by a thing called the Tocsin, the meaning of which I am studying in my researches into history. Personally, I believe a tocsin to be some kind of highly paid official. If, therefore, any of you happen to have such a thing as a halberd in the house, I should advise you to practise with it in the garden."

Here the King buried his face in his handkerchief and hurriedly left the platform, overcome by emotions.

The members of the Society for the Recovery of London Antiquities rose in an indescribable state of vagueness. Some were purple with indignation; an intellectual few were purple with laughter; the great majority found their minds a blank. There remains a tradition that one pale face with burning blue eyes remained fixed upon the lecturer, and after the lecture a red-haired boy ran out of the room.

CHAPTER II THE COUNCIL OF THE PROVOSTS

THE King got up early next morning and came down three steps at a time like a schoolboy. Having eaten his breakfast hurriedly, but with an appetite, he summoned one of the highest officials of the Palace, and presented him with a shilling. "Go and buy me," he said, "a shilling paint-box, which you will get, unless the mists of time mislead me, in a shop at the corner of the second and dirtier street that leads out of Rochester Row. I have already requested the Master of the Buckhounds to provide me with cardboard. It seemed to me (I know not why) that it fell within his department."

The King was happy all that morning with his cardboard and his paint-box. He was engaged in designing the uniforms and coats-of-arms for the various municipalities of London. They gave him deep and no inconsiderable thought. He felt the responsibility.

"I cannot think," he said, "why people should think the names of places in the country more poetical than those in London. Shallow romanticists go away in trains and stop in places called Hugmy-in-the-Hole, or Bumps-on-the-Puddle. And all the time they could, if they liked, go and live at a place with the dim, divine name of St. John's Wood. I have never been to St. John's Wood. I dare not. I should be afraid of the innumerable night of fir trees, afraid to come upon a blood-red cup and the beating of the wings of the Eagle. But all these things can be imagined by remaining reverently in the Harrow train."

And he thoughtfully retouched his design for the head-dress of the halberdier of St. John's Wood, a design in black and red, compounded of a pine tree and the plumage of an eagle. Then he turned to another card. "Let us think of milder matters," he said. "Lavender Hill! Could any of your glebes and combes and all the rest of it produce so fragrant an idea? Think of a mountain of lavender lifting itself in purple poignancy into the silver skies and filling men's nostrils with a new breath of life...a purple hill of incense. It is true that upon my few excursions of discovery on a halfpenny tram I have failed to hit the precise spot. But it must be there; some poet called it by its name. There is at least warrant enough for the solemn purple plumes (following the botanical formation of lavender) which I have required people to wear in the neighbourhood of Clapham Junction. It is so everywhere, after all. I have never been actually to Southfields, but I suppose a scheme of lemons and olives represent their austral instincts. I have never visited Parson's Green, or seen either the Green or the Parson, but surely the pale-green shovel-hats I have designed must be more or less in the spirit. I must work in the dark and let my instincts guide me. The great love I bear to my people will certainly save me from distressing their noble spirit, or violating their great traditions."

As he was reflecting in this vein, the door was flung open, and an official announced Mr. Barker and Mr. Lambert.

Mr. Barker and Mr. Lambert were not particularly surprised to find the King sitting on the floor amid a litter of water-colour sketches. They were not particularly surprised because the last time they had called on him they had found him sitting on the floor, surrounded by a litter of children's bricks, and the time before surrounded by a litter of wholly unsuccessful attempts to make paper darts. But the trend of the royal infant's remarks, uttered from amid this infantile chaos, was not quite the same affair. For some time they let him babble on, conscious that his remarks meant nothing. And then a horrible thought began to steal over the mind of James Barker. He began to think that the King's remarks did not mean nothing.

"In God's name, Auberon," he suddenly volleyed out, startling the quiet hall, "you don't mean that you are really going to have these city guards and city walls and things?"

"I am, indeed," said the infant, in a quiet voice. "Why shouldn't I have them? I have modelled them precisely on your political principles. Do you know what I've done, Barker? I've behaved like a true Barkerian. I've... but perhaps it won't interest you, the account of my Barkerian conduct."

"Oh, go on, go on," cried Barker.

"The account of my Barkerian conduct," said Auberon, calmly, "seems not only to interest, but to alarm you. Yet it is very simple. It merely consists in choosing all the provosts under any new scheme by the same principle by which you have caused the central despot to be appointed. Each provost, of each city, under my charter, is to be appointed by rotation. Sleep, therefore, my Barker, a rosy sleep."

Barker's wild eyes flared.

"But, in God's name, don't you see, Quin, that the thing is quite different? In the centre it doesn't matter so much, just because the whole object of despotism is to get some sort of unity. But if any damned parish can go to any damned man..."

"I see your difficulty," said King Auberon, calmly. "You feel that your talents may be neglected. Listen!" And he rose with immense magnificence. "I solemnly give to my liege subject, James Barker, my special and splendid favour, the right to override the obvious text of the Charter of the Cities, and to be, in his own right, Lord High Provost of South Kensington. And now, my dear James, you are all right. Good day."

"But..." began Barker.

"The audience is at an end, Provost," said the King, smiling.

How far his confidence was justified, it would require a somewhat complicated description to explain. "The Great Proclamation of the Charter of the Free Cities" appeared in due course that morning, and was posted by bill-stickers all over the front of the Palace, the King assisting them with animated directions, and standing in the middle of the road, with his head on one side, contemplating the result. It was also carried up and down the main thoroughfares by sandwichmen, and the King was, with difficulty, restrained from going out in that capacity himself, being, in fact, found by the Groom of the Stole and Captain Bowler, struggling between two boards. His excitement had positively to be quieted like that of a child.

The reception which the Charter of the Cities met at the hands of the public may mildly be described as mixed. In one sense it was popular enough. In many happy homes that remarkable legal document was read aloud on winter evenings amid uproarious appreciation, when everything had been learnt by heart from that quaint but immortal old classic, Mr. W. W. Jacobs. But when it was discovered that the King had every intention of seriously requiring the provisions to be carried out, of insisting that the grotesque cities, with their tocsins and city guards, should really come into existence, things were thrown into a far angrier confusion. Londoners had no particular objection to the King making a fool of himself, but they became indignant when it became evident that he wished to make fools of them; and protests began to come in.

The Lord High Provost of the Good and Valiant City of West Kensington wrote a respectful letter to the King, explaining that upon State occasions it would, of course, be his duty to observe what formalities the King thought proper, but that it was really awkward for a decent householder not to be allowed to go out and put a post-card in a pillar-box without being escorted by five heralds, who announced, with formal cries and blasts of a trumpet, that the Lord High Provost desired to catch the post.

The Lord High Provost of North Kensington, who was a prosperous draper, wrote a curt business note, like a man complaining of a railway company, stating that definite inconvenience had been caused him by the presence of the halberdiers, whom he had to take with him everywhere. When attempting to catch an omnibus to the City, he had found that while room could have been found for himself, the halberdiers had a difficulty in getting into the vehicle-believe him, theirs faithfuly.

The Lord High Provost of Shepherd's Bush said his wife did not like men hanging round the kitchen.

The King was always delighted to listen to these grievances, delivering lenient and kingly answers, but as he always insisted, as the absolute sine qua non, that verbal complaints should be presented to him with the fullest pomp of trumpets, plumes, and halberds, only a few resolute spirits were prepared to run the gauntlet of the little boys in the street.

Among these, however, was prominent the abrupt and business-like gentleman who ruled North Kensington. And he had before long, occasion to interview the King about a matter wider and even more urgent than the problem of the halberdiers and the omnibus. This was the greatest question which then and for long afterwards brought a stir to the blood and a flush to the cheek of all the speculative builders and house agents from Shepherd's Bush to the Marble Arch, and from Westbourne Grove to High Street, Kensington. I refer to the great affair of the improvements in Notting Hill. The scheme was conducted chiefly by Mr. Buck, the abrupt North Kensington magnate, and by Mr. Wilson, the Provost of Bayswater. A great thoroughfare was to be driven through three boroughs, through West Kensington, North Kensington and Notting Hill, opening at one end into Hammersmith Broadway, and at the other into Westbourne Grove. The negotiations, buyings, sellings, bullying and bribing took ten years, and by the end of it Buck, who had conducted them almost single-handed, had proved himself a man of the strongest type of material energy and material diplomacy. And just as his splendid patience and more splendid impatience had finally brought him victory, when workmen were already demolishing houses and walls along the great line from Hammersmith, a sudden obstacle appeared that had neither been reckoned with nor dreamed of, a small and strange obstacle, which, like a speck of grit in a great machine, jarred the whole vast scheme and brought it to a standstill, and Mr. Buck, the draper, getting with great impatience into his robes of office and summoning with indescribable disgust his halberdiers, hurried over to speak to the King.

Ten years had not tired the King of his joke. There were still new faces to be seen looking out from the symbolic head-gears he had designed, gazing at him from amid the pastoral ribbons of Shepherd's Bush or from under the sombre hoods of the Blackfriars Road. And the interview which was promised him with the Provost of North Kensington he anticipated with a particular pleasure, for "he never really enjoyed," he said, "the full richness of the mediaeval garments unless the people compelled to wear them were very angry and businesslike."

Mr. Buck was both. At the King's command the door of the audience-chamber was thrown open and a herald appeared in the purple colours of Mr. Buck's commonwealth emblazoned with the Great Eagle which the King had attributed to North Kensington, in vague reminiscence of Russia, for he always insisted on regarding North Kensington as some kind of semi-arctic neighbourhood. The herald announced that the Provost of that city desired audience of the King.

"From North Kensington?" said the King, rising graciously. "What news does he bring from that land of high hills and fair women? He is welcome."

The herald advanced into the room, and was immediately followed by twelve guards clad in purple, who were followed by an attendant bearing the banner of the Eagle, who was followed by another attendant bearing the keys of the city upon a cushion, who was followed by Mr. Buck in a great hurry. When the King saw his strong animal face and steady eyes, he knew that he was in the presence of a great man of business, and consciously braced himself.

"Well, well," he said, cheerily coming down two or three steps from a dais, and striking his hands lightly together, "I am glad to see you. Never mind, never mind. Ceremony is not everything."

"I don't understand your Majesty," said the Provost stolidly.

"Never mind, never mind," said the King, gaily. "A knowledge of Courts is by no means an unmixed merit; you will do it next time, no doubt."

The man of business looked at him sulkily from under his black brows and said again without show of civility:

"I don't follow you."

"Well, well," replied the King, good-naturedly, "if you ask me I don't mind telling you, not because I myself attach any importance to these forms in comparison with the Honest Heart. But it is usual...it is usual...that is all, for a man when entering the presence of Royalty to lie down on his back on the floor and elevating his feet towards heaven (as the source of Royal power) to say three times 'Monarchical institutions improve the manners.' But there, there-such pomp is far less truly dignified than your simple kindliness."

The Provost's face was red with anger and he maintained silence.

"And now," said the King, lightly, and with the exasperating air of a man softening a snub; "what delightful weather we are having! You must find your official robes warm, my Lord. I designed them for your own snow-bound land."

"They're as hot as hell," said Buck, briefly. "I came here on business."

"Right," said the King, nodding a great number of times with quite unmeaning solemnity; "right, right, right. Business, as the sad glad old Persian said, is business. Be punctual. Rise early. Point the pen to the shoulder. Point the pen to the shoulder, for you know not whence you come nor why. Point the pen to the shoulder, for you know not when you go nor where."

The Provost pulled a number of papers from his pocket and savagely flapped them open.

"Your Majesty may have heard," he began, sarcastically, "of Hammersmith and a thing called a road. We have been at work ten years buying property and getting compulsory powers and fixing compensation and squaring vested interests, and now at the very end, the thing is stopped by a fool. Old Prout, who was Provost of Notting Hill, was a business man, and we dealt with him quite satisfactorily. But he's dead, and the cursed lot has fallen to a young man named Wayne, who's up to some game that's perfectly incomprehensible to me. We offer him a better price than any one ever dreamt of, but he won't let the road go through. And his Council seem to be backing him up. It's midsummer madness."

The King, who was rather inattentively engaged in drawing the Provost's nose with his finger on the window-pane, heard the last two words.

"What a perfect phrase that is," he said. "'Midsummer madness!'"

"The chief point is," continued Buck, doggedly, "that the only part that is really in question is one dirty little street...Pump Street...a street with nothing in it but a public house and a penny toy-shop, and that sort of thing. All the respectable people of Notting Hill have accepted our compensation. But the ineffable Wayne sticks out over Pump Street. Says he's Provost of Notting Hill. He's only Provost of Pump Street."

"A good thought," replied Auberon. "I like the idea of a Provost of Pump Street. Why not let him alone?"

"And drop the whole scheme!" cried out Buck, with a burst of brutal spirit. "I'll be damned if we do. No. I'm for sending in workmen to pull down without more ado."

"Strike for the purple Eagle," cried the King, hot with historical associations.

"I'll tell you what it is," said Buck, losing his temper altogether. "If your Majesty would spend less time in insulting respectable people with your silly coats-of-arms, and more time over the business of the nation..."

The King's brow wrinkled thoughtfully.

"The situation is not bad," he said; "the haughty burgher defying the King in his own Palace. The burgher's head should be thrown back and the right arm extended; the left may be lifted towards Heaven, but that I leave to your private religious sentiment. I have sunk back in this chair, stricken with baffled fury. Now again, please."

Buck's mouth opened like a dog's, but before he could speak another herald appeared at the door.

"The Lord High Provost of Bayswater," he said, "desires an audience."

"Admit him," said Auberon. "This is a jolly day."

The halberdiers of Bayswater wore a prevailing uniform of green, and the banner which was borne after them was emblazoned with a green bay-wreath on a silver ground, which the King, in the course of his researches into a bottle of champagne, had discovered to be the quaint old punning cognisance of the city of Bayswater.

"It is a fit symbol," said the King, "your immortal bay-wreath. Fulham may seek for wealth, and Kensington for art, but when did the men of Bayswater care for anything but glory?"

Immediately behind the banner, and almost completely hidden by it, came the Provost of the city, clad in splendid robes of green and silver with white fur and crowned with bay. He was an anxious little man with red whiskers, originally the owner of a small sweet-stuff shop.

"Our cousin of Bayswater," said the King, with delight; "what can we get for you?" The King was heard also distinctly to mutter, "Cold beef, cold 'am, cold chicken," his voice dying into silence.

"I came to see your Majesty," said the Provost of Bayswater, whose name was Wilson, "about that Pump Street affair."

"I have just been explaining the situation to his Majesty," said Buck, curtly, but recovering his civility. "I am not sure, however, whether his Majesty knows how much the matter affects you also."

"It affects both of us, yer see, yer Majesty, as this scheme was started for the benefit of the 'ole neighbourhood. So Mr. Buck and me we put our 'eads together..."

The King clasped his hands.

"Perfect," he cried in ecstacy. "Your heads together! I can see it! Can't you do it now? Oh, do do it now."

A smothered sound of amusement appeared to come from the halberdiers, but Mr. Wilson looked merely bewildered, and Mr. Buck merely diabolical.

"I suppose," he began, bitterly, but the King stopped him with a gesture of listening.

"Hush," he said, "I think I hear some one else coming. I seem to hear another herald, a herald whose boots creak."

As he spoke another voice cried from the doorway:

"The Lord High Provost of South Kensington desires an audience."

"The Lord High Provost of South Kensington!" cried the King. "Why, that is my old friend James Barker! What does he want, I wonder? If the tender memories of friendship have not grown misty, I fancy he wants something for himself, probably money. How are you, James?"

Mr. James Barker, whose guard was attired in a splendid blue, and whose blue banner bore three gold birds singing, rushed, in his blue and gold robes, into the room. Despite the absurdity of all the dresses, it was worth noticing that he carried his better than the rest, though he loathed it as much as any of them. He was a gentleman, and a very handsome man, and could not help unconsciously wearing even his preposterous robe as it should be worn. He spoke quickly, but with the slight initial hesitation he always showed in addressing the King, due to suppressing an impulse to address his old acquaintance in the old way.

"Your Majesty...pray forgive my intrusion. It is about this man at Pump Street. I see you have Buck here, so you have probably heard what is necessary. I..."

The King swept his eyes anxiously round the room, which now blazed with the trappings of three cities.

"There is one thing necessary," he said.

"Yes, your Majesty," said Mr. Wilson of Bayswater, a little eagerly. "What does yer Majesty think necessary?"

"A little yellow," said the King, firmly. "Send for the Provost of West Kensington."

Amid some materialistic protests he was sent for and arrived with his yellow halberdiers in his saffron robes, wiping his forehead with a handkerchief. After all, placed as he was, he had a good deal to say on the matter.

"Welcome, West Kensington," said the King. "I have long wished to see you, touching that matter of the Hammersmith land to the south of the Rowton House. Will you hold it feudally from the Provost of Hammersmith? You have only to do him homage by putting his left arm in his overcoat and then marching home in state."

"No, your Majesty; I'd rather not," said the Provost of West Kensington, who was a pale young man with a fair moustache and whiskers, who kept a successful dairy.

The King struck him heartily on the shoulder.

"The fierce old West Kensington blood," he said; "they are not wise who ask it to do homage."

Tnen he glanced again round the room. It was full of a roaring sunset of colour, and he enjoyed the sight, possible to so few artists...the sight of his own dreams moving and blazing before him. In the foreground the yellow of the West Kensington liveries outlined itself against the dark blue draperies of South Kensington. The crests of these again brightened suddenly into green as the almost woodland colours of Bayswater rose behind them. And over and behind all, the great purple plumes of North Kensington showed almost funereal and black.

"There is something lacking," said the King, "something lacking. What can...Ah, there it is!...there it is!"

In the doorway had appeared a new figure, a herald in flaming red. He cried in a loud but unemotional voice:

"The Lord High Provost of Notting Hill desires an audience."

CHAPTER III ENTER A LUNATIC

THE King of the Fairies, who was, it is to be presumed, the godfather of King Auberon, must have been very favourable on this particular day to his fantastic godchild, for with the entrance of the guard of the Provost of Notting Hill there was a certain more or less inexplicable addition to his delight. The wretched navvies and sandwich-men who carried the colours of Bayswater or South Kensington, engaged merely for the day to satisfy the Royal hobby, slouched into the room with a comparatively hang-dog air, and a great part of the King's intellectual pleasure consisted in the contrast between the arrogance of their swords and feathers and the meek misery of their faces. But these Notting Hill halberdiers in their red tunics belted with gold had the air rather of an absurd gravity. They seemed, so to speak, to be taking part in the joke. They marched and wheeled into position with an almost startling dignity, and discipline.

They carried a yellow banner with a great red lion, named by the King as the Notting Hill emblem, after a small public-house in the neighbourhood, which he once frequented.

Between the two lines of his followers there advanced towards the King a tall, red-haired young man, with high features, and bold blue eyes. He would have been called handsome, but that a certain indefinable air of his nose being too big for his face, and his feet for his legs, gave him a look of awkwardness and extreme youth. His robes were red, according to the King's heraldry, and alone among the Provosts, he was girt with a great sword. This was Adam Wayne, the intractable Provost of Notting Hill.

The King flung himself back in his chair, and rubbed his hands.

"What a day, what a day!" he said to himself. "Now there'll be a row. I'd no idea it would be such fun as it is. These Provosts are so very indignant, so very reasonable, so very right. This fellow, by the look in his eyes, is even more indignant than the rest. No sign in those large blue eyes, at any rate, of ever having heard of a joke. He'll remonstrate with the others, and they'll remonstrate with him, and they'll all make themselves sumptuously happy remonstrating with me."

"Welcome, my Lord," he said aloud. "What news from the Hill of a Hundred Legends? What have you for the ear of your King? I know that troubles have arisen between you and these others, our cousins, but these troubles it shall be our pride to compose. And I doubt not, and cannot doubt, that your love for me is not less tender, no less ardent than theirs."

Mr. Buck made a bitter face, and James Barker's nostrils curled; Wilson began to giggle faintly, and the Provost of West Kensington followed in a smothered way. But the big blue eyes of Adam Wayne never changed, and he called out in an odd, boyish voice down the hall:

"I bring homage to my King. I bring him the only thing I have...my sword."

And with a great gesture he flung it down on the ground, and knelt on one knee behind it.

There was a dead silence.

"I beg your pardon," said the King, blankly.

"You speak well, sire," said Adam Wayne, "as you ever speak, when you say that my love is not less than the love of these. Small would it be if it were not more. For I am the heir of your scheme...the child of the great Charter. I stand here for the rights the Charter gave me, and I swear, by your sacred crown, that where I stand, I stand fast."

The eyes of all five men stood out of their heads.

Then Buck said, in his jolly, jarring voice: "Is the whole world mad?"

The King sprang to his feet, and his eyes blazed.

"Yes," he cried, in a voice of exultation, "the whole world is mad, but Adam Wayne and me. It is true as death what I told you long ago, James Barker, seriousness sends men mad. You are mad, because you care for politics, as mad as a man who collects tram tickets. Buck is mad, because he cares for money, as mad as a man who lives on opium. Wilson is mad, because he thinks himself right, as mad as a man who thinks himself God Almighty. The Provost of West Kensington is mad, because he thinks he is respectable, as mad as a man who thinks he is a chicken. All men are mad, but the humourist, who cares for nothing and possesses everything. I thought that there was only one humourist in England. Fools!...dolts!...open your cows' eyes; there are two! In Notting Hill... in that unpromising elevation...there has been born an artist! You thought to spoil my joke, and bully me out of it, by becoming more and more modern, more and more practical, more and more bustling and rational. Oh, what a feast it was to answer you by becoming more and more august, more and more gracious, more and more ancient and mellow! But this lad has seen how to bowl me out. He has answered me back, vaunt for vaunt, rhetoric for rhetoric. He has lifted the only shield I cannot break, the shield of an impenetrable pomposity. Listen to him. You have come, my Lord, about Pump Street?"

"About the city of Notting Hill," answered Wayne, proudly. "Of which Pump Street is a living and rejoicing part."

"Not a very large part," said Barker, contemptuously.

"That which is large enough for the rich to covet," said Wayne, drawing up his head, "is large enough for the poor to defend."

The King slapped both his legs, and waved his feet for a second in the air.

"Every respectable person in Notting Hill," cut in Buck, with his cold, coarse voice, "is for us and against you. I have plenty of friends in Notting Hill."

"Your friends are those who have taken your gold for other men's hearthstones, my Lord Buck," said Provost Wayne. "I can well believe they are your friends."

"They've never sold dirty toys, anyhow," said Buck, laughing shortly.

"They've sold dirtier things," said Wayne, calmly; "they have sold themselves."

"It's no good, my Buckling," said the King, rolling about on his chair. "You can't cope with this chivalrous eloquence. You can't cope with an artist. You can't cope with the humourist of Notting Hill. O, Nunc dimittis...that I have lived to see this day! Provost Wayne, you stand firm?"

"Let them wait and see," said Wayne. "If I stood firm before, do you think I shall weaken now that I have seen the face of the King? For I fight for something greater, if greater there can be, than the hearthstones of my people and the Lordship of the Lion. I fight for your royal vision, for the great dream you dreamt of the League of the Free Cities. You have given me this liberty. If I had been a beggar and you had flung me a coin, if I had been a peasant in a dance and you had flung me a favour, do you think I would have let it be taken by any ruffians on the road? This leadership and liberty of Notting Hill is a gift from your Majesty. And if it is taken from me, by God! it shall be taken in battle, and the noise of that battle shall be heard in the flats of Chelsea and in the studios of St. John's Wood."

"It is too much...it is too much," said the King. "Nature is weak. I must speak to you, brother artist, without further disguise. Let me ask you a solemn question. Adam Wayne, Lord High Provost of Notting Hill, don't you think it splendid?"

"Splendid!" cried Adam Wayne. "It has the splendour of God."

"Bowled out again," said the King. "You will keep up the pose. Funnily, of course, it is serious. But seriously, isn't it funny?"

"What?" asked Wayne, with the eyes of a baby.

"Hang it all, don't play any more. The whole business...the Charter of the Cities. Isn't it immense?"

"Immense is no unworthy word for that glorious design."

"Oh, hang you...but, of course, I see. You want me to clear the room of these reasonable sows. You want the two humourists alone together. Leave us, gentlemen."

Buck threw a sour look at Barker, and at a sullen signal the whole pageant of blue and green, of red, gold and purple rolled out of the room, leaving only two in the great hall, the King sitting in his seat on the dais, and the red-clad figure still kneeling on the floor before his fallen sword.

The King bounded down the steps and smacked Provost Wayne on the back.

"Before the stars were made," he cried, "we were made for each other. It is too beautiful. Think of the valiant independence of Pump Street. That is the real thing. It is the deification of the ludicrous."

The kneeling figure sprang to his feet with a fierce stagger.

"Ludicrous!" he cried, with a fiery face.

"Oh, come, come," said the King, impatiently. "You needn't keep it up with me. The augurs must wink sometimes from sheer fatigue of the eyelids. Let us enjoy this for half an hour, not as actors, but as dramatic critics. Isn't it a joke?"

Adam Wayne looked down like a boy, and answered in a constrained voice:

"I do not understand your Majesty. I cannot believe that while I fight for your royal charter your Majesty deserts me for these dogs of the gold hunt."

"Oh, damn your...But what's this? What the devil's this?"

The King stared into the young Provost's face, and in the twilight of the room began to see that his face was quite white, and his lip shaking.

"What in God's name is the matter?" cried Auberon, holding his wrist.

Wayne flung back his face, and the tears were shining on it.

"I am only a boy," he said, "but it's true. I would paint the Red Lion on my shield if I had only my blood."

King Auberon dropped the hand and stood without stirring, thunderstruck.

"My God in Heaven!" he said; "is it possible that there is within the four seas of Britain a man who takes Notting Hill seriously?"

"And my God in Heaven!" said Wayne passionately; "is it possible that there is within the four seas of Britain a man who does not take it seriously?"

The King said nothing, but merely went back up the steps of the dais like a man dazed. He fell back in his chair again and kicked his heels.

"If this sort of thing is to go on," he said weakly, "I shall begin to doubt the superiority of art to life. In Heaven's name, do not play with me. Do you really mean that you are...God help me!...a Notting Hill patriot...that you are..."

Wayne made a violent gesture, and the King soothed him wildly.

"All right...all right...I see you are; but let me take it in. You do really propose to fight these modern improvers with their boards and inspectors and surveyors and all the rest of it..."

"Are they so terrible?" asked Wayne, scornfully.

The King continued to stare at him as if he were a human curiosity.

"And I suppose," he said, "that you think that the dentists and small tradesmen and maiden ladies who inhabit Notting Hill, will rally with war-hymns to your standard?"

"If they have blood they will," said the Provost.

"And I suppose," said the King, with his head back among the cushions, "that it never crossed your mind that...his voice seemed to lose itself luxuriantly...never crossed your mind that any one ever thought that the idea of a Notting Hill idealism was...er...slightly...slightly ridiculous."

"Of course they think so," said Wayne. "What was the meaning of mocking the prophets?"

"Where?" asked the King, leaning forward. "Where in Heaven's name did you get this miraculously inane idea?"

"You have been my tutor, Sire," said the Provost, "in all that is high and honourable."

"Eh?" said the King.

"It was your Majesty who first stirred my dim patriotism into flame. Ten years ago, when I was a boy (I am only nineteen), I was playing on the slope of Pump Street, with a wooden sword and a paper helmet, dreaming of great wars. In an angry trance I struck out with my sword and stood petrified, for I saw that I had struck you, Sire, my King, as you wandered in a noble secrecy, watching over your people's welfare. But I need have had no fear. Then was I taught to understand kingliness. You neither shrank nor frowned. You summoned no guards. You invoked no punishments. But in august and burning words, which are written in my soul, never to be erased, you told me ever to turn my sword against the enemies of my inviolate city. Like a priest pointing to the altar, you pointed to the hill of Notting. 'So long,' you said, 'as you are ready to die for the sacred mountain, even if it were ringed with all the armies of Bayswater.' I have not forgotten the words, and I have reason now to remember them, for the hour is come and the crown of your prophecy. The sacred hill is ringed with the armies of Bayswater, and I am ready to die."

The King was lying back in his chair, a kind of wreck.

"O Lord, Lord, Lord," he murmured, "what a life! what a life! All my work! I seem to have done it all. So you're the red-haired boy that hit me in the waistcoat. What have I done? God, what have I done? I thought I would have a joke, and I have created a passion. I tried, to compose a burlesque, and it seems to be turning halfway through into an epic. What is to be done with such a world? In the Lord's name, wasn't the joke broad and bold enough? I abandoned my subtle humour to amuse you, and I seem to have brought tears to your eyes. What's to be done with people when you write a pantomime for them...call the sausages classic festoons, and the policeman cut in two a tragedy of public duty? But why am I talking? Why am I asking questions of a nice young gentleman who is totally mad? What is the good of it? What is the good of anything? O Lord, O Lord!"

Suddenly he pulled himself upright.

"Don't you really think the sacred Notting Hill at all absurd?"

"Absurd?" asked Wayne, blankly. "Why should I?"

The King stared back equally blankly.

"I beg your pardon?" he said.

"Notting Hill," said the Provost, simply, "is a rise or high ground of the common earth, on which men have built houses to live, in which they are born, fall in love, pray, marry, and die. Why should I think it absurd?"

The King smiled.

"Because, my Leonidas..." he began, then suddenly, he knew not how, found his mind was a total blank. After all, why was it absurd? Why was it absurd? He felt as if the floor of his mind had given way. He felt as all men feel when their first principles are hit hard with a question. Barker always felt so when the King said, "Why trouble about politics?"

The King's thoughts were in a kind of rout; he could not collect them.

"It is generally felt to be a little funny," he said, vaguely.

"I suppose," said Adam, turning on him with a fierce suddenness, "I suppose you fancy crucifixion was a serious affair?"

"Well, I..." began Auberon, "I admit I have generally thought it had its graver side."

"Then you are wrong," said Wayne, with incredible violence. "Crucifixion is comic. It is exquisitely diverting. It was an absurd and obscene kind of impaling reserved for people who were made to be laughed at...for slaves and provincials...for dentists and small tradesmen, as you would say. I have seen the grotesque gallows-shape, which the little Roman gutter-boys scribbled on walls as a vulgar joke, blazing on the pinnacles of the temples of the world. And shall I turn back?"

The King made no answer.

Adam went on, his voice ringing in the roof.

"This laughter with which men tyrannize is not the great power you think it. Peter was crucified, and crucified head downwards. What could be funnier than the idea of a respectable old Apostle upside down? What could be more in the style of your modern humour? But what was the good of it? Upside down or right side up, Peter was Peter to mankind. Upside down he still hangs over Europe, and millions move and breathe only in the life of his church."

King Auberon got up absently.

"There is something in what you say," he said. "You seem to have been thinking, young man."

"Only feeling, sire," answered the Provost. "I was born, like other men, in a spot of the earth which I loved because I had played boys' games there, and fallen in love, and talked with my friends through nights that were nights of the gods. And I feel the riddle. These little gardens where we told our loves. These streets where we brought out our dead. Why should they be commonplace? Why should they be absurd? Why should it be grotesque to say that a pillar-box is poetic when for a year I could not see a red pillar-box against the yellow evening in a certain street without being wracked with something of which God keeps the secret, but which is stronger than sorrow or joy? Why should any one be able to raise a laugh by saying 'the Cause of Notting Hill'?...Notting Hill where thousands of immortal spirits blaze with alternate hope and fear."

Auberon was flicking dust off his sleeve with quite a new seriousness on his face, distinct from the owlish solemnity which was the pose of his humour.

"It is very difficult," he said at last. "It is a damned difficult thing. I see what you mean...I agree with you even up to a point...or I should like to agree with you, if I were young enough to be a prophet and poet. I feel a truth in everything you say until you come to the words 'Notting Hill.' And then I regret to say that the old Adam awakes roaring with laughter and makes short work of the new Adam, whose name is Wayne."

For the first time Provost Wayne Was silent, and stood gazing dreamily at the floor. Evening was closing in, and the room had grown darker.

"I know," he said, in a strange, almost sleepy voice, "there is truth in what you say, too. It is hard not to laugh at the common names...I only say we should not. I have thought of a remedy; but such thoughts are rather terrible."

"What thoughts?" asked Auberon.

The Provost of Notting Hill seemed to have fallen into a kind of trance; in his eyes was an elvish light.

"I know of a magic wand, but it is a wand that only one or two may rightly use, and only seldom. It is a fairy wand of great fear, stronger than those who use it...often frightful, often wicked to use. But whatever is touched with it is never again wholly common. Whatever is touched with it takes a magic from outside the world. If I touch, with this fairy wand, the railways and the roads of Notting Hill, men will love them, and be afraid of them for ever."

"What the devil are you talking about?" asked the King.

"It has made mean landscapes magnificent, and hovels outlast cathedrals," went on the madman. "Why should it not make lampposts fairer than Greek lamps, and an omnibus ride like a painted ship? The touch of it is the finger of a strange perfection."

"What is your wand?" cried the King, impatiently.

"There it is," said Wayne; and pointed to the floor, where his sword lay flat and shining.

"The sword!" cried the King; and sprang up straight on the dais.

"Yes, yes," cried Wayne, hoarsely. "The things touched by that are not vulgar. The things touched by that..."

King Auberon made a gesture of horror.

"You will shed blood for that!" he cried. "For a cursed point of view..."

"Oh, you kings, you kings," cried out Adam, in a burst of scorn. "How humane you are, how tender, how considerate. You will make war for a frontier, or the imports of a foreign harbour; you will shed blood for the precise duty on lace, or the salute to an admiral. But for the things that make life itself worthy or miserable...how humane you are. I say here, and I know well what I speak of, there were never any necessary wars but the religious wars. There were never any just wars but the religious wars. There were never any humane wars but the religious wars. For these men were fighting for something that claimed, at least, to be the happiness of a man, the virtue of a man. A Crusader thought, at least, that Islam hurt the soul of every man, king or tinker, that it could really capture. I think Buck and Barker and these rich vultures hurt the soul of every man, hurt every inch of the ground, hurt every brick of the houses, that they can really capture. Do you think I have no right to fight for Notting Hill, you whose English Government has so often fought for tomfooleries? If, as your rich friends say, there are no gods, and the skies are dark above us, what should a man fight for, but the place where he had the Eden of childhood and the short heaven of first love? If no temples and no scriptures are sacred, what is sacred if a man's own youth is not sacred?"

The King walked a little restlessly up and down the dais.

"It is hard," he said, biting his lips, "to assent to a view so desperate...so responsible..."

As he spoke, the door of the audience chamber fell ajar, and through the aperture came, like the sudden chatter of a bird, the high, nasal, but well-bred voice of Barker.

"I said to him quite plainly...the public interests..."

Auberon turned on Wayne with violence.

"What the devil is all this? What am I saying? What are you saying? Have you hypnotized me? Curse your uncanny blue eyes! Let me go. Give me back my sense of humour. Give it me back. Give it me back, I say!"

"I solemnly assure you," said Wayne, uneasily, with a gesture, as if feeling all over himself, "that I haven't got it."

The King fell back in his chair, and went into a roar of Rabelaisian laughter.

"I don't think you have," he cried.

BOOK III

CHAPTER I THE MENTAL CONDITION OF ADAM WAYNE

A LITTLE while after the King's accession a small book of poems appeared, called "Hymns of the Hill." They were not good poems, nor was the book successful, but it attracted a certain amount of attention from one particular school of critics. The King himself, who was a member of the school, reviewed it in his capacity of literary critic to "Straight from the Stables," a sporting journal. They were known as the Hammock School, because it had been calculated malignantly by an enemy that no less than thirteen of their delicate criticisms had begun with the words, "I read this book in a hammock; half asleep in the sleepy sunlight, I..."; after that there were important differences. Under these conditions they liked everything, but especially everything silly. "Next to authentic goodness in a book," they said "next to authentic goodness in a book (and that, alas! we never find) we desire a rich badness." Thus it happened that their praise (as indicating the presence of a rich badness) was not universally sought after, and authors became a little disquieted when they found the eye of the Hammock School fixed upon them with peculiar favour.

The peculiarity of "Hymns of the Hill" was the celebration of the poetry of London as distinct from the poetry of the country. This sentiment or affectation was, of course, not uncommon in the twentieth century, nor was it, although sometimes exaggerated, and sometimes artificial, by any means without a great truth at its root, for there is one respect in which a town must be more poetical than the country, since it is closer to the spirit of man; for London, if it be not one of the masterpieces of man, is at least one of his sins. A street is really more poetical than a meadow, because a street has a secret. A street is going somewhere, and a meadow nowhere. But, in the case of the book called "Hymns on the Hill," there was another peculiarity, which the King pointed out with great acumen in his review. He was naturally interested in the matter, for he had himself published a volume of lyrics about London under his pseudonym of "Daisy Daydream."

This difference, as the King pointed out, consisted in the fact that, while mere artificers like "Daisy Daydream" (on whose elaborate style the King, over his signature of "Thunderbolt," was perhaps somewhat too severe) thought to praise London by comparing it to the country...using nature, that is, as a background from which all poetical images had to be drawn...the more robust author of "Hymns of the Hill" praised the country, or nature, by comparing it to the town, and used the town itself as a background. "Take," said the critic, "the typically feminine lines, 'To the Inventor of the Hansom Cab'"

'Poet, whose cunning carved this amorous shell, Where twain may dwell.'

"Surely," wrote the King, "no one but a woman could have written those lines. A woman has always a weakness for nature; with her, art is only beautiful as an echo or shadow of it. She is praising the hansom cab by theme and theory, but her soul is still a child by the sea, picking up shells. She can never be utterly of the town, as a man can; indeed, do we not speak (with sacred propriety) of 'a man about town'? Who ever spoke of a woman about town? However much, physically, 'about town' a woman may be, she still models herself on nature; she tries to carry nature with her; she bids grasses to grow on her head, and furry beasts to bite her about the throat. In the heart of a dim city, she models her hat on a flaring cottage garden of flowers. We, with our nobler civic sentiment, model ours on a chimney pot; the ensign of civilization. And rather than be without birds, she will commit massacre, that she may turn her head into a tree, with dead birds to sing on it."

This kind of thing went on for several pages, and then the critic remembered his subject, and returned to it. "Poet, whose cunning carved this amorous shell, Where twain may dwell."

"The peculiarity of these fine though feminine lines," continued "Thunderbolt," "is, as we have said, that they praise the hansom cab by comparing it to the shell, to a natural thing. Now, hear the author of 'Hymns of the Hill,' and how he deals with the same subject. In his fine nocturne, entitled 'The Last Omnibus,' he relieves the rich and poignant melancholy of the theme by a sudden sense of rushing at the end 'The wind round the old street corner Swung sudden and quick as a cab.'

"Here the distinction is obvious. 'Daisy Daydream' thinks it a great compliment to a hansom cab to be compared to one of