Project Gutenberg Australia
a treasure-trove of literature
treasure found hidden with no evidence of ownership

 


Title:      Too True to be Good
Author:     George Bernard Shaw
* A Project Gutenberg of Australia eBook *
eBook No.:  0300591h.html
Language:   English
Date first posted:          April 2003
Date most recently updated: April 2003

This eBook was produced by: Don Lainson dlainson@sympatico.ca

Project Gutenberg of Australia eBooks are created from printed editions
which are in the public domain in Australia, unless a copyright notice
is included. We do NOT keep any eBooks in compliance with a particular
paper edition.

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing this
file.

This eBook is made available at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg of Australia License which may be viewed online at
http://gutenberg.net.au/licence.html

GO TO Project Gutenberg of Australia HOME PAGE


TOO TRUE TO BE GOOD:

A Political Extravaganza

 

by

 

George Bernard Shaw

 

 

 

 

 

CONTENTS


Preface

TOO TRUE TO BE GOOD

Period--The Present

ACT I. One of the Best Bedrooms in one of the Best Suburban Villas in one of the Richest Cities in England

ACT II. A Sea Beach in a Mountainous Country

ACT III. A Narrow Gap leading down to the Beach

From the Malvern Festival Book, 1932

Why "Too True to be Good" Failed: A Moral in Favour of a National Theatre

 

 

 

 

Preface

Contents

Money and Happiness

The Vampire and the Calf

The Old Soldier and the Public House

The Unloading Millionaires

Delusions of Poverty

Trying it for an Hour

Consolations of the Landed Gentry

Miseries of the Vagrant Rootless Rich

The Redemption from Property

Fundamental Natural Conditions of Human Society

The Catholic Solution

Need for a Common Faith

Russia Rediscovers the Church System

Why the Christian System Failed

Government by Everybody

Failure All Round

Obsolete Vows

Supernatural Pretensions

Eclectic Democracy

 

 

MONEY AND HAPPINESS

 

Somehow my play, Too True To Be Good, has in performance excited an animosity and an enthusiasm which will hardly be accounted for by the printed text. Some of the spectators felt that they had had a divine revelation, and overlooked the fact that the eloquent gentleman through whose extremely active mouth they had received it was the most hopeless sort of scoundrel: that is, one whose scoundrelism consists in the absence of conscience rather than in any positive vices, and is masked by good looks and agreeable manners. The less intellectual journalist critics sulked as they always do when their poverty but not their will consents to their witnessing a play of mine; but over and above the resultant querulousness to which I have long been accustomed I thought I detected an unusual intensity of resentment, as if I had hit them in some new and unbearably sore spot.

Where, then, was the offence that so exceedingly disgruntled these unhappy persons? I think it must have been the main gist and moral of the play, which is not, as usual, that our social system is unjust to the poor, but that it is cruel to the rich. Our revolutionary writers have dwelt on the horrors of poverty. Our conventional and romantic writers have ignored those horrors, dwelling pleasantly on the elegances of an existence free from pecuniary care. The poor have been pitied for miseries which do not, unfortunately, make them unbearably miserable. But who has pitied the idle rich or really believed that they have a worse time of it than those who have to live on ten shillings a day or less, and earn it? My play is a story of three reckless young people who come into possession of, for the moment, unlimited riches, and set out to have a thoroughly good time with all the modern machinery of pleasure to aid them. The result is that they get nothing for their money but a multitude of worries and a maddening dissatisfaction.

 

THE VAMPIRE AND THE CALF

 

I doubt whether this state of things is ever intentionally produced. We see a man apparently slaving to place his children in the position of my three adventurers; but on closer investigation we generally find that he does not care twopence for his children, and is wholly wrapped up in the fascinating game of making money. Like other games it is enjoyable only by people with an irresistible and virtually exclusive fancy for it, and enough arithmetical ability and flair for market values to play it well; but with these qualifications the poorest men can make the most astounding fortunes. They accumulate nothing but powers of extracting money every six months from their less acquisitive neighbors; and their children accumulate nothing but obligations to spend it. As between these two processes of bleeding and being bled, bleeding is the better fun. The vampire has a better time than the calf hung up by the heels with its throat cut. The moneygetter spends less on his food, clothes, and amusements than his clerks do, and is happy. His wife and sons and daughters, spending fabulous sums on themselves, are no happier than their housemaids, if so happy; for the routine of fashion is virtually as compulsory as the routine of a housemaid, its dressing is as much dictated as her uniform, its snubbings are as humiliating, and its monotony is more tedious because more senseless and useless, not to mention that it must be pleasanter to be tipped than to tip. And, as I surmise, the housemaid's day off or evening off is really off: in those hard earned hours she ceases to be a housemaid and can be herself; but the lady of fashion never has a moment off: she has to be fashionable even in her little leisure, and dies without ever having had any self at all. Here and there you find rich ladies taking up occupations and interests which keep them so busy doing professional or public work that they might as well have five hundred a year as fifty thousand "for all the good it does them" as the poor say in their amazement when they see people who could afford to be fashionable and extravagant working hard and dressing rather plainly. But that requires a personal endowment of tastes and talents quite out of the common run.

I remember a soldier of the old never-do-well type drifting into a little Socialist Society which I happened to be addressing more than fifty years ago. As he had evidently blundered into the wrong shop and was half drunk, some of the comrades began to chaff him, and finally held me up to him as an example of the advantages of teetotalism. With the most complete conviction he denounced me as a hypocrite and a liar affirming it to be a well-known and inexorable law of nature that no man with money in his pocket could pass a public house without going in for a drink.

 

THE OLD SOLDIER AND THE PUBLIC HOUSE

 

I have never forgotten that soldier, because his delusion, in less crude forms, and his conception of happiness, seem to afflict everybody in England more or less. When I say less crude forms I do not mean truer forms; for the soldier, being half drunk, was probably happier than he would have been if quite sober, whereas the plutocrat who has spent a hundred pounds in a day in the search for pleasure is not happier than if he had spent only five shillings. For it must be admitted that a private soldier, outside that surprising centre of culture, the Red Army of Russia, has so little to be happy about when sober that his case is hardly a fair one. But it serves to illustrate the moral of my play, which is, that our capitalistic system, with its golden exceptions of idle richery and its leaden rule of anxious poverty, is as desperate a failure from the point of view of the rich as of the poor. We are all amazed and incredulous, like the soldier, when we hear of the multimillionaire passing the public house without going in and drinking himself silly; and we envy his sons and daughters who do go in and drink themselves silly. The vulgar pub may be in fact a Palace Hotel, and the pints of beer or glasses of whisky an elaborate dinner with many courses and wines culminating in cigars and liqueurs; but the illusion and the results are cognate.

I therefore plead for a science of happiness to cure us of the miserable delusion that we can achieve it by becoming richer than our neighbors. Modern colossal fortunes have demonstrated its vanity. When country parsons were "passing rich with forty pounds a year" there was some excuse for believing that to be rich was to be happy, as the conception of riches did not venture beyond enough to pay for the necessities of a cultivated life. A hundred years ago Samuel Warren wrote a famous novel about a man who became enormously rich. The title of the novel was Ten Thousand a Year; and this, to any resident Irish family in my boyhood, represented an opulence beyond which only Lords Lieutenant and their like could aspire. The scale has changed since then. I have just seen in the papers a picture of the funeral of a shipping magnate whose income, if the capital value of the property left by him be correctly stated, must have been over four thousand pounds a day or a million and a half a year. If happiness is to be measured by riches he must have been fourteen thousand times as happy as the laborer lucky enough to be earning two pounds a week. Those who believe that riches are the reward of virtue are bound to conclude that he was also fourteen thousand times as sober, honest, and industrious, which would lead to the quaint conclusion that if he drank a bottle of wine a day the laborer must have drunk fourteen thousand.

 

THE UNLOADING MILLIONAIRES

 

This is so obviously monstrous that it may now be dismissed as an illusion of the poor who know nothing of the lives of the rich. Poverty, when it involves continual privation and anxiety, is, like toothache, so painful that the victim can desire nothing happier than the cessation of the pain. But it takes no very extraordinary supply of money to enable a humble person to say "I want for nothing"; and when that modest point is reached the power of money to produce happiness vanishes, and the trouble which an excess of it brings begins to assert itself, and finally reaches a point at which the multimillionaires are seen frantically unloading on charitable, educational, scientific, religious, and even (though rarely) artistic and political "causes" of all kinds, mostly without stopping to examine whether the causes produce any effects, and if so what effects. And far from suffering a loss of happiness every time they give away a thousand pounds, they find themselves rather in the enviable state of mind of the reveller in The Pilgrim's Progress with his riddle "There was a man, though some did think him mad, the more he gave away the more he had."

 

DELUSIONS OF POVERTY

 

The notion that the rich must be happy is complemented by the delusion that the poor must be miserable. Our society is so constituted that most people remain all their lives in the condition in which they were born, and have to depend on their imagination for their notions of what it is like to be in the opposite condition. The upstarts and the downstarts, though we hear a great deal about them either as popular celebrities or criminals, are exceptional. The rich, it is said, do not know how the poor live; but nobody insists on the more mischievous fact that the poor do not know how the rich live. The rich are a minority; and they are not consumed with envy of the poor. But the poor are a huge majority and they are so demoralized by the notion that they would be happy if only they were rich, that they make themselves poorer, if hopefuller, by backing horses and buying sweepstake tickets on the chance of realizing their daydreams of unearned fortunes. Our penny newspapers now depend for their circulation, and consequently for their existence, on the sale of what are virtually lottery coupons. The real opposition to Socialism comes from the fear (well founded) that it would cut off the possibilities of becoming rich beyond those dreams of avarice which our capitalist system encourages. The odds against a poor person becoming a millionaire are of astronomical magnitude; but they are sufficient to establish and maintain the Totalisator as a national institution, and to produce unlimited daydreams of bequests from imaginary long lost uncles in Australia or a lucky ticket in the Calcutta or Irish Sweeps.

 

TRYING IT FOR AN HOUR

 

Besides, even quite poor people save up for holidays during which they can be idle and rich, if not for life, at least for an hour, an afternoon, or even a week. And for the poor these moments derive such a charm from the change from the monotony of daily toil and servitude, that the most intolerable hardships and discomforts and fatigues in excursion trains and overcrowded lodgings seem delightful, and leave the reveller with a completely false notion of what a lifetime of such revelry would be.

I maintain that nobody with a sane sense of values can feel that the sole prize which our villainous capitalist system has to offer, the prize of admission to the ranks of the idle rich, can possibly confer either happiness or health or freedom on its winner. No one can convict me of crying sour grapes; for during the last thirty-five years I have been under no compulsion to work nor had any material privation or social ostracism to fear as a consequence of not working. But, like all the intelligent rich people of my acquaintance, I have worked as hard, ate and drunk no more, and dressed no better than when I had to work or starve. When my pockets were empty I did not buy any of the luxuries in the London shops because I had no money to buy them with. When, later on, I had enough to buy anything that London could tempt me with, the result was the same: I returned home day after day without having made a single purchase. And I am no ascetic: no man alive is freer than I from the fancy that selfmortification will propitiate a spiteful deity or increase my balance in a salvation bank in a world beyond the grave. I would and could live the life of the idle rich if I liked it; and my sole reason for not living it is that I dont like it. I have every opportunity of observing it both in its daily practice and its remoter results; and I know that a year of it would make me more unhappy than anything else of an accepted kind that I can imagine. For, just as the bean-feaster can live like a lord for an afternoon, and the Lancashire factory operative have a gorgeous week at Blackpool when the wakes are on, so I have had my afternoons as an idle rich man, and know only too well what it is like. It makes me feel suicidal.

You may say that I am an exceptional man. So I am, in respect of being able to write plays and books; but as everybody is exceptional in respect of being able to do something that most other people cannot do, there is nothing in that. Where I am really a little exceptional is in respect of my having experienced both poverty and riches, servitude and selfgovernment, and also having for some reason or other (possibly when I was assured in my infancy that some nasty medicine was delicious) made up my mind early in life never to let myself be persuaded that I am enjoying myself gloriously when I am, as a matter of fact, being bored and pestered and plundered and worried and tired. You cannot humbug me on this point: I understand perfectly why Florence Nightingale fled from fashionable society in London to the horrors of the Crimean hospitals rather than behave like a lady, and why my neighbour Mr Apsley Cherry-Garrard, the sole survivor of what he calls with good reason "the worst journey in the world" through the Antarctic winter, was no poor sailorman driven by his need for daily bread to make a hard living before the mast, but a country gentleman opulent enough to choose the best that London society could offer him if he chose. Better the wards of the most terrible of field hospitals than a drawingroom in Mayfair: better the South Pole at its blackest six months winter night and its most murderous extremities of cold than Sunday by the Serpentine in the height of the season.

 

CONSOLATIONS OF THE LANDED GENTRY

 

To some extent this misery of riches is a new thing. Anyone who has the run of our country houses, with their great parks and gardens, their staffs of retainers, indoor and outdoor, and the local public work that is always available for the resident landed gentry, will at once challenge the unqualified assertion that the rich, in a lump, are miserable. Clearly they are nothing of the sort, any more than the poor in a lump. But then they are neither idle nor free. A lady with a big house to manage, and the rearing of a family to supervise, has a reasonably busy time of it even without counting her share in the routine of sport and entertainment and occasional travel which to people brought up to it is a necessary and important part of a well ordered life. The landed gentry have enough exercise and occupation and sense of social importance and utility to keep them on very good terms with themselves and their neighbors. If you suddenly asked them whether they really enjoyed their routine and whether they would not rather be Communists in Russia they would be more sincerely scandalized than if you had turned to them in Church and asked them whether they really believed every clause in the Apostles' Creed. When one of their ugly ducklings becomes a revolutionist it is not because country-house life is idle, but because its activities are uncongenial and because the duckling has tastes or talents which it thwarts, or a faculty for social criticism which discovers that the great country house is not built on the eternal rock but on the sandy shore of an ocean of poverty which may at any moment pass from calm to tempest. On the whole, there is no reason why a territorial lady should not be as happy as her dairymaid, or her husband be as happy as his gamekeeper. The riches of the county families are attached to property; and the only miserable county people are those who will not work at their job.

 

MISERIES OF THE VAGRANT ROOTLESS RICH

 

But the new thing is riches detached from real property: that is, detached from work, from responsibility, from tradition, and from every sort of prescribed routine, even from the routine of going to the village church every Sunday, paying and receiving calls, and having every month set apart for the killing of some particular bird or animal. It means being a tramp without the daily recurrent obligation to beg or steal your dinner and the price of your bed. Instead, you have the daily question "What shall I do? Where shall I go?" and the daily answer "Do what you please: go where you like: it doesnt matter what you do or where you go." In short, the perfect liberty of which slaves dream because they have no experience of its horrors. Of course the answer of outraged Nature is drowned for a time by the luxury merchants shouting "Come and shop, whether you need anything or not. Come to our palace hotels. Come round the world in our liners. Come and wallow in our swimming pools. Come and see our latest model automobile: we have changed the inventor's design for-better-for-worse solely to give you an excuse for buying a new one and selling your old one at scrap iron prices. Come and buy our latest fashions in dress: you cannot possibly be seen in last season's garments." And so on and so forth. But the old questions come home to the rich tourists in the palace hotels and luxury liners just as they do to the tramps on the highroad. They come up when you have the latest car and the latest wardrobe and all the rest of it. The only want that money can satisfy without satiating for more than a few hours is the need for food and drink and sleep. So from one serious meal a day and two very minor ones you go on to three serious meals a day and two minor ones. Then you work another minor one between breakfast and lunch "to sustain you"; and you soon find that you cannot tackle any meal without a cocktail, and that you cannot sleep. That obliges you to resort to the latest soporific drug, guaranteed in the advertisements to have none of the ruinous effects of its equally guaranteed forerunner. Then comes the doctor, with his tonics, which are simply additional cocktails, and his sure knowledge that if he tells you the truth about yourself and refuses to prescribe the tonics and the drugs, his children will starve. If you indulge in such a luxury as a clerical spiritual adviser it is his duty to tell you what is the matter with you is that you are an idle useless glutton and drunkard and that you are going to hell; but alas! he, like the doctor, cannot afford this, as he may have to ask you for a subscription tomorrow to keep his church going. And that is "Liberty: thou choicest treasure."

This sort of life has been made possible, and indeed inevitable, by what William Cobbett, who had a sturdy sense of vital values, denounced as The Funding System. It was a product of war, which obliged belligerent governments to obtain enormous sums from all and sundry by giving them in exchange the right to live for nothing on the future income of the country until their money was returned: a system now so popular among people with any money to spare that they can be induced to part with it only on condition that the Government promises not to repay it before a certain more or less remote day. When joint stock companies were formed to run big industrial concerns with money raised on the still more tempting terms that the money is never to be repaid, the system became so extensive that the idle upstart rich became a definitely mischievous and miserable class quite different in character from the old feudal rich.

 

THE REDEMPTION FROM PROPERTY

 

When I propose the abolition of our capitalistic system to redeem mankind from the double curse of poverty and riches, loud wailings arise. The most articulate sounds in the hubbub are to the effect that the wretched slaves of the curse will lose their liberty if they are forced to earn their living honorably. The retort that they have nothing to lose but their chains, with the addition that the gold chains are as bad as the iron ones, cannot silence them, because they think they are free, and have been brought up to believe that unless the country remains the private property of irresponsible owners maintaining a parliament to make any change impossible, with churches schools and universities to inculcate the sacredness of private property and party government disguised as religion education and democracy, civilization must perish. I am accused of every sort of reactionary extravagance by the people who think themselves advanced, and of every sort of destructive madness by people who thank God they are no wiser than their fathers.

Now I cannot profitably discuss politics religion and economics with terrified ignoramuses who understand neither what they are defending nor what they are attacking. But it happens that Mr Gilbert Chesterton, who is not an ignoramus and not in the least terrified, and whose very interesting conversion to Roman Catholicism has obliged him to face the problem of social organization fundamentally, discarding the Protestant impostures on English history which inspired the vigorous Liberalism of his salad days, has lately taken me to task for the entirely imaginary offence of advocating government by a committee of celebrities. To clear up the matter I have replied to Mr Chesterton very fully and in Catholic terms. Those who have read my reply in the magazines in which it appeared need read no further, unless they wish, as I should advise, to read it twice. For the benefit of the rest, and to put it on permanent record, here it is.

 

FUNDAMENTAL NATURAL CONDITIONS OF HUMAN SOCIETY

 

1. Government is necessary wherever two or three are gathered together--or two or three billions--for keeps.

2. Government is neither automatic nor abstract: it must be performed by human rulers and agents as best they can.

3. The business of the rulers is to check disastrously selfish or unexpected behaviour on the part of individuals in social affairs.

4. This business can be done only by devizing and enforcing rules of social conduct codifying the greatest common measure of agreement as to the necessary sacrifice of individual liberty to the good of the community.

5. The paradox of government is that as the good of the community involves a maximum of individual liberty for all its members the rulers have at the same time to enslave everyone ruthlessly and to secure for everyone the utmost possible freedom.

6. In primitive communities people feed and lodge themselves without bothering the Government. In big civilizations this is impossible; so the first business of the Government is to provide for the production and distribution of wealth from day to day and the just sharing of the labor and leisure involved. Thus the individual citizen has to be compelled not only to behave himself properly, but to work productively.

7. The moral slavery of the compulsion to behave properly is a whole-time compulsion admitting of no liberty; but the personal slavery of the compulsion to work lasts only as many hours daily as suffice to discharge the economic duties of the citizen, the remaining hours (over and above those needed for feeding, sleeping, locomotion, etc.) being his leisure.

8. Leisure is the sphere of individual liberty: labor is the sphere of slavery.

9. People who think they can be honestly free all the time are idiots: people who seek whole-time freedom by putting their share of productive work on others are thieves.

10. The use of the word slavery to denote subjection to public government has grown up among the idiots and thieves, and is resorted to here only because it is expedient to explain things to fools according to their folly.

So much for the fundamental natural conditions of social organization. They are as completely beyond argument as the precession of the equinoxes; but they present different problems to different people. To the thief, for instance, the problem is how to evade his share of the labor of production, to increase his share in the distribution of the product, and to corrupt the Government so that it may protect and glorify his chicaneries instead of liquidating him. To Mr Chesterton the Distributist (or Extreme Left Communist) and Catholic (or Equalitarian Internationalist) it is how to select rulers who will govern righteously and impartially in accordance with the fundamental natural conditions.

The history of civilization is the history of the conflict between these rival views of the situation. The Pirate King, the Robber Baron, and the Manchester Man produced between them a government which they called the Empire, the state, the Realm, the Republic, or any other imposing name that did not give away its central purpose. The Chestertonians produced a government which they called The Church; and in due time the Last of the Chestertons joined this Catholic Church, like a very large ship entering a very small harbor, to the great peril of its many rickety old piers and wharves, and the swamping of all the small craft in its neighborhood. So let us see what the Catholic Church made of its governmental problem.

 

THE CATHOLIC SOLUTION

 

To begin with, the Church, being catholic, was necessarily democratic to the extent that its aim was to save the souls of all persons without regard to their age, sex, nationality, class, or color. The nobleman who felt that God would not lightly damn a man of his quality received no countenance from the Church in that conviction. Within its fold all souls were equal before God.

But the Church did not draw the ridiculous conclusion that all men and women are equally qualified or equally desirous to legislate, to govern, to administer, to make decisions, to manage public affairs or even their own private affairs. It faced the fact that only about five per cent. of the population are capable of exercising these powers, and are certain to be corrupted by them unless they have an irresistible religious vocation for public work and a faith in its beneficence which will induce them to take vows to abstain from any profit that is not shared by all the rest, and from all indulgences which might blunt their consciences or subject them to the family influences so bitterly deprecated by Jesus.

This natural "called" minority was never elected in the scandalous way we call democratic. Its members were in the first instance self-elected: that is, they voluntarily lived holy lives and devoted themselves to the public welfare in obedience to the impulse of the Holy Ghost within them. This impulse was their vocation. They were called from above, not chosen by the uncalled. To protect themselves and obtain the necessary power, they organized themselves, and called their organization The Church. After that, the genuineness and sufficiency of the vocation of the new recruits were judged by The Church. If the judgment was favorable, and the candidates took certain vows, they were admitted to the official priesthood and set to govern as priests in the parish and spiritual directors in the family, all of them being eligible, if they had the requisite ability, for promotion to the work of governing the Church itself as bishops or cardinals, or to the supreme rank of Pope or Vicar of Christ on earth. And all this without the smallest reference to the opinions of the uncalled and unordained.

 

NEED FOR A COMMON FAITH

 

Now comes the question, why should persons of genuine vocation be asked to take vows before being placed in authority? Is not the vocation a sufficient guarantee of their wisdom?

No. Before priests can govern they must have a common faith as to the fundamental conditions of a stable human society. Otherwise the result might be an assembly of random men of genius unable to agree on a single legislative measure or point of policy. An ecumenical council consisting of Einstein and Colonel Lynch, Aquinas and Francis Bacon, Dante and Galileo, Lenin and Lloyd George, could seldom come to an unanimous decision, if indeed to any decision except in the negative against a minority of one, on any point beyond the capacity of a coroner's jury. The Pope must not be an eccentric genius presiding over a conclave of variously disposed cardinals: he must have an absolutely closed mind on what Herbert Spencer called Social Statics; and in this the cardinals must resemble and agree with him. What is more, they must to some extent represent the conscience of the common people; for it is evident that if they made laws and gave personal directions which would produce general horror or be taken as proofs of insanity their authority would collapse. Hence the need for vows committing all who take them to definite articles of faith on social statics, and to their logical consequences in law and custom. Such vows automatically exclude revolutionary geniuses, who, being uncommon, are not representative, more especially scientific geniuses, with whom it is a point of honor to have unconditionally open minds even on the most apparently sacred subjects.

 

RUSSIA REDISCOVERS THE CHURCH SYSTEM

 

A tremendous importance is given to a clear understanding of the Catholic system at this moment by the staggering fact that the biggest State in the modern world, having made a clean sweep of its Church by denouncing its religion as dope, depriving its priests and bishops of any greater authority than a quack can pick up at a fair, encouraging its most seriously minded children to form a League of the Godless, shooting its pious Tsar, turning its cathedrals into historical museums illustrating the infamies of ecclesiastical history and expressly entitling them anti-religious: in short, addressing itself solemnly and implacably to a root-and-branch extermination of everything that we associate with priesthood, has, under pressure of circumstances, unconsciously and spontaneously established as its system of government an as-close-as-possible reproduction of the hierarchy of the Catholic Church. The nomenclature is changed, of course: the Church is called the Communist Party; and the Holy Office and its familiars are known as the Komintern and the Gay Pay Oo. There is the popular safeguard of having the symptoms of the priestly vocation verified in the first instance by the group of peasants or industrial workers with whom the postulant's daily life has been passed, thus giving a genuine democratic basis to the system; and the hierarchy elected on this basis is not only up to date for the moment, but amenable to the daily lessons of trial and error in its practical operations and in no way pledged against change and innovation as such. But essentially the system is that of the old Christian Catholic Church, even to its fundamental vow of Communism and the death penalty on Ananias and Sapphira for violating it.

If our newspapers knew what is really happening in the world, or could discriminate between the news value of a bicycle accident in Clapham and that of a capsize of civilization, their columns would be full of this literally epoch-making event. And the first question they would address to Russia would be "Why, seeing that the Christian system has been such a hopeless failure, do you go back to it, and invite us to go back to it?"

 

WHY THE CHRISTIAN SYSTEM FAILED

 

The answer is that the Christian system failed, not because it was wrong in its psychology, its fundamental postulate of equality, or its anticipation of Lenin's principle that the rulers must be as poor as the ruled so that they can raise themselves only by raising their people, but because the old priests' ignorance of economics and political science blinded them to the mischief latent in the selfishness of private property in the physical earth. Before the Church knew where it was (it has not quite located itself yet) it found itself so prodigiously rich that the Pope was a secular Italian prince with armies and frontiers, enjoying not only the rent of Church lands, but selling salvation on such a scale that when Torquemada began burning Jews instead of allowing them to ransom their bodies by payments to the Roman treasury, and leaving their souls to God, a first-rate quarrel between the Church and the Spanish Inquisition was the result.

But the riches of the Church were nothing compared to the riches of the Church's great rival, the Empire. And the poverty of the priest was opulence compared to the poverty of the proletarian. Whilst the Church was being so corrupted by its own property, and by the influence on it of the lay proprietors, that it lost all its moral prestige, the warriors and robbers of the Empire had been learning from experience that a pirate ship needs a hierarchy of officers and an iron discipline even more than police boats, and that the work of robbing the poor all the time involves a very elaborate system of government to ensure that the poor shall, like bees, continue to produce not only their own subsistence but the surplus that can be robbed from them without bringing on them the doom of the goose that lays the golden eggs. Naked coercion is so expensive that it became necessary to practise on the imaginations of the poor to the extent of making them believe that it is a pious duty to be robbed, and that their moment of life in this world is only a prelude to an eternity in which the poor will be blest and happy, and the rich horribly tortured.

Matters at last reached a point at which there was more law and order in the Empire than in The Church. Emperor Philip of Spain was enormously more respectable and pious, if less amiable, than Pope Alexander Borgia. The Empire gained moral prestige as The Church lost it until the Empire, virtuously indignant, took it on itself to reform The Church, all the more readily as the restoration of priestly poverty was a first-rate excuse for plundering it.

Now The Church could not with any decency allow itself to be reformed by a plutocracy of pirate kings, robber barons, commercial adventurers, moneylenders, and deserters from its own ranks. It reformed itself from within by its own saints and the Orders they founded, and thus "dished" the Reformation; whilst the Reformers set up national Churches and free Churches of their own under the general definition of Protestants, and thereby found themselves committed to a curious adulteration of their doctrine of Individualism, or the right of private judgment, with most of the ecclesiastical corruptions against which they had protested. And as neither Church nor Empire would share the government of mankind with the other nor allow the common people any say in the matter, the Catholics and Protestants set to work to exterminate one another with rack and stake, fire, sword, and gunpowder, aided by the poison gas of scurrilous calumny, until the very name of religion began to stink in the nostrils of all really charitable and faithful people.

 

GOVERNMENT BY EVERYBODY

 

The moral drawn from all this was that as nobody could be trusted to govern the people the people must govern themselves, which was nonsense. Nevertheless it was assumed that by inscribing every man's name on a register of voters we could realize the ideal of every man his own Solon and his own Plato, as to which one could only ask why not every man his own Shakespear and his own Einstein? But this assumption suited the plutocrats very well, as they had only to master the easy art of stampeding elections by their newspapers to do anything they liked in the name of the people. Votes for everybody (called for short, Democracy) ended in government neither of the best nor of the worst, but in an official government which could do nothing but talk, and an actual government of landlords, employers, and financiers at war with an Opposition of trade unionists, strikers, pickets, and--occasionally--rioters. The resultant disorder, indiscipline, and breakdown of distribution, produced a reaction of pure disappointment and distress in which the people looked wildly round for a Savior, and were ready to give a hopeful trial to anyone bold enough to assume dictatorship and kick aside the impotent official government until he had completely muzzled and subjugated it.

 

FAILURE ALL ROUND

 

That is the history of Catholicism and Protestantism. Church and Empire, Liberalism and Democracy, up to date. Clearly a ghastly failure, both positively as an attempt to solve the problem of government and negatively as an attempt to secure freedom of thought and facility of change to keep pace with thought.

Now this does not mean in the least that the original Catholic plan was wrong. On the contrary, all the disasters to which it has led have been demonstrations of the eternal need for it. The alternative to vocational government is a mixture of a haporth of very incompetent official government with an intolerable deal of very competent private tyranny. Providence, or Nature if you prefer that expression, has not ordained that all men shall have a vocation for being "servants of all the rest" as saints or rulers. Providence knows better than to provide armies consisting exclusively of commanders-in-chief or factories staffed exclusively with managing directors; and to that inexorable natural fact we shall always have to come back, just as the Russian revolutionists, who were reeking with Protestant Liberal superstitions at the beginning, have had to come back to it. But we have now thought out much more carefully than St Peter the basic articles of faith, without which the vocation of the priest is inevitably pushed out by the vocation of the robbers and the racketeers, self-elected as gentlemen and ladies. We know that private property distributes wealth, work, and leisure so unevenly that a wretchedly poor and miserably overworked majority are forced to maintain a minority inordinately rich and passionately convinced that labor is so disgraceful to them that they dare not be seen carrying a parcel down Bond Street. We know that the strains set up by such a division of interests also destroys peace, justice, religion, good breeding, honor, reasonable freedom, and everything that government exists to secure, and that all this iniquity arises automatically when we thoughtlessly allow a person to own a thousand acres of land in the middle of London much more completely than he owns the pair of boots in which he walks over it; for he may not kick me out of my house into the street with his boots; but he may do so with his writ of ejectment. And so we are driven to the conclusion that the modern priesthood must utterly renounce, abjure, abhor, abominate and annihilate private property as the very worst of all the devil's inventions for the demoralization and damnation of mankind. Civilized men and women must live by their ordered and equal share in the work needed to support the community, and must find their freedom in their ordered and equal share of the leisure produced by scientific economy in producing that support. It still takes some conviction to repudiate an institution so well spoken of as private property; but the facts must be faced: our clandestine methods of violating it by income tax and surtax, which mean only "What a thief stole steal thou from the thief," will no longer serve; for a modern government, as the Russians soon found out, must not take money, even from thieves, until it is ready to employ it productively. To throw it away in doles as our governing duffers do, is to burn the candle at both ends and precipitate the catastrophe they are trying to avert.

 

OBSOLETE VOWS

 

As to the vows, some of the old ones must go. The Catholic Church and our Board of Education insist on celibacy, the one for priests and the other for schoolmistresses. That is a remnant of the cynical superstition of original sin. Married people have a right to married rulers; mothers have a right to have their children taught and handled by mothers; and priests and pastors who meddle with family affairs should know what they are talking about.

Another important modern discovery is that government is not a whole-time job for all its agents. A council of peasants derives its ancient wisdom from its normal day's work on the land, without which it would be a council of tramps and village idiots. It is not desirable that an ordinary parish priest should have no other occupation, nor an abnormal occupation, even that of a scholar. Nor is it desirable that his uniform should be too sacerdotal; for that is the method of idolatry, which substitutes for rational authority the superstitious awe produced by a contrived singularity. St Vincent de Paul knew thoroughly well what he was about when he constituted his Sisterhood of Charity on the rule that the sister should not be distinguishable from an ordinary respectable woman. Unfortunately, the costume prescribed under this rule has in the course of the centuries become as extraordinary as that of the Bluecoat boy; and St Vincent's idea is consequently lost; but modern industrial experience confirms it; for the latest rediscovery of the Vincentian principle has been made by Mr Ford, who has testified that if you want a staff of helpful persons who will turn their hands to anything at need you must not give them either title, rank, or uniform, as the immediate result will be their partial disablement by the exclusion from their activities of many of the most necessary jobs as beneath their dignity.

Another stipulation made by St Vincent, who already in the sixteenth century was far ahead of us, was that no sister may pledge herself for longer than a year at a time, however often she may renew her vows. Thus the sisters can never lose their freedom nor suffer from cold feet. If he were alive today St Vincent would probably propose a clean sweep of all our difficulties about marriage and divorce by forbidding people to marry for longer than a year, and make them renew their vows every twelve months. In Russia the members of the Communist Party cannot dedicate themselves eternally: they can drop out into the laity when they please, and if they do not please and nevertheless have become slack in their ministry, they are pushed out.

 

SUPERNATURAL PRETENSIONS

 

Furthermore, modern priests must not make supernatural pretensions. They must not be impostors. A vocation for politics, though essentially a religious vocation, must be on the same footing as a vocation for music or mathematics or cooking or nursing or acting or architecture or farming or billiards or any other born aptitude. The authority which must attach to all public officials and councils must rest on their ability and efficiency. In the Royal Navy every mishap to a ship involves a court martial on the responsible officer: if the officer makes a mistake he forfeits his command unless he can convince the court that he is still worthy of it. In no other way can our hackneyed phrase "responsible government" acquire any real meaning. When a Catholic priest goes wrong (or too right) he is silenced: when a Russian Commissar goes wrong, he is expelled from the Party. Such responsibility necessarily makes official authority very authoritative and frightens off the unduly nervous. Stalin and Mussolini are the most responsible statesmen in Europe because they have no hold on their places except their efficiency; and their authority is consequently greater than that of any of the monarchs, presidents, and prime ministers who have to deal with them. Stalin is one of the higher functionaries with whom governing is necessarily a whole-time job. But he is no richer than his neighbors, and can "better himself" only by bettering them, not by buttering them like a British demagogue.

 

ECLECTIC DEMOCRACY

 

I think my views on intellectual aristocracy and democracy and all the rest of it are now plain enough. As between the intentions of The Church and the intentions of The Empire (unrealized ideals both) I am on the side of The Church. As to the evil done by The Church with the best intentions and the good done by The Empire with the worst, I am an Eclectic: there is much to be learnt from each. I harp on Russia because the Moscow experiment is the only really new departure from Tweedledum and Tweedledee: Fascism is still wavering between Empire and Church, between private property and Communism. Years ago, I said that what democracy needed was a trustworthy anthropometric machine for the selection of qualified rulers. Since then I have elaborated this by demanding the formation of panels of tested persons eligible for the different grades in the governmental hierarchy. Panel A would be for diplomacy and international finance, Panel B for national affairs, Panel C for municipal and county affairs, Panel D for the village councils and so forth. Under such a panel system the voters would lose their present liberty to return such candidates as the late Horatio Bottomley to parliament by enormous majorities; but they would gain the advantage of at least knowing that their rulers know how to read and write, which they do not enjoy at present.

Nobody ventured to disagree with me when I urged the need for such panels; but when I was challenged to produce my anthropometric machine or my endocrine or phrenological tests, I was obliged to confess that they had not yet been invented, and that such existing attempts at them as competitive examinations are so irrelevant and misleading as to be worse than useless as tests of vocation. But the Soviet system, hammered out under the sternest pressure of circumstances, supplies an excellent provisional solution, which turns out to be the solution of the old Catholic Church purged of supernatural pretension, assumption of final perfection, and the poison of private property with its fatal consequences. Mr Stalin is not in the least like an Emperor, nor an Archbishop, nor a Prime Minister, nor a Chancellor; but he would be strikingly like a Pope, claiming for form's sake an apostolic succession from Marx, were it not for his frank method of Trial and Error, his entirely human footing, and his liability to removal at a moment's notice if his eminence should upset his mental balance. At the other end of the scale are the rank and file of the Communist Party, doing an ordinary day's work with the common folk, and giving only their leisure to the Party. For their election as representatives of the commons they must depend on the votes of their intimate and equal neighbors and workmates. They have no incentive to seek election except the vocational incentive; for success, in the first instance, means, not release from the day's ordinary work, but the sacrifice of all one's leisure to politics, and, if promotion to the whole-time-grades be achieved, a comparatively ascetic discipline and virtually no pecuniary gain.

If anyone can suggest a better practically tested plan, now is the time to do it; for it is all up with the old Anarchist-Liberal parliamentary systems in the face of thirty millions of unemployed, and World Idiotic Conferences at which each nation implores all the others to absorb its unemployed by a revival of international trade. Mr Chesterton says truly that a government, if it is to govern, "cannot select one ruler to do something and another to undo it, one intellectual to restore the nation and another to ruin the nation." But that is precisely what our parliamentary party system does. Mr Chesterton has put it in a nutshell; and I hope he will appreciate the sound Catholicism with which I have cracked it.

 

AYOT ST LAWRENCE, 1933

 

 

 

TOO TRUE TO BE GOOD

 

ACT I

 

Night. One of the best bedrooms in one of the best suburban villas in one of the richest cities in England. A young lady with an unhealthy complexion is asleep in the bed. A small table at the head of the bed, convenient to her right hand, and crowded with a medicine bottle, a measuring glass, a pill box, a clinical thermometer in a glass of water, a half read book with the place marked by a handkerchief, a powder puff and handmirror, and an electric bell handle on a flex, shews that the bed is a sick bed and the young lady an invalid.

The furniture includes a very handsome dressing table with silverbacked hairbrushes and toilet articles, a dainty pincushion, a stand of rings, a jewel box of black steel with the lid open and a rope of pearls heaped carelessly half in and half out, a Louis Quinze writing table and chair with inkstand, blotter, and cabinet of stationery, a magnificent wardrobe, a luxurious couch, and a tall screen of Chinese workmanship which, like the expensive carpet and everything else in the room, proclaims that the owner has money enough to buy the best things at the best shops in the best purchaseable taste.

The bed is nearly in the middle of the room, so that the patient's nurses can pass freely between the wall and the head of it. If we contemplate the room from the foot of the bed, with the patient's toes pointing straight at us, we have the door (carefully sandbagged lest a draught of fresh air should creep underneath) level with us in the righthand wall, the couch against the same wall farther away, the window (every ray of moonlight excluded by closed curtains and a dark green spring blind) in the middle of the left wall with the wardrobe on its right and the writing table on its left, the screen at right angles to the wardrobe, and the dressing table against the wall facing us halfway between the bed and the couch.

Besides the chair at the writing table there is an easy chair at the medicine table, and a chair at each side of the dressing table.

The room is lighted by invisible cornice lights, and by two mirror lights on the dressing table and a portable one on the writing table; but these are now switched off; and the only light in action is another portable one on the medicine table, very carefully subdued by a green shade.

The patient is sleeping heavily. Near her, in the easy chair, sits a Monster. In shape and size it resembles a human being; but in substance it seems to be made of a luminous jelly with a visible skeleton of short black rods. It drops forward in the chair with its head in its hands, and seems in the last degree wretched.

 

THE MONSTER. Oh! Oh!! Oh!!! I am so ill! so miserable! Oh, I wish I were dead. Why doesnt she die and release me from my sufferings? What right has she to get ill and make me ill like this? Measles: thats what she's got. Measles! German measles! And she's given them to me, a poor innocent microbe that never did her any harm. And she says that I gave them to her. Oh, is this justice? Oh, I feel so rotten. I wonder what my temperature is: they took it from under her tongue half an hour ago. [Scrutinizing the table and discovering the thermometer in the glass]. Here's the thermometer: theyve left it for the doctor to see instead of shaking it down. If it's over a hundred I'm done for: I darent look. Oh, can it be that I'm dying? I must look. [It looks, and drops the thermometer back into the glass with a gasping scream]. A hundred and three! It's all over. [It collapses].

The door opens; and an elderly lady and a young doctor come in. The lady steals along on tiptoe, full of the deepest concern for the invalid. The doctor is indifferent, but keeps up his bedside manner carefully, though he evidently does not think the case is so serious as the lady does. She comes to the bedside on the invalid's left. He comes to the other side of the bed and looks attentively at his patient.

THE ELDERLY LADY [in a whisper sibilant enough to wake the dead] She is asleep.

THE MONSTER. I should think so. This fool here, the doctor, has given her a dose of the latest fashionable opiate that would keep a cock asleep till half past eleven on a May morning.

THE ELDERLY LADY. Oh doctor, do you think there is any chance? Can she possibly survive this last terrible complication?

THE MONSTER. Measles! He mistook it for influenza.

THE ELDERLY LADY. It was so unexpected! such a crushing blow! And I have taken such care of her. She is my only surviving child: my pet: my precious one. Why do they all die? I have never neglected the smallest symptom of illness. She has had doctors in attendance on her almost constantly since she was born.

THE MONSTER. She has the constitution of a horse or she'd have died like the others.

THE ELDERLY LADY. Oh, dont you think, dear doctor--of course you know best; but I am so terribly anxious--dont you think you ought to change the prescription? I had such hopes of that last bottle; but you know it was after that that she developed measles.

THE DOCTOR. My dear Mrs Mopply, you may rest assured that the bottle had nothing to do with the measles. It was merely a gentle tonic--

THE MONSTER. Strychnine!

THE DOCTOR.--to brace her up.

THE ELDERLY LADY. But she got measles after it.

THE DOCTOR. That was a specific infection: a germ, a microbe.

THE MONSTER. Me! Put it all on me.

THE ELDERLY LADY. But how did it get in? I keep the windows closed so carefully. And there is a sheet steeped in carbolic acid always hung over the door.

THE MONSTER [in tears] Not a breath of fresh air for me!

THE DOCTOR. Who knows? It may have lurked here since the house was built. You never can tell. But you must not worry. It is not serious: a light rubeola: you can hardly call it measles. We shall pull her through, believe me.

THE ELDERLY LADY. It is such a comfort to hear you say so, doctor. I am sure I shall never be able to express my gratitude for all you have done for us.

THE DOCTOR. Oh, that is my profession. We do what we can.

THE ELDERLY LADY. Yes; but some doctors are dreadful. There was that man at Folkestone: he was impossible. He tore aside the curtain and let the blazing sunlight into the room, though she cannot bear it without green spectacles. He opened the windows and let in all the cold morning air. I told him he was a murderer; and he only said "One guinea, please". I am sure he let in that microbe.

THE DOCTOR. Oh, three months ago! No: it was not that.

THE ELDERLY LADY. Then what was it? Oh, are you quite quite sure that it would not be better to change the prescription?

THE DOCTOR. Well, I have already changed it.

THE MONSTER. Three times!

THE ELDERLY LADY. Oh, I know you have, doctor: nobody could have been kinder. But it really did not do her any good. She got worse.

THE DOCTOR. But, my dear lady, she was sickening for measles. That was not the fault of my prescription.

THE ELDERLY LADY. Oh, of course not. You mustnt think that I ever doubted for a moment that everything you did was for the best. Still--

THE DOCTOR. Oh, very well, very well: I will write another prescription.

THE ELDERLY LADY. Oh, thank you, thank you: I felt sure you would. I have so often known a change of medicine work wonders.

THE DOCTOR. When we have pulled her through this attack I think a change of air--

THE ELDERLY LADY. Oh no: dont say that. She must be near a doctor who knows her constitution. Dear old Dr Newland knew it so well from her very birth.

THE DOCTOR. Unfortunately, Newland is dead.

THE ELDERLY LADY. Yes; but you bought his practice. I should never be easy in my mind if you were not within call. You persuaded me to take her to Folkestone; and see what happened! No: never again.

THE DOCTOR. Oh, well! [He shrugs his shoulders resignedly, and goes to the bedside table]. What about the temperature?

THE ELDERLY LADY. The day nurse took it. I havnt dared to look.

THE DOCTOR [looking at the thermometer] Hm!

THE ELDERLY LADY [trembling] Has it gone up? Oh, doctor!

THE DOCTOR [hastily shaking the mercury down] No. Nothing. Nearly normal.

THE MONSTER. Liar!

THE ELDERLY LADY. What a relief!

THE DOCTOR. You must be careful, though. Dont fancy she's well yet: she isnt. She must not get out of bed for a moment. The slightest chill might be serious.

THE ELDERLY LADY. Doctor: are you sure you are not concealing something from me? Why does she never get well in spite of the fortune I have spent on her illnesses? There must be some deep-rooted cause. Tell me the worst: I have dreaded it all my life. Perhaps I should have told you the whole truth; but I was afraid. Her uncle's stepfather died of an enlarged heart. Is that what it is?

THE DOCTOR. Good gracious, NO! What put that into your head?

THE ELDERLY LADY. But even before this rash broke out there were pimples.

THE MONSTER. Boils! Too many chocolate creams.

THE DOCTOR. Oh, that! Nothing. Her blood is not quite what it should be. But we shall get that right.

THE ELDERLY LADY. You are sure it is not her lungs?

THE DOCTOR. My good lady, her lungs are as sound as a seagull's.

THE ELDERLY LADY. Then it must be her heart. Dont deceive me. She has palpitations. She told me the other day that it stopped for five minutes when that horrid nurse was rude to her.

THE DOCTOR. Nonsense! She wouldnt be alive now if her heart had stopped for five seconds. There is nothing constitutionally wrong. A little below par: that is all. We shall feed her up scientifically. Plenty of good fresh meat. A half bottle of champagne at lunch and a glass of port after dinner will make another woman of her. A chop at breakfast, rather underdone, is sometimes very helpful.

THE MONSTER. I shall die of overfeeding. So will she too: thats one consolation.

THE DOCTOR. Dont worry about the measles. It's really quite a light case.

THE ELDERLY LADY. Oh, you can depend on me for that. Nobody can say that I am a worrier. You wont forget the new prescription?

THE DOCTOR. I will write it here and now [he takes out his pen and book, and sits down at the writing table].

THE ELDERLY LADY. Oh, thank you. And I will go and see what the new night nurse is doing. They take so long with their cups of tea [she goes to the door and is about to go out when she hesitates and comes back]. Doctor: I know you dont believe in inoculations; but I cant help thinking she ought to have one. They do so much good.

THE DOCTOR [almost at the end of his patience] My dear Mrs Mopply: I never said that I dont believe in inoculations. But it is no use inoculating when the patient is already fully infected.

THE ELDERLY LADY. But I have found it so necessary myself. I was inoculated against influenza three years ago; and I have had it only four times since. My sister has it every February. Do, to please me, give her an inoculation. I feel such a responsibility if anything is left undone to cure her.

THE DOCTOR. Oh very well, very well: I will see what can be done. She shall have both an inoculation and a new prescription. Will that set your mind at rest?

THE ELDERLY LADY. Oh, thank you. You have lifted such a weight from my conscience. I feel sure they will do her the greatest good. And now excuse me a moment while I fetch the nurse. [She goes out].

THE DOCTOR. What a perfectly maddening woman!

THE MONSTER [rising and coming behind him] Yes: aint she?

THE DOCTOR [starting] What! Who is that?

THE MONSTER. Nobody but me and the patient. And you have dosed her so that she wont speak again for ten hours. You will overdo that some day.

THE DOCTOR. Rubbish! She thought it was an opiate; but it was only an aspirin dissolved in ether. But who am I talking to? I must be drunk.

THE MONSTER. Not a bit of it.

THE DOCTOR. Then who are you? What are you? Where are you? Is this a trick?

THE MONSTER. I'm only an unfortunate sick bacillus.

THE DOCTOR. A sick bacillus!

THE MONSTER. Yes. I suppose it never occurs to you that a bacillus can be sick like anyone else.

THE DOCTOR. Whats the matter with you?

THE MONSTER. Measles.

THE DOCTOR. Rot! The microbe of measles has never been discovered. If there is a microbe it cannot be measles: it must be parameasles.

THE MONSTER. Great Heavens! what are parameasles?

THE DOCTOR. Something so like measles that nobody can see any difference.

THE MONSTER. If there is no measles microbe why did you tell the old girl that her daughter caught measles from a microbe?

THE DOCTOR. Patients insist on having microbes nowadays. If I told her there is no measles microbe she wouldnt believe me; and I should lose my patient. When there is no microbe I invent one. Am I to understand that you are the missing microbe of measles, and that you have given them to this patient here?

THE MONSTER. No: she gave them to me. These humans are full of horrid diseases: they infect us poor microbes with them; and you doctors pretend that it is we that infect them. You ought all to be struck off the register.

THE DOCTOR. We should be, if we talked like that.

THE MONSTER. Oh, I feel so wretched! Please cure my measles.

THE DOCTOR. I cant. I cant cure any disease. But I get the credit when the patients cure themselves. When she cures herself she will cure you too.

THE MONSTER. But she cant cure herself because you and her mother wont give her a dog's chance. You wont let her have even a breath of fresh air. I tell you she's naturally as strong as a rhinoceros. Curse your silly bottles and inoculations! Why dont you chuck them and turn faith healer?

THE DOCTOR. I am a faith healer. You dont suppose I believe the bottles cure people? But the patient's faith in the bottle does.

THE MONSTER. Youre a humbug: thats what you are.

THE DOCTOR. Faith is humbug. But it works.

THE MONSTER. Then why do you call it science?

THE DOCTOR. Because people believe in science. The Christian Scientists call their fudge science for the same reason.

THE MONSTER. The Christian Scientists let their patients cure themselves. Why dont you?

THE DOCTOR. I do. But I help them. You see, it's easier to believe in bottles and inoculations than in oneself and in that mysterious power that gives us our life and that none of us knows anything about. Lots of people believe in the bottles and wouldnt know what you were talking about if you suggested the real thing. And the bottles do the trick. My patients get well as often as not. That is, unless their number's up. Then we all have to go.

THE MONSTER. No girl's number is up until she's worn out. I tell you this girl could cure herself and cure me if youd let her.

THE DOCTOR. And I tell you that it would be very hard work for her. Well, why should she work hard when she can afford to pay other people to work for her? She doesnt black her own boots or scrub her own floors. She pays somebody else to do it. Why should she cure herself, which is harder work than blacking boots or scrubbing floors, when she can afford to pay the doctor to cure her? It pays her and it pays me. That's logic, my friend. And now, if you will excuse me, I shall take myself off before the old woman comes back and provokes me to wring her neck. [Rising] Mark my words: someday somebody will fetch her a clout over the head. Somebody who can afford to. Not the doctor. She has driven me mad already: the proof is that I hear voices and talk to them. [He goes out].

THE MONSTER. Youre saner than most of them, you fool. They think I have the keys of life and death in my pocket; but I have nothing but a horrid headache. Oh dear! oh dear!

The Monster wanders away behind the screen. The patient, left alone, begins to stir in her bed. She turns over and calls querulously for somebody to attend to her.

THE PATIENT. Nurse! Mother! Oh, is anyone there? [Crying] Selfish beasts! to leave me like this. [She snatches angrily at the electric bell which hangs within her reach and presses the button repeatedly].

The Elderly Lady and the night nurse come running in. The nurse is young, quick, active, resolute, and decidedly pretty. Mrs Mopply goes to the bedside table, the nurse going to the patient's left.

THE ELDERLY LADY. What is it, darling? Are you awake? Was the sleeping draught no good? Are you worse? What has happened? What has become of the doctor?

THE PATIENT. I am in the most frightful agony. I have been lying here ringing for ages and ages, and no one has come to attend to me. Nobody cares whether I am alive or dead.

THE ELDERLY LADY. Oh, how can you say such things, darling? I left the doctor here. I was away only for a minute. I had to receive the new night nurse and give her her instructions. Here she is. And oh, do cover up your arm, darling. You will get a chill; and then it will be all over. Nurse: see that she is never uncovered for a moment. Do you think it would be well to have another hot water bottle against her arm until it is quite warm again? Do you feel it cold, darling?

THE PATIENT [angrily] Yes, deadly cold.

THE ELDERLY LADY. Oh dont say that. And there is so much pneumonia about. I wish the doctor had not gone. He could sound your lungs--

NIGHT NURSE [feeling the patient's arm] She is quite warm enough.

THE PATIENT [bursting into tears] Mother: take this hateful woman away. She wants to kill me.

THE ELDERLY LADY. Oh no, dear: she has been so highly recommended. I cant get a new nurse at this hour. Wont you try, for my sake, to put up with her until the day nurse comes in the morning?

THE NURSE. Come! Let me arrange your pillows and make you comfortable. You are smothered with all this bedding. Four thick blankets and an eiderdown! No wonder you feel irritable.

THE PATIENT [screaming] Dont touch me. Go away. You want to murder me. Nobody cares whether I am alive or dead.

THE ELDERLY LADY. Oh, darling, dont keep on saying that. You know it's not true; and it does hurt me so.

THE NURSE. You must not mind what a sick person says, madam. You had better go to bed and leave the patient to me. You are quite worn out. [She comes to Mrs Mopply and takes her arm coaxingly but firmly].

THE ELDERLY LADY. I know I am: I am ready to drop. How sympathetic of you to notice it! But how can I leave her at such a moment?

THE NURSE. She ought not to have more than one person in the room at a time. You see how it excites and worries her.

THE ELDERLY LADY. Oh, thats very true. The doctor said she was to be kept as quiet as possible.

THE NURSE [leading her to the door] You need a good night's sleep. You may trust me to do what is right and necessary.

THE ELDERLY LADY [whispering] I will indeed. How kind of you! You will let me know if anything--

THE NURSE. Yes, yes. I promise to come for you and wake you if anything happens. Good night, madam.

THE ELDERLY LADY [sotto voce] Good night. [She steals out].

The nurse, left alone with her patient, pays no attention to her, but goes to the window. She opens the curtains and raises the blind, admitting a flood of moonlight. She unfastens the sash and throws it right up. She then makes for the door where the electric switch is.

THE PATIENT [huddling herself up in the bedclothes] What are you doing? Shut that window and pull down that blind and close those curtains at once. Do you want to kill me?

The nurse turns all the lights full on.

THE PATIENT [hiding her eyes] Oh! Oh! I cant bear it: turn it off.

The nurse switches the lights off.

THE PATIENT. So inconsiderate of you!

The nurse switches the lights on again.

THE PATIENT. Oh, please, please. Not all that light.

The nurse switches off.

THE PATIENT. No, no. Leave me something to read by. My bedside lamp is not enough, you stupid idiot.

The nurse switches on again, and calmly returns to the bedside.

THE PATIENT. I cant imagine how anyone can be so thoughtless and clumsy when I am so ill. I am suffering horribly. Shut that window and switch off half those lights at once: do you hear?

The nurse snatches the eiderdown and one of the pillows rudely from the bed, letting the patient down with a jerk, and arranges them comfortably in the bedside chair.

THE PATIENT. How dare you touch my pillow? The audacity!

The nurse sits down; takes out a leaf from an illustrated journal; and proceeds to study it attentively.

THE PATIENT. Well! How much longer are you going to sit there neglecting me? Shut that window instantly.

THE NURSE [insolently, in her commonest dialect] Oh go to--to sleep [she resumes her study of the document].

THE PATIENT. Dont dare address me like that. I dont believe you are a properly qualified nurse.

THE NURSE [calmly] I should think not. I wouldnt take five thousand a year to be a nurse. But I know how to deal with you and your like, because I was once a patient in a hospital where the women patients were a rough lot, and the nurses had to treat them accordingly. I kept my eyes open there, and learnt a little of the game. [She takes a paper packet from her pocket and opens it on the bedside table. It contains about half a pound of kitchen salt]. Do you know what that is and what it's for?

THE PATIENT. Is it medicine?

THE NURSE. Yes. It's a cure for screaming and hysterics and tantrums. When a woman starts making a row, the first thing she does is to open her mouth. A nurse who knows her business just shoves a handful of this into it. Common kitchen salt. No more screaming. Understand?

THE PATIENT [hardily] No I dont [she reaches for the bell].

THE NURSE [intercepting her quickly] No you dont. [She throws the bell cord with its button away on the floor behind the bed]. Now we shant be disturbed. No bell. And if you open your mouth too wide, youll get the salt. See?

THE PATIENT. And do you think I am a poor woman in a hospital whom you can illtreat as you please? Do you know what will happen to you when my mother comes in the morning?

THE NURSE. In the morning, darling, I shall be over the hills and far away.

THE PATIENT. And you expect me, sick as I am, to stay here alone with you!

THE NURSE. We shant be alone. I'm expecting a friend.

THE PATIENT. A friend!

THE NURSE. A gentleman friend. I told him he might drop in when he saw the lights switched off twice.

THE PATIENT. So that was why--

THE NURSE. That was why.

THE PATIENT. And you calmly propose to have your young man here in my room to amuse yourself all night before my face.

THE NURSE. You can go to sleep.

THE PATIENT. I shall do nothing of the sort. You will have to behave yourself decently before me.

THE NURSE. Oh, dont worry about that. He's coming on business. He's my business partner, in fact: not my best boy.

THE PATIENT. And can you not find some more suitable place for your business than in my room at night?

THE NURSE. You see, you dont know the nature of the business yet. It's got to be done here and at night. Here he is, I think.

A burglar, well dressed, wearing rubber gloves and a small white mask over his nose, clambers in. He is still in his early thirties, and quite goodlooking. His voice is disarmingly pleasant.

THE BURGLAR. All right, Sweetie?

THE NURSE. All right, Popsy.

The burglar closes the window softly; draws the curtains; and comes past the nurse to the bedside.

THE BURGLAR. Damn it, she's awake. Didnt you give her a sleeping draught?

THE PATIENT. Do you expect me to sleep with you in the room? Who are you? and what are you wearing that mask for?

THE BURGLAR. Only so that you will not recognize me if we should happen to meet again.

THE PATIENT. I have no intention of meeting you again. So you may just as well take it off.

THE NURSE. I havnt broken to her what we are here for, Popsy.

THE PATIENT. I neither know nor care what you are here for. All I can tell you is that if you dont leave the room at once and send my mother to me, I will give you both measles.

THE BURGLAR. We have both had them, dear invalid. I am afraid we must intrude a little longer. [To the nurse] Have you found out where it is?

THE NURSE. No: I havnt had time. The dressing table's over there. Try that.

The burglar crosses to the other side of the bed, coming round by the foot of it, and is making for the dressing table when--

THE PATIENT. What do you want at my dressing table?

THE BURGLAR. Obviously, your celebrated pearl necklace.

THE PATIENT [escaping from her bed with a formidable bound and planting herself with her back to the dressing table as a bulwark for the jewel case] Not if I know it, you shant.

THE BURGLAR [approaching her] You really must allow me.

THE PATIENT. Take that.

Holding on to the table edge behind her, she lifts her foot vigorously waist high, and shoots it hard into his solar plexus. He curls up on the bed with an agonized groan and rolls off on to the carpet at the other side. The nurse rushes across behind the head of the bed and tackles the patient. The patient swoops at her knees; lifts her; and sends her flying. She comes down with a thump flat on her back on the couch. The patient pants hard; sways giddily; staggers to the bed and falls on it, exhausted. The nurse, dazed by the patient's very unexpected athleticism, but not hurt, springs up.

THE NURSE. Quick, Popsy: tie her feet. She's fainted.

THE BURGLAR [utters a lamentable groan and rolls over on his face]!!

THE NURSE. Be quick, will you?

THE BURGLAR [trying to rise] Ugh! Ugh!

THE NURSE [running to him and shaking him] My God, you are a fool, Popsy. Come and help me before she comes to. She's too strong for me.

THE BURGLAR. Ugh! Let me die.

THE NURSE. Are you going to lie there for ever? Has she killed you?

THE BURGLAR [rising slowly to his knees] As nearly as doesnt matter. Oh, Sweetie, why did you tell me that this heavyweight champion was a helpless invalid?

THE NURSE. Shut up. Get the pearls.

THE BURGLAR [rising with difficulty] I dont seem to want any pearls. She got me just in the wind. I am sorry to have been of so little assistance; but oh, my Sweetie-Weetie, Nature never intended us to be burglars. Our first attempt has been a hopeless failure. Let us apologize and withdraw.

THE NURSE. Fathead! Dont be such a coward. [Looking closely at the patient] I say, Popsy: I believe she's asleep.

THE BURGLAR. Let her sleep. Wake not the lioness's wrath.

THE NURSE. You maddening fool, dont you see that we can tie her feet and gag her before she wakes, and get away with the pearls. It's quite easy if we do it quick together. Come along.

THE BURGLAR. Do not deceive yourself, my pet: we should have about as much chance as if we tried to take a female gorilla to the Zoo. No: I am not going to steal those jewels. Honesty is the best policy. I have another idea, and a much better one. You leave this to me. [He goes to the dressing table. She follows him].

THE NURSE. Whatever have you got into your silly head now?

THE BURGLAR. You shall see. [Handling the jewel case] One of these safes that open by a secret arrangement of letters. As they are as troublesome as an automatic telephone nobody ever locks them. Here is the necklace. By Jove! If they are all real, it must be worth about twenty thousand pounds. Gosh! here's a ring with a big blue diamond in it. Worth four thousand pounds if it's worth a penny. Sweetie: we are on velvet for the rest of our lives.

THE NURSE. What good are blue diamonds to us if we dont steal them?

THE BURGLAR. Wait. Wait and see. Go and sit down in that chair and look as like a nice gentle nurse as you can.

THE NURSE. But--

THE BURGLAR. Do as you are told. Have faith--faith in your Popsy.

THE NURSE [obeying] Well, I give it up. Youre mad.

THE BURGLAR. I was never saner in my life. Stop. How does she call people? Hasnt she an electric bell? Where is it?

THE NURSE [picking it up] Here. I chucked it out of her reach when she was grabbing at it.

THE BURGLAR. Put it on the bed close to her hand.

THE NURSE. Popsy: youre off your chump. She--

THE BURGLAR. Sweetie: in our firm I am the brains: you are the hand. This is going to be our most glorious achievement. Obey me instantly.

THE NURSE [resignedly] Oh, very well. [She places the handle of the bell as desired]. I wash my hands of this job. [She sits down doggedly].

THE BURGLAR [coming to the bedside] By the way, she is hardly a success as The Sleeping Beauty. She has a wretched complexion; and her breath is not precisely ambrosial. But if we can turn her out to grass she may put up some good looks. And if her punch is anything like her kick she will be an invaluable bodyguard for us two weaklings--if I can persuade her to join us.

THE NURSE. Join us! What do you mean?

THE BURGLAR. Shshshshsh. Not too much noise: we must wake her gently. [He stoops to the patient's ear and whispers] Miss Mopply.

THE PATIENT [in a murmur of protest] Mmmmmmmmmmmmmmmm.

THE NURSE. What does she say?

THE BURGLAR. She says, in effect, "You have waked me too soon: I must slumber again." [To the patient, more distinctly] It is not your dear mother, Miss Mopply: it is the burglar. [The patient springs half up, threateningly. He falls on his knees and throws up his hands]. Kamerad, Miss Mopply: Kamerad! I am utterly at your mercy. The bell is on your bed, close to your hand: look at it. You have only to press the button to bring your mother and the police in upon me [she seizes the handle of the bell] and be a miserable invalid again for the rest of your life. [She drops the bell thoughtfully]. Not an attractive prospect, is it? Now listen. I have something to propose to you of the greatest importance: something that may make another woman of you and change your entire destiny. You can listen to me in perfect security: at any moment you can ring your bell, or throw us out of the window if you prefer it. I ask you for five minutes only.

THE PATIENT [still dangerously on guard] Well?

THE BURGLAR [rising] Let me give you one more proof of my confidence. [He takes off his mask]. Look. Can you be afraid of such a face? Do I look like a burglar?

THE PATIENT [relaxing, and even shewing signs of goodhumor] No: you look like a curate.

THE BURGLAR [a little hurt] Oh, not a curate. I hope I look at least like a beneficed clergyman. But it is very clever of you to have found me out. The fact is, I am a clergyman. But I must ask you to keep it a dead secret: for my father, who is an atheist, would disinherit me if he knew. I was secretly ordained when I was up at Oxford.

THE PATIENT. Oh, this is ridiculous. I'm dreaming. It must be that new sleeping draught the doctor gave me. But it's delicious, because I'm dreaming that I'm perfectly well. Ive never been so happy in my life. Go on with the dream, Pops: the nicest part of it is that I am in love with you. My beautiful Pops, my own, my darling, you are a perfect film hero, only more like an English gentleman. [She waves him a kiss].

THE NURSE. Well I'll be da--

THE BURGLAR. Shshshshsh. Break not the spell.

THE PATIENT [with a deep sigh of contentment] Let nobody wake me. I'm in heaven. [She sinks back blissfully on her pillows]. Go on, Pops. Tell me another.

THE BURGLAR. Splendid. [He takes a chair from beside the dressing table and seats himself comfortably at the bedside]. We are going to have an ideal night. Now listen. Picture to yourself a heavenly afternoon in July: a Scottish loch surrounded by mirrored mountains, and a boat--may I call it a shallop?--

THE PATIENT [ecstatically] A shallop! Oh, Popsy!

THE BURGLAR.--with Sweetie sitting in the stern, and I stretched out at full length with my head pillowed on Sweetie's knees.

THE PATIENT. You can leave Sweetie out, Pops. Her amorous emotions do not interest me.

THE BURGLAR. You misunderstand. Sweetie's thoughts were far from me. She was thinking about you.

THE PATIENT. Just like her impudence! How did she know about me?

THE BURGLAR. Simply enough. In her lily hand was a copy of The Lady's Pictorial. It contained an illustrated account of your jewels. Can you guess what Sweetie said to me as she gazed at the soft majesty of the mountains and bathed her soul in the beauty of the sunset?

THE PATIENT. Yes. She said "Popsy: we must pinch that necklace."

THE BURGLAR. Exactly. Word for word. But now can you guess what I said?

THE PATIENT. I suppose you said "Right you are, Sweetie" or something vulgar like that.

THE BURGLAR. Wrong. I said, "If that girl had any sense she'd steal the necklace herself."

THE PATIENT. Oh! This is getting interesting. How could I steal my own necklace?

THE BURGLAR. Sell it; and have a glorious spree with the price. See life. Live. You dont call being an invalid living, do you?

THE PATIENT. Why shouldnt I call it living? I am not dead. Of course when I am awake I am terribly delicate--

THE BURGLAR. Delicate! It's not five minutes since you knocked me out, and threw Sweetie all over the room. If you can fight like that for a string of pearls that you never have a chance of wearing, why not fight for freedom to do what you like, with your pocket full of money and all the fun in the wide world at your command? Hang it all, dont you want to be young and goodlooking and have a sweet breath and be a lawn tennis champion and enjoy everything that is to be enjoyed instead of frowsting here and being messed about by your silly mother and all the doctors that live on her folly? Have you no conscience, that you waste God's gifts so shamefully? You think you are in a state of illness. Youre not: youre in a state of sin. Sell the necklace and buy your salvation with the proceeds.

THE PATIENT. Youre a clergyman all right, Pops. But I dont know how to sell the necklace.

THE BURGLAR. I do. Let me sell it for you. You will of course give us a fairly handsome commission on the transaction.

THE PATIENT. Theres some catch in this. If I trust you with it how do I know that you will not keep the whole price for yourself?

THE BURGLAR. Sweetie: Miss Mopply has the makings of a good business woman in her. [To the patient] Just reflect, Mops (Let us call one another Mops and Pops for short). If I steal that necklace, I shall have to sell it as a burglar to a man who will know perfectly well that I have stolen it. I shall be lucky if I get a fiftieth of its value. But if I sell it on the square, as the agent of its lawful owner, I shall be able to get its full market value. The payment will be made to you; and I will trust you to pay me the commission. Sweetie and I will be more than satisfied with fifty per cent.

THE PATIENT. Fifty! Oh!

THE BURGLAR [firmly] I think you will admit that we deserve it for our enterprise, our risk, and the priceless boon of your emancipation from this wretched home. Is it a bargain, Mops?

THE PATIENT. It's a monstrous overcharge; but in dreamland generosity costs nothing. You shall have your fifty. Lucky for you that I'm asleep. If I wake up I shall never get loose from my people and my social position. It's all very well for you two criminals: you can do what you like. If you were ladies and gentlemen, youd know how hard it is not to do what everybody else does.

THE BURGLAR. Pardon me; but I think you will feel more at ease with us if I inform you that we are ladies and gentlemen. My own rank--not that I would presume on it for a moment--is, if you ask Burke or Debrett, higher than your own. Your people's money was made in trade: my people have always lived by owning property or governing Crown Colonies. Sweetie would be a woman of the highest position but for the unfortunate fact that her parents, though united in the sight of Heaven, were not legally married. At least so she tells me.

THE NURSE [hotly] I tell you what is true. [To the patient] Popsy and I are as good company as ever you kept.

THE PATIENT. No, Sweetie: you are a common little devil and a liar. But you amuse me. If you were a real lady you wouldnt amuse me. Youd be afraid to be so unladylike.

THE BURGLAR. Just so. Come! confess! we are better fun than your dear anxious mother and the curate and all the sympathizing relatives, arnt we? Of course we are.

THE PATIENT. I think it perfectly scandalous that you two, who ought to be in prison, are having all the fun while I, because I am respectable and a lady, might just as well be in prison.

THE BURGLAR. Dont you wish you could come with us?

THE PATIENT [calmly] I fully intend to come with you. I'm going to make the most of this dream. Do you forget that I love you, Pops. The world is before us. You and Sweetie have had a week in the land of the mountain and the flood for seven guineas, tips included. Now you shall have an eternity with your Mops in the loveliest earthly paradise we can find, for nothing.

THE NURSE. And where do I come in?

THE PATIENT. You will be our chaperone.

THE NURSE. Chaperone! Well, you have a nerve, you have.

THE PATIENT. Listen. You will be a Countess. We shall go abroad, where nobody will know the difference. You shall have a splendid foreign title. The Countess Valbrioni: doesnt that tempt you?

THE NURSE. Tempt me hell! I'll see you further first.

THE BURGLAR. Stop. Sweetie: I have another idea. A regular dazzler. Lets stage a kidnap.

THE NURSE. What do you mean? stage a kidnap.

THE BURGLAR. It's quite simple. We kidnap Mops: that is, we shall hide her in the mountains of Corsica or Istria or Dalmatia or Greece or in the Atlas or where you please that is out of reach of Scotland Yard. We shall pretend to be brigands. Her devoted mother will cough up five thousand to ransom her. We shall share the ransom fifty-fifty: fifty for Mops, twentyfive for you, twentyfive for me. Mops: you will realize not only the value of the pearls, but of yourself. What a stroke of finance!

THE PATIENT [excited] Greece! Dalmatia! Kidnapped! Brigands! Ransomed! [Collapsing a little] Oh, dont tantalize me, you two fools: you have forgotten the measles.

The Monster suddenly reappears from behind the screen. It is transfigured. The bloated moribund Caliban has become a dainty Ariel.

THE MONSTER [picking up the last remark of the patient] So have you. No more measles: that scrap for the jewels cured you and cured me. Ha ha! I am well, I am well, I am well. [It bounds about ecstatically, and finally perches on the pillows and gets into bed beside the patient].

THE NURSE. If you could jump out of bed to knock out Popsy and me you can jump out to dress yourself and hop it from here. Wrap yourself up well: we have a car waiting.

THE BURGLAR. It's no worse than being taken to a nursing home, Mops. Strike for freedom. Up with you!

They pull her out of bed.

THE PATIENT. But I cant dress myself without a maid.

THE NURSE. Have you ever tried?

THE BURGLAR. We will give you five minutes. If you are not ready we go without you [he looks at his watch].

The patient dashes at the wardrobe and tears out a fur cloak, a hat, a walking dress, a combination, a pair of stockings, black silk breeches, and shoes, all of which she flings on the floor. The nurse picks up most of them; the patient snatches up the rest; the two retire behind the screen. Meanwhile the burglar comes forward to the foot of the bed and comments oratorically, half auctioneer, half clergyman.

THE BURGLAR. Fur cloak. Seal. Old fashioned but worth forty-five guineas. Hat. Quiet and ladylike. Tailor made frock. Combination: silk and wool. Real silk stockings without ladders. Knickers: how daringly modern! Shoes: heels only two inches but no use for the mountains. What a theme for a sermon! The well brought up maiden revolts against her respectable life. The aspiring soul escapes from home, sweet home, which, as a wellknown author has said, is the girl's prison and the woman's workhouse. The intrusive care of her anxious parents, the officious concern of the family clergyman for her salvation and of the family doctor for her health, the imposed affection of uninteresting brothers and sisters, the outrage of being called by her Christian name by distant cousins who will not keep their distance, the invasion of her privacy and independence at every turn by questions as to where she has been and what she has been doing, the whispering behind her back about her chances of marriage, the continual violation of that sacred aura which surrounds every living soul like the halo surrounding the heads of saints in religious pictures: against all these devices for worrying her to death the innermost uppermost life in her rises like milk in a boiling saucepan and cries "Down with you! away with you! henceforth my gates are open to real life, bring what it may. For what sense is there in this world of hazards, disasters, elations and victories, except as a field for the adventures of the life everlasting? In vain do we disfigure our streets with scrawls of Safety First: in vain do the nations clamor for Security, security, security. They who cry Safety First never cross the street: the empires which sacrifice life to security find it in the grave. For me Safety Last; and Forward, Forward, always For--"

THE NURSE [coming from behind the screen] Dry up, Popsy: she's ready.

The patient, cloaked, hatted, and shoed, follows her breathless, and comes to the burglar, on his left.

THE PATIENT. Here I am, Pops. One kiss; and then--Lead on.

THE BURGLAR. Good. Your complexion still leaves something to be desired; but [kissing her] your breath is sweet: you breathe the air of freedom.

THE MONSTER. Never mind her complexion: look at mine!

THE BURGLAR [releasing the patient and turning to the nurse] Did you speak?

THE NURSE. No. Hurry up, will you.

THE BURGLAR. It must have been your mother snoring, Mops. It will be long before you hear that music again. Drop a tear.

THE PATIENT. Not one. A woman's future is not with her mother.

THE NURSE. If you are going to start preaching like Popsy, the milkman will be here before we get away. Remember, I have to take off this uniform and put on my walking things downstairs. Popsy: there may be a copper on his beat outside. Spy out and see. Safety First [she hurries out].

THE BURGLAR. Well, for just this once, safety first [he makes for the window].

THE PATIENT [stopping him] Idiot: the police cant touch you if I back you up. It's I who run the risk of being caught by my mother.

THE BURGLAR. True. You have an unexpectedly powerful mind. Pray Heaven that in kidnapping you I am not biting off more than I can chew. Come along. [He runs out].

THE PATIENT. He's forgotten the pearls!!! Thank Heaven he's a fool, a lovely fool: I shall be able to do as I like with him. [She rushes to the dressing table; bundles the jewels into their case; and carries it out].

THE MONSTER [sitting up] The play is now virtually over; but the characters will discuss it at great length for two acts more. The exit doors are all in order. Goodnight. [It draws up the bedclothes round its neck and goes to sleep].

 

 

ACT II

 

A sea beach in a mountainous country. Sand dunes rise to a brow which cuts off the view of the plain beyond, only the summits of the distant mountain range which bounds it being visible. An army hut on hither side, with a klaxon electric horn projecting from a board on the wall, shews that we are in a military cantoonment. Opposite the hut is a particolored canvas bathing pavilion with a folding stool beside the entrance. As seen from the sand dunes the hut is on the right and the pavilion on the left. From the neighborhood of the hut a date palm throws a long shadow; for it is early morning.

In this shadow sits a British colonel in a deck chair, peacefully reading the weekly edition of The Times, but with a revolver in his equipment. A light cane chair for use by his visitors is at hand by the hut. Though well over fifty, he is still slender, handsome, well set up, and every inch a commanding officer. His full style and title is Colonel Tallboys V.C., D.S.O. He won his cross as a company-officer, and has never looked back since then.

He is disturbed by a shattering series of explosions announcing the approach of a powerful and very imperfectly silenced motor bicycle from the side opposite to the huts.

 

TALLBOYS. Damn that noise!

The unseen rider dismounts and races his engine with a hideous clatter.

TALLBOYS [angrily] Stop that motorbike, will you?

The noise stops; and the bicyclist, having hoiked his machine up on to its stand, taken off his goggles and gloves, and extracted a letter from his carrier, comes past the pavilion into the colonel's view with the letter in his hand.

He is an insignificant looking private soldier, dusty as to his clothes and a bit gritty as to his windbeaten face. Otherwise there is nothing to find fault with: his tunic and puttees are smart and correct, and his speech ready and rapid. Yet the colonel, already irritated by the racket of the bicycle and the interruption to his newspaper, contemplates him with stern disfavor; for there is something exasperatingly and inexplicably wrong about him. He wears a pith helmet with a pagri; and in profile this pagri suggests a shirt which he has forgotten to tuck in behind, whilst its front view as it falls on his shoulders gives a feminine air of having ringlets and a veil which is in the last degree unsoldierly. His figure is that of a boy of seventeen; but he seems to have borrowed a long head and Wellingtonian nose and chin from somebody else for the express purpose of annoying the colonel. Fortunately for him these are offences which cannot be stated on a charge sheet and dealt with by the provo-marshal; and of this the colonel is angrily aware. The dispatch rider seems conscious of his incongruities; for, though very prompt, concise, and soldierly in his replies, he somehow suggests that there is an imprescriptible joke somewhere by an invisible smile which unhappily produces at times an impression of irony.

He salutes; hands the letter to the colonel; and stands at attention.

TALLBOYS [taking the letter] Whats this?

THE RIDER. I was sent with a letter to the headman of the native village in the mountains, sir. That is his answer, sir.

TALLBOYS. I know nothing about it. Who sent you?

THE RIDER. Colonel Saxby, sir.

TALLBOYS. Colonel Saxby has just returned to the base, seriously ill. I have taken over from him. I am Colonel Tallboys.

THE RIDER. So I understand, sir.

TALLBOYS. Well, is this a personal letter to be sent on to him, or is it a dispatch?

THE RIDER. Dispatch, sir. Service document, sir. You may open it.

TALLBOYS [turning in his chair and concentrating on him with fierce sarcasm] Thank you. [He surveys him from his instep to his nose]. What is your name?

THE RIDER. Meek, sir.

TALLBOYS [with disgust] What!

THE RIDER. Meek, sir. M, double e, k.

The colonel looks at him with loathing, and tears open the letter. There is a painful silence whilst he puzzles over it.

TALLBOYS. In dialect. Send the interpreter to me.

MEEK. It's of no consequence, sir. It was only to impress the headman.

TALLBOYS. INNdeed. Who picked you for this duty?

MEEK. Sergeant, sir.

TALLBOYS. He should have selected a capable responsible person, with sufficient style to impress the native headman to whom Colonel Saxby's letter was addressed. How did he come to select you?

MEEK. I volunteered, sir.

TALLBOYS. Did you indeed? You consider yourself an impressive person, eh? You think you carry about with you the atmosphere of the British Empire, do you?

MEEK. No, sir. I know the country. I can speak the dialects a little.

TALLBOYS. Marvellous! And why, with all these accomplishments, are you not at least a corporal?

MEEK. Not educationally qualified, sir.

TALLBOYS. Illiterate! Are you not ashamed?

MEEK. No, sir.

TALLBOYS. Proud of it, eh?

MEEK. Cant help it, sir.

TALLBOYS. Where did you pick up your knowledge of the country?

MEEK. I was mostly a sort of tramp before I enlisted, sir.

TALLBOYS. Well, if I could get hold of the recruiting sergeant who enlisted you, I'd have his stripes off. Youre a disgrace to the army.

MEEK. Yessir.

TALLBOYS. Go and send the interpreter to me. And dont come back with him. Keep out of my sight.

MEEK [hesitates] Er--

TALLBOYS [peremptorily] Now then! Did you hear me give you an order? Send me the interpreter.

MEEK. The fact is, Colonel--

TALLBOYS [outraged] How dare you say Colonel and tell me that the fact is? Obey your order and hold your tongue.

MEEK. Yessir. Sorry, sir. I am the interpreter.

Tallboys bounds to his feet; towers over Meek, who looks smaller than ever; and folds his arms to give emphasis to a terrible rejoinder. On the point of delivering it, he suddenly unfolds them again and sits down resignedly.

TALLBOYS [wearily and quite gently] Very well. If you are the interpreter you had better interpret this for me. [He proffers the letter].

MEEK [not accepting it] No need, thank you, sir. The headman couldnt compose a letter, sir. I had to do it for him.

TALLBOYS. How did you know what was in Colonel Saxby's letter?

MEEK. I read it to him, sir.

TALLBOYS. Did he ask you to?

MEEK. Yessir.

TALLBOYS. He had no right to communicate the contents of such a letter to a private soldier. He cannot have known what he was doing. You must have represented yourself as being a responsible officer. Did you?

MEEK. It would be all the same to him, sir. He addressed me as Lord of the Western Isles.

TALLBOYS. You! You worm! If my letter was sent by the hands of an irresponsible messenger it should have contained a statement to that effect. Who drafted it?

MEEK. Quartermaster's clerk, sir.

TALLBOYS. Send him to me. Tell him to bring his note of Colonel Saxby's instructions. Do you hear? Stop making idiotic faces; and get a move on. Send me the quartermaster's clerk.

MEEK. The fact is--

TALLBOYS [thundering] Again!

MEEK. Sorry, sir. I am the quartermaster's clerk.

TALLBOYS. What! You wrote both the letter and the headman's answer?

MEEK. Yessir.

TALLBOYS. Then either you are lying now or you were lying when you said you were illiterate. Which is it?

MEEK. I dont seem to be able to pass the examination when they want to promote me. It's my nerves, sir, I suppose.

TALLBOYS. Your nerves! What business has a soldier with nerves? You mean that you are no use for fighting, and have to be put to do anything that can be done without it.

MEEK. Yessir.

TALLBOYS. Well, next time you are sent with a letter I hope the brigands will catch you and keep you.

MEEK. There are no brigands, sir.

TALLBOYS. No brigands! Did you say no brigands?

MEEK. Yessir.

TALLBOYS. You are acquainted with the Articles of War, are you not?

MEEK. I have heard them read out, sir.

TALLBOYS. Do you understand them?

MEEK. I think so, sir.

TALLBOYS. You think so! Well, do a little more thinking. You are serving on an expeditionary force sent out to suppress brigandage in this district and to rescue a British lady who is being held for ransom. You know that. You dont think it: you know it, eh?

MEEK. So they say, sir.

TALLBOYS. You know also that under the Articles of War any soldier who knowingly does when on active service any act calculated to imperil the success of his Majesty's forces or any part thereof shall be liable to suffer death. Do you understand? Death!

MEEK. Yessir. Army Act, Part One, Section Four, Number Six. I think you mean Section Five, Number Five, sir.

TALLBOYS. Do I? Perhaps you will be good enough to quote Section Five, Number Five.

MEEK. Yessir. "By word of mouth spreads reports calculated to create unnecessary alarm or despondency."

TALLBOYS. It is fortunate for you, Private Meek, that the Act says nothing about private soldiers who create despondency by their personal appearance. Had it done so your life would not be worth half an hour's purchase.

MEEK. No, sir. Am I to file the letter and the reply with a translation, sir?

TALLBOYS [tearing the letter to pieces and throwing them away] Your folly has made a mockery of both. What did the headman say?

MEEK. Only that the country has very good roads now, sir. Motor coaches ply every day all the year round. The last active brigand retired fifteen years ago, and is ninety years old.

TALLBOYS. The usual tissue of lies. That headman is in league with the brigands. He takes a turn himself occasionally, I should say.

MEEK. I think not, sir. The fact is--

TALLBOYS. Did I hear you say "The fact is"?

MEEK. Sorry, sir. That old brigand was the headman himself. He is sending you a present of a sheep and six turkeys.

TALLBOYS. Send them back instantly. Take them back on your damned bicycle. Inform him that British officers are not orientals, and do not accept bribes from officials in whose districts they have to restore order.

MEEK. He wont understand, sir. He wont believe you have any authority unless you take presents. Besides, they havnt arrived yet.

TALLBOYS. Well, when his messengers arrive pack them back with their sheep and their turkeys and a note to say that my favor can be earned by honesty and diligence, but not purchased.

MEEK. They wont dare take back either the presents or the note, sir. Theyll steal the sheep and turkeys and report gracious messages from you. Better keep the meat and the birds, sir: they will be welcome after a long stretch of regulation food.

TALLBOYS. Private Meek.

MEEK. Yessir.

TALLBOYS. If you should be at any future time entrusted with the command of this expedition you will no doubt give effect to your own views and moral standards. For the present will you be good enough to obey my orders without comment?

MEEK. Yessir. Sorry, sir.

As Meek salutes and turns to go, he is confronted by the nurse, who, brilliantly undressed for bathing under a variegated silk wrap, comes from the pavilion, followed by the patient in the character of a native servant. All traces of the patient's illness have disappeared: she is sunburnt to the color of terra cotta; and her muscles are hard and glistening with unguent. She is disguised en belle sauvage by headdress, wig, ornaments, and girdle proper to no locality on earth except perhaps the Russian ballet. She carries a sun umbrella and a rug.

TALLBOYS [rising gallantly] Ah, my dear Countess, delighted to see you. How good of you to come!

THE COUNTESS [giving him her finger tips] How do, Colonel? Hot, isnt it? [Her dialect is now a spirited amalgamation of the foreign accents of all the waiters she has known].

TALLBOYS. Take my chair. [He goes behind it and moves it nearer to her].

THE COUNTESS. Thanks. [She throws off her wrap, which the patient takes, and flings herself with careless elegance into the chair, calling] Mr Meek. Mr Mee-e-e-eek!

Meek returns smartly, and touches the front of his cap.

THE COUNTESS. My new things from Paris have arrived at last. If you could be so very sweet as to get them to my bungalow somehow. Of course I will pay anything necessary. And could you get a letter of credit cashed for me. I'd better have three hundred pounds to go on with.

MEEK [quite at his ease: unconsciously dropping the soldier and assuming the gentleman] How many boxes, Countess?

THE COUNTESS. Six, I am afraid. Will it be a lot of trouble?

MEEK. It will involve a camel.

THE COUNTESS. Oh, strings of camels if necessary. Expense is no object. And the letter of credit?

MEEK. Sorry, Countess: I have only two hundred on me. You shall have the other hundred tomorrow. [He hands her a roll of notes; and she gives him the letter of credit].

THE COUNTESS. You are never at a loss. Thanks. So good of you.

TALLBOYS. Chut! Dismiss.

Meek comes to attention, salutes, left-turns, and goes out at the double.

TALLBOYS [who has listened to this colloquy in renewed stupefaction] Countess: that was very naughty of you.

THE COUNTESS. What have I done?

TALLBOYS. In camp you must never forget discipline. We keep it in the background; but it is always there and always necessary. That man is a private soldier. Any sort of social relation--any hint of familiarity with him--is impossible for you.

THE COUNTESS. But surely I may treat him as a human being.

TALLBOYS. Most certainly not. Your intention is natural and kindly; but if you treat a private soldier as a human being the result is disastrous to himself. He presumes. He takes liberties. And the consequence of that is that he gets into trouble and has a very bad time of it until he is taught his proper place by appropriate disciplinary measures. I must ask you to be particularly careful with this man Meek. He is only half-witted: he carries all his money about with him. If you have occasion to speak to him, make him feel by your tone that the relation between you is one of a superior addressing a very distant inferior. Never let him address you on his own initiative, or call you anything but "my lady." If there is anything we can do for you we shall be delighted to do it; but you must always ask me.

The patient, greatly pleased with the colonel for snubbing Sweetie, deposits her rug and umbrella on the sand, and places a chair for him on the lady's right with grinning courtesy. She then seats herself on the rug, and listens to them, hugging her knees and her umbrella, and trying to look as indigenous as possible.

TALLBOYS. Thank you. [He sits down].

THE COUNTESS. I am so sorry. But if I ask anyone else they only look helpless and say "You had better see Meek about it."

TALLBOYS. No doubt they put everything on the poor fellow because he is not quite all there. Is it understood that in future you come to me, and not to Meek?

THE COUNTESS. I will indeed, Colonel. I am so sorry, and I thoroughly understand. I am scolded and forgiven, arnt I?

TALLBOYS [smiling graciously] Admonished, we call it. But of course it is not your fault: I have no right to scold you. It is I who must ask your forgiveness.

THE COUNTESS. Granted.

THE PATIENT [in waiting behind them, coughs significantly]!!

THE COUNTESS [hastily] A vulgar expression, Colonel, isnt it? But so simple and direct. I like it.

TALLBOYS. I didnt know it was vulgar. It is concise.

THE COUNTESS. Of course it isnt really vulgar. But a little lower middle class, if you follow me.

THE PATIENT [pokes the chair with the sun umbrella]!

THE COUNTESS [as before] Any news of the brigands, Colonel?

TALLBOYS. No; but Miss Mopply's mother, who is in a distracted condition--very naturally of course, poor woman!--has actually sent me the ransom. She implores me to pay it and release her child. She is afraid that if I make the slightest hostile demonstration the brigands will cut off the girl's fingers and send them in one by one until the ransom is paid. She thinks they may even begin with her ears, and disfigure her for life. Of course that is a possibility: such things have been done; and the poor lady points out very justly that I cannot replace her daughter's ears by exterminating the brigands afterwards, as I shall most certainly do if they dare lay a hand on a British lady. But I cannot countenance such a concession to deliberate criminality as the payment of a ransom. [The two conspirators exchange dismayed glances]. I have sent a message to the old lady by wireless to say that the payment of a ransom is out of the question, but that the British Government is offering a substantial reward for information.

THE COUNTESS [jumping up excitedly] Wotjesoy? A reward on top of the ransom?

THE PATIENT [pokes her savagely with the umbrella]!!!!

TALLBOYS [surprised] No. Instead of the ransom.

THE COUNTESS [recollecting herself] Of course. How silly of me! [She sits down and adds, reflectively] If this native girl could find out anything would she get the reward?

TALLBOYS. Certainly she would. Good idea that: what?

THE COUNTESS. Yes, Colonel, isnt it?

TALLBOYS. By the way, Countess, I met three people yesterday who know you very well.

THE PATIENT [forgetting herself and scrambling forward to her knees] But you--

THE COUNTESS [stopping her with a backhand slap on the mouth] Silence, girl. How dare you interrupt the colonel? Go back to your place and hold your tongue.

The Patient obeys humbly until the Colonel delicately turns his head away, when she shakes her fist threateningly at the smiter.

TALLBOYS. One of them was a lady. I happened to mention your brother's name; and she lit up at once and said "Dear Aubrey Bagot! I know his sister intimately. We were all three children together."

THE COUNTESS. It must have been dear Florence Dorchester. I hope she wont come here. I want to have an absolute holiday. I dont want to see anybody--except you, Colonel.

TALLBOYS. Haw! Very good of you to say so.

The Burglar comes from the bathing tent, very elegant in black and white bathing costume and black silken wrap with white silk lapels: a clerical touch.

TALLBOYS [continuing] Ah, Bagot! Ready for your dip? I was just telling the Countess that I met some friends of yours yesterday. Fancy coming on them out here of all places! Shews how small the world is, after all. [Rising] And now I am off to inspect stores. There is a shortage of maroons that I dont understand.

THE COUNTESS. What a pity! I love maroons. They have such nice ones at that confectioner's near the Place Vendôme.

TALLBOYS. Oh, youre thinking of marrons glacés. No: maroons are fireworks: things that go off with a bang. For signalling.

THE COUNTESS. Oh! the things they used to have in the war to warn us of an air raid?

TALLBOYS. Just so. Well, au revoir.

THE COUNTESS. Au revoir. Au revoir.

The Colonel touches his cap gallantly and bustles off past the hut to his inspection.

THE PATIENT [rising vengefully] You dare smack me in the face again, my girl, and I'll lay you out flat, even if I have to give away the whole show.

THE COUNTESS. Well, you keep that umbrella to yourself next time. What do you suppose I'm made of? Leather?

AUBREY [coming between them] Now! now! now! Children! children! Whats wrong?

THE PATIENT. This silly bitch--

AUBREY. Oh no, no, no, Mops. Damn it, be a lady. Whats the matter, Sweetie?

THE COUNTESS. You shouldnt talk like that, dearie. A low girl might say a thing like that; but youre expected to know better.

AUBREY. Mops: youve shocked Sweetie.

THE PATIENT. Well: do you think she never shocks me? She's a walking earthquake. And now what are we to do if these people the colonel has met turn up? There must be a real Countess Valbrioni.

THE COUNTESS. Not much there isnt. Do you suppose we three are the only liars in the world? All you have to do is to give yourself a swell title, and all the snobs within fifty miles will swear that you are their dearest friend.

AUBREY. The first lesson a crook has to learn, darling, is that nothing succeeds like lying. Make any statement that is so true that it has been staring us in the face all our lives, and the whole world will rise up and passionately contradict you. If you dont withdraw and apologize, it will be the worse for you. But just tell a thundering silly lie that everyone knows is a lie, and a murmur of pleased assent will hum up from every quarter of the globe. If Sweetie had introduced herself as what she obviously is: that is, an ex-hotel chambermaid who became a criminal on principle through the preaching of an ex-army chaplain--me!--with whom she fell in love deeply but transitorily, nobody would have believed her. But she has no sooner made the impossible statement that she is a countess, and that the ex-chaplain is her half stepbrother the Honorable Aubrey Bagot, than clouds of witnesses spring up to assure Colonel Tallboys that it is all gospel truth. So have no fear of exposure, darling; and do you, my Sweetie, lie and lie and lie until your imagination bursts.

THE PATIENT [throwing herself moodily into the deck chair] I wonder are all crooks as fond of preaching as you are.

AUBREY [bending affectionately over her] Not all, dearest. I dont preach because I am a crook, but because I have a gift--a divine gift--that way.

THE PATIENT. Where did you get it? Is your father a bishop?

AUBREY [straightening himself up to declaim] Have I not told you that he is an atheist, and, like all atheists, an inflexible moralist? He said I might become a preacher if I believed what I preached. That, of course, was nonsense: my gift of preaching is not confined to what I believe: I can preach anything, true or false. I am like a violin, on which you can play all sorts of music, from jazz to Mozart. [Relaxing] But the old man never could be brought to see it. He said the proper profession for me was the bar. [He snatches up the rug; replaces it on the patient's left; and throws himself down lazily on it].

THE COUNTESS. Aint we going to bathe?

AUBREY. Oh, dash it, dont lets go into the water. Lets sunbathe.

THE COUNTESS. Lazy devil! [She takes the folding stool from the pavilion, and sits down discontentedly].

THE PATIENT. Your father was right. If you have no conscience about what you preach, your proper job is at the bar. But as you have no conscience about what you do, you will probably end in the dock.

AUBREY. Most likely. But I am a born preacher, not a pleader. The theory of legal procedure is that if you set two liars to expose one another, the truth will emerge. That would not suit me. I greatly dislike being contradicted; and the only place where a man is safe from contradiction is in the pulpit. I detest argument: it is unmannerly, and obscures the preacher's message. Besides, the law is too much concerned with crude facts and too little with spiritual things; and it is in spiritual things that I am interested: they alone call my gift into full play.

THE PATIENT. You call preaching things you dont believe spiritual, do you?

AUBREY. Put a sock in it, Mops. My gift is divine: it is not limited by my petty personal convictions. It is a gift of lucidity as well as of eloquence. Lucidity is one of the most precious of gifts: the gift of the teacher: the gift of explanation. I can explain anything to anybody; and I love doing it. I feel I must do it if only the doctrine is beautiful and subtle and exquisitely put together. I may feel instinctively that it is the rottenest nonsense. Still, if I can get a moving dramatic effect out of it, and preach a really splendid sermon about it, my gift takes possession of me and obliges me to sail in and do it. Sweetie: go and get me a cushion for my head: there's a dear.

THE PATIENT. Do nothing of the kind, Sweetie. Let him wait on himself.

THE COUNTESS [rising] He'd only mess everything about looking for it. I like to have my rooms left tidy. [She goes into the pavilion].

THE PATIENT. Isnt that funny, Pops? She has a conscience as a chambermaid and none as a woman.

AUBREY. Very few people have more than one point of honor, Mops. And lots of them havnt even one.

THE COUNTESS [returning with a silk cushion, which she hurls hard at Aubrey's head] There! And now I give you both notice. I'm getting bored with this place.

AUBREY [making himself comfortable with his cushion] Oh, you are always getting bored.

THE PATIENT. I suppose that means that you are tired of Tallboys.

THE COUNTESS [moving restlessly about] I am fed up with him to that degree that I sometimes feel I could almost marry him, just to put him on the list of the inevitables that I must put up with willynilly, like getting up in the morning, and washing and dressing and eating and drinking: things you darent let yourself get tired of because if you did theyd drive you mad. Lets go and have a bit of real life somewhere.

THE PATIENT. Real life! I wonder where thats to be found! Weve spent nearly six thousand pounds in two months looking for it. The money we got for the necklace wont last for ever.

AUBREY. Sweetie: you will have to stick it in this spot until we touch that ransom; and that's all about it.

THE COUNTESS. I'll do as I like, not what you tell me. And I tell you again--the two of you--you can take a week's notice. I'm bored with this business. I need a change.

AUBREY. What are we to do with her, Mops? Always change! change! change!

THE COUNTESS. Well, I like to see new faces.

AUBREY. I could be happy as a Buddha in a temple, eternally contemplating my own middle and having the same old priest to polish me up every day. But Sweetie wants a new face every fortnight. I have known her fall in love with a new face twice in the same week. [Turning to her] Woman: have you any sense of the greatness of constancy?

COUNTESS. I might be constant if I were a real countess. But I'm only a hotel chambermaid; and a hotel chambermaid gets so used to new faces that at last they become a necessity. [She sits down on the stool].

AUBREY. And the oftener the faces change the more the tips come to, eh?

COUNTESS. Oh, it's not that, though of course that counts. The real secret of it is that though men are awfully nice for the first few days, it doesnt last. You get the best out of men by having them always new. What I say is that a love affair should always be a honeymoon. And the only way to make sure of that is to keep changing the man; for the same man can never keep it up. In all my life I have known only one man that kept it up til he died.

THE PATIENT [interested] Ah! Then the thing is possible?

COUNTESS. Yes: it was a man that married my sister: that was how I came to know about it.

AUBREY. And his ardor never palled? Day in and day out, until death did them part, he was the same as on the wedding day? Is that really true, Sweetie?

THE COUNTESS. It is. But then he beat her on their wedding day; and he beat her just as hard every day afterwards. I made her get a separation order; but she went back to him because nobody else paid her any attention.

AUBREY. Why didnt you tell me that before? I'd have beaten you black and blue sooner than lose you. [Sitting up] Would you believe it, Mops, I was in love with this woman: madly in love with her. She was not my intellectual equal; and I had to teach her table manners. But there was an extraordinary sympathy between our lower centres; and when after ten days she threw me over for another man I was restrained from murder and suicide only by the most resolute exercise of my reasoning powers, my determination to be a civilized man, and fear of the police.

THE COUNTESS. Well, I gave you a good time for the ten days, didnt I? Lots of people dont get that much to look back on. Besides, you know it was for your own good, Popsy. We werent really suited, were we?

AUBREY. You had acquired an insatiable taste for commercial travellers. You could sample them at the rate of three a week. I could not help admiring such amazing mobility of the affections. I had heard operatic tenors bawling Woman is Fickle; but it always seemed to me what was to be dreaded in women was their implacable constancy. But you! Fickle! I should think so.

THE COUNTESS. Well, the travellers were just as bad, you know.

AUBREY. Just as bad! Say just as good. Fickleness means simply mobility, and mobility is a mark of civilization. You should pride yourself on it. If you dont you will lose your self-respect; and I cannot endure a woman who has no self-respect.

THE COUNTESS. Oh, whats the use of us talking about self-respect? You are a thief and so am I. I go a little further than that, myself; and so would you if you were a woman. Dont you be a hypocrite, Popsy: at least not with me.

AUBREY. At least not with you! Sweetie: that touch of concern for my spiritual welfare almost convinces me that you still love me.

THE COUNTESS. Not me. Not much. I'm through with you, my lad. And I cant quite fancy the colonel: he's too old, and too much the gentleman.

AUBREY. He's better than nobody. Who else is there?

THE COUNTESS. Well, there's the sergeant. I daresay I have low tastes; but he's my sort, and the colonel isnt.

THE PATIENT. Have you fallen in love with Sergeant Fielding, Sweetie?

THE COUNTESS. Well, yes; if you like to call it that.

AUBREY. May I ask have you sounded him on the subject?

THE COUNTESS. How can I? I'm a countess; and he's only a sergeant. If I as much as let on that I'm conscious of his existence I give away the show to the colonel. I can only look at him. And I cant do even that when anyone else is looking. And all the time I want to hug him [she breaks down in tears].

AUBREY. Oh for Heaven's sake dont start crying.

THE PATIENT. For all you know, Sweetie, the sergeant may be a happily married man.

THE COUNTESS. What difference does that make to my feelings? I am so lonely. The place is so dull. No pictures. No dances. Nothing to do but be ladylike. And the one really lovable man going to waste! I'd rather be dead.

THE PATIENT. Well, it's just as bad for me.

THE COUNTESS. No it isnt. Youre a real lady: youre broken in to be dull. Besides, you have Popsy. And youre supposed to be our servant. That gives you the run of the whole camp when youre tired of him. You can pick up a private when you like. Whats to prevent you?

THE PATIENT. My ladylike morals, I suppose.

THE COUNTESS. Morals your grandmother! I thought youd left all that flapdoodle behind you when you came away with us.

THE PATIENT. I meant to. Ive tried to. But you shock me in spite of myself every second time you open your mouth.

THE COUNTESS. Dont you set up to be a more moral woman than I am, because youre not.

THE PATIENT. I dont pretend to be. But I may tell you that my infatuation for Popsy, which I now see was what really nerved me to this astonishing breakaway, has been, so far, quite innocent. Can you believe that, you clod?

THE COUNTESS. Oh yes I can: Popsy's satisfied as long as you let him talk. What I mean is--and I tell it to you straight--that with all my faults I'm content with one man at a time.

THE PATIENT. Do you suggest that I am carrying on with two men?

THE COUNTESS. I dont suggest anything. I say what I mean straight out; and if you dont like it you can lump it. You may be in love with Popsy; but youre interested in Private Meek, though what you see in that dry little worm beats me.

THE PATIENT. Have you noticed, my Sweetie, that your big strapping splendid sergeant is completely under the thumb of that dry little worm?

THE COUNTESS. He wont be when I get him under my thumb. But you just be careful. Take this tip from me: one man at a time. I am advising you for your good, because youre only a beginner; and what you think is love, and interest, and all that, is not real love at all: three quarters of it is only unsatisfied curiosity. Ive lived at that address myself; and I know. When I love a man now it's all love and nothing else. It's the real thing while it lasts. I havnt the least curiosity about my lovely sergeant: I know just what he'll say and what he'll do. I just want him to do it.

THE PATIENT [rising, revolted] Sweetie: I really cannot bear any more of this. No doubt it's perfectly true. It's quite right that you should say it frankly and plainly. I envy and admire the frightful coolness with which you plump it all out. Perhaps I shall get used to it in time. But at present it knocks me to pieces. I shall simply have to go away if you pursue the subject. [She sits down in the cane chair with her back to them].

AUBREY. Thats the worst of Sweetie. We all have--to put it as nicely as I can--our lower centres and our higher centres. Our lower centres act: they act with terrible power that sometimes destroys us; but they dont talk. Speech belongs to the higher centres. In all the great poetry and literature of the world the higher centres speak. In all respectable conversation the higher centres speak, even when they are saying nothing or telling lies. But the lower centres are there all the time: a sort of guilty secret with every one of us, though they are dumb. I remember asking my tutor at college whether, if anyone's lower centres began to talk, the shock would not be worse than the one Balaam got when his donkey began talking to him. He only told me half a dozen improper stories to shew how openminded he was. I never mentioned the subject again until I met Sweetie. Sweetie is Balaam's ass.

THE COUNTESS. Keep a civil tongue in your head, Popsy. I--

AUBREY [springing to his feet] Woman: I am paying you a compliment: Balaam's ass was wiser than Balaam. You should read your Bible. That is what makes Sweetie almost superhuman. Her lower centres speak. Since the war the lower centres have become vocal. And the effect is that of an earthquake. For they speak truths that have never been spoken before--truths that the makers of our domestic institutions have tried to ignore. And now that Sweetie goes shouting them all over the place, the institutions are rocking and splitting and sundering. They leave us no place to live, no certainties, no workable morality, no heaven, no hell, no commandments, and no God.

THE PATIENT. What about the light in our own souls that you were so eloquent about the day before yesterday at lunch when you drank a pint of champagne?

AUBREY. Most of us seem to have no souls. Or if we have them, they have nothing to hang on to. Meanwhile, Sweetie goes on shouting. [He takes refuge in the deck chair].

THE COUNTESS [rising] Oh, what are you gassing about? I am not shouting. I should be a good woman if it wasnt so dull. If youre goodnatured, you just get put upon. Who are the good women? Those that enjoy being dull and like being put upon. Theyve no appetites. Life's thrown away on them: they get nothing out of it.

THE PATIENT. Well, come, Sweetie! What do you get out of it?

THE COUNTESS. Excitement: thats what I get out of it. Look at Popsy and me! We're always planning robberies. Of course I know it's mostly imagination; but the fun is in the planning and the expectation. Even if we did them and were caught, there would be the excitement of being tried and being in all the papers. Look at poor Harry Smiler that murdered the cop in Croydon! When he came and told us what he'd done Popsy offered to go out and get him some cyanide to poison himself; for it was a dead sure thing that he'd be caught and bumped off. "What!" says Harry; "and lose the excitement of being tried for my life! I'd rather be hanged" he says; and hanged he was. And I say it must have been almost worth it. After all, he'd have died anyhow: perhaps of something really painful. Harry wasnt a bad man really; but he couldnt bear dullness. He had a wonderful collection of pistols that he had begun as a boy: he picked up a lot in the war. Just for the romance of it, you know: he meant no harm. But he'd never shot anyone with them; and at last the temptation was too great and he went out and shot the cop. Just for nothing but the feeling that he'd fired the thing off and done somebody in with it. When Popsy asked him why he'd done it, all he could say was that it was a sort of fulfilment. But it gives you an idea, doesnt it, of what I mean? [She sits down again, relieved by her outburst].

AUBREY. All it means is a low vitality. Here is a man with all the miracles of the universe to stagger his imagination and all the problems of human destiny to employ his mind, and he goes out and shoots an innocent policeman because he can think of nothing more interesting to do. Quite right to hang him. And all the people who can find nothing more exciting to do than to crowd into the court to watch him being sentenced to death should have been hanged too. You will be hanged someday, Sweetie, because you have not what people call a richly stored mind. I have tried to educate you--

THE COUNTESS. Yes: you gave me books to read. But I couldnt read them: they were as dull as ditchwater. Ive tried crossword puzzles to occupy my mind and keep me off planning robberies; but what crossword puzzle is half the fun and excitement of picking somebody's pocket, let alone that you cant live by it? You wanted me to take to drink to keep me quiet. But I dont like being drunk; and what would become of my good looks if I did? Ten bottles of champagne couldnt make you feel as you do when you walk past a policeman who has only to stop you and search you to put you away for three years.

THE PATIENT. Pops: did you really try to set her drinking? What a thoroughpaced blackguard you are!

AUBREY. She is much better company when she's half drunk. Listen to her now, when she is sober.

THE PATIENT. Sweetie: are you really having such a jolly time after all? You began by threatening to give up our exciting enterprise because it is so dull.

AUBREY. She is free. There is the sergeant. And there is always the hope of something turning up and the sense of being ready for it without having to break all the shackles and throw down all the walls that imprison a respectable woman.

THE PATIENT. Well, what about me?

AUBREY [puzzled] Well, what about you? You are free, arnt you?

THE PATIENT [rising very deliberately, and going behind him to his left hand, which she picks up and fondles as she sermonizes, seated on the arm of his chair] My angel love, you have rescued me from respectability so completely that I have for a month past been living the life of a mountain goat. I have got rid of my anxious worrying mother as completely as a weaned kid, and I no longer hate her. My slavery to cooks stuffing me with long meals of fish, flesh, and fowl is a thing of the miserable past: I eat dates and bread and water and raw onions when I can get them; and when I cant get them I fast, with the result that I have forgotten what illness means; and if I ran away from you two neither of you could catch me; and if you did I could fight the pair of you with one hand tied behind me. I revel in all your miracles of the universe: the delicious dawns, the lovely sunsets, the changing winds, the cloud pictures, the flowers, the animals and their ways, the birds and insects and reptiles. Every day is a day of adventure with its cold and heat, its light and darkness, its cycles of exultant vigor and exhaustion, hunger and satiety, its longings for action that change into a longing for sleep, its thoughts of heavenly things that change so suddenly into a need for food.

AUBREY. What more could any mortal desire?

THE PATIENT [seizing him by the ears] Liar.

AUBREY. Thank you. You mean, I presume, that these things do not satisfy you: you want me as well.

THE PATIENT. You!! You!!! you selfish lazy sugary tongued blackguard. [Releasing him] No: I included you with the animals and their ways, just as I included Sweetie and the sergeant.

THE COUNTESS. You let Sweetie and her sergeant alone: d'y'hear? I have had enough of that joke on me.

THE PATIENT [rising and taking her by the chin to turn her face up] It is no joke, Sweetiest: it is the dead solemn earnest. I called Pops a liar, Sweetie, because all this is not enough. The glories of nature dont last any decently active person a week, unless theyre professional naturalists or mathematicians or a painter or something. I want something sensible to do. A beaver has a jolly time because it has to build its dam and bring up its family. I want my little job like the beaver. If I do nothing but contemplate the universe there is so much in it that is cruel and terrible and wantonly evil, and so much more that is oppressively astronomical and endless and inconceivable and impossible, that I shall just go stark raving mad and be taken back to my mother with straws in my hair. The truth is, I am free; I am healthy; I am happy; and I am utterly miserable. [Turning on Aubrey] Do you hear? Utterly miserable.

AUBREY [losing his temper] And what do you suppose I am? Here with nothing to do but drag about two damn' silly women and talk to them.

THE COUNTESS. It's worse for them. They have to listen to you.

THE PATIENT. I despise you. I hate you. You--you--you--you gentleman thief. What right has a thief to be a gentleman? Sweetie is bad enough, heaven knows, with her vulgarity and her low cunning: always trying to get the better of somebody or to get hold of a man; but at least she's a woman; and she's real. Men are not real: theyre all talk, talk, talk--

THE COUNTESS [half rising] You keep a civil tongue in your head: do you hear?

THE PATIENT. Another syllable of your cheek, Sweetie; and I'll give you a hiding that will keep you screaming for half an hour. [Sweetie subsides]. I want to beat somebody: I want to kill somebody. I shall end by killing the two of you. What are we, we three glorious adventurers? Just three inefficient fertilizers.

AUBREY. What on earth do you mean by that?

THE PATIENT. Yes: inefficient fertilizers. We do nothing but convert good food into bad manure. We are walking factories of bad manure: thats what we are.

THE COUNTESS [rising] Well, I am not going to sit here and listen to that sort of talk. You ought to be ashamed of yourself.

AUBREY [rising also, shocked] Miss Mopply: there are certain disgusting truths that no lady would throw in the teeth of her fellow creatures--

THE PATIENT. I am not a lady: I am free now to say what I please. How do you like it?

THE COUNTESS [relenting] Look here, dearie. You mustnt go off at the deep end like this. You--[The patient turns fiercely on her: she screams]. Ah-a-a-ah! Popsy: she's mad. Save me. [She runs away, out past the pavilion].

AUBREY. What is the matter with you? Are you out of your senses? [He tries to hold her; but she sends him sprawling].

THE PATIENT. No. I am exercising my freedom. The freedom you preached. The freedom you made possible for me. You dont like to hear Sweetie's lower centres shouting. Well, now you hear my higher centres shouting. You dont seem to like it any better.

AUBREY. Mops: youre hysterical. You felt splendid an hour ago; and you will feel splendid again an hour from now. You will always feel splendid if you keep yourself fit.

THE PATIENT. Fit for what? A lost dog feels fit: thats what makes him stray; but he's the unhappiest thing alive. I am a lost dog: a tramp, a vagabond. Ive got nothing to do. Ive got nowhere to go. Sweetie's miserable; and youre miserable; and I'm miserable; and I shall just kick you and beat you to a jelly.

She rushes at him. He dodges her and runs off past the hut. At that moment Tallboys returns with Meek past the other side of the hut; and the patient, unable to check herself, crashes into his arms.

TALLBOYS [sternly] Whats this? What are you doing here? Why are you making this noise? Dont clench your fists in my presence. [She droops obsequiously]. Whats the matter?

THE PATIENT [salaaming and chanting] Bmal elttil a dah yram, Tuan.

TALLBOYS. Can you speak English?

THE PATIENT. No Engliss.

TALLBOYS. Or French?

THE PATIENT. No Frenns, Tuan. Wons sa etihw saw eceelf sti.

TALLBOYS. Very well: dont do it again. Now off with you.

She goes out backward into the pavilion, salaaming. Tallboys sits down in the deck chair.

TALLBOYS [to Meek] Here, you. You say youre the interpreter. Did you understand what that girl said to me?

MEEK. Yessir.

TALLBOYS. What dialect was it? It didnt sound like what the natives speak here.

MEEK. No sir. I used to speak it at school. English back slang, sir.

TALLBOYS. Back slang? What do you mean?

MEEK. English spelt backwards. She reversed the order of the words too, sir. That shews that she has those two little speeches off by heart.

TALLBOYS. But how could a native girl do such a thing? I couldnt do it myself.

MEEK. That shews that she's not a native girl, sir.

TALLBOYS. But this must be looked into. Were you able to pick up what she said?

MEEK. Only bmal elttil, sir. That was quite easy. It put me on to the rest.

TALLBOYS. But what does bmal elttil mean?

MEEK. Little lamb, sir.

TALLBOYS. She called me a little lamb!

MEEK. No sir. All she said was "Mary had a little lamb." And when you asked her could she speak French she said, of course, "Its fleece was white as snow."

TALLBOYS. But that was insolence.

MEEK. It got her out of her difficulty, sir.

TALLBOYS. This is very serious. The woman is passing herself off on the Countess as a native servant.

MEEK. Do you think so, sir?

TALLBOYS. I dont think so: I know so. Dont be a fool, man. Pull yourself together, and dont make silly answers.

MEEK. Yessir. No sir.

TALLBOYS [angrily bawling at him] "Ba Ba black sheep: have you any wool? Yes sir, no sir, three bags full." Dont say yessir no sir to me.

MEEK. No sir.

TALLBOYS. Go and fetch that girl back. Not a word to her about my finding her out, mind. When I have finished with her you will explain to me about those maroons.

MEEK. Yessir. [He goes into the pavilion].

TALLBOYS. Hurry up. [He settles himself comfortably and takes out his cigarette case].

The Countess peers round the corner of the pavilion to see whether she may safely return. Aubrey makes a similar reconnaissance round the corner of the hut.

THE COUNTESS. Here I am again, you see. [She smiles fascinatingly at the Colonel and sits down on her stool].

AUBREY. Moi aussi. May I--[he stretches himself on the rug].

TALLBOYS [sitting up and putting the cigarette case back in his pocket] Just in the nick of time. I was about to send for you. I have made a very grave discovery. That native servant of yours is not a native. Her lingo is a ridiculous fraud. She is an Englishwoman.

AUBREY. You dont say so!

THE COUNTESS. Oh, impossible.

TALLBOYS. Not a doubt of it. She's a fraud: take care of your jewels. Or else--and this is what I suspect--she's a spy.

AUBREY. A spy! But we are not at war.

TALLBOYS. The League of Nations has spies everywhere. [To the Countess] You must allow me to search her luggage at once, before she knows that I have found her out.

THE COUNTESS. But I have missed nothing. I am sure she hasnt stolen anything. What do you want to search her luggage for?

TALLBOYS. For maroons.

THE COUNTESS } [together] { Maroons!
AUBREY } { Maroons!

TALLBOYS. Yes, maroons. I inspected the stores this morning; and the maroons are missing. I particularly wanted them to recall me at lunch time when I go sketching. I am rather a dab at watercolors. And there is not a single maroon left. There should be fifteen.

AUBREY. Oh, I can clear that up. It's one of your men: Meek. He goes about on a motor bicycle with a sack full of maroons and a lot of wire. He said he was surveying. He was evidently very anxious to get rid of me; so I did not press my inquiries. But that accounts for the maroons.

TALLBOYS. Not at all. This is very serious. Meek is a half witted creature who should never have been enlisted. He is like a child: this woman could do anything she pleases with him.

THE COUNTESS. But what could she possibly want with maroons?

TALLBOYS. I dont know. This expedition has been sent out without the sanction of the League of Nations. We always forget to consult it when there is anything serious in hand. The woman may be an emissary of the League. She may be working against us.

THE COUNTESS. But even so, what harm can she do us?

TALLBOYS [tapping his revolver] My dear lady, do you suppose I am carrying this for fun? Dont you realize that the hills here are full of hostile tribes who may try to raid us at any moment? Look at that electric horn there. If it starts honking, look out; for it will mean that a body of tribesmen has been spotted advancing on us.

THE COUNTESS [alarmed] If I'd known that, you wouldnt have got me here. Is that so, Popsy?

AUBREY. Well, yes; but it doesnt matter: theyre afraid of us.

TALLBOYS. Yes, because they dont know that we are a mere handful of men. But if this woman is in communication with them and has got hold of that idiot Meek, we may have them down on us like a swarm of hornets. I dont like this at all. I must get to the bottom of it at once. Ah! here she comes.

Meek appears at the entrance to the pavilion. He stands politely aside to let the patient pass him, and remains there.

MEEK. The colonel would like a word with you, Miss.

AUBREY. Go easy with her, Colonel. She can run like a deer. And she has muscles of iron. You had better turn out the guard before you tackle her.

TALLBOYS. Pooh! Here, you!

The patient comes to him past the Countess with an air of disarming innocence; falls on her knees; lifts her palms, and smites the ground with her forehead.

TALLBOYS. They tell me you can run fast. Well, a bullet can run faster. [He taps his revolver]. Do you understand that?

THE PATIENT [salaaming] Bmal elttil a dah yram wons sa etihw saw eceelf sti--

TALLBOYS [tonitruant] And everywhere that Mary went--

THE PATIENT [adroitly cutting in] That lamb was sure to go. Got me, Colonel. How clever of you! Well, what of it?

TALLBOYS. That is what I intend to find out. You are not a native.

THE PATIENT. Yes, of Somerset.

TALLBOYS. Precisely. Well, why are you disguised? Why did you try to make me believe that you dont understand English?

THE PATIENT. For a lark, Colonel.

TALLBOYS. Thats not good enough. Why have you passed yourself off on this lady as a native servant? Being a servant is no lark. Answer me. Dont stand there trying to invent a lie. Why did you pretend to be a servant?

THE PATIENT. One has so much more control of the house as a servant than as a mistress nowadays, Colonel.

TALLBOYS. Very smart, that. You will tell me next that one controls a regiment much more effectively as a private than as a colonel, eh?

The klaxon sounds stridently. The Colonel draws his revolver and makes a dash for the top of the sandhill, but is outraced by Meek, who gets there first and takes the word of command with irresistible authority, leaving him stupent. Aubrey, who has scrambled to his feet, moves towards the sand dunes to see what is happening. Sweetie clutches the patient's arm in terror and drags her towards the pavilion. She is fiercely shaken off; and Mops stands her ground defiantly and runs towards the sound of the guns when they begin.

MEEK. Stand to. Charge your magazines. Stand by the maroons. How many do you make them, sergeant? How far off?

SERGEANT FIELDING [invisible] Forty horse. Nine hundred yards, about, I make it.

MEEK. Rifles at the ready. Cut-offs open. Sights up to eighteen hundred, right over their heads: no hitting. Ten rounds rapid: fire. [Fusillade of rifles]. How is that?

SERGEANT'S VOICE. Theyre coming on, sir.

MEEK. Number one maroons: ready. Contact. [Formidable explosions on the right]. How is that?

SERGEANT'S VOICE. Theyve stopped.

MEEK. Number two maroons ready. Contact. [Explosions on the left]. How is that?

SERGEANT'S VOICE. Bolted, sir, every man of them. Meek returns from the hill in the character of an insignificant private, followed by Aubrey, to the Colonel's left and right respectively.

MEEK. Thats all right, sir. Excuse interruption.

TALLBOYS. Oh! You call this an interruption?

MEEK. Yessir: theres nothing in it to trouble you about. Shall I draw up the report, sir? Important engagement: enemy routed: no British casualties. D.S.O. for you, perhaps, sir.

TALLBOYS. Private Meek: may I ask--if you will pardon my presumption--who is in command of this expedition, you or I?

MEEK. You, sir.

TALLBOYS [repouching the revolver] You flatter me. Thank you. May I ask, further, who the devil gave you leave to plant the entire regimental stock of maroons all over the hills and explode them in the face of the enemy?

MEEK. It was the duty of the intelligence orderly, sir. I'm the intelligence orderly. I had to make the enemy believe that the hills are bristling with British cannon. They think that now, sir. No more trouble from them.

TALLBOYS. Indeed! Quartermaster's clerk, interpreter, intelligence orderly. Any further rank of which I have not been informed?

MEEK. No sir.

TALLBOYS. Quite sure youre not a fieldmarshal, eh?

MEEK. Quite sure, sir. I never was anything higher than a colonel.

TALLBOYS. You a colonel? What do you mean?

MEEK. Not a real colonel, sir. Mostly a brevet, sir, to save appearances when I had to take command.

TALLBOYS. And how do you come to be a private now?

MEEK. I prefer the ranks, sir. I have a freer hand. And the conversation in the officers' mess doesnt suit me. I always resign a commission and enlist again.

TALLBOYS. Always! How many commissions have you held?

MEEK. I dont quite remember, sir. Three, I think.

TALLBOYS. Well, I am dashed!

THE PATIENT. Oh, Colonel! And you mistook this great military genius for a half wit!!!

TALLBOYS [with aplomb] Naturally. The symptoms are precisely the same. [To Meek] Dismiss.

Meek salutes and trots smartly out past the hut.

AUBREY. By Jove!!

THE COUNTESS. Well I ne--[Correcting herself] Tiens, tiens, tiens, tiens!

THE PATIENT. What are you going to do about him, Colonel?

TALLBOYS. Madam: the secret of command, in the army and elsewhere, is never to waste a moment doing anything that can be delegated to a subordinate. I have a passion for sketching in watercolors. Hitherto the work of commanding my regiment has interfered very seriously with its gratification. Henceforth I shall devote myself almost entirely to sketching, and leave the command of the expedition to Private Meek. And since you all seem to be on more intimate terms with him than I can claim, will you be good enough to convey to him--casually, you understand--that I already possess the D.S.O. and that what I am out for at present is a K.C.B. Or rather, to be strictly accurate, that is what my wife is out for. For myself, my sole concern for the moment is whether I should paint that sky with Prussian blue or with cobalt.

THE COUNTESS. Fancy you wasting your time on painting pictures!

TALLBOYS. Countess: I paint pictures to make me feel sane. Dealing with men and women makes me feel mad. Humanity always fails me: Nature never.

 

 

ACT III

 

A narrow gap leading down to the beach through masses of soft brown sandstone, pitted with natural grottoes. Sand and big stones in the foreground. Two of the grottoes are accessible from the beach by mounting from the stones, which make rough platforms in front of them. The soldiers have amused themselves by hewing them into a rude architecture and giving them fancy names. The one on your right as you descend the rough path through the gap is taller than it is broad, and has a natural pillar and a stone like an altar in it, giving a Gothic suggestion which has been assisted by knocking the top of the opening into something like a pointed arch, and surmounting it with the inscription SN PAULS. The grotto to the left is much wider. It contains a bench long enough to accommodate two persons; its recesses are illuminated rosily by bulbs wrapped in pink paper; and some scholarly soldier has carved above it in Greek characters the word Αγαπεμονε, beneath which is written in red chalk THE ABODE OF LOVE, under which again some ribald has added in white chalk, NO NEED TO WASTE THE ELECTRIC LIGHT.

For the moment The Abode of Love has been taken possession of by the sergeant, a wellbuilt handsome man, getting on for forty. He is sitting on the bench, and is completely absorbed in two books, comparing them with rapt attention.

St Pauls is also occupied. A very tall gaunt elder, by his dress and bearing a well-to-do English gentleman, sits on a stone at the altar, resting his elbows on it with his chin in his hands. He is in the deepest mourning; and his attitude is one of hopeless dejection.

Sweetie, now fully and brilliantly dressed, comes slowly down the path through the gap, moody and bored. On the beach she finds nothing to interest her until the sergeant unconsciously attracts her notice by finding some remarkable confirmation or contradiction between his two books, and smiting one of them appreciatively with his fist. She instantly brightens up; climbs to the mouth of the grotto eagerly; and posts herself beside him, on his right. But he is so rapt in his books that she waits in vain to be noticed.

 

SWEETIE [contemplating him ardently] Ahem!

The Sergeant looks up. Seeing who it is, he springs to his feet and stands to attention.

SWEETIE [giving herself no airs] You neednt stand up for me, you know.

THE SERGEANT [stiffly] Beg pardon, your ladyship. I was not aware of your ladyship's presence.

SWEETIE. Can all that stuff, Sergeant. [She sits on the bench on his right]. Dont lets waste time. This place is as dull for me as it is for you. Dont you think we two could amuse ourselves a bit if we were friends?

THE SERGEANT [with stern contempt] No, my lady, I dont. I saw a lot of that in the war: pretty ladies brightening up the hospitals and losing their silly heads, let alone upsetting the men; and I dont hold with it. Keep to your class: I'll keep to mine.

SWEETIE. My class! Garn! I'm no countess; and I'm fed up with pretending to be one. Didnt you guess?

THE SERGEANT [resuming his seat and treating her as one of his own class] Why should I trouble to start guessing about you? Any girl can be a countess nowadays if she's goodlooking enough to pick up a count.

SWEETIE. Oh! You think I'm goodlooking, do you?

THE SERGEANT. Come! If youre not a countess what are you? Whats the game, eh?

SWEETIE. The game, darling, is that youre my fancy. I love you.

THE SERGEANT. Whats that to me? A man of my figure can have his pick.

SWEETIE. Not here, dear. Theres only one other white woman within fifty miles; and she's a real lady. She wouldnt look at you.

THE SERGEANT. Well, thats a point. Thats a point, certainly.

SWEETIE [snuggling to him] Yes, isnt it?

THE SERGEANT [suffering the advance but not responding] This climate plays the devil with a man, no matter how serious minded he is.

SWEETIE [slipping her arm through his] Well, isnt it natural? Whats the use of pretending?

THE SERGEANT. Still, I'm not a man to treat a woman as a mere necessity. Many soldiers do: to them a woman is no more than a jar of marmalade, to be consumed and put away. I dont take that view. I admit that there is that side to it, and that for people incapable of anything better--mere animals as you might say--thats the beginning and the end of it. But to me thats only the smallest part of it. I like getting a woman's opinions. I like to explore her mind as well as her body. See these two little books I was deep in when you accosted me? I carry them with me wherever I go. I put the problems they raise for me to every woman I meet.

SWEETIE [with growing misgiving] What are they?

THE SERGEANT [pointing to them successively] The Bible. The Pilgrim's Progress from this world to that which is to come.

SWEETIE [dismayed, trying to rise] Oh, my God!

SERGEANT [holding her ruthlessly in the crook of his elbow] No you dont. Sit quiet; and dont take the name of the Lord your God in vain. If you believe in him, it's blasphemy: if you dont, it's nonsense. You must learn to exercise your mind: what is a woman without an active mind to a man but a mere convenience?

SWEETIE. I have plenty to exercise my mind looking after my own affairs. What I look to you for, my lad, is a bit of fun.

THE SERGEANT. Quite. But when men and women pick one another up just for a bit of fun, they find theyve picked up more than they bargained for, because men and women have a top storey as well as a ground floor; and you cant have the one without the other. Theyre always trying to; but it doesnt work. Youve picked up my mind as well as my body; and youve got to explore it. You thought you could have a face and a figure like mine with the limitations of a gorilla. Youre finding out your mistake: thats all.

SWEETIE. Oh, let me go: I have had enough of this. If I'd thought you were religious I'd have given you a wide berth, I tell you. Let me go, will you?

THE SERGEANT. Wait a bit. Nature may be using me as a sort of bait to draw you to take an interest in things of the mind. Nature may be using your pleasant animal warmth to stimulate my mind. I want your advice. I dont say I'll take it; but it may suggest something to me. You see, I'm in a mess.

SWEETIE. Well, of course. Youre in the sergeants' mess.

THE SERGEANT. Thats not the mess I mean. My mind's in a mess--a muddle. I used to be a religious man; but I'm not so clear about it as I was.

SWEETIE. Thank goodness for that, anyhow.

THE SERGEANT. Look at these two books. I used to believe every word of them because they seemed to have nothing to do with real life. But war brought those old stories home quite real; and then one starts asking questions. Look at this bit here [he points to a page of the Pilgrim's Progress]. It's on the very first page of it. "I am for certain informed that this our city will be burned with fire from heaven, in which fearful overthrow both myself, with thee my wife, and you my sweet babes, shall miserably come to ruin, except some way of escape can be found whereby we may be delivered." Well, London and Paris and Berlin and Rome and the rest of them will be burned with fire from heaven all right in the next war: thats certain. Theyre all Cities of Destruction. And our Government chaps are running about with a great burden of corpses and debts on their backs, crying "What must we do to be saved?" There it is: not a story in a book as it used to be, but God's truth in the real actual world. And all the comfort they get is "Flee from the wrath to come." But where are they to flee to? There they are, meeting at Geneva or hobnobbing at Chequers over the weekend, asking one another, like the man in the book, "Whither must we flee?" And nobody can tell them. The man in the book says "Do you see yonder shining light?" Well, today the place is blazing with shining lights: shining lights in parliament, in the papers, in the churches, and in the books that they call Outlines--Outlines of History and Science and what not--and in spite of all their ballyhoo here we are waiting in the City of Destruction like so many sheep for the wrath to come. This uneducated tinker tells me the way is straight before us and so narrow that we cant miss it. But he starts by calling the place the wilderness of this world. Well, theres no road in a wilderness: you have to make one. All the straight roads are made by soldiers; and the soldiers didnt get to heaven along them. A lot of them landed up in the other place. No, John: you could tell a story well; and they say you were a soldier; but soldiers that try to make storytelling do for service end in the clink; and thats were they put you. Twelve years in Bedford Gaol, he got. He used to read the Bible in gaol; and--

SWEETIE. Well, what else was there to read there? It's all they give you in some gaols.

THE SERGEANT. How do you know that?

SWEETIE. Never you mind how I know it. It's nothing to do with you.

THE SERGEANT. Nothing to do with me! You dont know me, my lass. Some men would just order you off; but to me the most interesting thing in the world is the experience of a woman thats been shut up in a cell for years at a time with nothing but a Bible to read.

SWEETIE. Years! What are you talking about? The longest I ever did was nine months; and if anyone says I ever did a day longer she's a liar.

THE SERGEANT [laying his hand on the bible] You could read that book from cover to cover in nine months.

SWEETIE. Some of it would drive you melancholy mad. It only got me into trouble: it did. The chaplain asked me what I was in for. Spoiling the Egyptians, I says; and heres chapter and verse for it. He went and reported me, the swine; and I lost seven days remission for it.

THE SERGEANT. Serve you right! I dont hold with spoiling the Egyptians. Before the war, spoiling the Egyptians was something holy. Now I see plainly it's nothing but thieving.

SWEETIE [shocked] Oh, you shouldnt say that. But what I say is, if Moses might do it why maynt I?

THE SERGEANT. If thats the effect it had on your mind, it's a bad effect. Some of this scripture is all right. Do justice; love mercy; and walk humbly before your God. That appeals to a man if only it could be set out in plain army regulations. But all this thieving, and slaughtering your enemies without giving quarter, and offering up human sacrifices, and thinking you can do what you like to other people because youre the chosen people of God, and you are in the right and everyone else is in the wrong: how does that look when you have had four years of the real thing instead of merely reading about it. No: damn it, we're civilized men; and though it may have gone down with those old Jews it isnt religion. And, if it isnt, where are we? Thats what I want to know.

SWEETIE. And is this all you care about? Sitting here and thinking of things like that?

THE SERGEANT. Well, somebody must think about them, or whats going to become of us all? The officers wont think about them. The colonel goes out sketching: the lootnants go out and kill the birds and animals, or play polo. They wont flee from the wrath to come, not they. When they wont do their military duties I have to do them. It's the same with our religious duties. It's the chaplain's job, not mine; but when you get a real religious chaplain you find he doesnt believe any of the old stuff; and if you get a gentleman, all he cares about is to shew you that he's a real sport and not a mealy mouthed parson. So I have to puzzle it out for myself.

SWEETIE. Well, God help the woman that marries you: thats all I have to say to you. I dont call you a man. [She rises quickly to escape from him].

THE SERGEANT [also rising, and seizing her in a very hearty embrace] Not a man, eh? [He kisses her] How does that feel, Judy?

SWEETIE [struggling, but not very resolutely] You let me go, will you. I dont want you now.

THE SERGEANT. You will if I kiss you half a dozen times, more than you ever wanted anything in your life before. Thats a hard fact of human nature; and its one of the facts that religion has to make room for.

SWEETIE. Oh, well, kiss me and have done with it. You cant kiss and talk about religion at the same time.

THE ELDER [springing from his cell to the platform in front of it] Forbear this fooling, both of you. You, sir, are not an ignorant man: you know that the universe is wrecked.

SWEETIE [clinging to the sergeant] He's mad.

THE ELDER. I am sane in a world of lunatics.

THE SERGEANT [putting Sweetie away] It's a queer thing, isnt it, that though there is a point at which I'd rather kiss a woman than do anything else in the world, yet I'd rather be shot than let anyone see me doing it?

THE ELDER. Sir: women are not, as they suppose, more interesting than the universe. When the universe is crumbling let women be silent; and let men rise to something nobler than kissing them.

The Sergeant, interested and overawed, sits down quietly and makes Sweetie sit beside him as before. The Elder continues to declaim with fanatical intensity.

THE ELDER. Yes, sir: the universe of Isaac Newton, which has been an impregnable citadel of modern civilization for three hundred years, has crumbled like the walls of Jericho before the criticism of Einstein. Newton's universe was the stronghold of rational Determinism: the stars in their orbits obeyed immutably fixed laws; and when we turned from surveying their vastness to study the infinite littleness of the atoms, there too we found the electrons in their orbits obeying the same universal laws. Every moment of time dictated and determined the following moment, and was itself dictated and determined by the moment that came before it. Everything was calculable: everything happened because it must: the commandments were erased from the tables of the law; and in their place came the cosmic algebra: the equations of the mathematicians. Here was my faith: here I found my dogma of infallibility: I, who scorned alike the Catholic with his vain dream of responsible Free Will, and the Protestant with his pretence of private judgment. And now--now--what is left of it? The orbit of the electron obeys no law: it chooses one path and rejects another: it is as capricious as the planet Mercury, who wanders from his road to warm his hands at the sun. All is caprice: the calculable world has become incalculable: Purpose and Design, the pretexts for all the vilest superstitions, have risen from the dead to cast down the mighty from their seats and put paper crowns on presumptuous fools. Formerly, when differences with my wife, or business worries, tried me too hard, I sought consolation and reassurance in our natural history museums, where I could forget all common cares in wondering at the diversity of forms and colors in the birds and fishes and animals, all produced without the agency of any designer by the operation of Natural Selection. Today I dare not enter an aquarium, because I can see nothing in those grotesque monsters of the deep but the caricatures of some freakish demon artist: some Zeus-Mephistopheles with paintbox and plasticine, trying to surpass himself in the production of fantastic and laughable creatures to people a Noah's ark for his baby. I have to rush from the building lest I go mad, crying, like the man in your book, "What must I do to be saved?" Nothing can save us from a perpetual headlong fall into a bottomless abyss but a solid footing of dogma; and we no sooner agree to that than we find that the only trustworthy dogma is that there is no dogma. As I stand here I am falling into that abyss, down, down, down. We are all falling into it; and our dizzy brains can utter nothing but madness. My wife has died cursing me. I do not know how to live without her: we were unhappy together for forty years. My son, whom I brought up to be an incorruptible Godfearing atheist, has become a thief and a scoundrel; and I can say nothing to him but "Go, boy: perish in your villainy; for neither your father nor anyone else can now give you a good reason for being a man of honor."

He turns from them and is rushing distractedly away when Aubrey, in white tropicals, comes strolling along the beach from the St Pauls side, and hails him nonchalantly.

AUBREY. Hullo, father, is it really you? I thought I heard the old trombone: I couldnt mistake it. How the dickens did you turn up here?

THE ELDER [to the sergeant] This is my prodigal son.

AUBREY. I am not a prodigal son. The prodigal son was a spendthrift and neer-do-weel who was reduced to eating the husks that the swine did eat. I am not ruined: I am rolling in money. I have never owed a farthing to any man. I am a model son; but I regret to say that you are very far from being a model father.

THE ELDER. What right have you to say that, sir? In what way have I fallen short?

AUBREY. You tried to thwart my manifest destiny. Nature meant me for the Church. I had to get ordained secretly.

THE ELDER. Ordained! You dared to get ordained without my knowledge!

AUBREY. Of course. You objected. How could I have done it with your knowledge? You would have stopped my allowance.

THE ELDER [sitting down on the nearest stone, overwhelmed] My son a clergyman! This will kill me.

AUBREY [coolly taking another stone, on his father's right] Not a bit of it: fathers are not so easily killed. It was at the university that I became what was then called a sky pilot. When the war took me it seemed natural that I should pursue that avocation as a member of the air force. As a flying ace I won a very poorly designed silver medal for committing atrocities which were irreconcilable with the profession of a Christian clergyman. When I was wounded and lost my nerve for flying, I became an army chaplain. I then found myself obliged to tell mortally wounded men that they were dying in a state of grace and were going straight to heaven when as a matter of fact they were dying in mortal sin and going elsewhere. To expiate this blasphemy I kept as much under fire as possible; but my nerve failed again: I had to take three months leave and go into a nursing home. In that home I met my doom.

THE ELDER. What do you mean by your doom? You are alive and well, to my sorrow and shame.

AUBREY. To be precise, I met Sweetie. Thats Sweetie.

SWEETIE. Very pleased to meet Popsy's father, I'm sure.

THE ELDER. My son was called Popsy in his infancy, I put a stop to it, on principle, when he entered on his sixth year. It is strange to hear the name from your lips after so long an interval.

SWEETIE. I always ask a man what his mother called him, and call him that. It takes the starch out of him, somehow.

AUBREY [resuming his narrative] Sweetie was quite the rottenest nurse that ever raised the mortality of a hospital by ten per cent. But--

SWEETIE. Oh, what a lie! It was the other nurses that killed the men: waking them up at six in the morning and washing them! Half of them died of chills.

AUBREY. Well, you will not deny that you were the prettiest woman in the place.

SWEETIE. You thought so, anyhow.

THE ELDER. Oh, cease--cease this trifling. I cannot endure this unending sex appeal.

AUBREY. During the war it was found that sex appeal was as necessary for wounded or shellshocked soldiers as skilled nursing; so pretty girls were allowed to pose as nurses because they could sit about on beds and prevent the men from going mad. Sweetie did not prevent me going mad: on the contrary, she drove me mad. I saw in Sweetie not only every charm, but every virtue. And she returned my love. When I left that nursing home, she left it too. I was discharged as cured on the third of the month: she had been kicked out on the first. The trained staff could stand a good deal; but they could not stand Sweetie.

SWEETIE. They were jealous; and you know it.

AUBREY. I daresay they were. Anyhow, Sweetie and I took the same lodgings; and she was faithful to me for ten days. It was a record for her.

SWEETIE. Popsy: are you going to give the whole show away, or only part of it? The Countess Valbrioni would like to know.

AUBREY. We may as well be frank up to the point at which we should lose money by it. But perhaps I am boring the company.

THE ELDER. Complete your confession, sir. You have just said that you and this lady took the same lodging. Am I to understand that you are husband and wife.

SWEETIE. We might have been if we could have depended on you for a good time. But how could I marry an army chaplain with nothing but his pay and an atheist for his father?

AUBREY. So that was the calculation, Sweetie, was it? I never dreamt that the idea of marriage had occurred to either of us. It certainly never occurred to me. I went to live with you quite simply because I felt I could not live without you. The improbability of that statement is the measure of my infatuation.

SWEETIE. Dont you be so spiteful. Did I give you a good time or did I not?

AUBREY. Heavenly. That also seems improbable; but it is gospel truth.

THE ELDER. Wretched boy: do not dare to trifle with me. You said just now that you owe no man anything, and that you are rolling in money. Where did you get that money?

AUBREY. I stole a very valuable pearl necklace and restored it to the owner. She rewarded me munificently. Hence my present opulence. Honesty is the best policy--sometimes.

THE ELDER. Worse even than a clergyman! A thief!

AUBREY. Why make such a fuss about nothing?

THE ELDER. Do you call the theft of a pearl necklace nothing?

AUBREY. Less than nothing, compared to the things I have done with your approval. I was hardly more than a boy when I first dropped a bomb on a sleeping village. I cried all night after doing that. Later on I swooped into a street and sent machine gun bullets into a crowd of civilians: women, children, and all. I was past crying by that time. And now you preach to me about stealing a pearl necklace! Doesnt that seem a little ridiculous?

THE SERGEANT. That was war, sir.

AUBREY. It was me, sergeant: ME. You cannot divide my conscience into a war department and a peace department. Do you suppose that a man who will commit murder for political ends will hesitate to commit theft for personal ends? Do you suppose you can make a man the mortal enemy of sixty millions of his fellow creatures without making him a little less scrupulous about his next door neighbour?

THE ELDER. I did not approve. Had I been of military age I should have been a conscientious objector.

AUBREY. Oh, you were a conscientious objector to everything, even to God. But my mother was an enthusiast for everything: that was why you never could get on with her. She would have shoved me into the war if I had needed any shoving. She shoved my brother into it, though he did not believe a word of all the lies we were stuffed with, and didnt want to go. He was killed; and when it came out afterwards that he was right, and that we were all a parcel of fools killing one another for nothing, she lost the courage to face life, and died of it.

THE SERGEANT. Well, sir, I'd never let a son of mine talk to me like that. Let him have a bit of your Determinism, sir.

THE ELDER [rising impulsively] Determinism is gone, shattered, buried with a thousand dead religions, evaporated with the clouds of a million forgotten winters. The science I pinned my faith to is bankrupt: its tales were more foolish than all the miracles of the priests, its cruelties more horrible than all the atrocities of the Inquisition. Its spread of enlightenment has been a spread of cancer: its counsels that were to have established the millennium have led straight to European suicide. And I--I who believed in it as no religious fanatic has ever believed in his superstition! For its sake I helped to destroy the faith of millions of worshippers in the temples of a thousand creeds. And now look at me and behold the supreme tragedy of the atheist who has lost his faith--his faith in atheism, for which more martyrs have perished than for all the creeds put together. Here I stand, dumb before my scoundrel of a son; for that is what you are, boy, a common scoundrel and nothing else.

AUBREY. Well, why not? If I become an honest man I shall become a poor man; and then nobody will respect me: nobody will admire me: nobody will say thank you to me. If on the contrary I am bold, unscrupulous, acquisitive, successful and rich, everyone will respect me, admire me, court me, grovel before me. Then no doubt I shall be able to afford the luxury of honesty. I learnt that from my religious education.

THE ELDER. How dare you say that you had a religious education. I shielded you from that, at least.

AUBREY. You thought you did, old man; but you reckoned without my mother.

THE ELDER. What!

AUBREY. You forbad me to read the Bible; but my mother made me learn three verses of it every day, and whacked me if I could not repeat them without misplacing a word. She threatened to whack me still worse if I told you.

THE ELDER [thunderstruck] Your mother!!!

AUBREY. So I learnt my lesson. Six days on the make, and on the seventh shalt thou rest. I shall spend another six years on the make, and then I shall retire and be a saint.

THE ELDER. A saint! Say rather the ruined son of an incorrigibly superstitious mother. Retire now--from the life you have dishonored. There is the sea. Go. Drown yourself. In that graveyard there are no lying epitaphs. [He mounts to his chapel and again gives way to utter dejection].

AUBREY [unconcerned] I shall do better as a saint. A few thousands to the hospitals and the political party funds will buy me a halo as large as Sweetie's sun hat. That is my program. What have any of you to say against it?

THE SERGEANT. Not the program of a gentleman, as I understand the word, sir.

AUBREY. You cannot be a gentleman on less than fifty thousand a year nowadays, sergeant.

THE SERGEANT. You can in the army, by God.

AUBREY. Yes: because you drop bombs on sleeping villages. And even then you have to be an officer. Are you a gentleman?

THE SERGEANT. No, sir: it wouldnt pay me. I couldnt afford it.

Disturbance. A voice is heard in complaint and lamentation. It is that of the Elderly Lady, Mrs Mopply. She is pursuing Colonel Tallboys down the path through the gap, the lady distracted and insistent, the colonel almost equally distracted: she clutching him and stopping him: he breaking loose and trying to get away from her. She is dressed in black precisely as if she were in Cheltenham, except that she wears a sun helmet. He is equipped with a box of sketching materials slung over his shoulder, an easel, which he has tucked under his left arm, and a sun umbrella, a substantial affair of fawn lined with red, podgily rolled up, which he carries in his right hand.

MRS MOPPLY. I wont be patient. I wont be quiet. My child is being murdered.

TALLBOYS. I tell you she is not being murdered. Will you be good enough to excuse me whilst I attend to my business.

MRS MOPPLY. Your business is to save my child. She is starving.

TALLBOYS. Nonsense. Nobody starves in this country. There are plenty of dates. Will you be good enough--

MRS MOPPLY. Do you think my child can live on dates? She has to have a sole for breakfast, a cup of nourishing soup at eleven, and a nice chop and a sweetbread for lunch, a pint of beef-tea with her ordinary afternoon tea, and a chicken and some lamb or veal--

TALLBOYS. Will you be good enough--

MRS MOPPLY. My poor delicate child with nothing to eat but dates! And she is the only one I have left: they were all delicate--

TALLBOYS. I really must--[He breaks away and hurries off along the beach past the Abode of Love].

MRS MOPPLY [running after him] Colonel, Colonel: you might have the decency to listen to a distracted mother for a moment. Colonel: my child is dying. She may be dead for all I know. And nobody is doing anything: nobody cares. Oh dear, wont you listen--[Her voice is lost in the distance].

Whilst they are staring mutely after the retreating pair, the patient, still in her slave girl attire, but with some brilliant variations, comes down the path.

THE PATIENT. My dream has become a nightmare. My mother has pursued me to these shores. I cannot shake her off. No woman can shake off her mother. There should be no mothers: there should be only women, strong women able to stand by themselves, not clingers. I would kill all the clingers. Mothers cling: daughters cling: we are all like drunken women clinging to lamp posts: none of us stands upright.

THE ELDER. There is great comfort in clinging, and great loneliness in standing alone.

THE PATIENT. Hallo! [She climbs to the St Pauls platform and peers into the cell]. A sententious anchorite! [To Aubrey]. Who is he?

AUBREY. The next worst thing to a mother: a father.

THE ELDER. A most unhappy father.

AUBREY. My father, in fact.

THE PATIENT. If only I had had a father to stand between me and my mother's care. Oh, that I had been an orphan!

THE SERGEANT. You will be, miss, if the old lady drives the colonel too hard. She has been at him all the morning, ever since she arrived; and I know the colonel. He has a temper; and when it gives way, it's a bit of high explosive. He'll kill her if she pushes him too far.

THE PATIENT. Let him kill her. I am young and strong: I want a world without parents: there is no room for them in my dream. I shall found a sisterhood.

AUBREY. All right, Mops. Get thee to a nunnery.

THE PATIENT. It need not be a nunnery if men will come in without spoiling everything. But all the women must be rich. There must be no chill of poverty. There are plenty of rich women like me who hate being devoured by parasites.

AUBREY. Stop. You have the most disgusting mental pictures. I really cannot stand intellectual coarseness. Sweetie's vulgarity I can forgive and even enjoy. But you say perfectly filthy things that stick in my mind, and break my spirit. I can bear no more of it. [He rises angrily and tries to escape by the beach past the Abode of Love].

SWEETIE. Youre dainty, arnt you? If chambermaids were as dainty as you, youd have to empty your own slops.

AUBREY [recoiling from her with a yell of disgust] You need not throw them in my teeth, you beast. [He sits in his former place, sulking].

THE ELDER. Silence, boy. These are home truths. They are good for you. [To the patient] May I ask young woman, what are the relations between you and my son, whom you seem to know.

THE PATIENT. Popsy stole my necklace, and got me to run away with him by a wonderful speech he made about freedom and sunshine and lovely scenery. Sweetie made me write it all down and sell it to a tourist agency as an advertisement. And then I was devoured by parasites: by tourist agencies, steamboat companies, railways, motor car people, hotel keepers, dressmakers, servants, all trying to get my money by selling me things I dont really want; shoving me all over the globe to look at what they call new skies, though they know as well as I do that it is only the same old sky everywhere; and disabling me by doing all the things for me that I ought to do for myself to keep myself in health. They preyed on me to keep themselves alive: they pretended they were making me happy when it was only by drinking and drugging--cocktails and cocaine--that I could endure my life.

AUBREY. I regret to have to say it, Mops; but you have not the instincts of a lady. [He sits down moodily on a stone a little way up the path].

THE PATIENT. You fool, there is no such thing as a lady. I have the instincts of a good housekeeper: I want to clean up this filthy world and keep it clean. There must be other women who want it too. Florence Nightingale had the same instinct when she went to clean up the Crimean war. She wanted a sisterhood; but there wasnt one.

THE ELDER. There were several. But steeped in superstition, unfortunately.

THE PATIENT. Yes, all mixed up with things that I dont believe. Women have to set themselves apart to join them. I dont want to set myself apart. I want to have every woman in my sisterhood, and to have all the others strangled.

THE ELDER. Down! down! down! Even the young, the strong, the rich, the beautiful, feel that they are plunging into a bottomless pit.

THE SERGEANT. Your set, miss, if you will excuse me saying so, is only a small bit of the world. If you dont like the officers' mess, the ranks are open to you. Look at Meek! That man could be an emperor if he laid his mind to it: but he'd rather be a private. He's happier so.

THE PATIENT. I dont belong to the poor, and dont want to. I always knew that there were thousands of poor people; and I was taught to believe that they were poor because God arranged it that way to punish them for being dirty and drunken and dishonest, and not knowing how to read and write. But I didnt know that the rich were miserable. I didnt know that I was miserable. I didnt know that our respectability was uppish snobbery and our religion gluttonous selfishness, and that my soul was starving on them. I know now. I have found myself out thoroughly--in my dream.

THE ELDER. You are young. Some good man may cure you of this for a few happy years. When you fall in love, life will seem worth living.

THE PATIENT. I did fall in love. With that thing. And though I was never a hotel chambermaid I got tired of him sooner than Sweetie did. Love gets people into difficulties, not out of them. No more lovers for me: I want a sisterhood. Since I came here I have been wanting to join the army, like Joan of Arc. It's a brotherhood, of a sort.

THE SERGEANT. Yes, miss: that is so; and there used to be a peace of mind in the army that you could find nowhere else. But the war made an end of that. You see, miss, the great principle of soldiering, I take it, is that the world is kept going by the people who want the right thing killing the people who want the wrong thing. When the soldier is doing that, he is doing the work of God, which my mother brought me up to do. But thats a very different thing from killing a man because he's a German and he killing you because youre an Englishman. We were not killing the right people in 1915. We werent even killing the wrong people. It was innocent men killing one another.

THE PATIENT. Just for the fun of it.

THE SERGEANT. No, miss: it was no fun. For the misery of it.

THE PATIENT. For the devilment of it, then.

THE SERGEANT. For the devilment of the godless rulers of this world. Those that did the killing hadnt even the devilment to comfort them: what comfort is there in screwing on a fuse or pulling a string when the devilment it makes is from three to forty miles off, and you dont know whether you have only made a harmless hole in the ground or blown up a baby in its cradle that might have been your own? That wasnt devilment: it was damnation. No, miss: the bottom has come out of soldiering. What the gentleman here said about our all falling into a bottomless pit came home to me. I feel like that too.

THE ELDER. Lost souls, all of us.

THE PATIENT. No: only lost dogs. Cheer up, old man: the lost dogs always find their way home. [The voice of the Elderly Lady is heard returning]. Oh! here she comes again!

Mrs Mopply is still pursuing the colonel, who is walking doggedly and steadily away from her, with closed lips and a dangerous expression on his set features.

MRS MOPPLY. You wont even speak to me. It's a disgrace. I will send a cable message home to the Government about it. You were sent out here to rescue my daughter from these dreadful brigands. Why is nothing being done? What are the relations between yourself and that disgraceful countess who ought to have her coronet stripped off her back? You are all in a conspiracy to murder my poor lost darling child. You are in league with the brigands. You are--

The Colonel turns at bay, and brings down his umbrella whack on poor Mrs Mopply's helmet.

MRS MOPPLY. Oh! Oh! Oh! Oh! [With a series of short, dry, detached screams she totters and flutters back along the beach out of sight like a wounded bird].

General stupefaction. All stare at the Colonel aghast. The Sergeant rises in amazement, and remains standing afterwards as a matter of military etiquette.

THE PATIENT. Oh, if only someone had done that to her twenty years ago, how different my childhood would have been! But I must see to the poor old dear. [She runs after her mother].

AUBREY. Colonel: you have our full, complete, unreserved sympathy. We thank you from the bottom of our hearts. But that does not alter the fact that the man who would raise his hand to a woman, save in the way of kindness, is unworthy the name of Briton.

TALLBOYS. I am perfectly aware of that, sir. I need no reminder. The lady is entitled to an apology. She shall have it.

THE ELDER. But have you considered the possibility of a serious injury--

TALLBOYS [cutting him short] My umbrella is quite uninjured, thank you. The subject is now closed. [He sits down on the stone below St Pauls recently vacated by Aubrey. His manner is so decisive that nobody dares carry the matter further].

As they sit uneasily seeking one another's eyes and avoiding them again, dumbfounded by the violence of the catastrophe, a noise like that of a machine gun in action reaches their ears from afar. It increases to shattering intensity as it approaches. They all put their fingers to their ears. It diminishes slightly, then suddenly rises to a climax of speed and uproar, and stops.

TALLBOYS. Meek.

AUBREY. Meek.

SWEETIE. Meek.

THE ELDER. What is this? Why do you all say Meek?

Meek, dusty and gritty, but very alert, comes down the path through the gap with a satchel of papers.

TALLBOYS. My dear Meek, can you not be content with a motor cycle of ordinary horse power? Must you always travel at eighty miles an hour?

MEEK. I have good news for you, Colonel; and good news should travel fast.

TALLBOYS. For me?

MEEK. Your K.C.B., sir. [Presenting a paper] Honors list by wireless.

TALLBOYS [rising joyously to take the paper] Ah! Congratulate me, my friends. My dear Sarah is Lady Tallboys at last. [He resumes his seat and pores over the paper].

AUBREY } { Splendid!
THE SERGEANT } [together] { You deserve it, sir, if I may say so.
SWEETIE } { Delighted, I am sure.

THE ELDER. May I crave to know the nature of the distinguished service which has won this official recognition, sir?

TALLBOYS. I have won the battle of the maroons. I have suppressed brigandage here. I have rescued a British lady from the clutches of the brigands. The Government is preparing for a general election, and has had to make the most of these modest achievements.

THE ELDER. Brigands! Are there any here?

TALLBOYS. None.

THE ELDER. But--? The British lady? In their clutches?

TALLBOYS. She has been in my clutches, and perfectly safe, all the time.

THE ELDER [more and more puzzled] Oh! Then the battle of the--

TALLBOYS. Won by Private Meek. I had nothing whatever to do with it.

AUBREY. I invented the brigands and the British lady. [To Tallboys] By the way, Colonel, the impressive old party in the shrine is my father.

TALLBOYS. Indeed! Happy to meet you, sir, though I cannot congratulate you on your son, except in so far as you have brought into the world the most abandoned liar I have ever met.

THE ELDER. And may I ask sir, is it your intention not only to condone my son's frauds, but to take advantage of them to accept a distinction which you have in no way earned?

TALLBOYS. I have earned it, sir, ten times over. Do you suppose, because the brigandage which I am honored for suppressing has no existence, that I have never suppressed real brigands? Do you forget that though this battle of which I am crowned victor was won by a subordinate, I, too, have won real battles, and seen all the honors go to a brigadier who did not even know what was happening? In the army these things average themselves out: merit is rewarded in the long run. Justice is none the less justice though it is always delayed, and finally done by mistake. My turn today: Private Meek's tomorrow.

THE ELDER. And meanwhile Mr Meek--this humble and worthy soldier--is to remain in obscurity and poverty whilst you are strutting as a K.C.B.

TALLBOYS. How I envy him! Look at me and look at him! I, loaded with responsibilities whilst my hands are tied, my body disabled, my mind crippled because a colonel must not do anything but give orders and look significant and profound when his mind is entirely vacant! he, free to turn his hand to everything and to look like an idiot when he feels like one! I have been driven to sketching in watercolors because I may not use my hands in life's daily useful business. A commanding officer must not do this, must not do that, must not do the other, must not do anything but tell other men to do it. He may not even converse with them. I see this man Meek doing everything that is natural to a complete man: carpentering, painting, digging, pulling and hauling, fetching and carrying, helping himself and everybody else, whilst I, with a bigger body to exercise and quite as much energy, must loaf and loll, allowed to do nothing but read the papers and drink brandy and water to prevent myself going mad. I should have become a drunkard had it not been for the colors.

THE SERGEANT. Ah yes, sir, the colors. The fear of disgracing them has kept me off the drink many a time.

TALLBOYS. Man: I do not mean the regimental colors, but the water colors. How willingly would I exchange my pay, my rank, my K.C.B., for Meek's poverty, his obscurity!

MEEK. But, my dear Colonel--sorry, sir: what I mean to say is that you can become a private if you wish. Nothing easier: I have done it again and again. You resign your commission; take a new and very common name by deed poll; dye your hair and give your age to the recruiting sergeant as twenty-two; and there you are! You can select your own regiment.

TALLBOYS. Meek: you should not tantalize your commanding officer. No doubt you are an extraordinary soldier. But have you ever passed the extreme and final test of manly courage?

MEEK. Which one is that, sir?

TALLBOYS. Have you ever married?

MEEK. No, sir.

TALLBOYS. Then do not ask me why I do not resign my commission and become a free and happy private. My wife would not let me.

THE COUNTESS. Why dont you hit her on the head with your umbrella?

TALLBOYS. I dare not. There are moments when I wish some other man would. But not in my presence. I should kill him.

THE ELDER. We are all slaves. But at least your son is an honest man.

TALLBOYS. Is he? I am glad to hear it. I have not spoken to him since he shirked military service at the beginning of the war and went into trade as a contractor. He is now so enormously rich that I cannot afford to keep up his acquaintance. Neither need you keep up that of your son. By the way, he passes here as the half step-brother of this lady, the Countess Valbrioni.

SWEETIE. Valbrioni be blowed! My name is Susan Simpkins. Being a countess isnt worth a damn. There's no variety in it: no excitement. What I want is a month's leave for the sergeant. Wont you give it to him, Colonel?

TALLBOYS. What for?

SWEETIE. Never mind what for. A fortnight might do; but I dont know for certain yet. There's something steadying about him; and I suppose I will have to settle down some day.

TALLBOYS. Nonsense! The sergeant is a pious man, not your sort. Eh, Sergeant?

SERGEANT. Well, sir, a man should have one woman to prevent him from thinking too much about women in general. You cannot read your Bible undisturbed if visions and wandering thoughts keep coming between you and it. And a pious man should not marry a pious woman: two of a trade never agree. Besides, it would give the children a onesided view of life. Life is very mixed, sir: it is not all piety and it is not all gaiety. This young woman has no conscience; but I have enough for two. I have no money; but she seems to have enough for two. Mind: I am not committing myself; but I will go so far as to say that I am not dead set against it. On the plane of this world and its vanities--and weve got to live in it, you know, sir--she appeals to me.

AUBREY. Take care, sergeant. Constancy is not Sweetie's strong point.

THE SERGEANT. Neither is it mine. As a single man and a wandering soldier I am fair game for every woman. But if I settle down with this girl she will keep the others off. I'm a bit tired of adventures.

SWEETIE. Well, if the truth must be told, so am I. We were made for oneanother, Sergeant. What do you say?

THE SERGEANT. Well, I dont mind keeping company for a while, Susan, just to see how we get along together.

The voice of Mrs Mopply is again heard. Its tone is hardy and even threatening; and its sound is approaching rapidly.

MRS MOPPLY'S VOICE. You just let me alone, will you? Nobody asked you to interfere. Get away with you.

General awe and dismay. Mrs Mopply appears striding resolutely along the beach. She walks straight up to the Colonel, and is about to address him when he rises firmly to the occasion and takes the word out of her mouth.

TALLBOYS. Mrs Mopply: I have a duty to you which I must discharge at once. At our last meeting, I struck you.

MRS MOPPLY. Struck me! You bashed me. Is that what you mean?

TALLBOYS. If you consider my expression inadequate I am willing to amend it. Let us put it that I bashed you. Well, I apologize without reserve, fully and amply. If you wish, I will give it to you in writing.

MRS MOPPLY. Very well. Since you express your regret, I suppose there is nothing more to be said.

TALLBOYS [darkening ominously] Pardon me. I apologized. I did not express my regret.

AUBREY. Oh, for heaven's sake, Colonel, dont start her again. Dont qualify your apology in any way.

MRS MOPPLY. You shut up, whoever you are.

TALLBOYS. I do not qualify my apology in the least. My apology is complete. The lady has a right to it. My action was inexcusable. But no lady--no human being--has a right to impose a falsehood on me. I do not regret my action. I have never done anything which gave me more thorough and hearty satisfaction. When I was a company officer I once cut down an enemy in the field. Had I not done so he would have cut me down. It gave me no satisfaction: I was half ashamed of it. I have never before spoken of it. But this time I struck with unmixed enjoyment. In fact I am grateful to Mrs Mopply. I owe her one of the very few delightfully satisfactory moments of my life.

MRS MOPPLY. Well, thats a pretty sort of apology, isnt it?

TALLBOYS [firmly] I have nothing to add, madam.

MRS MOPPLY. Well, I forgive you, you peppery old blighter.

Sensation. They catch their breaths, and stare at one another in consternation. The patient arrives.

THE PATIENT. I am sorry to say, Colonel Tallboys, that you have unsettled my mother's reason. She wont believe that I am her daughter. She's not a bit like herself.

MRS MOPPLY. Isnt she? What do you know about myself? my real self? They told me lies; and I had to pretend to be somebody quite different.

TALLBOYS. Who told you lies, madam? It was not with my authority.

MRS MOPPLY. I wasnt thinking of you. My mother told me lies. My nurse told me lies. My governess told me lies. Everybody told me lies. The world is not a bit like what they said it was. I wasnt a bit like what they said I ought to be. I thought I had to pretend. And I neednt have pretended at all.

THE ELDER. Another victim! She, too, is falling through the bottomless abyss.

MRS MOPPLY. I dont know who you are or what you think you mean; but you have just hit it: I dont know my head from my heels. Why did they tell me that children couldnt live without medicine and three meat meals a day? Do you know that I have killed two of my children because they told me that? My own children! Murdered them, just!

THE ELDER. Medea! Medea!

MRS MOPPLY. It isnt an idea: it's the truth. I will never believe anything again as long as I live. I'd have killed the only one I had left if she hadnt run away from me. I was told to sacrifice myself--to live for others; and I did it if ever a woman did. They told me that everyone would love me for it; and I thought they would; but my daughter ran away when I had sacrificed myself to her until I found myself wishing she would die like the others and leave me a little to myself. And now I find it was not only my daughter that hated me but all my friends, all the time they were pretending to sympathize, were just longing to bash me over the head with their umbrellas. This poor man only did what all the rest would have done if theyd dared. When I said I forgave you I meant it: I am greatly obliged to you. [She kisses him]. But now what am I to do? How am I to behave in a world thats just the opposite of everything I was told about it?

THE PATIENT. Steady, mother! steady! steady! Sit down. [She picks up a heavy stone and places it near the Abode of Love for Mrs Mopply to sit on].

MRS MOPPLY [seating herself] Dont you call me mother. Do you think my daughter could carry rocks about like that? she that had to call the nurse to pick up her Pekingese dog when she wanted to pet it! You think you can get round me by pretending to be my daughter; but that just shews what a fool you are; for I hate my daughter and my daughter hates me, because I sacrificed myself to her. She was a horrid selfish girl, always ill and complaining, and never satisfied, no matter how much you did for her. The only sensible thing she ever did was to steal her own necklace and sell it and run away to spend the money on herself. I expect she's in bed somewhere with a dozen nurses and six doctors all dancing attendance on her. Youre not a bit like her, thank goodness: thats why Ive taken a fancy to you. You come with me, darling. I have lots of money, and sixty years of a misspent life to make up for; so you will have a good time with me. Come with me as my companion; and lets forget that there are such miserable things in the world as mothers and daughters.

THE PATIENT. What use shall we be to one another?

MRS MOPPLY. None, thank God. We can do without one another if we dont hit it off.

THE PATIENT. Righto! I'll take you on trial until Ive had time to look about me and see what I'm going to do. But only on trial, mind.

MRS MOPPLY. Just so, darling. We'll both be on trial. So thats settled.

THE PATIENT. And now, Mr Meek, what about the little commission you promised to do for me? Have you brought back my passport?

THE COUNTESS. Your passport! Whatever for?

AUBREY. What have you been up to, Mops? Are you going to desert me?

Meek advances and empties a heap of passports from his satchel on the sand, kneeling down to sort out the patient's.

TALLBOYS. What is the meaning of this? Whose passports are these? What are you doing with them? Where did you get them?

MEEK. Everybody within fifty miles is asking me to get a passport visa'd.

TALLBOYS. Visa'd! For what country?

MEEK. For Beotia, sir.

TALLBOYS. Beotia?

MEEK. Yessir. The Union of Federated Sensible Societies, sir. The U.F.S.S. Everybody wants to go there now, sir.

THE COUNTESS. Well I never!

THE ELDER. And what is to become of our unhappy country if all its inhabitants desert it for an outlandish place in which even property is not respected?

MEEK. No fear, sir: they wont have us. They wont admit any more English, sir: they say their lunatic asylums are too full already. I couldnt get a single visa, except [to the Colonel] for you, sir.

TALLBOYS. For me! Damn their impudence! I never asked for one.

MEEK. No, sir; but their people have so much leisure that they are at their wits' end for some occupation to keep them out of mischief. They want to introduce the only institution of ours that they admire.

THE ELDER. And pray which one is that?

MEEK. The English school of watercolor painting, sir. Theyve seen some of the Colonel's work; and theyll make him head of their centres of repose and culture if he'll settle there.

TALLBOYS. This cannot be true, Meek. It indicates a degree of intelligence of which no Government is capable.

MEEK. It's true, sir, I assure you.

TALLBOYS. But my wife--

MEEK. Yessir: I told them. [He repacks his satchel].

TALLBOYS. Well, well: there is nothing for it but to return to our own country.

THE ELDER. Can our own country return to its senses, sir? that is the question.

TALLBOYS. Ask Meek.

MEEK. No use, sir: all the English privates want to be colonels: there's no salvation for snobs. [To Tallboys] Shall I see about getting the expedition back to England, sir?

TALLBOYS. Yes. And get me two tubes of rose madder and a big one of Chinese White, will you?

MEEK [about to go] Yessir.

THE ELDER. Stop. There are police in England. What is to become of my son there?

SWEETIE [rising] Make Popsy a preacher, old man. But dont start him until weve gone.

THE ELDER. Preach, my son, preach to your heart's content. Do anything rather than steal and make your military crimes an excuse for your civil ones. Let men call you the reverend. Let them call you anything rather than thief.

AUBREY [rising] If I may be allowed to improve the occasion for a moment--

General consternation. All who are seated rise in alarm, except the patient, who jumps up and claps her hands in mischievous encouragement to the orator.

MRS MOPPLY } [together] { You hold your tongue, young man.
SWEETIE } { Oh Lord! we're in for it now.
THE ELDER } { Shame and silence would better become you, sir.
THE PATIENT } { Go on, Pops. It's the only thing you do well.

AUBREY [continuing]--it is clear to me that though we seem to be dispersing quietly to do very ordinary things: Sweetie and the Sergeant to get married [the Sergeant hastily steals down from his grotto, beckoning to Sweetie to follow him. They both escape along the beach] the colonel to his wife, his watercolors, and his K.C.B. [the colonel hurries away noiselessly in the opposite direction] Napoleon Alexander Trotsky Meek to his job of repatriating the expedition [Meek takes to flight up the path through the gap] Mops, like Saint Teresa, to found an unladylike sisterhood with her mother as cook-housekeeper [Mrs Mopply hastily follows the sergeant, dragging with her the patient, who is listening to Aubrey with signs of becoming rapt in his discourse] yet they are all, like my father here, falling, falling, falling endlessly and hopelessly through a void in which they can find no footing. [The Elder vanishes into the recesses of St Pauls, leaving his son to preach in solitude]. There is something fantastic about them, something unreal and perverse, something profoundly unsatisfactory. They are too absurd to be believed in: yet they are not fictions: the newspapers are full of them: what storyteller, however reckless a liar, would dare to invent figures so improbable as men and women with their minds stripped naked? Naked bodies no longer shock us: our sunbathers, grinning at us from every illustrated summer number of our magazines, are nuder than shorn lambs. But the horror of the naked mind is still more than we can bear. Throw off the last rag of your bathing costume; and I shall not blench nor expect you to blush. You may even throw away the outer garments of your souls: the manners, the morals, the decencies. Swear; use dirty words; drink cocktails; kiss and caress and cuddle until girls who are like roses at eighteen are like battered demireps at twenty-two: in all these ways the bright young things of the victory have scandalized their dull old prewar elders and left nobody but their bright young selves a penny the worse. But how are we to bear this dreadful new nakedness: the nakedness of the souls who until now have always disguised themselves from one another in beautiful impossible idealisms to enable them to bear one another's company. The iron lighting of war has burnt great rents in these angelic veils, just as it has smashed great holes in our cathedral roofs and torn great gashes in our hillsides. Our souls go in rags now; and the young are spying through the holes and getting glimpses of the reality that was hidden. And they are not horrified: they exult in having found us out: they expose their own souls; and when we their elders desperately try to patch our torn clothes with scraps of the old material, the young lay violent hands on us and tear from us even the rags that were left to us. But when they have stripped themselves and us utterly naked, will they be able to bear the spectacle? You have seen me try to strip my soul before my father; but when these two young women stripped themselves more boldly than I--when the old woman had the mask struck from her soul and revelled in it instead of dying of it--I shrank from the revelation as from a wind bringing from the unknown regions of the future a breath which may be a breath of life, but of a life too keen for me to bear, and therefore for me a blast of death. I stand midway between youth and age like a man who has missed his train: too late for the last and too early for the next. What am I to do? What am I? A soldier who has lost his nerve, a thief who at his first great theft has found honesty the best policy and restored his booty to its owner. Nature never intended me for soldiering or thieving: I am by nature and destiny a preacher. I am the new Ecclesiastes. But I have no Bible, no creed: the war has shot both out of my hands. The war has been a fiery forcing house in which we have grown with a rush like flowers in a late spring following a terrible winter. And with what result? This: that we have outgrown our religion, outgrown our political system, outgrown our own strength of mind and character. The fatal word NOT has been miraculously inserted into all our creeds: in the desecrated temples where we knelt murmuring "I believe" we stand with stiff knees and stiffer necks shouting "Up, all! the erect posture is the mark of the man: let lesser creatures kneel and crawl: we will not kneel and we do not believe." But what next? Is NO enough? For a boy, yes: for a man, never. Are we any the less obsessed with a belief when we are denying it than when we were affirming it? No: I must have affirmations to preach. Without them the young will not listen to me; for even the young grow tired of denials. The negativemonger falls before the soldiers, the men of action, the fighters, strong in the old uncompromising affirmations which give them status, duties, certainty of consequences; so that the pugnacious spirit of man in them can reach out and strike deathblows with steadfastly closed minds. Their way is straight and sure; but it is the way of death; and the preacher must preach the way of life. Oh, if I could only find it! [A white sea fog swirls up from the beach to his feet, rising and thickening round him]. I am ignorant: I have lost my nerve and am intimidated: all I know is that I must find the way of life, for myself and all of us, or we shall surely perish. And meanwhile my gift has possession of me: I must preach and preach and preach no matter how late the hour and how short the day, no matter whether I have nothing to say--

The fog has enveloped him; the gap with its grottoes is lost to sight; the ponderous stones are wisps of shifting white cloud; there is left only fog: impenetrable fog; but the incorrigible preacher will not be denied his peroration, which, could we only hear it distinctly, would probably run--

--or whether in some pentecostal flame of revelation the Spirit will descend on me and inspire me with a message the sound whereof shall go out unto all lands and realize for us at last the Kingdom and the Power and the Glory for ever and ever. Amen.

 

The audience disperses (or the reader puts down the book) impressed in the English manner with the Pentecostal flame and the echo from the Lord's Prayer. But fine words butter no parsnips. A few of the choicer spirits will know that the Pentecostal flame is always alight at the service of those strong enough to bear its terrible intensity. They will not forget that it is accompanied by a rushing mighty wind, and that any rascal who happens to be also a windbag can get a prodigious volume of talk out of it without ever going near enough to be shrivelled up. The author, though himself a professional talk maker, does not believe that the world can be saved by talk alone. He has given the rascal the last word; but his own favorite is the woman of action, who begins by knocking the wind out of the rascal, and ends with a cheerful conviction that the lost dogs always find their own way home. So they will, perhaps, if the women go out and look for them.

 

 

 

From the Malvern Festival Book, 1932

 

Too True to be Good was written for Malvern; but as the Malvern Festival comes only once a year, the Theatre Guild of the United States captured the first performance, with Poland a good second. The American critics (whom you must carefully distinguish from the American public) on the whole disliked the play. I am used to that; but this time they annoyed me by taking the young gentleman-soldier-burglar-chaplain in the play to be the mouthpiece of my own opinions and the mirror of my own temperament, and informing the world that I am finishing my life in a condition of pitiable but theatrically very tiresome disillusion and despair, having recanted all my professions, renounced all my convictions, abandoned all my hopes, and demolished all my Utopias.

Many people are like that, both in America and here: if you hint that there is not a paradise they call you a pessimist, though they never stop grumbling at the abominable way in which they are being treated by their own Governments. They also never tire of repeating that I point out evils without suggesting remedies, and am therefore not a practical man. Lest our English critics should start all that over again when they come down to Malvern--and many of them are quite capable of it--let me hasten to assure them that I have not recanted, renounced, abandoned, nor demolished anything whatever, and that extremely practical and precise remedies, including a complete political reconstitution, a credible and scientific religion, and a satisfactory economic scheme, are discoverable by anyone under thirty (the older ones are past praying for) who will take the trouble to bring his or her education up to date by retiring into a House of Study and Contemplation and reading my works carefully through from beginning to end. I wrote them with a view to that; for though my trade is that of a playwright, my vocation is that of a prophet, with occasional lapses into what uncivil people call buffoonery. If my admirers dislike these lapses they should take care not to make me laugh, and to remember that there are others who think that I am endurable only when I indulge my unfortunate sense of humor.

In Poland, where criticism seems better equipped culturally, the success of the play so terrified the authorities, that they sacked the censor who had, in deference to my reputation, passed the play without reading it. Do not, however, waste sympathy on this enlightened official: he was reinstated three days later, presumably to avert a pro-Shavian revolution; and the play was allowed to proceed subject to the excision of all the disparagements of war in the last act. I invite the attention of the League of Nations, and of all Pacifist leagues and conferences, to this gesture by the Polish Government, and the light it throws on the real views of Poland as to the moral respectability--not to say glory--of war. Not that I would suggest for a moment that those views are a jot different from the views of the other imperialist States; but none of them have been quite so candid about it as the Polish Government in this instance.

The moral of my play, or rather the position illustrated by it, is simple enough. When wars were waged by professional armies, the reversal of morality which they involved was kept in a conscience-tight compartment: a civilian population might talk wickedly enough in its patriotic fervor; but it did not know what it was talking about: the actual slaughter and sack and rapine was only a story in the newspapers, not a real experience. But a war like that of 1914-18, in which the whole male population of military age was forced to serve, hosts of women volunteered for work under fire, and the new feature of aerial bombardment brought the bloody part of the business crash into the civilians' bedrooms, was quite another matter. The shock to common morals was enormously greater and more general. So was the strain on the nerves. This time all the old romantic pretences of "fearlessness" were dropped: nobody pretended to be immune either from actual funk under the barrage or from the wild reaction into security and hero-worship when at home on leave. When terror had gone to its limit, subsequent indulgence for everything, from the pitch and tone of a night at The Byng Boys to the manslaughter of a correspondent, obeyed the law that action and reaction are equal. And so, for four years, it was taken as a matter of course that young people, when they were not under fire, must be allowed a good time.

Now I do not at all object to young people having a good time. I think they should have a good time all the time, at peace as well as in war. I think that their having a good time is one of the tests of civilization. But I very strenuously warn both young and old against the monstrous folly of supposing that a good time has any resemblance to those wartime reactions after paroxysms of horror and terror, when the most childish indulgence seemed heavenly and the most reckless excesses excusable on the plea of "Let us eat and drink (especially drink), for tomorrow we die." Our difficulty now is that what the bright young things after the war tried to do, and what their wretched survivors are still trying to do, is to get the reaction without the terror, to go on eating cocaine and drinking cocktails as if they had only a few hours' expectation of life instead of forty years.

In my play the ex-war nurse and the ex-airman-ace persuade a respectable young lady, too respectable to have ever had a good time, to come with them and enjoy the sort of good time they had in the nightmare of 1914-18. My stage picture of the result of the experiment will, I hope, deter any respectable young lady who witnesses it from relieving the tedium and worthlessness of idle gentility in that way.

The demonstration is rather funny at first; but I know my business as a playwright too well to fall into the common mistake of believing that because it is pleasant to be kept laughing for an hour, it must be trebly pleasant to be kept laughing for three hours. When people have laughed for an hour, they want to be serio-comically entertained for the next hour; and when that is over they are so tired of not being wholly serious that they can bear nothing but a torrent of sermons.

My play is arranged accordingly.

July 1932

G. B. S.

 

 

 

Why "Too True to be Good" Failed:

A Moral in Favour of a National Theatre

 

(Everyman, London, 5 November 1932)

 

The opportunity is rather a good one to draw a moral in favour of a National Theatre. You may remember that after the old experiment made by Vedrenne and Barker at the Court Theatre in 1904, which was finally pushed as far as it would go, and ended a bit further, Granville-Barker came to the conclusion that he could make a west end London theatre, playing Shakespear and highbrow repertory, pay its way if it were rent free and rate free. An endowment to that extent would solve the money problem.

In those days, remember, rents and salaries and production expenses were so much lower than at present that George Alexander, running the most expensive theatre of its size in London, complained to me that he could not carry on unless his receipts were £1,000 a week.

Now it happens that this is the exact figure at which Too True was withdrawn last Saturday. Alexander would have run the play for six months at such business; but Barry Jackson has to throw in his hand unless the receipts are £1,600.

When Cochran gallantly produced O'Casey's Silver Tassie he had to take it off, because his expenses were £1,700 a week.

Too True filled the cheaper seats and moved people as no play of mine has moved them before; the houses in Birmingham were crowded out for three weeks; and the tour is all right. But because the people who can afford to pay thirteen shillings for a stall do not care for that sort of play in sufficient quantities, and left the box office £50 short of "Stalls full" every night at the end, the play is described as a failure and has to give place to musical comedy. And meanwhile at the Old Vic and Sadler's Wells, Cæsar and Cleopatra fills these big houses with their reasonable prices.

Thus the case for a National Theatre grows stronger as the commercial theatres and cinemas flourish more and more and raise the standard of expenditure to a pitch undreamt of at the beginning of the century. Here am I, expected to force intellectual drama to the utmost limits of human endurance--"as far as thought can reach," in fact--rebuked austerely by every sap-head in the critics' circle if I humanely venture to give my audiences the least scrap of fun; and the reward I get is that when I have increased the takings more than sevenfold in thirty years, and had a success which in point of money would have ranked before the war as a silver mine, the play has to be withdrawn, leaving me hammered like an insolvent broker on the Stock Exchange. I must have a public pension of at least £10,000 a year if I am to carry on. Too True failed, as they call it, in America also. That means that after twelve weeks' roaring business, the receipts dropped in the last week to $6,500. Well, if the vanguard of the drama cannot live on the drama when the plunder amounts to $6,500 a week, it must perish unless governments and municipalities come to the rescue with endowed theatres. If this National Government will only pay the rent of the New Theatre, Sir Barry Jackson will run Too True for another year cheerfully. Neither he nor I can say any fairer than that, can we?

 

 

THE END

This site is full of FREE ebooks - Project Gutenberg Australia